{"title":"Tal","description":null,"products":[{"product_id":"non-band","title":"Non Band","description":"\u003cp\u003e2023 repress\/reissue. Re-Issue of NON BAND's first album from 1982 incl. download code The Japanese punk rock movement known as Tokyo Rockers began in the summer of 1978. It incubated an independent music culture as well as a host of fascinating, individualistic musicians. One of the more striking units was the male-female duo Maria 023. NON played bass for them, and it was here that she first attracted attention. However, Maria 023 was short-lived, and NON would not reappear until the following year, August 1979, on stage at the legendary concert event \"Drive to 80s. In February 1982 NON BAND's first album was released as a 10-inch LP on Telegraph Records, the label's fifth release. In the early Japanese indies scene, if a release sold 1000 copies it was counted as a significant success. The NON BAND album went through several repressing and sold 2000 copies. The album was a hit and the band's critical reception and popularity suddenly took off\u003c\/p\u003e","brand":"Tal","offers":[{"title":"Black LP","offer_id":50443247944011,"sku":"2048071","price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/tal004ep_0b47c515_thumbnail_4096.jpg?v=1727011290"},{"product_id":"automne-six","title":"Automne Six","description":"\u003cp\u003eFirst ever vinyl edition of this one off collaboration between Philippe Poirier (Kat Onoma) and Stefan Schneider (to rococo rot \/ TAL) which was initiated by La Batie - Festival de Geneve, in 2002. The original recordings of the album took place the same year at Bleibeil Studios, Berlin. Engineered by Bernd Jestram. Restoration and mastering by Detlef Funder at Paraschall, Düsseldorf in 2022.\u003c\/p\u003e\u003cp\u003e \"19 or 20 years, what difference does it make if the beautiful things in life are able to transport us back to Year Zero - again and again. The moment when this album was created. It is the timeless horizon that motivates the artist. \"Dad, what's the line doing there ?\" - a good start for a story. Philippe Poirier and Stefan Schneider recount tales of slow travel, far beyond the known continents. The adventures of a certain Corto Maltese, mysterious love stories in long forgotten harbours. A love that creates its own time, just like a chess game, an ocean liner or propeller aeroplanes. The enthusiasm for cartography which Philippe Poirier and Stefan Schneider share, time and again, similar to a dream. The dream of an idea, of exploration, of finding. The first lines of a drawing that become the great painting. The sequences and the words which design a world in its own right. A tremendous reservoir and my old friend knows that there is an ideal companion for every journey. This time Philippe Poirier is a narrator who finds a sound like sand flowing through fingers and who knows how deep each object accompanies each love. Les Choses de la Vie.\" Detlef Weinrich (tolouse low tax), Paris 2021.\u003c\/p\u003e","brand":"Tal","offers":[{"title":"Black | LP","offer_id":50476927222091,"sku":"1160432","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9f6b05a0-4293-4442-92e5-1dd74a7391ee_thumbnail_4096.jpg?v=1727465230"},{"product_id":"massa","title":"Massa","description":"\u003cp\u003eLittle known gem of early 80s mutant funk from Düsseldorf's machine music legacy. Originally issued in 1981 as part of the rare 3 x12\" \u003cem\u003eMassa\u003c\/em\u003e compilation box on the short-lived Klar 80! label \/ cassette shop.\u003c\/p\u003e\n\n\u003cp\u003eFor many years this EP has existed as a rumour only, a phantom like contemporary post-punk acts such as Liaisons Dangereuses. These distinctly characteristic recordings have up until today remained the only vinyl outing under the \u003cstrong\u003eRoter Stern Belgrad\u003c\/strong\u003e name.\u003c\/p\u003e\n\n\u003cp\u003eWritten and produced by a fluid line-up during excessive nighttime sessions, using mostly a Roland rhythm machine and analogue sequencer modules, blending the results with field recordings to maximum effect. The production is razor-sharp and reduced to the bare bone.\u003c\/p\u003e\n\n\u003cp\u003eAll three featured tracks sound utterly urgent and uncompromising. The overall atmosphere can be described as grey, febrile, and evocative. The stand out proto-techno affair \u003cem\u003eAfars and Issas\u003c\/em\u003e are inspired by the vast emptiness of the rocky deserts in Djibouti.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eWegwerfliebling\u003c\/em\u003e creates a dystopian dancefloor killer full of nagging dynamics. The psychedelic mood of the pulsating \u003cem\u003eAbendstern Chant\u003c\/em\u003e is fed by the rumbling schizo-mechanics.\u003c\/p\u003e","brand":"Tal","offers":[{"title":"12\"","offer_id":50480670540107,"sku":"1050324","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0ba1ad8e-d5a1-468e-8b38-cda2952204f3_thumbnail_4096.png?v=1727525057"},{"product_id":"the-sparrow-3","title":"The Sparrow","description":"\u003cp\u003eIs it too Sam Prekop?, Sam Prekop asked me in an email conversation in which he delivered his wonderful illustrations which would become the front cover artwork. No, it is not too Sam Prekop at all. His drawings as well as the freeform music on this album are subtly different from anything else he has produced in his solo career. Regardless of the style he is working in, Sam Prekop's music is always imbued with a sense of wide-eyed discovery and unpredictable exploration. On The Sparrow Sam Prekop expands his electronic cosmos with a remarkable expression of timeless simplicity and coherent execution. It's deceptively simple music that feels accessible without abandoning the experimental legacy of the Modular hardware system which serves, besides a polyphonic Prophet 5 synthesizer, as the centre piece of this production. The side long title track The Sparrow opens this album with unpredictable synth dissonances and broken step sequenced patterns. Palm brings the set to a close with its irregular fragility while Fall is Farewell is build around a yearning brassy fanfare which resembles the noir romance theme of Michael Smalls soundtrack for the 1971 film Klute. The sparkling essence of Step and Stair seems a suitable space for unforgotten summer holidays of our childhood. On his first solo release for Dusseldorfs label TAL, electronic experimentalist Sam Prekop offers his most captivating yet stripped down modular music. All compositions on The Sparrow were gradually developed piece by piece. Best known for his jazz-leaning tropicalismo with The Sea And Cake, a key part of the Chicago scene with the likes of Tortoise or Chicago Underground Duo, he has in recent years established himself as a modular synthesist, building his instrument meticulously to create a unique system that allows him to create highly individual music through mechanical patterns, repetitions and chance. In this context his widely acclaimed community forming public tutorials on fb should be noted as well. The Sparrow is an exciting new chapter in his development as a constant creative influence. 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The material on this album was recorded by Funder and Sevens quite casually in 1980 in a rehearsal studio in the centre of Düsseldorf. Right from the beginning the two young musicians incorporated the atmosphere of the space in order to document the process of their sound experiments on a 4-track tape machine. For those recording sessions, which are now released for the first time ever on vinyl and download, Funder and Sevens managed to get their hands on a very rudimentary set of equipment consisting of merely a Korg MS 20 synth, a Roland CR 78 drum machine, a few electronic effects and a drum kit. The urgent and rough sound of the recordings imbues their production with a characteristic and era-specific edge that's hard to imitate today. Spontaneity and understatement were key elements in the brief creative period of STUMM. The recordings still have a uniquely dizzying quality and are somewhat of a basic blueprint for a lot of industrial\/techno and post punk which was about to loom in all corners of the world. These tracks are also a testament to the vivid spark of a period in time that would soon be radically changed through the rise of digital technology. Bernd Sevens: “Around 1980 there was a great musical awakening. Punk, New Wave, Industrial and of course Dub Reggae -- the electronic music blew us away. Everything we heard influenced us. Back then, cassette tapes were cheap and easily available. We could record our ideas on the spot and then copy and distribute the tapes. That's how it started. Giving it a go, experimenting, trial and error. The music you hear on the record was spontaneous and had no concept. Our collaboration was also not intended to be a permanent project. You could say we were dilettantes setting out on our journey, making it up as we went along. It felt like a beginning.”\u003c\/p\u003e","brand":"Tal","offers":[{"title":"LP","offer_id":50527204802891,"sku":"2024915","price":40.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/RIXwY8eE_e019a80f_thumbnail_4096.jpg?v=1728052494"},{"product_id":"rice-field-silently-riping-in-the-night","title":"Rice Field Silently Riping In The Night","description":"\u003cp\u003e2024 repress; \u003cem\u003eTal\u003c\/em\u003e present a reissue of \u003cem\u003eReiko Kudo's Rice Field Slowly Riping In The Night\u003c\/em\u003e, originally released on CD by Majikick Records in 2000.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eReiko Kudo\u003c\/strong\u003e first debuted on the Tokyo underground music scene in 1980 with \u003cem\u003eNoise\u003c\/em\u003e, a duo which apart from herself under her then maiden name Reiko Omura on voice, guitar, and trumpet featured \u003cstrong\u003eTori Kudo\u003c\/strong\u003e (\u003cem\u003eMaher Shalal Hash Baz\u003c\/em\u003e) on organ.\u003c\/p\u003e\n\n\u003cp\u003eLike other pioneering female producers from Japan such as \u003cstrong\u003eNon\u003c\/strong\u003e (of \u003cem\u003eNon Band\u003c\/em\u003e), \u003cstrong\u003ePhew\u003c\/strong\u003e, and \u003cstrong\u003eHaco\u003c\/strong\u003e, \u003cstrong\u003eReiko Kudo\u003c\/strong\u003e has an incredibly unique, uncategorizable, and daring voice.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eRice Field Slowly Riping In The Night\u003c\/em\u003e was \u003cstrong\u003eReiko Kudo's\u003c\/strong\u003e second album under her own name. 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