{"title":"Trikont","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eTrikont is a German label that has been making waves in the music industry since its founding in 1967. With a focus on American music before WWII, Trikont releases an eclectic mix of genres including Country Music, Hillbilly, Blues, Jazz, Soul, Funk, Cajun, and Zydeco. They also showcase folk and traditional music from around the world with thematic compilations like \"La Paloma,\" \"Queer noises,\" \"Africa raps,\" \"England's dreaming,\" \"Black \u0026amp; proud,\" and \"American Yodeling.\"\u003c\/p\u003e\n\n\u003cp\u003eAs part of the parent company Trikont Verlags GmbH, this Munich-based publishing company was established by an independent publishing house. Their dedication to preserving and promoting diverse musical styles is evident in their extensive catalog.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to their impressive collection of music releases, Trikont also offers books such as \"Bloß a Gschicht\" by \u003ci\u003eHans Söllner\u003c\/i\u003e (Catalog# US-0335) and a book about \u003ci\u003eHans Söllner\u003c\/i\u003e titled \"Bilderbuch\" (Catalog# US-0358). These publications further demonstrate Trikont's commitment to celebrating artists and their stories.\u003c\/p\u003e","products":[{"product_id":"exile-in-space","title":"Exile in Space","description":"\u003cp\u003eIn English there is the expression \"to pull at one \"s heartstrings\". In German, there is no direct translation for this image. But now, fortunately, somehow there is, in the form of this album. Because when listening to \u003ci\u003eExile In Space\u003c\/i\u003e, something inside plucks and tugs, pulls and stretches, usually about where most people suspect the heart to be. Melancholy just doesn't fit, is also a much too worn out term in music and has no place here. \u003c\/p\u003e\u003cp\u003eWhat ENIK and the PARANORMAL STRING QUARTET create on \u003ci\u003eExile In Space\u003c\/i\u003e in these eight musical gems goes deeper. Great sentences like: \"Don \"t pick up the Phone, it could be your mother! She wont candycrush herself out of this mess.\", Enik has a terse robot voice recite in poem form in \"Electric Sheep\", while in the background an omnichord and a cello discuss which of the two is actually lonelier than the other. \"TRUE MF\", previously known by ENIK Solo as a real dancefloor banger, gets new dimensions (quite a few, actually) with decelerated, warm but still never and never cheesy string parts. These paranormal additions keep ENIK if necessary also sometimes on the ground - or rather in the cozy, warm room at the window, when he sings in the title track with Cervantes in his head about the rather less cozy world situation and dreams of exile in space (\u003ci\u003eExile In Space\u003c\/i\u003e). In KANGAROO, Enik converses with a dead kangaroo, which abruptly admonishes him of his own transience and thus heartbreakingly questions the protagonist's excessive life. The song ends in a three-minute elegiac string improvisation, which for Enik personally, is the absolute highlight of this album. As a listener, you are left with the grating BETTY LEE at the end. A song that could well be 70 years old, but at the same time points forward into the future. \u003c\/p\u003e\u003cp\u003eAll in all, eight sparkling, weird, organic and loving songs that reach from the heart to outer space. Which brings us back to the \"heartstrings\" and what has not yet been revealed here: What the English expression \"to pull at one's heartstrings\" means in German. But ENIK and the PARANORMAL STRING QUARTET are the experts for that.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"Black LP","offer_id":50394886078795,"sku":"2056566","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/US0547_9f1480a3_thumbnail_4096.jpg?v=1726449548"},{"product_id":"kofelgschroa","title":"Kofelgschroa","description":"\u003cp\u003eKofelgschroa come from Oberammergau. Matthias Meichelböck (tenor horn), Martin von Mücke (helicontuba), Michael von Mücke (flugelhorn, guitar) and Maxi Pongratz (accordion) founded their band in 2007. At that time they were still called Kofelmusik and played close to traditional folk music; their name comes from Oberammergau's local mountain, the Kofel. But when the \"Gschroa\", the screaming, was added, their music also changed. \u003c\/p\u003e\u003cp\u003eBecause the Gschroa on top of the Kofel is for the band also an image for their homeland reference, which they themselves describe as schizophrenic. \"Their minimalist, yet rapidly undulating brass develops an amazing groove,\" found the \"SüdGermane Zeitung,\" and indeed: the dialect is distinctive, the instruments are still folk music, the one- to three-part singing meets or misses. The lyrics are spoken, shouted, sung and then gladly offset. \u003c\/p\u003e\u003cp\u003e\"Kofelgschroa cultivate a kind of valentinesque Dadaism,\" wrote \"Die Welt\". \"... As if the Pogues, fired up by a couple of half-Augustinians, were playing a Balkan band for a dance.\"\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"Yellow LP","offer_id":50434662629707,"sku":"2056571","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/USLTD4331_81b6da9b_thumbnail_4096.jpg?v=1726892745"},{"product_id":"kismet-1","title":"Kismet","description":"\u003cp\u003eKolektif Istanbul grew up from the meeting of musicians from villages playing at fetes and marriage ceremonies in the \"homeland\", and musicians with improvisation backgrounds from different modern styles but all in Istanbul with the colours of Istanbul. A typical Kolektif Istanbul concert spans every \u003cbr\u003egenre, from Turkish belly dances, or, highly danceable folkloric numbers, to Western alternative rock. Their influences range from Bulgarian clarinetist Ivo Papazov and accordionist Peter Ralchev to Snarky Puppy and Farmers’ Market. The Ensemble gains in intensity with Asli Dogan, the voice of this project, which carries all the expressiveness and sensitivity of the popular song.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"Black | LP","offer_id":50469958353227,"sku":"1129449","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50469958648139,"sku":"1129448","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5d3135e5-9988-4fb9-8d06-a5a7652a98cf_thumbnail_4096.jpg?v=1727370110"},{"product_id":"strange-and-dangerous-times-new-america-roots-real-music-for-the-21st-century","title":"Strange and Dangerous Times - New America Roots - Real Music For the 21st Century","description":"\u003cp\u003eNew American Roots - Real Music for the 21st Century. America's cultural evolution and diversity is most palpable in folk music and roots music. 'New Roots Music', as it's called lately, examines the madness, cruelty and beauty of the 21st century. Folk music has always been more than just a chronicle of life in a particular time or region. It was always an expressive vehicle for understanding and processing fundamental questions of human existence. These days, it talks about rampant capitalism, increasing social isolation, unemployment, drugs, war and, of course, about god and love, about life and death.The term 'Roots Music' began to be used since the mid-1970s to draw the line at the commercialized folk music of the late 1960s and early 1970s. Recently, a wild and vibrant subculture of punk-inspired musicians has begun to fuse the musical styles of their ancestors with the sounds and the language of the 21st century. The result is pretty melancholic, with raw and restrained voices, more screamed than sung, sometimes played at a breathtaking tempo, always unamplified and ready to be performed anytime, anywhere. It features Philip Roebuck, The Calamity Cubes, Hillstomp, Scott McDougall, Willy Tea, My Graveyard Jaw and more.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"CD","offer_id":50471341097291,"sku":"380710","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8cb2d55d-23c3-49b7-9f75-57cf88bf2195_thumbnail_4096.jpg?v=1727399060"},{"product_id":"our-own-voices-6-expose-yourself-to-trikont","title":"Our Own Voices 6 - Expose Yourself to Trikont","description":"\u003cp\u003eThe German Trikont label is celebrating its 50th anniversary. Trikont is Germany's oldest independent record label. The Munich company was founded at the height of the student rebellion at the end of 1967, initially as a publisher for radical left wing books including Che Guevera's Bolivian diaries. In 1971 Trikont added a record label to its operations, documenting outsider music from around the world. Trikont's motto \"our own voice\" continues to reflect this ideal today. With almost 500 releases under its belt the Trikont catalogue covers the widest possible range of roots music styles - from Finnish Tango, Rembetica and African Rap to obscure Americana, Deep Soul, Cajun and Zydeco. This 3CD set features 52 cuts from Express Brass Band, Girls of the Golden West, Hank Williams, Karl Hector, Rita Abatsi, Francis Bebey etc.\u003cbr\u003e \u003c\/p\u003e","brand":"Trikont","offers":[{"title":"CD","offer_id":50471445004619,"sku":"1024239","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1ee38311-1976-4443-8972-e0aa294a31d1_thumbnail_4096.jpg?v=1727403566"},{"product_id":"le-mali-70","title":"Le Mali 70","description":"\u003cp\u003eFeaturing Salif Keita,, Sory Bamba, Cheick Tidiane Seck and many more! A Big Band from Berlin travels to Mali to experience the legendary Malian musicians of the seventies. That is the amazing genesis of The Omniversal Earkestra and the Le Mali 70 project. The Omniversal Earkestra is a Big Band from Berlin, consisting of 12 brass musicians, accompanied by bass and drums, who have made a name by gigging almost weekly for eight years now in their hometown Berlin. Their program consists of an eclectic mixture of compositions by huge influences such Duke Ellington, Sun Ra and Fela Kuti, to which the group adds their own songs. Also exploring the music of the by now legendary Mali-based Big Bands of the seventies such as the Railband, it became clear to the group's members that a trip to Mali would be necessary to meet the old masters. \u003c\/p\u003e\u003cp\u003eSupported by the TURN culture fund, The Omniversal Earkestra made its pilgrimage to Mali where they met legendary artists such as Cheick Tidiane Seck, Sory Bamba, Abdoulaye Diabaté and Salif Keita. Traveling all of Mali they visited the homes of by now almost forgotten bands such as Mystère Jazz de Tombouctou, der Kanaga de Mopti, Super Bitons de Segou and the Railband of Bamako. The results of this amazing trip are modern Big Band arrangements of old Mali songs that were recorded at the end of the road trip during n intense week in the Moffou studio together with Salif Keita.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"LP","offer_id":50475187634507,"sku":"1106072","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50475188552011,"sku":"1106071","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b4bbd252-8ff5-4dd6-9f33-d2d28cbd2aa1_thumbnail_4096.jpg?v=1727443752"},{"product_id":"open-harp-blues","title":"Open Harp Blues","description":"\u003cp\u003eChristoph Well: How the Open Harp Blues came into being \"About 5 years ago I was driving home after a New Year's concert with the Giessen Synfonieorchester. While there, I listened to one of my relaxation plucks on the harp, which I record from time to time just for me after the daily practice program. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eDuring a blues improvisation I thought to myself that it is actually a pity if a blues is always over after a few minutes. How I would love to blues'n for half an hour or three quarters of an hour, quasi never ending ... and best of all play together with musicians I personally appreciate and admire. At home, the first thing I did was to call G. Ringsgwandl. He encouraged me and agreed to participate. At the same time I saw a documentary on Arte-TV about the OpenHeartProject in Sudan, where mainly children from all over Africa are operated on their hearts free of charge. This often involves valve replacements, since these usually break down because of the children's rheumatic fever. I myself received such a prosthesis at the age of 14 and owe 45 years of my life to this invention. Deeply impressed by the film about the great work of the people in this clinic, I decided to give the proceeds of my blues project, if it would come about, to this institution. After Georg Ringsgwandl, I asked Willy Michl, who as far as I know was the first to sing the blues in Bavarian, Conny Kreitmeier and Barbara Dennerlein, Nick Woodland (lead guitar), Manfred Mildenberger (drums), Luke Cyrus-Gˆtze (lap steel) and Tom Peschl (bass), as well as my friends from the Toten Hosen. \u003c\/p\u003e\u003cp\u003eAll agreed enthusiastically. Inspired by this, I called Helge Schneider, Stefan Dettl, Alan Bern, Konstantin Wecker, ZitherMan and Herbert Pixner. Each of them immediately agreed to record a contribution of two to four takes, without pay! The last ones to join were Christiane ttl and Andreas Rebers. With my siblings and relatives, as well as my long-time companion Gerhard Polt, everything was clear anyway. I thought to myself that a 12-bar blues, like a country dance, is a fixed form that can meander through all the keys like a brook. Each of them has a certain character that suits the musician or musicians best. The idea was to string the individual contributions like beads on a necklace. The continuous harp part would be the string that holds and connects everything together. To support the harp, Nick, Manfred, Luke and Tom joined in, more or less as The Band, preparing a foundation on which the players could then build their numbers. I was left with the very nice 'work' of playing various instruments on the respective takes, which is what I love to do anyway. But I needed help for that, because playing and recording at the same time is very stressful. I asked Beate Dichtl if she, free of charge like everyone else, would like to help from time to time. The recordings with her were so harmonious that she is now called Beate Well :-) The O-H-B begins in E-flat major with a variation of the premiere Arabesque by C. Debussy, which for me represents an interface between jazz and classical music. It ends with it again after a 40-minute trek through the keys in E major. Finally, I would like to express my sincere thanks to all the participants! Now I wish you as much fun while listening as we had while making music. Emergency provides free, quality health care to victims of war, poverty and landmines. Emergency builds and operates hospitals and trains local doctors and nurses Since its founding in 1994, more than eleven million people in 18 countries have been treated. Today, Emergency is active in Afghanistan, Sierra Leone, the Central African Republic, Uganda, Iraq, Sudan and Italy..\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"CD","offer_id":50475359928651,"sku":"1140390","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e7328f5b-061e-4626-9267-235ca822edc6_thumbnail_4096.jpg?v=1727446396"},{"product_id":"klein-ist-die-welt","title":"Klein Ist Die Welt","description":"\u003cp\u003eThis is the second Trikont record by Banda Comunale (aka Banda Internationale). Everything there is to say about it is explained here by Banda Comunale personally: \"The musical endeavor of Banda Comunale, or Internationale, in recent years has been to present a cultural antithesis in a social mood dominated by right-wing populist, xenophobic and Euroskeptic tendencies. The consequences of the Corona pandemic hit us as an intercultural, politically and socio-culturally active, publicly visible band existing since 2001 at the height of this commitment. Our central Brecht program with Bernadette la Hengst on Flight and Expulsion at the Volksbühne and Kampnagel in April and May 2020 could not take place, as well as about 50 other performances in Germany and abroad. A fate we share with millions of musicians worldwide. We go first and come last, as it says in \"Systemrelevant\". Performances of the whole band in front of large audiences will probably not happen in the medium term. Therefore, we have used the time to process the past years, encounters, friendships, inspirations and experiences and document them in an album.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"LP","offer_id":50475839062347,"sku":"1142018","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e16548c0-f807-4ab1-a0e5-6dabaac20c0c_thumbnail_4096.jpg?v=1727451426"},{"product_id":"es-gibt-dinge","title":"Es Gibt Dinge","description":"\u003cp\u003eWho is Angela Aux, who, with long blond hair, beard and soft songs on the verge of a nervous breakdown, charms the Munich scene with an idiosyncrasy that is hard to resist? Süddeutsche Zeitung: Angela Aux is an artist of contrasts, an artist of playing with identity, a shape-shifter. He balances between Wu-Tang shirt and girl's wig, between haiku and Dostoyevsky. A head that can grasp too much to just follow a straight line - and Angela Aux is a songwriter still worthy of the name, a lyricist, an overflowing notebook, an old-school poet, absorbing and spitting out, too sensitive to all the shit out there, too energetic not to face it. \"The lyrics are meant to make people think,\" says Angela Aux.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"LP","offer_id":50476261900619,"sku":"1141997","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e29ef686-98ef-4ef9-bb78-f14974c1eb09_thumbnail_4096.jpg?v=1727456618"},{"product_id":"down-and-out-the-sad-soul-of-the-black-south","title":"Down and Out - The Sad Soul Of The Black South","description":"\u003cp\u003eAn absolutely wonderful collection that could well be Trikont's finest and now on vinyl for the first time. An astonishing selection of sad and heartbreaking deep south soul ballads, 24 tracks on the CD and 12 on the LP of beautiful music. Features tracks from Johnny Copeland, OV Wright, Betty Lavette, Ella Washington, Bobby Blues Bland and many more obscure, but great tracks.\u003c\/p\u003e\u003cp\u003eVinyl Tracklisting: 01. George Perkins And The Silver Stars: Crying In The Street 02. Johnny Copeland: Down On Bending Knees 03. Ede Robin: Dead 04. Sam Dees: Lonely For You Baby 05. Joe Medwick: I Cried 06. James Kelly Duhon: Heart Breaker 07. Larry Coney: More Time (To Explain) 08. Ella Brown: Love Don't Love Nobody 09. Don Varner: He Kept On Talking 10. Bill Brandon: Rainbow Road 11. Ella Washington: Sit Down And Cry 12. Betty Lavette: Let Me Down Easy\u003c\/p\u003e\u003cp\u003eCD tracklisting - 1.George Perkins and the Silver Stars: Crying In The Streets, 2. Johnny Copeland: Down On Bending Knees, 3. Ede Robin: Dead, 4. Sam Dees: Lonely For You Baby, 5. 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On \"wos,\" electrically charged accordion lines collide with driving drum and sequencer beats. Words fray, stories swirl around, language is bent, stretched, dissected—and reassembled into a sound that is both deeply rooted and radically contemporary. Attwenger comment on the state of an overheated society without resorting to moralizing. Instead, they open up spaces between the lines: places for humor, escape routes, resistance, and liberating movements beyond expectation. \"wos is. is wos.\" – this album leaves no one indifferent. It challenges, grooves, grinds, questions, contradicts. 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Fearless, outspoken and artistically uncompromising, Ami continues to break boundaries and challenge social expectations. Her songs express resilience, self-belief, perseverance and a clear commitment to her principles - themes that have shaped her artistic journey for more than a decade. Guest appearances by Jah Moko and Senegalese rapper Mina la Voilée enrich the album’s emotional and sonic palette. Maaya also marks a return to artistic independence: fully self-produced, deeply personal and anchored in Ami\"s own story. It is an album that captures the spirit of a new African generation finding its voice. Powerful, rooted and unapologetically authentic, Maaya reaffirms Ami Yerewolo as one of the most compelling and influential voices in global hip-hop today.\u003c\/p\u003e","brand":"Trikont","offers":[{"title":"LP - Black","offer_id":57551115092299,"sku":"R3460-3041","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/p_6d89cd48-6533-4ada-be7c-6f5767d40ac0.jpg?v=1781109999"},{"product_id":"le-mali-70-vol-02-so","title":"Le Mali 70 Vol. 02","description":"\u003cp\u003eThe Omniversal Earkestra features Salif Keita, Cheick Tidiane Seck, Abdulaye Diabate, Issa Bamba, Aly Keita and many more. Omniversal Earkestra - \u003cem\u003eLe Mali 70 Vol. II\u003c\/em\u003e is a vibrant musical journey blending the rich traditions of 1970s Malian music with contemporary jazz and world music influences. 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