{"title":"T-Bird","description":null,"products":[{"product_id":"synchro-system-aura","title":"Synchro System \/ Aura","description":"\u003cp\u003eIn world music, few if any other musicians are held in such esteem as Nigeria’s \u003cstrong\u003eKing Sunny Ade\u003c\/strong\u003e. In a career that stretches back to the 1960s, the man has proven to be a dynamic and enduring influence, taking juju music (a derivative of an indigenous percussive style in Nigeria; also, contrary to popular misconception, the term has no connection to magic!) and bringing it onto a global stage.\u003c\/p\u003e\n\n\u003cp\u003eFollowing the success – critical and commercial – of \u003cem\u003eJuju Music\u003c\/em\u003e in 1982, there followed \u003cem\u003eSyncro System\u003c\/em\u003e (1983) and \u003cem\u003eAura\u003c\/em\u003e (’84). Both continued the style and sound which had taken everyone by surprise on \u003cem\u003eJuju Music\u003c\/em\u003e. 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Produced by the legendary Terry Melcher and featuring future Beach Boy \u003cstrong\u003eBruce Johnston\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe band was started by Ernie Bringas and Phil Stewart in 1957. They landed a deal with the Columbia label in 1962. Melcher, then just 20, was assigned to produce the duo’s first single \"\u003cem\u003eHere I Stand\u003c\/em\u003e\" in 1963, which reached #51 on the national charts and was quickly followed by a second single, \"\u003cem\u003eGone\u003c\/em\u003e\". It was at this time, Johnston was brought in.\u003c\/p\u003e\n\n\u003cp\u003eMelcher wrote \"\u003cem\u003eHey Little Cobra\u003c\/em\u003e\" with Carol Conners and decided to record this under the name of The Rip Chords, with only himself and Johnston on vocals. His lead vocal was outstanding with Johnston doing the falsetto and the single reached #4 on the American charts in 1964, with an album quickly following titled '\u003cem\u003eHey Little Cobra And Other Hot Rod Hits\u003c\/em\u003e'.\u003c\/p\u003e\n\n\u003cp\u003eIn the Summer of ‘64, the band had another hit with \"\u003cem\u003eThree Window Coupe\u003c\/em\u003e\", written by Jan Berry (of Jan And Dean fame) and Roger Christian. Again, an album of the same title quickly followed, with Melcher and Johnston handling a lot of the vocals. 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He also produced \u003cem\u003eThe Byrds\u003c\/em\u003e and \u003cem\u003eSons Of Adam\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eHe initiated \u003cem\u003eThe Hondells\u003c\/em\u003e project, produced the hit singles and the group’s two long players and created a sound synonymous with the name \u003cem\u003eThe Hondells\u003c\/em\u003e. ‘\u003cem\u003eGo Little Honda\u003c\/em\u003e’ produced the band's biggest hit, \"\u003cem\u003eLittle Honda\u003c\/em\u003e\" a \u003cem\u003eBeach Boys\u003c\/em\u003e’ song, penned by \u003cstrong\u003eBrian Wilson\u003c\/strong\u003e and \u003cstrong\u003eMike Love\u003c\/strong\u003e for their album '\u003cem\u003eAll Summer Long\u003c\/em\u003e', released in '64.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cem\u003eBeach Boys\u003c\/em\u003e hadn't put out their original as a single and noticing how well the cover was doing quickly released it but ironically, it was only a minor hit for the surf legends. 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