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This line up have released two LPs of new work to date.\u003c\/p\u003e","products":[{"product_id":"brutalism","title":"Brutalism","description":"\u003cp\u003e\u003cstrong\u003eThe Drums\u003c\/strong\u003e presents \u003cem\u003eBrutalism\u003c\/em\u003e, which is quite possibly the best collection of songs in their ten-year career. The album is defined by growth, transformation, and questions, but it doesn’t provide all the answers.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBrutalism\u003c\/em\u003e is a form of simplistic architecture defined by blocks of raw concrete. It is rooted in an emotional rawness but its layers are soft, intricate, and warm. The album is full of frivolous and exquisitely crafted pop songs that blast sunlight and high energy in the face of anxiety, solitude, and crippling self-doubt.\u003c\/p\u003e\n\n\u003cp\u003eFor the making of this album, between his lake house in Upstate New York and a studio in Stinson Beach, California, Pierce was more open than ever, keeping his control freakery at bay, working with others to produce and record the album. He brought in Chris Coady (Beach House, Future Islands, Amen Dunes) to mix it. If there was a guitar part he wanted to write but couldn’t play, he brought in a guitarist. It’s also the first Drums record with a live drummer. 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The sparkling, eponymous \u003cem\u003eJonny\u003c\/em\u003e unfurls a love letter to a galaxy of younger selves, all hungry to be nourished, all rejoicing now that they finally get to belong.\u003c\/p\u003e\n\n\u003cp\u003ePlayful, heartbreaking, raucous, and serene all in turn, \u003cem\u003eJonny\u003c\/em\u003e embraces the mess of life in all its facets. It renders the magic that happens when you fall in love with yourself down to the marrow. Soaring to alt-pop prestige on arrival, \u003cstrong\u003eThe Drums\u003c\/strong\u003e have released studio albums that deftly walk the line of aching melancholy and irresistible pop sensibilities, presented through a kaleidoscope of pastel guitars, reverb, modular synthesizers, and drum machines. 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The established line- up of the band, augmented by a one- off return by guitarist Nigel Bennett that arrived at the Craufurd Arms in Milton Keynes to perform the specially arranged show. \"It's a really fabulous venue that's well equipped with state of the art recording equipment and cameras, and a really nice lighting rig,\" observes JC. \"I've done three live albums; one in Berlin and two in Bedfordshire!\" This Live double pack CD and DVD features The Members performing all their best songs incl. 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The name of the ensemble, The Feed-Back, is noteworthy: a word coming from the cutting edge science of cybernetics communicates to the public the idea of a contemporary reality, almost physical in its essence. A feed-back is a device that enables an effect to counteract on its causes, achieving this way a given goal, as our body does when it regulates automatically our actions according to their ends. This mechanism underlies the improvisation - a special circuit whose action adjusts and fine-tunes the energy of each single musician in relation to the others. The mechanism of feed-back transcends the inner dynamics of improvisation and aims to extend its action to the listeners, enabling another feed-back circuit, now between the band and the public. This purpose is sought hrough unusual and disrupting stimulations such as the loss of traditional melodic lines, the introduction of noise in the musical discourse and a deconstructive approach which reduces vocals to the essence leaving only a few basic rhythmic elements as a blueprint that still characterises this music as Beat. Within this avantgarde context the band feels at ease thanks to its innovating spirit and is projected in a fertile future. For now they invite us to listen to evocative titles like \"The Feed-Back\", \"Kumâlo\" and \"Quasars\" - aptly chosen for a public ready to discover them, a public capable to understand how this band overcame current musical structures like Psychedelic music or UndergroundÊ1\/4s timorous attempts with a sound closer to our times that we could name.\u003c\/p\u003e","brand":"Schema SCEB Series","offers":[{"title":"LP","offer_id":50435780149579,"sku":"378606","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/260d69bf-af73-44a9-ada1-8a41438db93f_thumbnail_4096.jpg?v=1726907707"},{"product_id":"colossal-tunes-out","title":"Colossal Tunes Out","description":"\u003cp\u003eWhat happened in February 1983 then? Serial killer Dennis Nilsen was arrested, unemployment hit an all-time high, the Mini Metro was Britain’s best selling car and The Cravats released a flipping stonking LP on Corpus Christi Records.\u003c\/p\u003e\u003cp\u003ePlayed to pieces by Peel and hugging the indie chart’s midriff for a good few weeks, every track on \u003ci\u003eColossal\u003c\/i\u003e is indeed ruddy enormous. Like everything by these dada-dealing daddios the music is a highly calculated cacophony of pounding drums, behemoth bass and fraught guitars all drenched in sonically deranged saxophone while the songs are surreal stories sheathed in the scenery of their small town English home.\u003c\/p\u003e\u003cp\u003eThe whole beast is a kind of all you can eat aural entertainment buffet featuring 13 of the band’s best bites of the bizarre. From the frantic psycho surfabilly opener, \u003ci\u003eOff The Beach \u003c\/i\u003eto the ferocious hornets-in-a-holdall drone of\u003ci\u003e I Am The Dreg\u003c\/i\u003e, The Cravats employed their entire toolbox of toys when putting this doozy together.\u003c\/p\u003e\u003cp\u003eApart from newly recorded tracks, \u003ci\u003eThere Is No International Rescue, Fireman, Terminus, The Station, Icecubists, Daddy’s Shoes\u003c\/i\u003e and \u003ci\u003eWorking Down Underground\u003c\/i\u003e you got the Small Wonder Records single releases, \u003ci\u003eAnd The Sun Shone, You’re Driving Me\u003c\/i\u003e and \u003ci\u003eI Am The Dreg\u003c\/i\u003e (the version of \u003ci\u003eOff The Beach\u003c\/i\u003e on here was recorded on a mobile studio positioned in a pig pen next to their practice room down on the farm in Worcestershire. It’s noisier and more unkempt than the Small Wonder single release).\u003c\/p\u003e\u003cp\u003ePlus there’s the ‘hit’ single (well, It sold more than anything else they ever did!) \u003ci\u003eRub Me Out\u003c\/i\u003e and \u003ci\u003eWhen Will We Fall\u003c\/i\u003e, forged by High Priest of Punk, Penny Rimbaud with the aid of Southern Studios sound guru, John Loder which was fired out of the Crass Records canon in 1982. No track sounds like any of its companions but every track sounds like The Cravats.\u003c\/p\u003e\u003cp\u003eThe original \u003ci\u003eColossal Tunes Out\u003c\/i\u003e LP certainly deserves its legendary status and hefty price tag on the rare record resell circuit. It’s good news that Overground Records are putting these tunes out again and it’s great news that they still sound colossal!\u003c\/p\u003e","brand":"Overground","offers":[{"title":"Black | LP","offer_id":50438444024139,"sku":"1107111","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/11dc23e6-69ce-4d16-9995-e25274839329_thumbnail_4096.jpg?v=1726942911"},{"product_id":"encyclopedia","title":"Encyclopedia","description":"\u003cp\u003eThe Drums (now solely consisting of founding members Jonny Pierce and Jacob Graham) release their third album, 'Encyclopedia' - the followup to 2011's 'Portamento'. 'Encyclopedia' is full of magic and surprise while maintaining a serious, more weighty tone throughout.LP - Double LP with download. 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In \u003cem\u003eAbysmal Thoughts\u003c\/em\u003e, Pierce is back in full control of The Drums, writing all the songs himself, playing every instrument, and bringing his personal vision to life. This album showcases some of the most revelatory work he has ever done.\u003c\/p\u003e\n\n\u003cp\u003eDespite the title, the album is far from abysmal - in fact, it is irresistibly pop, reflecting Pierce's journey to find happiness after experiencing the worst. Pierce reflects on the healing power of being an artist, stating, \"\u003cem\u003eIf there's one thing I can rely on, it's the healing power of being an artist. 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It’s what led them to Fruit, their debut release as The A’s – a joyous ten-song collection spanning genre and decades, with interpretations of traditionals, lullabies, and an original song, it weaves between the weird and the wonderful.\u003c\/p\u003e\u003cp\u003e“Why I’m Grieving,” originally recorded by the DeZurik Sisters, was the inspiration for the A’s existence. The A’s reach into the past to hold hands with the DeZurik Sisters, two farm girls from rural Minnesota who taught themselves to yodel amongst all their animals, in a continuing celebration of the tradition of folk eccentricity and whimsy.\u003c\/p\u003e\u003cp\u003eThe A’s played their first show together in 2013 after Sauser-Monnig first moved to North Carolina, where Meath had been living at the time, but it wasn’t until summer 2021 that they thought seriously about making Fruit. They decamped to Sylvan Esso’s Chapel Hill studio, Betty’s, for two weeks in the midst of a balmy and blooming Carolinian summer. They rehearsed during the day, deconstructing yodeling parts phonetically and staring absurdly into each other’s eyes as they practiced tongue twisting harmonies - and recorded in the nighttime, candles lit, a flickering glow against the windows framing the violet twilight outside.\u003c\/p\u003e\u003cp\u003e“There was a lot of giggling during the session,” Sauser-Monnig explains. “At one point I was getting a tangle out of my hair and was like, oh, my God, that sounds really cool – the sound of my hands in my hair. And then I thought, what if we recorded hair for a percussion track? And then it just sort of snowballed.”\u003c\/p\u003e\u003cp\u003eAcross the record, the A’s employ a bizarre-o ghost orchestra of strange noises that are percussive and melodic. The credits include nylon shorts, string (singular), hair, shoes, ice chunk, gravel, frog sample, and shoelace, among other unexpected makeshift instrumentation. The backing band is built out by a more traditional group of players: saxophone from Sam Gendel on “Copper Kettle,” backing vocals from Jenn Wasner (Flock of Dimes, Wye Oak) on “When I Die,” string arrangements from Gabriel Kahane on “He Needs Me,” and more.\u003c\/p\u003e\u003cp\u003eFruit is made up simply of songs the A’s love to sing – there are lullabies and love songs; “He Needs Me,” written by Harry Nilsson and first released by Shelley Duvall in the 1980 Popeye film; traditional ballads like “Swing and Turn Jubilee,” “Copper Kettle” and closer “Buckeye Jim,” a multiplying song about frogs and nature. The sole original track to appear on the album is the penultimate “When I Die,” written by Meath. 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