{"title":"Toro Y Moi","description":"\u003cp\u003eToro Y Moi, born on 7 November 1986 in Columbia, South Carolina, is a renowned producer from the United States. With his unique blend of electronic and indie pop music, he has captivated audiences worldwide. His innovative sound and experimental approach to music have earned him critical acclaim and a dedicated fan base. Toro Y Moi continues to push boundaries and redefine genres with his distinct style.\u003c\/p\u003e","products":[{"product_id":"sandhills","title":"Sandhills","description":"\u003cp\u003eToro y Moi’s \u003ci\u003eSandhills\u003c\/i\u003e is both a tender love letter to Chaz Bear’s hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home. Recalling Sufjan’s \u003ci\u003eSeven Swans\u003c\/i\u003e or Karen O’s soundtrack work for \u003ci\u003eWhere The Wild Things Are\u003c\/i\u003e, these loping folk-pop songs are themselves a sort of Saturn return, reminiscent of Bear’s first handmade CD-Rs as Toro y Moi. Bear gave them out to friends in the earliest days of the moniker, the releases stuffed in the Case Logic visor of their cars, and each listen brings a little more of that detail to life: the mall after which \u003ci\u003eSandhills\u003c\/i\u003e is named; the teenaged friends spending aimless hours there, full of big ennui and bigger dreams; the late-capitalist decline and empty big box stores of Sandhills today. Chaz Bear, Toro y Moi, is now a globally beloved indie[1]pop icon. But \u003ci\u003eSandhills\u003c\/i\u003e, with its banjo and lap steel flourishes and its wide-eyes wonder, concedes that you never quite totally rid yourself of those adolescent blues. You might just, if you’re lucky, develop better mechanisms (or delusions!) with which to handle them. ‘Sidelines’ tells the tale of aesthete putting himself through the high school football gauntlet. And the title track has subtle allusions to growing up a Black art kid in the American South: “saved again by calamine\/ another bite\/ this happens time to time\/ i’m spotted white\/ maybe it’s just where i’m from\/ i always had my guard up\/ but hypocrites keep strollin in\/ and rubbin on my shoulder”. Even the closing novelty track “Said Goodbye To Rock n Roll” has all the makings of a Chris Stapleton hit if you just to squint a little. Clear eyes, full hearts, sweet jams, can’t lose. Lyrically deft and deceptively heartbreaking, ‘Sandhills’ may be a brief pit stop between grand statements from Bear, but it’s brimming with rust, guts, big moods and love.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Black LP","offer_id":50394013237579,"sku":"2052544","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/doc347.TYM.sandhills_e32655b4_thumbnail_4096.jpg?v=1726431032"},{"product_id":"live-at-the-fillmore-miami","title":"Live at the Fillmore Miami","description":"\u003cp\u003e It's only fitting that Khruangbin’s first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who’ve become family along the way. Khruangbin’s ‘Live At’ series of live LPs traces just one small slice of the band’s flight plan through the years: it’s a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording’s home turf, just a little something extra for the fans that bring a little something extra. Most of all, Khruangbin’s ‘Live at’ series ignites both sides of the band’s magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eLive at The Fillmore Miami \u003c\/i\u003efeatures performances by Toro Y Moi and Khruangbin.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Black LP","offer_id":50396125102411,"sku":"2166630","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50396124283211,"sku":"2021455","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/doc334.khruangbin.live.miami.cover.3000_0c92fab6_thumbnail_4096.jpg?v=1726478601"},{"product_id":"hole-erth","title":"Hole Erth","description":"\u003cp\u003e\u003cem\u003eHole Erth\u003c\/em\u003e, Chaz Bear’s eighth full-length studio record as \u003cstrong\u003eToro y Moi\u003c\/strong\u003e, is the genre shapeshifter’s most unexpected and bold move to date. Bear dives headlong into rap-rock, Soundcloud rap, and Y2K emo on this album, blitzing anthemic pop-punk next to autotuned, melancholic rap. These two genres inform one another now more than ever before and the album packs in the most features ever on a Toro y Moi album.\u003c\/p\u003e\n\n\u003cp\u003eA sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like \u003cem\u003e“Tuesday”\u003c\/em\u003e channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs.\u003c\/p\u003e\n\n\u003cp\u003eThis foreboding can also be heard on \u003cem\u003e“HOV”\u003c\/em\u003e, though not without poking some fun with lines like “Romance is so cold \/ My advice? To bring a coat.” Bear has the energy but is acutely aware that his energy isn’t forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener.\u003c\/p\u003e\n\n\u003cp\u003eConstantly changing, evolving, and experimenting is the heart of Toro y Moi, and on \u003cem\u003eHole Erth\u003c\/em\u003e Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Black LP | Signed Copy","offer_id":50396174778699,"sku":"2204716","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50396176056651,"sku":"2216202","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"Blue LP","offer_id":50396174385483,"sku":"2204715","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50396173959499,"sku":"2204714","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/m34KV_HR_bf73917e_thumbnail_4096.jpg?v=1726479276"},{"product_id":"underneath-the-pine","title":"Underneath The Pine","description":"\u003cp\u003eWhen \u003cstrong\u003eToro y Moi\u003c\/strong\u003e first signed to Carpark Records, the plan was to release two records in 2010 - one electronic and one with live instrumentation. 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Having spent the year listening to film composers like Ennio Morricone and François de Roubaix, Bundick returned to his home in Columbia, the birthplace of many Toro tracks of yore, to bring his new ideas to fruition.\u003c\/p\u003e\n\n\u003cp\u003eThe result of these sessions is an album evocative of R Stevie Moore's homespun ruminations, David Axelrod's sonic scope, Steve Reich-ian piano phrasing, and the pervasive funk of his first record. \u003cem\u003eUnderneath the Pine\u003c\/em\u003e announces a new phase for an artist whose talent defies classification.\u003c\/p\u003e","brand":"Carpark","offers":[{"title":"Black LP","offer_id":50437047288139,"sku":"336104","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50437047943499,"sku":"336103","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6fc710ac-cf93-4ae4-8ba1-0cb2ec1b7483_thumbnail_4096.jpg?v=1726924963"},{"product_id":"outer-peace","title":"Outer Peace","description":"\u003cp\u003eOakland-based producer and designer Chaz Bear mixes and matches samples and poptastica on his new album written in the Bay Area.\u003c\/p\u003e\n\u003cp\u003eInfectious beats back a sonic malady you really don’t mind catching! This is dancing, synthing, bubbling sound. Bouncing bass and percussive bongos contrast and perfectly match smooth crooning vocals and squelching bass. This is smoothing and grooving. Welcome to a chillwave house full of disco, funk, psych and dream pop.\u003c\/p\u003e\n\u003cp\u003eLP+ - Rough Trade Exclusive. Limited to 300 Copies on Translucent Orange Vinyl housed in Gatefold Jacket with Special Rainbow Foil Spine plus Dress Sleeve with Lyrics and Download.\u003c\/p\u003e\n\u003cp\u003eLP - Black Vinyl housed in Gatefold Jacket with Special Rainbow Foil Spine plus Dress Sleeve with Lyrics and Download.\u003c\/p\u003e\n\u003cp\u003eLP++ - Limited Indie Shops Clear Vinyl housed in Gatefold Jacket with Special Rainbow Foil Spine plus Dress Sleeve with Lyrics and Download.\u003c\/p\u003e\n\u003cp\u003eCD - Jewel Case.\u003c\/p\u003e","brand":"Carpark","offers":[{"title":"LP - Orange \/ Rough Trade Exclusive.","offer_id":50437102338379,"sku":"1050074","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Clear","offer_id":50437104435531,"sku":"1050075","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":50437103223115,"sku":"1050073","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50437105942859,"sku":"1050072","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Neon Violet and Tangerine Splatter","offer_id":51564805095755,"sku":"R4815-7979","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/201375030213.jpg?v=1743528665"},{"product_id":"june-2009-1","title":"June 2009","description":"\u003cp\u003e\u003cstrong\u003eToro y Moi's\u003c\/strong\u003e first commercial release, the \u003cem\u003e'Blessa'\u003c\/em\u003e single, introduced the world to Chaz Bundick's brand of introspective, atmospheric pop music. The a-side laid the framework for his debut album, \u003cem\u003eCausers of This\u003c\/em\u003e, while the backing track, \u003cem\u003e'109'\u003c\/em\u003e, hinted at a side of his music having more in common with the oddball pop of Ariel Pink than any of \u003cem\u003eCausers\u003c\/em\u003e reference points.\u003c\/p\u003e\n\n\u003cp\u003eAround the same time he was experimenting with music software and sampling, Bundick was recording a slew of short and sweet lo-fi tracks chronicling his version of college grad indecision. Now, after two albums, an EP, loads of tour dates, and a move to Berkeley, CA, these songs still hold significance for him and are collected on the retrospective \u003cem\u003e'June 2009'\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eOriginally part of the tour-only CD-R of the same name, \u003cem\u003e'June 2009'\u003c\/em\u003e feels like a peek inside the mind of an artist not knowing where to turn once stripped of the structure of school life. The songs reflect struggles with good friends moving away (\u003cem\u003e'Sad Sams'\u003c\/em\u003e), the pressing feeling that a move to New York is a necessary career move (\u003cem\u003e'Take the L to Leave'\u003c\/em\u003e), and the fear that simple pleasures have become a thing of the past (\u003cem\u003e'Ektelon'\u003c\/em\u003e).\u003c\/p\u003e\n\n\u003cp\u003eMore than nostalgic yearnings for the recent past, the songs are like journal entries - as commemorative as they are therapeutic. Tracks like \u003cem\u003e'Girl Problems'\u003c\/em\u003e and \u003cem\u003e'Dead Pontoon'\u003c\/em\u003e show how his first album might have sounded if \u003cem\u003e'109'\u003c\/em\u003e had been the a-side of that first single, with reverb-soaked, angular guitar riffs serving as focal points of the power-pop periphery.\u003c\/p\u003e\n\n\u003cp\u003eAn early version of \u003cem\u003e'Talamak'\u003c\/em\u003e, one of his first cuts to make the blog rounds, is also included, providing insight into the process of reformatting his work to fit with the album. The closer, \u003cem\u003e'New Loved Ones'\u003c\/em\u003e, sees Bundick in a rare, intimate environment, accompanied only by an acoustic guitar and in the throes of love lost.\u003c\/p\u003e\n\n\u003cp\u003eWith songs varied in style but bound together by their personal subject matter, \u003cem\u003e'June 2009'\u003c\/em\u003e is a portrait of a young man unknowingly on the cusp of a fruitful career.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"CD","offer_id":50437109416267,"sku":"348900","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c6a08fe2-a0ba-4050-8cd7-e3941c1d92d7_thumbnail_4096.jpg?v=1726925642"},{"product_id":"june-2009","title":"39965","description":"\u003cp\u003elimited edition 5x7\" box set which comes with a digital download code for all songs plus a sticker and postcard! toro y moi's first commercial release, the 'blessa' single, introduced the world to chaz bundick's brand of introspective, atmospheric pop music, and while the a-side wound up laying the framework for his debut, causers of this, backing track, '109', hinted at a side of his music having more in common with the oddball pop of ariel pink than any of causers' reference points. as it turns out, around the same time he was experimenting with music software and sampling, bundick was recording a slew of short and sweet lo-fi tracks chronicling his version of college grad indecision. now, after two albums, an ep, loads of tour dates, and a move to berkeley, ca, these songs still mean a lot to him, and they're collected on the retrospective 'june 2009'. originally part of the tour-only cd-r of the same name, 'june 2009' feels like a peek inside the mind of an artist not knowing where to turn once stripped of the structure of school life. he struggles with good friends moving away ('sad sams'), the pressing feeling that a move to new york is a necessary career move ('take the l to leave'), and the fear that simple pleasures have become a thing of the past ('ektelon'). but more than nostalgic yearnings for the recent past, the songs are like journal entries - as commemorative as they are therapeutic. elsewhere, tracks like 'girl problems' and 'dead pontoon' show how his first album might have sounded if '109' had been that first single's a-side, with reverb-soaked, angular guitar riffs serving as focal points of the power-pop periphery. also included is an early version of causers standout 'talamak,' one of his first cuts to make the blog rounds and an interesting insight into the process of reformatting his work to fit with the album. closer 'new loved ones' sees bundick in a rare, intimate environment, accompanied only by an acoustic guitar and in the throes of love lost. with songs varied in style but bound together by their personal subject matter, 'june 2009' is a portrait of a young man unknowingly on the cusp of a fruitful career.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"7\" | x6","offer_id":50437110661451,"sku":"348901","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f0f41b06-442e-4fb2-9606-e2aeac021cbc_thumbnail_4096.jpg?v=1726925663"},{"product_id":"freaking-out","title":"Freaking Out","description":"\u003cp\u003eFor \u003cstrong\u003eToro y Moi\u003c\/strong\u003e's Chaz Bundick, 2011 has seen the release of his acclaimed sophomore album, \u003cem\u003eUnderneath the Pine\u003c\/em\u003e, remix work for Tyler, the Creator, a split 7\" with Cloud Nothings, and a steady stream of international tour dates.\u003c\/p\u003e\n\n\u003cp\u003eJust over halfway through what's already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. Bundick's latest is no sloppily assembled bunch of \u003cem\u003ePine\u003c\/em\u003e session throwaways.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eFreaking Out\u003c\/em\u003e was put to tape in June during a period of touring quiescence. 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It's perfect post-club music, blissed out slow-burning landscapes, subtle rolling beats, layers of leftfield soothing synths, and wobbly, soulful vocals. The album references everyone from Eno to The Beach Boys, Prince to J Dilla, and Talking Heads...or as one journalist put it: \"it's kind of how Animal Collective would sound if they spent a year listening to old soul and Motown records before laying down their new LP.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eToro y Moi\u003c\/strong\u003e is 23-year-old Columbia, South Carolina native and resident Chaz Bundick. After earning a BFA in graphic design at the University of South Carolina, Chaz decided to push his music further now that he has more time on his hands. His mom came from the Philippines to the United States, where she met her future husband (who's African American) in college. They lived in New York City taking in all the wonderful cultural influences the city's rising underground scene had to offer at the time (late '70s \/ early '80s). Deciding to slow down and be closer to family, they moved to Columbia, South Carolina where they had their first child.\u003c\/p\u003e\n\n\u003cp\u003eChaz Bundick's methods are constantly changing and evolving. Heavily influenced by his parents' vinyl and tape collection, he also possesses great admiration for contemporary influences like Animal Collective, Sonic Youth, J Dilla, and Daft Punk. Like most prepubescent teens, he had his punk band and once that died out, the 'side project' soon became the main focus. \u003cstrong\u003eToro y Moi\u003c\/strong\u003e started in 2001 as a bedroom project but quickly grew into the live performance realm. 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Amassing nearly 150,000 copies sold, \u003cem\u003eAnything in Return\u003c\/em\u003e, \u003cstrong\u003eToro y Moi\u003c\/strong\u003e's third full-length album, sees Chaz Bear blending funk, psych-pop and colorful, glitchy electronic sampling, locking in his unique sound that would push him to the forefront of alternative and chillwave music in the 2010s.\u003c\/p\u003e\n\n\u003cp\u003eTo celebrate its 10-year anniversary, \u003cem\u003eAnything in Return\u003c\/em\u003e is released for the first time on picture disc. But the product of a move he made almost a decade ago, from South Carolina to Berkeley, CA and the subsequent extended separation from loved ones, is what put \u003cem\u003eAnything in Return\u003c\/em\u003e right in the middle of the producer\/songwriter dichotomy that his first two albums established. There’s a pervasive sense of peace with Bundick’s tendency to dabble in both sides of the modern music-making spectrum, and he sounds comfortable engaging in intuitive pop production and putting forth the impression of unmediated id.\u003c\/p\u003e\n\n\u003cp\u003eThe producer’s hand is prominent — not least in the sampled “yeah”s and “uh”s that give the album a hip-hop-indebted confidence — and many of the songs feature the 4\/4 beats and deftly employed effects usually associated with house music. Tracks like “High Living” and “Day One” show a considerably Californian influence, their languid funk redolent of a West Coast temperament, and elsewhere — not least on lead single, “So Many Details” — the record plays with darker atmospheres than we’re used to hearing from \u003cstrong\u003eToro y Moi\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eSounding quite assured in what some may call this songwriter’s return to producerhood, \u003cem\u003eAnything in Return\u003c\/em\u003e is Bear uninhibited by issues of genre, an album that feels like the artist’s essence.\u003c\/p\u003e","brand":"Carpark","offers":[{"title":"LP","offer_id":50453994930507,"sku":"2008731","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CAK77LPX_COVER_387bbd7d_thumbnail_4096.jpg?v=1727179521"},{"product_id":"what-for","title":"What For?","description":"\u003cp\u003eNever one to stand still and fresh from a scheduled intermission whilst working on a dance record as \u003cstrong\u003eLes Sins\u003c\/strong\u003e, loaning his vocals to \u003cstrong\u003eChromeo\u003c\/strong\u003e, and starting his own record label, producer, songwriter, singer, and melodic mastermind \u003cstrong\u003eChaz Bundick\u003c\/strong\u003e resumes his \u003cem\u003eToro Y Moi\u003c\/em\u003e guise with the brand new album \u003cem\u003eWhat For?\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eAnd whilst most would think there were no genres left to play with, the intrepid musical explorer is about to throw one hell of a curve ball into the mix. \"\u003cem\u003eI've done electronic R\u0026amp;B and more traditional recorded R\u0026amp;B stuff. I just wanted to see what else was out there\u003c\/em\u003e,\" Bundick says of the record's new direction. \"\u003cem\u003eIt's all coming from the same mindset and point of creativity. It's just me trying to take what I already have, then taking it further asking, 'OK, what can I do now?' or 'What haven't I tried yet?'\u003c\/em\u003e\"\u003c\/p\u003e\n\n\u003cp\u003eAs mastermind and ringleader of the smeared electronic production sound that defined and established 'chillwave' before hipsters rode it within an inch of its life, an explorer of motorik space-age funk, smoky 4\/4 house-tinged pop, electro-funk, and late-night electronic soul, '\u003cem\u003eWhat For?\u003c\/em\u003e' is where \u003cem\u003eToro Y Moi\u003c\/em\u003e's story continues - albeit one that leaves its true meaning only to imagination.\u003c\/p\u003e\n\n\u003cp\u003e\"\u003cem\u003eThe album's main themes are love and nature\u003c\/em\u003e,\" he hints. \"\u003cem\u003eI wrote about personal experiences but intentionally left them vague. I've always felt that good songs should heighten your mental awareness\u003c\/em\u003e.\"\u003c\/p\u003e\n\n\u003cp\u003eWritten and recorded over the course of eight months at his home studio in Berkeley, California, '\u003cem\u003eWhat For?\u003c\/em\u003e' draws inspiration from \u003cem\u003eBig Star\u003c\/em\u003e, \u003cem\u003eTalking Heads\u003c\/em\u003e, and \u003cem\u003eTodd Rundgren\u003c\/em\u003e, as well as the psychedelic soul of Brazil's \u003cem\u003eTim Maia\u003c\/em\u003e and '70s-era jazz-funk of France's \u003cem\u003eCortex\u003c\/em\u003e. \u003cstrong\u003eUnknown Mortal Orchestra\u003c\/strong\u003e guitarist \u003cstrong\u003eRuban Neilson\u003c\/strong\u003e appears on the album, as does multi-instrumentalist \u003cstrong\u003eJulian Lynch\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThis time, meticulous production of stereo-panned guitars, buzzing synthesizers, funky keys, and live drumming has paved the way for the feel of a rock band playing together in the same room. \"\u003cem\u003eA studio should keep changing and all of the gear should be out and exposed or else you'll never remember to use it. With this album, I'd just walk up to an instrument somewhere in my house and start writing\u003c\/em\u003e,\" Bundick recalls.\u003c\/p\u003e\n\n\u003cp\u003eHaving spent his formative years playing in punk rock bands and studying graphic design at the University of South Carolina, Bundick began making bedroom recordings under the name \u003cem\u003eToro Y Moi\u003c\/em\u003e in 2001. Those early demos made up the seeds of his distinct retro-future sound ahead of a brief stint in New York before relocating to California in 2012.\u003c\/p\u003e\n\n\u003cp\u003eIt's a move that has given Bundick time to reflect on what's important, allowing him the freedom to create whilst also embarking upon new exciting projects such as establishing '\u003cem\u003eCompany\u003c\/em\u003e' records. \"\u003cem\u003eHaving a label has been a goal for a while. I want to be a part of this generation\u003c\/em\u003e,\" tells Bundick. \"\u003cem\u003eI'm aiming to take Company as far as it can go. I'm helping artists with each release from production to the design of the album cover to make something timeless\u003c\/em\u003e.\"\u003c\/p\u003e\n\n\u003cp\u003eWhether recording and creating another album or assisting with someone else's work in progress, Bundick continues to prove to be as prolific as he is diverse. In the process, he is constantly pushing the limits to point \u003cem\u003eToro Y Moi\u003c\/em\u003e in new directions, yet never sacrificing his melodic sensibility or keen ear for arrangements and texture.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLP+ - Deluxe Limited LP includes blue and white starburst color vinyl housed in gatefold jacket with an exclusive poster, sticker, and download code.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLP - Standard LP is black vinyl, includes digital download and sticker.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCD - Softpak, based on LP design.\u003c\/em\u003e\u003c\/p\u003e","brand":"Carpark","offers":[{"title":"LP.","offer_id":50463849644363,"sku":"385585","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP","offer_id":50463850135883,"sku":"385584","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50463850430795,"sku":"385583","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/81ee8c82-e64b-4dd0-bd15-8da8b119b626_thumbnail_4096.jpg?v=1727267407"},{"product_id":"mahal","title":"Mahal","description":"\u003cp\u003eToro y Moi’s seventh studio album, \u003ci\u003eMahal\u003c\/i\u003e, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But \u003ci\u003eMahal\u003c\/i\u003e is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMahal\u003c\/i\u003e is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark \u003ci\u003eCausers of This\u003c\/i\u003e in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on \u003ci\u003eMahal\u003c\/i\u003e, his most eclectic record to date. \u003c\/p\u003e\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of \u003ci\u003eMahal\u003c\/i\u003e’s 13 songs date back to the more explicitly rock-oriented \u003ci\u003eWhat For?\u003c\/i\u003e from 2015. \u003ci\u003eMahal\u003c\/i\u003e was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra’s Ruban Neilson to Neon Indian’s Alan Palomo and the Mattson 2.\u003c\/p\u003e\u003cp\u003e“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, \u003ci\u003eMahal\u003c\/i\u003e is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke-recalling of “Last Year.”\u003c\/p\u003e\u003cp\u003eLyrically, the album zooms in on generational concerns, picking up where the \u003ci\u003eOuter Peace\u003c\/i\u003e standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and the “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.\u003c\/p\u003e\u003cp\u003eIt’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in \u003ci\u003eMahal\u003c\/i\u003e’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of \u003ci\u003eMahal\u003c\/i\u003e, Toro y Moi stands to connect with more listeners than ever before.\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Blue LP | Rough Trade Exclusive","offer_id":50466634924363,"sku":"1143283","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Silver | LP","offer_id":50466631418187,"sku":"1143280","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50466634760523,"sku":"1143281","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":50466631844171,"sku":"1143282","price":7.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50466634629451,"sku":"1143279","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0597340d-c854-4072-87f2-3be247207330_thumbnail_4096.png?v=1727317863"},{"product_id":"live-from-trona","title":"Live From Trona","description":"\u003cp\u003eLimited to 500 Copies on Double Pink Vinyl with Download. 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Titled \u003cem\u003eBoo Boo\u003c\/em\u003e, the follow-up to 2015’s \u003cem\u003eWhat's For?\u003c\/em\u003e, is his most personal album yet.\u003c\/p\u003e\n\n\u003cp\u003eThe intimate and revealing nature of the LP’s 12 tracks is the result of a confusing identity crisis, in which the synthpop musician found himself struggling to settle into life as a “famous” person. “My dreams had become my reality, yet I was somehow unable to accept this new environment,” Bear explained in a press statement.\u003c\/p\u003e\n\n\u003cp\u003e“I felt as though I no longer knew what it was that I actually wanted and needed in and out of life, and at times I felt unable to even tell what was real.” To help cope, Bear turned to music, and not just his own. 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Growing up biracial in South Carolina, these diverse influences contributed to the unique blend of styles Chaz weaves into his work.\u003c\/p\u003e\n\n\u003cp\u003eNominated for Best Dance Recording at the 2020 Grammy Awards for his collaboration with Flume on \"\u003cem\u003eThe Difference\u003c\/em\u003e\", Chaz’s genre-defying sound has won critical acclaim. His journey began in earnest with early home recordings that showcased his prolific nature, leading to over 10 \u003cem\u003eToro y Moi\u003c\/em\u003e albums released independently before signing with Carpark Records in 2009.\u003c\/p\u003e\n\n\u003cp\u003eChaz’s debut album under Carpark, \u003cem\u003eCausers of This\u003c\/em\u003e, was a seminal release that sparked a movement of sample-heavy bedroom recordings. Its success led to early assumptions that he was limited to this sound, but Chaz quickly proved his versatility with 2011’s \u003cem\u003eUnderneath the Pine\u003c\/em\u003e, recorded between tours and featuring entirely live instrumentation.\u003c\/p\u003e\n\n\u003cp\u003eThis pivot set a pattern for Chaz’s career: each subsequent release explored new terrain, from the psych rock of \u003cem\u003eWhat For?\u003c\/em\u003e to the R\u0026amp;B-influenced \u003cem\u003eBoo Boo\u003c\/em\u003e, all tied together by his signature production and melodic sensibilities.\u003c\/p\u003e\n\n\u003cp\u003eFollowing \u003cem\u003eBoo Boo\u003c\/em\u003e, 2019’s \u003cem\u003eOuter Peace\u003c\/em\u003e marked Chaz’s return to the Bay Area after a year in Portland, embodying a celebratory homecoming filled with collaborations and vibrant playfulness. Featuring friends and eclectic references to contemporary hip hop, funk, Eurodance, and ambient textures, \u003cem\u003eOuter Peace\u003c\/em\u003e was a sharp contrast to the contemplative, isolation-driven \u003cem\u003eBoo Boo\u003c\/em\u003e and solidified Chaz’s place on the cutting edge of music.\u003c\/p\u003e\n\n\u003cp\u003eFive days post-release, Chaz teased \u003cem\u003eSoul Trash\u003c\/em\u003e on Instagram, sharing a cassette titled \u003cem\u003eSoul Trash V1\u003c\/em\u003e with a Dropbox link, which was later removed. The mixtape was officially released digitally on October 29, 2019, and has since garnered over 39 million streams.\u003c\/p\u003e\n\n\u003cp\u003eThis album was also his first collaboration with Elijah Kessler, who later released an album on Chaz’s Company Records. 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