{"title":"The Black Dog","description":null,"products":[{"product_id":"radio-scarecrow-remastered","title":"Radio Scarecrow (Remastered)","description":"\u003cp\u003eThe Black Dog's highly regarded album, \u003ci\u003eRadio Scarecrow\u003c\/i\u003e, is now remastered and re-issued on Dust Science, 15 years after its original release on Soma Records. \u003c\/p\u003e\u003cp\u003eTwo years of constant development culminated in a masterpiece that flows delightfully and hits hard. Marking a true progression from the band's previous album, Silenced, the trio are keen to note:\u003c\/p\u003e\u003cp\u003e\"The beats are faster and the bass is much heavier - so much so that it was making us ill, working with the low frequencies for hours on end. We could only do 3 hours at a time on some parts.\"\u003c\/p\u003e\u003cp\u003eTracks like Floods v3.9 and Beep are a testament to this. With throbbing basslines strong enough to make an impact on the Richter scale, these tracks are best played out on big sound systems. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eRadio Scarecrow\u003c\/i\u003e unfolds gracefully, barely skipping a beat between tracks. The act have created an album that demands to be listened to in its entirety. With elements blending between tracks (the same kick drum being used to very different means in Short Wave Lies and Siiiipher for example) and with constant references to conspiracy theories and the supernatural, The Black Dog present more than a collection of tracks. Influenced heavily by their interest in Magick, Numbers Stations and Electronic Voice Phenomenon (EVP), the act have hidden examples of these within their work.\u003c\/p\u003e\u003cp\u003e\"These transmissions and recordings (and people's interpretations of them) had a strong influence on many of the final concepts and compositions, to the point where we've been embedding coded messages and curses deep inside the tracks\".\u003c\/p\u003e","brand":"Dust Science Recordings","offers":[{"title":"Red LPx2","offer_id":50403849044299,"sku":"2164172","price":37.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50403848814923,"sku":"2164171","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dustcd117-radio_scarecrow_remastered_6d6de944_thumbnail_4096.jpg?v=1726564471"},{"product_id":"my-brutal-life","title":"My Brutal Life","description":"\u003cp\u003e\u003ci\u003eMy Brutal Life\u003c\/i\u003e delves into the profound aspects of our arIsIc endeavours\nencompassing brutalism, the environment, and humanity. Throughout our ongoing\ncreaIve journey, we consistently gravitate towards these themes, documenIng and\nexploring the human experience within these environments.  Our unwavering fixaIon on Symmetry, SynchronisaIon, and RepeIIon are the\ndriving force in our arIsIc expression. Moreover, we strive to peel away superficial\nlayers to expose the underlying emoIonal strata of the human aspect, unearthing the\noXen overlooked beauty within the ordinary.\n\u003c\/p\u003e\u003cp\u003eAlthough frequently disregarded, the human aspect resonates with echoes from the\npast, enlightening and guiding our arIsIc process. Even the failures encountered\nserve as poignant reminders of the delicate structures we construct.\n\u003ci\u003eMy Brutal Life\u003c\/i\u003e consItutes a pivotal component within an enduring exhibiIon,\nmeIculously craXed to delve into the aestheIc and human facets of brutalism.\n\u003c\/p\u003e","brand":"Dust Science Recordings","offers":[{"title":"White LP","offer_id":50426046742859,"sku":"2054726","price":31.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50426046480715,"sku":"2054725","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DUSTCD118_6d433451_thumbnail_4096.jpg?v=1726799285"},{"product_id":"neither-neither","title":"Neither \/ Neither","description":"\u003cp\u003eWe live in dangerous times. We are blinded by control vectors that separate us from reality. And The Black Dog returns with a viral antidote: an album of de-programming material which they've called 'Nether \/ Neither'. This record continues the work they started with 'Further Vexations' and 'Radio Scarecrow'. Burroughs was right: we are now living in a world that is nothing short of a total information war. We are neither one thing nor another, endlessly on the fence in the face of an onslaught of disinformation. Non-linear hypermedia systems are openly used to control us, their operation being totally exposed, mocking our impotence, yet complete in their power. We are all proles now; all are expected to maintain a mental state of 'Neither \/ Neither', of uncertainty and inaction. Even in a world where anyone can be an instant expert on any subject in a single click, we find that all our knowledge is a mere replay of someone else's script. We are surrounded and occupied by systems of platitude generation that are empty and self-referential. All is surface and all is hollow. From the Tories' election propaganda to David Icke, they're all the same, all meaning filtered to nothing by a lack of substance, science and humanity. Falsehood becomes reason, no matter how ridiculous the proposition. They stand for nothing so they can have no questions to answer. False prophets and the modern day snake oil salesmen parade their viral vampirism, grasping for our time, money and headspace. Even our ridicule becomes fuel for their trade as they turn ignorance and psychopathic exploitation into received wisdom and public opinion. Ask any sideshow psychic; repeat, pure Barnum bunkum enough times and you can seize the psychology of the masses. Rumours become truth then they become action and policy that in the cold light of the day make no-sense at all. No one's sure where they heard it but they have. The spectral offer of change, which actually sustains the stasis of confusion. They spin us on a ball of confusion we live on continues to turn and as long as they have us in a state of 'Neither \/ Neither' they will always maintain control. Fight Back!\u003c\/p\u003e","brand":"Science Recordings","offers":[{"title":"LP | x3","offer_id":50451505512779,"sku":"391491","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1fe9234c-61bf-45b3-b3ed-b9b8369464bc_thumbnail_4096.jpg?v=1727127634"},{"product_id":"silenced","title":"Silenced","description":"\u003cp\u003eIn the enigmatic realm of electronic music, The Black Dog stands as a visionary act, responsible for crafting, among other things, the mesmerising album \"Silenced\". Notably, this release marks a significant milestone in the band's evolution, being the first album from the new line-up and their collaboration with the fledgling label Dust Science.\u003c\/p\u003e\u003cp\u003eDefying industry norms, The Black Dog embodies a Do-It-Yourself (DIY) ethos. Their artistic journey remains steadfast, with a commitment to originality and creative freedom, unfettered by the limitations imposed by the commercial music industry. \u003c\/p\u003e\u003cp\u003eThe record label Dust Science takes pride in championing The Black Dog's musical prowess, with its first release being the band's 4-track EP \"Bite Thee Back\". However, this EP was only a prototype for the revitalised collective, eventually leading to the composition of \u003ci\u003eSilenced\u003c\/i\u003e, which followed soon after.\u003c\/p\u003e\u003cp\u003eThis creative period denotes a fresh start for The Black Dog, a testament to their resilience and a commitment to evolving their sound. The resulting album represents a new beginning, celebrating and transcending the echoes of the past. It redefines the band's sonic landscape and establishes a distinct musical narrative that resonates with dedicated followers and newcomers alike.\u003c\/p\u003e","brand":"Dust Science Recordings","offers":[{"title":"Black 12\"x2","offer_id":50455159767371,"sku":"2210508","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50455158980939,"sku":"2210507","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Silenced_Remastered_9b68484f_thumbnail_4096.jpg?v=1727188701"},{"product_id":"music-for-real-airports","title":"Music For Real Airports","description":"\u003cp\u003e\u003ci\u003eMusic for Real Airports\u003c\/i\u003e is a series of exciting live art events and installations in art galleries\/spaces that are\nartistic response to the reality of occupying the semi-public space of an airport, and a contemporary reply to\nBrian Eno ́s work from the 70s. 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The album invites listeners to confront darker thoughts about self-identity, imposter syndrome, and the relentless pursuit of creative value, all while celebrating the joy found in the act of artistic creation.\u003c\/p\u003e\u003cp\u003eIn this introspective exploration, The Black Dog challenge both themselves and their audience, creating a musical experience that is profoundly personal and open to interpretation. The themes woven throughout the album are a poignant counterpoint between the shadows of self-doubt and the exuberance of creative expression. It's an inward exploration, offering a place of solace for listeners to find comfort amid the chaos of external influences.\u003c\/p\u003e\u003cp\u003eThe album's title, \u003ci\u003eOther, Like Me\u003c\/i\u003e, draws inspiration from an interview with Cosey Fanni Tutti in 1999, resonating deeply with The Black Dog's outsider perspective. The phrase encapsulates the essence of the album, reflecting the band's unique identity and shared experiences, while respecting each member's individual passions and interests.\u003c\/p\u003e\u003cp\u003eNavigating the waters of cognitive dissonance, The Black Dog bring an authenticity to their music that mirrors the internal and external conflicts of the contemporary music scene. With a commitment to stripping back layers and allowing the heart of each song to shine through, \u003ci\u003eOther, Like Me \u003c\/i\u003eoffers a raw and unfiltered musical experience that speaks directly to the soul. It's an invitation to introspection, a celebration of independence, and a testament to the power of authentic artistic expression. \u003c\/p\u003e","brand":"Dust Science Recordings","offers":[{"title":"Black LPx2","offer_id":50474779148619,"sku":"2210509","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50474779410763,"sku":"2213215","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Other_Like_Me_3b64dfdb_thumbnail_4096.jpg?v=1727438093"},{"product_id":"spanners","title":"Spanners","description":"\u003cp\u003eOriginally released in 1995, \u003ci\u003eSpanners\u003c\/i\u003e is the second album from The Black Dog and their first for Warp Records. In 2017 it was selected by Pitchfork as one of ‘The 50 Best IDM Albums of All Time’. The reissue is the first time the vinyl is available since its original pressing in 1995. After this release the original trio of Ed Handley, Andy Turner and Ken Downie went their separate ways - Handley and Turner formed Plaid, whilst Downie carried on with The Black Dog name, initially by himself, and latterly with the assistance of brothers Martin and Richard Dust. Re-cut by Beau Thomas for vinyl and presented as an exact reproduction of the original edition.\u003c\/p\u003e","brand":"Warp","offers":[{"title":"LP | x2","offer_id":50482989990219,"sku":"2028618","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/MYIvDUmM_910f2131_thumbnail_4096.png?v=1727559346"},{"product_id":"the-grey-album","title":"The Grey Album","description":"\u003cp\u003eSometimes, things \"just happen\". For months, we’d been working away on various projects and then, without really thinking about it, The Black EP (Limited numbered 7” : Sound Ov Thee Crowd\/(We Never Needed This) Fascist Groove Thang) just happened. It seemingly appeared from nowhere.\u003c\/p\u003e\u003cp\u003eWe’d been talking about the old days; making music with friends and dodgy kit, renting small practice rooms and using makeshift recording studios. It was such a common thing back then, you could pick a dusty space in a half-derelict building for as little as £25 a month. In those days, the Cabs and Human League had studios with posh-sounding names, but in reality, they were the same old workspaces long abandoned by the industries they were built for. Nevertheless, the grand names made them sound magical.\u003c\/p\u003e\u003cp\u003eSheffield had thousands of these spaces, and some still exist today, but their abundance and low-cost made Sheffield a very active place. Someone was always doing something. They’d exploded onto the scene in a flurry of excitement before disappearing just as quickly.\u003c\/p\u003e\u003cp\u003eThere’s something about these little mesters (workshops) that we believe lives in the very consciousness of Sheffield. It’s one of the reasons we never really had big scenes like Manchester or Leeds. The Hacienda would've never been built here.\u003c\/p\u003e\u003cp\u003eWe don’t really do big gangs or have that kind of mentality. We tend to exist in little pockets, often leaving each other alone. It would be 30 years before any member of The Black Dog talked to Cabaret Voltaire. Sure, we’d stood outside their practice\u003c\/p\u003e\u003cp\u003eroom as kids, trying to listen in, but never felt any reason to approach. Sheffield is like that.\u003c\/p\u003e\u003cp\u003eOnce we had the first two tracks of the Black EP, we set off to see Jon at Do It Theesen, where he manually cut the tracks to an extremely limited set of 7\" singles using a vinyl lathe. It just felt right to go back to the old ways; a small gang creating something special in workshops and sheds. There’s something very satisfying about it, a perfect circle, if you will.\u003c\/p\u003e\u003cp\u003eWe pushed further by adopting old practices, working with one synth per person and limiting the use of our computers. We only stopped short of putting everything on beer crates. It seems like madness these days, but there is raw creativity within these confines. Pretty much every band started this way. Depeche Mode travelled to the studio on the London Underground for their first appearance on Top Of The Pops, all lugging a synth each. That's how we approached the creation of this album; stripped back, raw and minimal - it just felt so right.\u003c\/p\u003e\u003cp\u003eAnd then there’s the competitive element that was influenced when the original Human League split and became Human League MK II and Heaven 17. Both continued to use the same studio to write what became the albums \"Dare\" and \"Penthouse and Pavement\". There is something about that drive that is very Sheffield, just making stuff and hoping everything falls into place.\u003c\/p\u003e\u003cp\u003eIn Sheffield, we do things differently, because that’s how we are built.\u003c\/p\u003e","brand":"Dust Science Recordings","offers":[{"title":"CD","offer_id":50521509757259,"sku":"2020497","price":15.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50521513263435,"sku":"2020498","price":49.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DUSTCD113_6686fa6a_thumbnail_4096.jpg?v=1727992008"},{"product_id":"sleep-deprivation-2","title":"Sleep Deprivation","description":"\u003cp\u003e\u003ci\u003eSleep Deprivation\u003c\/i\u003e began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. 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It's a real successor to \u003cem\u003eRadio Scarecrow\u003c\/em\u003e, moving forward with the dark tone and concepts.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFurther Vexations\u003c\/em\u003e picks up from what was started in \u003cem\u003eRadio Scarecrow\u003c\/em\u003e, moving beyond the world of open secrets and the bemusing transmissions of number stations, to exploring the dark cynicism of Orwellian practices carried out by our Governments, institutions, and corporations.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMartin Dust\u003c\/strong\u003e from tBd explained, “Our main concern was and still is the amount of personal freedoms being surrendered under the banner of 'for your own safety' – CCTV, Biometrics and the World Wide Databases being the latest inventions to save us from ourselves. What is it going to take for people to wake up? How much further can the people that we’ve put into power go before something finally snaps? We've had enough now! 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It was also a chance to fall back in love with our 909, 808 and 707.\u003c\/p\u003e\n\u003cp\u003eWhile working on music for several other projects, the “Rothko” project got renamed Loud Ambient because it did not really sit right with the My Brutal Life series. We often talked about what people make of The Black Dog and whether they think we only make ambient music. We do not. Over the last year or so, one of us would be working on something and someone else would say, “That is a Loud Ambient track.” The name stuck. We liked the funny side of it.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eLoud Ambient\u003c\/em\u003e, everything just fell into place creatively. Surprisingly for us, the tracklisting never changed, just small tweaks here and there. That rarely happens. It marks a first for us as a band. 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