{"title":"S.Y.P.H.","description":null,"products":[{"product_id":"syph-2","title":"S.Y.P.H.","description":"\u003cp\u003eWith their unpredictable live performances and songs such as \u003cem\u003e‘Zurück zum Beton’\u003c\/em\u003e and \u003cem\u003e‘Industriemädchen’\u003c\/em\u003e, \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e caused a ruckus at the end of the 70s - as one of the bands that began to write lyrics in German around Düsseldorf's Ratinger Hof.\u003c\/p\u003e\n\n\u003cp\u003eRight from the start, the band broke with genre-conformist expectations and borrowed from rock, punk, and kraut just as much as from Dadaism and the reality of everyday life. Now, a reissue sheds light on S.Y.P.H.'s first creative phase from 1977 to 1982.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTape Records\u003c\/strong\u003e releases the \u003cem\u003ePure Freude Singles\u003c\/em\u003e including previously unreleased songs and the self-titled album \u003cem\u003eS.Y.P.H.\u003c\/em\u003e (including ‘Zurück zum Beton’).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e formed in 1977 in Solingen and began playing concerts in nearby Düsseldorf. Initially clearly based on punk, the band's sound quickly developed and became increasingly difficult to categorize. In the intensive years that followed, \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e’s productions often featured guests from the Düsseldorf scene around Ratinger Hof or Can’s Holger Czukay.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eS.Y.P.H. - S.Y.P.H.\u003c\/em\u003e While around 1980, punk and Neue Deutsche Welle (German New Wave) were solidifying as supposedly clear-cut concepts, \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e's music testified to the blurriness of genre boundaries: already on the first, self-titled LP, the band belts out short punky songs like \u003cem\u003e“Zurück zum Beton”\u003c\/em\u003e and \u003cem\u003e“Lachleute und Nettmenschen”\u003c\/em\u003e, while the B-side surprises with more than ten-minute long Kraut-inspired pieces.\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"Black LP","offer_id":50932238221643,"sku":"2235288","price":30.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50932237467979,"sku":"2235283","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1b4502f2_thumbnail_4096.jpg?v=1733337636"},{"product_id":"pure-freude-singles-2","title":"Pure Freude Singles","description":"\u003cp\u003eWith their unpredictable live performances and songs such as ‘\u003cem\u003eZurück zum Beton\u003c\/em\u003e’ and ‘\u003cem\u003eIndustriemädchen\u003c\/em\u003e’, \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e caused a ruckus at the end of the 70s - as one of the bands that began to write lyrics in German around Düsseldorf's Ratinger Hof.\u003c\/p\u003e\n\n\u003cp\u003eRight from the start, the band broke with genre-conformist expectations and borrowed from rock, punk and kraut just as much as from Dadaism and the reality of everyday life. Now, a reissue sheds light on \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e's first creative phase from 1977 to 1982. \u003cem\u003eTapete Records\u003c\/em\u003e releases the \u003cem\u003ePure Freude Singles\u003c\/em\u003e including previously unreleased songs and the self-titled album \u003cem\u003eS.Y.P.H.\u003c\/em\u003e (including ‘\u003cem\u003eZurück zum Beton\u003c\/em\u003e’).\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e formed in 1977 in Solingen and began playing concerts in nearby Düsseldorf. Initially clearly based on punk, the band's sound quickly developed and became increasingly difficult to categorise. In the intensive years that followed, \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e’s productions often featured guests from the Düsseldorf scene around Ratinger Hof or Can’s Holger Czukay.\u003c\/p\u003e\n\n\u003cp\u003eThis is a collection of the band's early singles: four tracks - including ‘\u003cem\u003eIndustriemädchen\u003c\/em\u003e’ and ‘\u003cem\u003eEuropa\u003c\/em\u003e’ - were originally released in 1979 on the EP ‘\u003cem\u003eViel Feind, viel Ehr\u003c\/em\u003e’. Thirteen further tracks - including ‘\u003cem\u003eFalsche Freunde\u003c\/em\u003e’ and ‘\u003cem\u003eKnudelblues II\u003c\/em\u003e’ - were released in 1982 as ‘\u003cem\u003eDer Bauer im Parkdeck\u003c\/em\u003e’. Three further songs are unreleased.\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"Black LP","offer_id":50932254277963,"sku":"2235276","price":30.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50932252672331,"sku":"2235273","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_9a3888f7_thumbnail_4096.jpg?v=1733337759"},{"product_id":"pst","title":"PST","description":"\u003cp\u003eWith their unpredictable live performances and songs such as 'Zurück zum Beton' and 'Industriemädchen', S.Y.P.H. caused a ruckus at the end of the 70s - as one of the bands that began to write lyrics in German around Düsseldorf's Ratinger Hof. Right from the start, the band broke with genre-conformist expectations and borrowed from rock, punk and kraut just as much as from Dadaism and the reality of everyday life. After the first album and several singles (re-issued on Tapete Records in December 2024), the band produced two more albums - Pst and S.Y.P.H. (album 4) - together with CAN's Holger Czukay. Tapete Records is now releasing both albums and a collection of previously unreleased rarities - Punkraut 1978-1981. \"Peter Braatz (Harry Rag), Jojo Wolter, Ulli Putsch and myself in 1980 in Can's so-called Innerspace Studio in Weilerswist: what a happening! I probably still don't have the words to describe how I felt. Were we excited? Of course we were - and then some. It was a non-stop flight to the centre of the universe, to the Holy of Holies, way beyond our musical imagination. After all, except for the first LP \"Monster Movie\", this is where all the wonderful masterpieces of the very best international German band that we all love so dearly were created. Pure magic was at work here. Future Days had already been a promise for me when I was still a student - and now the four of us were right at the centre of our musical dreams. We could suddenly play whatever we wanted. Okay, on the first day we were all still pretty tense. But Holger Czukay kept encouraging us and quickly managed to loosen us all up a little. And then the thing took off. […] So there was always an urgent desire within us to create intuitive music without making agreements up front, where everyone was listening to their inner self and at the same time to their fellow musicians - that's what the \"Pst\", i.e. \"Shh\" is about! -, creating music together in the moment. A free, direct way of composing. The spatial atmosphere of the Innerspace Studio contributed significantly to us being able to realise this wish. The studio as a living musical universe. A large, truly infinite space without barriers, where all four of us were in our element\". (Uwe Jahnke, S.Y.P.H.)\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"CD","offer_id":51299988439371,"sku":"R4299-7190","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":51299988472139,"sku":"R4299-3934","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fN4RNkMh.jpg?v=1740046945"},{"product_id":"s-y-p-h-album-4","title":"S.Y.P.H. (Album 4)","description":"\u003cp\u003eWith their unpredictable live performances and songs such as \"\u003cem\u003eZurück zum Beton\u003c\/em\u003e\" and \"\u003cem\u003eIndustriemädchen\u003c\/em\u003e\", \u003cstrong\u003eS.Y.P.H.\u003c\/strong\u003e caused a ruckus at the end of the 70s - as one of the bands that began to write lyrics in German around Düsseldorf's Ratinger Hof.\u003c\/p\u003e\n\n\u003cp\u003eRight from the start, the band broke with genre-conformist expectations and borrowed from rock, punk, and kraut just as much as from Dadaism and the reality of everyday life. After the first album and several singles (re-issued on Tapete Records in December 2024), the band produced two more albums - \u003cem\u003ePst\u003c\/em\u003e and \u003cem\u003eS.Y.P.H.\u003c\/em\u003e (album 4) - together with CAN's Holger Czukay.\u003c\/p\u003e\n\n\u003cp\u003eTapete Records is now releasing both albums and a collection of previously unreleased rarities - \u003cem\u003ePunkraut 1978-1981\u003c\/em\u003e. In the mid-seventies, Uwe Jahnke and Harry Rag had probably founded the first CAN fan club in Germany and, among other things, conducted an interview with Holger Czukay for Harry Rag's school newspaper in 1976.\u003c\/p\u003e\n\n\u003cp\u003eFour years later, fandom made way for collaboration when the band asked the legendary CAN multi-instrumentalist whether he'd be willing to produce the next S.Y.P.H. album. To their astonishment, he accepted. Thus it came about that in 1980, S.Y.P.H. was recording with Czukay in the fabled Innerspace Studio in Weilerswist, where the iconic CAN albums had been created years earlier.\u003c\/p\u003e\n\n\u003cp\u003eCzukay also performed on several tracks, for instance horn, percussion, bass, and harmonica on \"\u003cem\u003eDo the Fleischwurst\u003c\/em\u003e\". These sessions resulted in the two albums \u003cem\u003ePst\u003c\/em\u003e and the untitled 4th album.\u003c\/p\u003e\n\n\u003cp\u003e\"We stumbled into the 'Innerspace', a raucous and shrill punk band in CAN's private recording room. We wanted to develop our musical style, change it, discover new territory, improvise. We wanted to move away from the punk belters and towards something new. Jojo on bass, Uli on drums, Uwe on guitar - and myself on whatever we could find. Holger would send the signals through the loudspeakers distributed around the room and recorded a lot with several room mics. Most of the recordings were therefore live, only a few overdubs were recorded separately. We probably didn't know exactly what we were doing at the time. After 5 days, the studio days were over and we went home\". (Harry Rag, S.Y.P.H.)\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"CD","offer_id":51300021600587,"sku":"R3467-8788","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":51300021633355,"sku":"R3467-5569","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/PdovC2Oi_7c788fcc-c625-4c79-b503-7c46df602ad4.jpg?v=1752233963"},{"product_id":"punkraut-1978-1981","title":"Punkraut 1978-1981","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cspan\u003eWith their unpredictable live performances and songs such as \"Zurück zum Beton\" and \"Industriemädchen\", S.Y.P.H. caused a ruckus at the end of the 70s - as one of the bands that began to write\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003elyrics in German around Düsseldorf's Ratinger Hof. Right from the start, the band broke with genre-conformist expectations and borrowed from rock, punk and kraut just as much as from Dadaism\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eand the reality of everyday life.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAfter the first album and several singles (re-issued on Tapete Records in December 2024), the band produced two more albums - Pst and S.Y.P.H. (album 4) - together with CAN's Holger Czukay.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTapete Records is now releasing both albums and a collection of previously unreleased rarities - \u003cem\u003ePunkraut 1978-1981\u003c\/em\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis compilation contains rare and previously unreleased recordings from the first three years of the band's history: The songs \"Blech\" and \"Mondpogo\", performed live at S.Y.P.H.'s first concert in\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eDüsseldorf's Carsch-Haus in 1978 and five recordings made in nearby Solingen between 1978 and 1979. There are also three studio recordings from the Hamburg Container Studios in December 1981\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e- recordings from a time when \"the band had finally abandoned punk as a musical genre as well as the influence of interim producer Holger Czukay and had found a style all of their own\". (Kurt Dahlke,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eDAF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tapete","offers":[{"title":"LP - Black","offer_id":51300060463435,"sku":"R2283-3519","price":30.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51300060496203,"sku":"R2283-353","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2sWTjDz.jpg?v=1740047396"}],"url":"https:\/\/shop.roughtrade.com\/collections\/syph-2.oembed","provider":"Rough Trade","version":"1.0","type":"link"}