{"title":"Vampisoul","description":null,"products":[{"product_id":"magnifico-boogaloo","title":"Magnifico Boogaloo","description":"\u003cp\u003eThese two vinyl records showcase the legacy left by the boogaloo movement in Peru between 1966 and 1975. They comprise twenty-two songs by seventeen artists who recorded on the remarkable local label MAG more than five decades ago and now invite today’s new generations to dance body and soul to these re-releases. You will find outstanding tracks by the likes of Tito Chicoma, Melcochita, Los Kintos, Otto Rojas, Coco Lagos among many others. MAG was one of the most important and prolific labels in Peru and, though it also was involved in releasing a lot of other types of music, its specialty was the tropical variety, which coincidentally, DJs and collectors seem to crave most. Peru developed a major boogaloo scene in the mid-60s, far from the genre’s place of origin, New York, where iconic songs like 'Bang Bang' and 'El Pito', fused soul and funk with Latin sounds, conquering dance halls and winning extensive radio airplay. The music trend soon spread to Caribbean countries and from there made the geographical leap to the city of Lima. 'El Pito', the collective creation of the Joe Cuba Sextet, was particularly popular. Shorn of overelaborate arrangements, the improvisation and spontaneity of the song resonated with the young generation who were avid for new music after the U.S. placed an embargo on the distribution of Cuban music. In July 1966, Rebeca Llave´s label, Disperú, released the 45 RPM of 'El Pito' (and Joe Cuba's LP), promoting the single in the most prestigious newspaper in the country: El Comercio. The press information stated that the record had sold seventy thousand copies in New York and fifty thousand in Los Angeles. That same year local dance versions by the bands of Alfredo Linares (MAG) and Lucho Macedo (El Virrey) were released, followed by another by the band of the Argentinean musician Enrique Lynch who was based in Peru (Sono Radio). These records were a hit with a new generation that embraced Lucho Macedo's band and the garage rock of Los York's with equal enthusiasm. Although Joe Bataan claimed that boogaloo was killed off at the end of the sixties by the labels and their veteran musicians (who conspired against the new generation of singers), Pete Rodriguez, Richie Ray and the Lebrón Brothers continued to release boogaloo records in Peru, but salsa music soon took over.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50382104297803,"sku":"2222117","price":36.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_fa7a21a7_thumbnail_4096.jpg?v=1726242137"},{"product_id":"egyptian-reggae-split","title":"Egyptian Reggae (Split)","description":"\u003cp\u003eJonathan Richman’s party-starter 'Egyptian Reggae' has been responsible for setting thousands of discerning dance floors on fire around the world since its original release date, in the golden year of punk, 1977 The original composition has been given the obvious Jah twist on a few occasions, so we thought it was about time for the Richman’s classic to receive a fun yet respectful cumbia treatment. At the end of the day both genres fit really well together, and we can´t help but dream of DJs mixing both sounds in their sets! This cumbia candy has been recorded in Lima by no other than Pancho Acosta, founder and guitarist of Company Quinto, and one of the greatest cumbia guitar players in Peru. On the flip side we find one of Acosta´s own original songs, 'Carnaval de Jujuy', recorded by Austin-based future cumbia group Money Chicha. The band presents a fascinating exploration of the nexus of Peru’s legendary fuzzed out early chicha sound and the band’s unique application of chicha-influenced sounds to this terrific cumbia.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\" - Splatter","offer_id":51606389195083,"sku":"R2907-6662","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"7\" - Black","offer_id":50382132511051,"sku":"2222095","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e2981cf6_thumbnail_4096.jpg?v=1726242860"},{"product_id":"rb-hipshakers-vol-3","title":"R\u0026B Hipshakers Vol 3","description":"\u003cp\u003e \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50382155415883,"sku":"2213569","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_98fd2c73_thumbnail_4096.jpg?v=1726243640"},{"product_id":"alegria-ponte-bajo-el-sol","title":"Alegria \/ Ponte Bajo El Sol","description":"\u003cp\u003eA Tropical funk pop gem! Colombian sisters Elia and Elizabeth Fleta recorded a handful of songs between 1972 and 1973, accompanied by Jimmy Salcedo and his group La Onda Tres, mixing soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and psychedelia. These elements blended graciously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms. \u003c\/p\u003e\u003cp\u003eThe songs of Elia y Elizabeth remain among us as part of the most wonderful pop legacy of all time. ‘Alegría’ and ‘Ponte Bajo el Sol’ are two of the most celebrated songs by the Colombian sisters. We are now happy to present them together on a 45 for the first time.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50382607155531,"sku":"2022342","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45095_153dddcf_thumbnail_4096.jpg?v=1726254098"},{"product_id":"dadiva","title":"Dadiva","description":"\u003cp\u003eSo many hits on this awesome 1983 recording by one of the giants of Brazilian music, Jorge Ben. This masterpiece includes the great boogie joint 'Rio Babilonia' as well as the all-time classics 'Taj Mahal \/ Pais Tropical', the soulful opener 'Eu Quero Ver A Rainha' featuring Tim Maia, and many other samba funk jams arranged by Lincoln Olivetti. Very hard to find on vinyl these days, this reissue will make many collectors happy! \u003c\/p\u003e\u003cp\u003eJorge Ben is someone who needs no introduction. Since his first hits in the 60s, this artist has become one of the greatest icons of Brazilian pop music. His anthems \"Mais Que Nada\" or \"Pais Tropical\" are probably two of the most ever-listened Brazilian songs of all time. After being involved in the Tropicalia movement and incorporating the influences of Afro-American funk into his repertoire, with the support of his backing band -Trio Mocoto, his very personal samba sound also opened up to the new musical trends coming from the States at the edge of the 70s. Boogie and disco music were making headway and soon became popular in the Brazilian market. Jorge Ben's albums recorded at the beginning of the 80s reflect this trend and deliver a good number of outstanding tunes. This masterpiece includes the great boogie joint 'Rio Babilonia' as well as the all-time classics 'Taj Mahal\/Pais Tropical', the soulful opener 'Eu Quero Ver A Rainha' featuring Tim Maia, and many other samba funk jams arranged by Lincoln Olivetti. \u003c\/p\u003e\u003cp\u003eAn essential addition to any Brazilian music collection.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50383026749771,"sku":"1148864","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ce907939-b1b6-4326-be53-e875b02c1dd6_thumbnail_4096.jpg?v=1726262116"},{"product_id":"gozalo-bugalu-tropical-vol-1","title":"Gozalo! - Bugalu Tropical Vol 1","description":"\u003cp\u003eVampisoul present volume one of Gozalo! (\"enjoy it!\") a collection of Peru ́s best artists from the 1960s and 70s. Peru, may not (currently) have the same musical profile as Brasil or Cuba, but it had its fair share of exciting bands. Names like Charlie Palomares, Mario Allison, Lucho Macedo, Al Valdez, Ñico Estrada, Los Hiton who experimented with \"foreign\" sounds and rhythms such as jazz, pop, boogaloo and soul, and gave them their own unique Peruvian flavour. Complete with detailed and explanatory liner notes (welcome to Vampisoul University!) and cover art by Pablo Iglesias (from the mandatory latin-art book \"Cocinando!\").\u003cbr\u003e \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50384716169547,"sku":"1142028","price":35.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e30b6bcd-6260-45cd-a74c-472f32643b0e_thumbnail_4096.jpg?v=1726302736"},{"product_id":"suavecito","title":"Suavecito","description":"\u003cp\u003e‘Suavecito’ has been called \"The Chicano National Anthem\". It was originally recorded by Santana-related band Malo in 1972 and reached the Billboard's Top 20. This Peruvian version, released on Discos MAG that same year, features Beto Villena and We All Together (WAT’s Carlos Guerrero on lead vocals). Villena was one of the most accomplished trumpet players in Peru with a successful career in the Latin soul and tropical scenes while We All Together were one of the epoch-making groups in the history of Peruvian rock. A perfect blend of talents delivering a true-to-original rendition of the vocal-harmonies wonder that is 'Suavecito'. A sophisticated sweet soul “rola” for those into the lowrider sounds.\u003c\/p\u003e\u003cp\u003e On the flip we find Black Sugar, Peruvian pioneers in mixing funk influences with rock and Latin rhythms. ‘Viajecito’ is one of the strongest tracks of their debut album, starting off with a psychedelic guitar-driven intro then throwing layers of infectious percussion and piano. The track gets a turn once the horns and vocal section start, resulting an amazing jazzy Latin soul dancer.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50393722192203,"sku":"2050804","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45099_ebfbf8cd_thumbnail_4096.jpg?v=1726424518"},{"product_id":"pan-2","title":"Pan","description":"\u003cp\u003eFirst time reissue of one of the essential and most sought-after Venezuelan rock albums, originally released in 1970, along the lines of what other artists such as Santana or El Chicano were doing from the United States in those same years. Grupo Pan was led by Carlos \"Nené\" Quintero, former member of Los Dementes, Ray Pérez's group, and through this record he aims to retain the rhythmic strength and brass arrangements typical of salsa, but also explore other sounds based on powerful guitars. In December 1970 their first and only LP would release, recorded at the Fidelis studios in Caracas and produced by Mario Tepedino. It was published by Souvenir, a label responsible for the release of many other essential Venezuelan rock albums, such as the highly sought-after records by The Love Depression or Ladies W.C. \"Pan\" successes in overcoming through its grooves the eternal rivalry between the followers of the hard rock sounds and those who, on the contrary, were devotees of salsa. All the songs on the album are written by \"Nené\" Quintero himself and remain as fundamental milestones in the history of Venezuelan rock. The album would contribute to the birth of a new paradigm of Latin rock, along the lines of what other artists such as Santana or El Chicano were doing from the United States in those same years. After this Souvenir release, the band would also record two singles on another label called Promus. Grupo Pan would remain active until 1973 when the band members would follow different paths. This reissue includes original artwork, liner notes and exclusive photos.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50393723339083,"sku":"2050800","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI263_c28c0645_thumbnail_4096.jpg?v=1726424543"},{"product_id":"a-la-memoria-del-muerto-2","title":"A La Memoria Del Muerto","description":"\u003cp\u003eReissue  of \u003ci\u003eA la memoria del muerto\u003c\/i\u003e (1972), Fruko y sus Tesos' second album, featuring the soaring and soulful vocals of Cali native Edulfamid Molina Díaz, aka \"Píper Pimienta\". Produced by Fruko's uncle Mario \"Pachanga\" Rincón, the LP has an uncompromisingly stark, hard sound that is appealing to today's collectors of 'salsa brava' just as it was impactful on the Colombian scene when it was made. Unlike the first Tesos album, with a two-trumpet line-up and fairly simple arrangements, this more mature recording added another trumpet and two trombones for a more robust brass attack. Additionally, instead of basic salsa, there are many different rhythms - guaguancó, bomba, plena, oriza, bolero, cha-cha-chá, descarga and Latin soul. \u003c\/p\u003e\u003cp\u003eIncludes the bonus track 'Tihuanaco' (a cover of Peruvian pianist Alfredito Linares), which appeared on the US edition of the LP. Presented in facsimile artwork and pressed on 180g vinyl.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50394885620043,"sku":"2056567","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI174_b2ee52a7_thumbnail_4096.jpg?v=1726449521"},{"product_id":"el-clan-antillano","title":"El Clan Antillano","description":"\u003cp\u003eDebut album of heavy Colombian salsa by the obscure and short-lived El Clan Antillano. Founded in 1975 by singer Jacky Carazo and radio personality \/ composer Mike Char and backed by a studio orchestra comprised mostly of Fruko Y Sus Tesos band members. The record has been remastered from the original tapes, with an additional three bonus cuts taken from two rare 45 singles, including the sought after track ‘Alma’. First time reissue. 180g Vinyl. \u003c\/p\u003e\u003cp\u003eEl Clan Antillano was an obscure, short-lived salsa group started in 1975 by singer Jacky “El Caballo” Carazo, originally from Cartagena, and radio host \/ song composer Mike Char, from Barranquilla. The band was active only until 1977, with a mere two albums to its name. Carazo and Char, “los amigos costeños” (friends from the Caribbean coastal area) created El Clan Antillano as a fresh start after the previous group Carazo had been the lead singer for, El Afrocombo, had become inactive. Char primary passion was music, especially songwriting. One of his skills in this area was adapting foreign songs, often in a different language, rhythm, arrangement or genre, and refashioning the tune in an uptempo Caribbean dance mode as a salsa or cumbia. This formula, as well as his own original compositions, soon brought him success not only with costeño friends like Carazo and Vicentini, but also with Medellín’s Fruko, allowing him to make a name for himself with record labels in that city. It was at this juncture, in 1975, that El Clan Antillano was born. \u003c\/p\u003e\u003cp\u003eThis is their first album and was recorded with local studio musicians. It’s been said that most on the first album were from Fruko Y Sus Tesos (the voice of Joe Arroyo can be heard on coro) as well as others involved with various groups like La Protesta (de Colombia) and Juan Piña’s La Revelación. .\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50394890436939,"sku":"2056558","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI288_89621689_thumbnail_4096.jpg?v=1726449650"},{"product_id":"chicas-vol-3","title":"¡Chicas! Vol. 3","description":"\u003cp\u003eThe Vampisoul chicas are back. And for the third time. An irresistible collection of ye-yé, twist, disco, beat, popcorn, flamenco pop and even Northern Soul! From the early 60s and in the middle of a difficult political and social context, Spanish female singers - and those who moved to Spain - disregarded conventions and overcame all barriers to be part of a music movement that shook the Spanish society of the period. Many of the 24 tracks are reissued for the first time, including very hard-to-find records. It includes extensive notes by Vicente Fabuel featuring all the original record sleeves and artist photos. Although collectors and connoisseurs have never stopped playing the songs by these Spanish female singers, here they are again, sounding as vibrant as they did half a century ago. Because these children of their times, the musical decades of the 60s and 70s, boldly ventured into the limited spaces of freedom open to female artists back then. And they did so with attitude, in search of the right repertoire, proudly presenting new, daring personal projects often breaking away from the demure tone adopted by mainstream local female singers. And they were canny about it too. Realizing that the censors working back would just listen to the song that the record company flagged up as the listening target on the A side and not bother to flip the single over, they recorded many of their racier songs on the B side. That exciting dark side of singles, which have long tempted collectors. Lacking the freedom and visibility enjoyed today, these daring records by these female singers went as far as they could and a few managed to go beyond. The songs on this compilation tell everyday stories, narrating small socio-musical conquests revolving round the enduring theme of young love. Sass, sex, boy-girl rivalry, the defense of liberating women's fashion and, saying what women think loud and clear, all characterize these grooves. Performed in a variety of musical styles ranging from ye-yé, twist, disco, beat, popcorn, flamenco pop to Northern Soul, and, even more surprisingly, sung in an everyday, natural and self-assured tone that must have ruffled some feathers. As in previous volumes of \"¡Chicas!\", this third compilation includes female singers from outside Spain but whose career, their decision to sing in Spanish or their long tours and local stays, and occasionally permanent residence, meant their albums were created, recorded or produced here in Spain. It's a winning proposition for everyone. Take the band Los Bravos, four of the singers that passed through the ranks of this quintessentially Spanish group were foreigners. It's part of our open-door policy. Spain is different. In every sense. But let's get down to the serious stuff and the ritual: vinyl on the turntable and needle poised ready to play. Tracklist Side A 1. Más –Enterprise 2. Y Al Amanecer –Gelu 3. Necesito -Mary Gema 4. Si Un Chico Fuera Yo –Sonia 5. Azul, Azul, Azul –Marion 6. El Amor Que Soñé -Los Antifaces Side B 1. Sola -Chocolate Menta Mastik 2. Te Marchaste –Cecilia 3. Es Tu Error -Sylvia Nelson 4. Estilo Beat -Hermanas Ros 5. Mirándote –Suzie 6. Todo Es Amor (Bingo) -María José Cantudo Side C 1. Pelucón -Soledad Miranda 2. Mucho Más -Teresa María 3. No Necesito Tu Amor -Los Zarmatyseis 4. Twist Contigo –Franciska 5. No Me Llames Dolores -Marian Conde 6. No, No, No –Elvira Side D 1. Listen Here –Dolly 2. Abrázame Así –Eros 3. Qué Más Me Da -Rosa Morena 4. Amor Amargo -Albertina Cortés 5. Mi Amor Mi Bien -Nena Catherine 6. Casa Forte -Doris Y Rossie\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LPx2","offer_id":50395557560651,"sku":"2145145","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI293_24001fd0_thumbnail_4096.jpg?v=1726467700"},{"product_id":"el-tic-tac","title":"El Tic Tac","description":"\u003cp\u003eThis is the quartet's second LP, recorded in 1971, and contains mostly Peruvian songs with a strong Cuban flavor where Pancho Acosta’s electric guitar reaches vertiginous heights and is combined with outstanding conga and timbales playing. Extremely rare and hard to find in its original issue, this is the first-time reissue. Remastered from the original tapes. The guitarist Francisco \"Pancho\" Acosta Angeles (1946) played a significant role in spreading love for Cuban rhythms across Peru, those sunshine beats breaking through the cloudiness that hangs over Lima most of the year, as the city bears a closer resemblance weather wise to London than to Havana. In 1967, after making a name for himself with his six-stringed skill, he made his vinyl debut with Compay Quinto. Shortly after Pancho left Company Quinto, he joined Los Kintos. When Los Kintos disbanded, Pancho Acosta swiftly moved on to his next project for MAG: the Cuarteto Yemayá, formed by tumba drummer and singer Miguel Montoya, bassist Máximo Pecho and timba drummer José Luis Fiallega, all under Pancho's direction and arrangements. The quartet's debut album, \"Ecos del Trio Matamoros\", was a tribute to the Cuban trio of the title and comprised cover versions as well as a couple of their own songs. This is the quartet's second LP, recorded between July and August 1971. \"El Tic Tac\" contains mostly Peruvian songs. The foreign versions on the album include the classic 'Compay Gallo', written by Miguel Matamoros; 'Toribio carambola' and 'El Tic Tac', from the repertoire of the Cuban Trio Servando Diaz; and 'Sandunguéate', best known in Celia Cruz’s version. ‘Oye Mi Son' and 'Oye Mi Guitarra' were composed by the album's lead vocalist, Miguel Montoya. Percussionist Jorge Mariazza (Los Pachas, Manzanita y su Conjunto) co-wrote 'Descarga Yemayá' with Pancho, which features outstanding conga and timbales playing. Pancho also composed tracks on his own: 'Me Voy a Monsefú', 'Mi Provinciana', 'Yo Me Voy de Aquí' and 'Flaca y Fea', the latter with a Beatle-like intro where his Japanese electric guitar reaches vertiginous heights (he never used sound effects in his recordings). Cuarteto Yemayá released one more album for MAG. In 1973 Los Kintos reformed, with the addition of the bass, percussionist and guitarist from Cuarteto Yemayá. Pancho Acosta has continued his career as a composer and arranger to this day.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50396092793163,"sku":"2165748","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI_294_08645676_thumbnail_4096.jpg?v=1726478253"},{"product_id":"chicas","title":"¡Chicas!","description":"\u003cp\u003e2023 repress. unavailable for years.note new price. Limited Double Vinyl. A fantastic collection of 24 tracks from the 60s and early 70s performed by Spanish female artists, proving that it wasn’t only French girl singers who stole hearts during those years. Includes extensive notes, great photos and original sleeves. 1. Cha Cha Twist - Margarita Sierra  2. Un Chico Moderno - Pili Y Mili  3. No Te Acuerdas De Mí - Marisa Medina  4. Extiende Tus Brazos - Los Stop  5. Llovió - Ellas  6. Contrapunto - Los Que Vivimos  7. Aquí En Mi Nube - Sonia  8. Johnny – Marisol 9. Batiendo Palmas - Alicia Granados  10. Déjame En Paz - Mirla  11. Sola Estoy - Lorella  12. Love, Love, Love - Los Hippyloyas (Conchita Velasco)  13. La Máquina Infernal - Vainica Doble  14. Por Eso Vuelve, Por Favor - Los Tios Queridos  15. Desencadena Mi Corazón - Fresia Soto 16. My Baby - Marisel  17. Hava Naguila - Encarnita Polo 18. Te Veré En Septiembre - Marta Baizán  19. The More I See You - Laura Casale  20. Los Pepinillos - Tania Velia  21. Y… Y… - Gelu  22. Cerca De Ti - Las Chic  23. Yeh Yeh - Los 3 Sudamericanos  24. Mientes - Lia Uya\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50396132376907,"sku":"2165775","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/vampi130_26668ca2_thumbnail_4096.jpg?v=1726478695"},{"product_id":"la-camita","title":"La Camita","description":"\u003cp\u003e`La Camita’ is an incredible Latin funk nugget –recorded in Peru by Traffic Sound and later on by funk pioneers Black Sugar, comprising all the right ingredients to shake dance floors worldwide. Both takes on the song were released on records that today are extremely difficult to find in any condition. Latin party music in all its glory! Peru enjoyed a thriving and exciting music scene since the mid-1960s. Bands such as Los Saicos, Los Shain’s and Los York’s, to name just a few, released a number of brilliant records that drove young fans crazy and set an example for many to follow. The end of the decade brought about an evolution in sound and new music genres, as Peruvian bands kept an eye on the groundbreaking British and US artists. One of them was Traffic Sound, founded in Lima in 1967. Over a very short period of time the band managed to successfully develop their career. In 1971 Traffic Sound recorded ‘La Camita’ where their Latin influences overpowered the psychedelic prog vibe of their previous records. The song became a local hit and several versions were recorded by different Peruvian artists. On the other side of this single we find Black Sugar, a Peruvian band considered to be a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Their own take on ‘La Camita’ was released in 1978 and adds a modern twist to the original song, becoming decades later a winner spin at the most discerning dance floors worldwide. Latin party music in all its glory!\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\" - 2171060","offer_id":50398639456587,"sku":"2171060","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45101_980499e8_thumbnail_4096.jpg?v=1726497528"},{"product_id":"from-ear-to-ear","title":"From Ear To Ear","description":"\u003cp\u003eThis brash, big band Latin orchestra from Brooklyn debuted on Ghetto Records with an underground Salsa album which also contains the beguiling, English-language Psychedelic Soul of \"Latin Blues.\" Ghetto Records was Joe Bataan’s way to get over on “The Man” and out of the ‘hood, a bold move by an artist looking for independence and creative control in an industry that had exploited his talents and treated him like chattel. As Bataan puts it today, “Ghetto Records was part of my journey, a stepping stone to everything else that I’ve done. I learned enough that it enabled me to get out of the box with my thinking, it showed me how to deal with adversity.” Like many dreams and schemes born of the street, this one was audacious, perhaps even reckless to a fault. Hatched from desperation yet full of hope Ghetto Records came crashing down shortly after its inception. The seven albums in its discography languished out of print - until now. These are the definitive reissues of these albums, licensed from Joe Bataan, with his oversight and input into a 16 page oversize book by Pablo Yglesias that details Bataan’s larger-than-imagination life and his little Latin label that could.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP.","offer_id":50399733416267,"sku":"2178176","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":56837412585803,"sku":"R6284-0461","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/LA_FANTASTICA_From_Ear_To_Ear_661409df_thumbnail_4096.jpg?v=1726507674"},{"product_id":"baila","title":"Baila","description":"\u003cp\u003eAn incredible 45 of Latin disco – recorded in Peru during the late 70s by funk pioneers Black Sugar, and right up there with the best from New York and LA of that era! It’s taken over four decades 'Baila' to become a winner spin at international events in the soul and disco scenes, a sought-after collector's item and, above all, the dancefloor hit that should have always been. First time reissue. Black Sugar is a Peruvian band, considered a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Word is that Sono Radio, home to a bunch of local Tamla MoTown releases for the Peruvian market, thought that Black Sugar's prestige, and their credibility in the new orientation towards disco sound, would benefit from seeing their new single pressed with the labels of the famous record company from Detroit. And so it was. Under certain lights and shadows, ‘Baila’ was finally released in Peru only in 1978, sporting the same look as the releases of the likes of Marvin Gaye, Diana Ross, Commodores or Thelma Houston. A clever marketing ploy that however failed in boosting the sales of the single…Only a few original copies have survived to this day, of either the first and the second edition from 1979 released on the US label Libra, and reached the collectors market. It’s now, over four decades later, when the interest on this recording has gone stronger and ‘Baila’ is getting regular spins at international soul\/disco scene events, having become a very sought-after collectors item and, on top of that, the dance floor anthem that should have always been. The stunning piano arrangements of the intro, the outstanding brass sections —faithfully copied from the disco recordings coming from the States—, a very catchy chorus… ‘Baila’ has all the necessary ingredients to become an addictive invitation to join the dance floor. On the B side, a cover version of Barry White’s hit ‘Sha La La (Means I Love You)’ —as appeared on the original issue of this record— shows what the interest of the band was at the time. First time reissue.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50401747140939,"sku":"2024911","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS943999-01A-BIG_4c3a6648_thumbnail_4096.jpg?v=1726525285"},{"product_id":"la-onda-de-elia-y-elizabeth","title":"La Onda De Elia Y Elizabeth","description":"\u003cp\u003eFirst ever compilation of Elia y Elizabeth's recordings, a duo of sisters who in a brief yet dazzling career during 1972 and 1973 achieved great success in their native Colombia. Taken from their two LPs, this compilation brings to light 16 tracks which remained hidden like lost pearls. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singersongwriter sweetened by the subtle perfume of Caribbean music and gentle psychedelia. These elements blended graciously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms. \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50401830469963,"sku":"1131956","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/179af452-57d9-41bb-bcf1-99408f85144b_thumbnail_4096.jpg?v=1726525520"},{"product_id":"cumbia-beat-volume-1","title":"Cumbia Beat Volume 1","description":"\u003cp\u003ePeruvian cumbia, also know as \"chicha\", brings together tropical music styles from Colombia and Cuba, Western influences such as 60s beat and psychedelic rock, and mixes them with indigenous melodies from the Amazonian jungle and traditional Andean songs. The result is a unique and vibrant style of music which reverberates with life. Vampisoul's compilation includes tracks by the most important bands of the genre. Peruvian cumbia is currently being rediscovered by new audiences and there exists a thriving club and live venue scene in cities like New York, London and Madrid. 36-page booklet with extensive liner notes in English and Spanish plus photos and memorabilia. \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | LP | x2.","offer_id":50401897906507,"sku":"1142027","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d03e0e76-4bc8-48a0-8b4b-68f6d09968f9_thumbnail_4096.jpg?v=1726525816"},{"product_id":"power-fuerza-2","title":"Power-Fuerza","description":"\u003cp\u003eThe Bronx in the 1970s, marked by the presence of notorious gangs, presented a complex and challenging urban landscape. Amidst the crumbling infrastructure and economic decline, neighbourhoods bore the scars of disinvestment, reflected in abandoned buildings and neglected public spaces. The prevalence of street gangs, such as the Ghetto Brothers, contributed to an atmosphere of heightened tension and occasional violence. Graffiti adorned subway cars and buildings, expressing both social unrest and the vibrant creativity of the community. Despite the challenges, there was a resilient spirit among residents, evidenced by grassroots efforts to address social issues. The Bronx during this era was a dynamic yet tumultuous mix of cultural expression, social struggle, and the determined spirit of a community facing adversity. The Ghetto Brothers, originating from the Melendez family who moved from Puerto Rico to the South Bronx in the 1950s, faced challenges involving violence and crime. Despite this, Benjy, a key figure, directed the group towards community improvement. The Ghetto Brothers embraced music, crafting a potent, NYC-flavored musical fusion that caught the attention of record mogul Ismael Maisonave (Salsa Records). Their collaboration resulted in the recording of eight tracks in a single electrifying day at Manhattan's Fine Tone Studios, skillfully produced by Latin studio maestro Bobby Marin (Harvey Averne, La Lupe, Brooklyn Sounds…). This musical odyssey showcases the band's ability to seamlessly blend genres, creating a NYC-flavored stew that captivates listeners with its authenticity. The hypnotic rhythms, infectious guitar riffs, and impassioned vocals reflect the Ghetto Brothers' commitment to expressing their unique experiences and uplifting their community through the universal language of music. \"Power-Fuerza\" is not just an album; it's a sonic testament to the Ghetto Brothers' fusion of resilience, cultural richness, and musical innovation. Each track is a vibrant tapestry, weaving together the raw energy of the South Bronx streets and the soulful melodies born from the trio's Puerto Rican heritage. Embrace the timeless resonance of the Ghetto Brothers’ “Power-Fuerza”, one of the best Latin funk albums ever recorded…\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50401915633995,"sku":"2171048","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI295_f6d99333_thumbnail_4096.jpg?v=1726526053"},{"product_id":"chick-a-boom-cycles-of-you","title":"Chick-a-boom \/ Cycles Of You","description":"\u003cp\u003e2024 edition of the single that marked the return of Joe Bataan in 2004. A dancefloor favourite by the King of Latin Soul! Back in 2004, Vampisoul was extremely honoured to play a role in the return to recording of the legendary Joe Bataan, which fully materialized in the lauded 2005 album \u003ci\u003eCall My Name\u003c\/i\u003e, written and produced by Daniel Collás. But first came out the preview 45 'Chick-A-Boom' \/ 'Cycles Of You', which quickly became a DJ favourite and guaranteed dancefloor filler, long out of print until now. \u003c\/p\u003e\u003cp\u003eLet's hear Collás explain how it all happened: \"This whole project grew out of a song called 'Cycles of You', which I had written around 2000-2001 with the guitarist and bassist of my band at the time, Easy. The chord progression and vocal melody really reminded me of Bataan, and it occurred to me that it wouldn't be impossible to get him into the studio to do a guest vocal if we ever recorded it. I had met Bataan a few years before at a small, family-reunion style show at the Nuyorican Poets Cafe in my neighbourhood, where he not only still sounded great, but was also gracious and easy to talk to. \"By the time we got around to recording with Easy, the band was about to break up but we still had the studio booked. We all agreed that we didn't want to continue as a band, but at the same time, it would be a shame to never record what we had been working on. Around this time Bataan was playing out again, so I went to the show to see him and find out if he'd be interested in doing some vocals with us. He was agreeable, so we decided to turn it into a Joe Bataan session and do 'Cycles of You'. The funny thing is, 'Chick A Boom', a live favourite with Easy, was hastily added so we could have a B-side, but it ended up chosen to be the A-side of the single.\" \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Red 7\" - 2178597","offer_id":50402605990219,"sku":"2178597","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPIC450032_276fac74_thumbnail_4096.jpg?v=1726552094"},{"product_id":"da-ya-think-im-sexy-stayin-alive","title":"Da Ya Think Im Sexy? \/ Stayin Alive","description":"\u003cp\u003eWe are happy to present here two Tropical versions of massive disco hits that retain all the party spirit of the originals. ‘Da Ya Think I’m Sexy’ (Rod Stewart) by La Cumbia Moderna de Soledad is a playful mix of the old and the modern that guarantees some dancefloor heat each time the needle hits the surface of the vinyl, and the Machuca Cumbia rendition of Bee Gees ‘Stayin’ Alive‘ becomes a dancefloor winner full of hypnotic percussions and guitars. A perfect follow-up to the acclaimed previous singles in our ‘Tropical 45s series’ that so far has included recordings by the likes of Jimmy Salcedo or Sebastiao Tapajos\/Pedro Dos Santos\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Splatter 7\"","offer_id":50402606448971,"sku":"2050802","price":15.99,"currency_code":"GBP","in_stock":false},{"title":"Yellow 7\"","offer_id":50402606678347,"sku":"2178596","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPIC45077_c6d50e6d_thumbnail_4096.jpg?v=1726552123"},{"product_id":"mister-boogaloo","title":"Mister Boogaloo","description":"\u003cp\u003eIn 1967, Disperú commissioned trumpeter Toño Reyes to form a band and record an album with a series of songs that reflected the latest tropical music trends, in his own inimitable style. \u003ci\u003eMister Boogaloo\u003c\/i\u003e combines the influences received from the likes of Mexican drummer Leo Acosta and the emerging Nuyorican boogaloo scene. First time reissue, including its original striking psychedelic artwork and remastered sound. In the few years that the Disperú record label was operative, it managed to open its doors to emerging artists, who were often ignored by the major labels but would go on to leave their mark on Peruvian popular music. Instrumentals such as 'Mr. Boogaloo', 'El Guayacol', 'La Anticuchera', 'La Peinadora' and 'La Fiesta es Mañana' are versions that follow the lines traced by the Mexican composer and drummer Leo Acosta. \u003c\/p\u003e\u003cp\u003eIn the early sixties, based in Los Angeles, Acosta played with the orchestras of Harry James, Sammy Davis Jr, Tony Bennett, Herb Alpert, and Dámaso Pérez Prado. Mid-decade, Acosta turned to the novel sounds of boogaloo, which immediately caught the attention of young South Americans. The song 'Borinque Bella' is another cover version, originally recorded by The TNT Band, based in New York. Another noteworthy influence on the album is the blind Venezuelan organist Tulio Enrique León, who performed cumbias and guarachas enhanced by his Hammond organ, as is the case of 'Chin chin'. Songs in vogue at the time complete the album. The best known is perhaps 'Es la Lluvia que cae', popularized in Spanish in 1967 by Los Iracundos. ‘Tequila' and 'No te bote', by The Champs and Sonora Matancera, respectively, were also classics on Lima's radio stations. 'Las hojas secas', by the Mexicans Los Zignos, was so popular that it was even covered by Peruvian rock groups such as Los Steivos and Los 007. The success reaped by Toño y sus Sicodélicos took them straight to another record company, and the group’s records were also re-released in neighbouring countries, always with striking psychedelic cover illustrations. First time reissue!\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50402607104331,"sku":"2178594","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI296_c0e7ba13_thumbnail_4096.jpg?v=1726552146"},{"product_id":"vives-bugaloo","title":"Vives Bugaloo","description":"\u003cp\u003eTwo stunning party tunes recorded in the late '60s in Peru by the legendary pianist Charlie Palomares and Oswaldo \"Mita\" Barreto. Much sought after boogaloo and guaracha tunes from the vaults of MAG records. A perfect addition to the acclaimed previous singles in our 'Tropical 45s series' that so far has included recordings by the likes of Jimmy Salcedo, Mario Allison, Cumbia Moderna de Soledad, Lito Barrientos. \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | 7\" - 1165582","offer_id":50403116450123,"sku":"1165582","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f71bd9ef-7432-4492-8303-f39860e5dbd9_thumbnail_4096.jpg?v=1726557792"},{"product_id":"enyere-kumbara-ins-rock","title":"Enyere Kumbara \/ Ins Rock","description":"\u003cp\u003eWith arrangements and piano by Alfredo Linares, this is a thrilling double-sider sought after by collectors and DJs because of the funky dancefloor cuts 'Enyere Kumbara' (covered by Quantic a few years back) and 'INS-Rock'. Proper Afroantillano party business melting Cuban, Nuyorican and Colombian tropical traditions. First time reissue on 7\" vinyl.\u003c\/p\u003e\u003cp\u003eJulián y su Combo was founded in 1962 by left-handed guitarist Julián Angulo Ponce, who was originally from Guapi, Cauca, Colombia and made his name in Cali and Buenaventura, signing initially with Bogotá's Sello Vergara in 1966. During a 20-year period Julián y su Combo released eight records (with several band name variations). Angulo was part of the first generation of artists from the Colombian Pacific who migrated to Bogotá in the 1970s, and his combo enjoyed popularity in his adopted city as well as in Medellín and Mexico. The band also travelled to Venezuela and the US. Angulo described his sound as Afroantillano, combining Cuban, New York Latin and Puerto Rican elements with Colombia's own tropical traditions. The combo's arrangements were distinguished by the bandleader's funky, jazzy electric guitar work (Angulo played without changing the order of the strings), a hot rhythm section and the potent brass line-up of two saxophones and a trumpet (much like Cortijo y su Combo). At that time Alfredo Linares was musical director at INS and this album -the first one Julián Angulo recorded for the label- bears his influence in the funky 'Mambo Rock' sections (breaks and handclaps galore!) and hot Cuban and Latin jazz piano styles that also graced his own records.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | 7\" - 1160351","offer_id":50403124347211,"sku":"1160351","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1ec3b248-51a6-4e04-b198-166935327233_thumbnail_4096.jpg?v=1726557876"},{"product_id":"hare-krishna","title":"Hare Krishna","description":"\u003cp\u003eAlthough the appeal of the post-Hair \/ Beatlesque hippie hook of 'Hare Krishna' on the A side of this rare single, the real gold lies on the flipside. '… O Que Ela Quer' is a groovy Brazilian version of The Zombies' classic 'She's Not There' recorded by the obscure Mini Trio in 1970 and released as a 7\" only. The band was most likely a studio group recording international hits for the local Brazilian market and their take on the 1964 classic adds a terrific dancefloor potential to the Zombies song. Very hard to find, especially in good condition, this record now gets a proper reissue for the first time. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black 7\" - 1152278","offer_id":50403194634571,"sku":"1152278","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b6edf718-6124-49f4-bf3a-52e68ffbe049_thumbnail_4096.jpg?v=1726558564"},{"product_id":"cocinando-2","title":"Cocinando","description":"\u003cp\u003eIn 1969, singer and police lieutenant Pedro Gregorio López started recording a series of instrumental tracks and songs on the MAG record label in Peru, ranging from guaracha to cumbia, all cooked with musical eclecticism and simmered to appeal to a wide audience. Many of these musical ingredients combined on the 1971 album entitled \"Cocinando\", in reference to the similarities between Peruvian cooking and tropical music. López began his career as a singer and orchestra conductor many years earlier, when he joined the backing singers for Lucho Macedo's Sonora. After completing his police training, he adopted the stage name Martín López, in order to preserve the anonymity his job required. Between 1969 and 1971 Martín López y sus Estrellas recorded all the tracks comprised on this album, including salsa, guarachas, rumbas, chichas and boleros, proving their knowledge and mastery of the tropical music lexicon. It is not surprising since the orchestra was made up of the most talented label’s session stars: including the double bassist Joe di Roma, singer Pablo Villanueva \"Melcochita\", percussionists Ñiko Estrada and Coco Lagos, and trumpeter Tito Chicoma. \"Cocinando\" is an epic historical treasure that captures the explosive impact of the tropical music movement on Peruvian culture.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50403810443595,"sku":"2218415","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_11e0a2d5_thumbnail_4096.jpg?v=1726564060"},{"product_id":"el-dombe-2","title":"El Dombe","description":"\u003cp\u003eEgle Martin enjoyed a long career as a dancer, actress, singer and played an important role in the promotion of Afro roots in Rio de la Plata and in reclaiming Afro-Argentine culture. Her performances were fresh and powerful, showcasing diversity and, later on in her career, her desire to diffuse Afro-Latin American culture. By the time this single was recorded, Egle Martin had already performed in several plays and films; she had already sung with Dizzy Gillespie and the Berlin Symphony Orchestra; she had already released an album with composer and bandoneon player Astor Piazzolla. And she was already beginning to frequent the Casa Suiza, with its gatherings and carnivals in the neighborhoods of San Telmo and San Nicolás in the beautiful Buenos Aires of the 1960s, teeming with happenings and avant-garde galleries. Egle sings in Spanish and her voice dazzles with a very distinctive sound and texture as she performs these rhythms; you can clearly appreciate the freedom and power in her vocals. In 'El Dombe' tenderness permeates the lyrics as she tells the world what this dance and its cadenced rhythm is all about. 'Dombe Bariló' is bolder and more sweeping in scope: the ritual and empowering message is uplifting... Roberto Montiel's arrangements are a prime example of the brilliant fusion of soul, funk and Latin American music, all linked through Afro roots. Originally released in 1970 on Music Hall in Argentina, it has become an elusive and sought-after record over the years, at the top of many collectors wants list due to its amazing dance floor energy. First time 7” reissue. \u003cbr\u003e\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black 7\"","offer_id":50403915432267,"sku":"2218404","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_35e1212e_thumbnail_4096.jpg?v=1726565033"},{"product_id":"bem-vinda-amizade","title":"Bem-Vinda Amizade","description":"\u003cp\u003eAll-time classic Jorge Ben album recorded in 1981, strong from start to finish. It combines dancefloor hits and downtempo soulful slow burners, comprising samba funk jams and irresistible boogie and disco tracks. Funky as Hell! Very hard to find on vinyl these days, this reissue will make many collectors happy! Jorge Ben is someone who needs no introduction. Since his first hits in the 60s, this artist has become one of the greatest icons of Brazilian pop music. His anthems \"Mais Que Nada\" or \"Pais Tropical\" are probably two of the most ever-listened Brazilian songs of all time. After being involved in the Tropicalia movement and incorporating the influences of Afro-American funk into his repertoire, with the support of his backing band -Trio Mocotó-, his very personal samba sound also opened up to the new musical trends coming from the States at the edge of the 70s. Boogie and disco music were making headway and soon became popular in the Brazilian market. Jorge Ben's albums recorded at the beginning of the 80s reflect this trend and deliver a good number of outstanding tunes. \"Bem-Vinda Amizade\" is one of those albums. Recorded in 1981, it is a solid album, start to finish. It comprises the usual samba funk numbers, so characteristic of Jorge Ben, with killer boogie and disco tracks ('Oé Oé (Faz O Carro De Boi Na Estrada)', 'Ela Mora Em...'). And it also contains downtempo soulful slow burners like 'Lorraine' or 'Katarina, Katarina', funky as Hell! An essential addition to any Brazilian music collection.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50406768836939,"sku":"1142020","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dcc1e012-afb9-45bc-adf6-d1f2f118c780_thumbnail_4096.png?v=1726590630"},{"product_id":"yo-amaneci","title":"Yo Amaneci","description":"\u003cp\u003eRe-released after being unavailable for 2+ years. Andrés Landero embodies like no other the spirit that made it possible to bring cumbia to the world. His legacy represents a creative pinnacle of tropical music and has influenced countless artists. This collection gathers tracks from 1966 to 1982, taken from his albums on Discos Fuentes and other labels. \u003c\/p\u003e\u003cp\u003eThey all are extraordinary masterpieces of Colombian popular music. Includes liner notes by Carlos Mario Mojica (Don Alirio). Not one of the records released during Andrés Landero's career is bad, mediocre or dispensable. His coherent and constant efforts to build on the foundations of the cumbia tradition form an extraordinary legacy rich in masterpieces of Colombian popular music. Sixteen years after his death, he continues to be the creative summit of an entourage of names associated with the folk music of the tropics. He is the author of a polyphonic blossoming whose beats still sound fresh today and the outstanding figure through which to appreciate, from a historical perspective, the syncretism of indigenous and African slave music from the Caribbean coast, namely cumbia.\u003cbr\u003e \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | LP | x2","offer_id":50407089504587,"sku":"1134761","price":35.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50407091634507,"sku":"2218381","price":4.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/81211ea6-383c-4b4b-82e0-dbf2cd8b4dc4_thumbnail_4096.jpg?v=1726594456"},{"product_id":"el-violento","title":"El Violento","description":"\u003cp\u003eThe 1973 album “El Violento” was the fifth full-length salsa LP led by Julio Ernesto Estrada Rincón, aka Fruko, and the second credited to Fruko Y Sus Tesos. Though it did not contain hits like ‘A la memoria del muerto’ or ‘El Preso’, it’s a collector’s item today in places like the US, Europe and Japan, perhaps precisely because it is obscure yet full to the brim with unrelentingly hard and heavy salsa bangers that never let up from start to finish (hence the title, which translates as “The Violent One”). A mix of originals and interesting covers, the LP is “all killer and no filler”, purposely designed to set the dance floor ablaze. It features Fruko’s two main vocalists that took over from the first pair of Humberto “Huango” Muriel and “Píper Pimienta” Díaz, namely the beloved duo of Álvaro “Joe” Arroyo and Wilson “Saoko” Manyoma. Los Tesos were a talented “wild bunch” who listened to their fearless leader, with Fruko holding down the bottom end on electric bass, Hernán Gutiérrez in the piano chair, the Villegas brothers on hand percussion (Jesús tickling the bongos and Fernando slapping the congas), augmented by Rafael Benítez on timbales and an ace horn section of Freddy Ferrer and Gonzálo Gómez (trombones) and Jorge Gaviria and Salvador Pasos (trumpets). The super aggressive sound comes directly from the South Bronx playbook of Willie Colón. The snarling trombones and soaring trumpet are somewhat sweetened by a nice little Puerto Rican cuatro guitar solo. Sonically lightening the mood somewhat, ‘Nadando’ (‘Swimming’) is a bouncy tune in the ‘Mercy’ genre (basically a hybrid of pop, funky soul, cumbia and salsa, in the style of Nelson y Sus Estrellas), gleefully sung by Joe Arroyo. The beats are complex and ever changing, with a little bit of mozambique, conga, bomba, jala jala and of course salsa thrown in for good measure. The side closes out with a brilliant, uptempo salsa reworking of the venerable ranchera chestnut, ‘Tú, sólo tú’. Side two explodes with the frenetic descarga jam session ‘Salsa na’ ma’—which is exactly that: nothing more than the hottest “sauce” to make the dancers go crazy. Fruko’s tune is dedicated to the Latin community in New York that listens to salsa from everywhere and dances to it so fervently on the weekend. The relentless percussion propels the listener along at breakneck speed as if hurtling down the Bronx Expressway, demonstrating that Fruko y Sus Tesos have mastered the ‘violent’ form of urban salsa that was having its transnational moment in the early 1970s. While “El Violento” may not be as well known as some Fruko records, it certainly deserves a new look and should be assessed on its own merits as a very powerful, confident entry in the historical evolution of Colombian salsa dura\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50407159529803,"sku":"2050806","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI287_76917232_thumbnail_4096.jpg?v=1726595251"},{"product_id":"guajira-boogaloo-guajira-sicodelica","title":"Guajira Boogaloo \/ Guajira Sicodelica","description":"\u003cp\u003eGlorious 7” double-sider packed with boogaloo and guajira goodness that pairs Coco Lagos’ in-demand “Guajira Boogaloo” and Los Destellos’ outstanding “Guajira Sicodelica”. Dancefloor heat! Coco Lagos would play the conga drums for artists who passed through Lima, accompanying Pérez Prado, Oréfiche and Chano Scotty, among others. In the late 50s, he started working as a regula musician in the recently founded record company MAG, alongside musicians such as Ñiko Estrada, Mario Allison, Lucho Macedo... He would record two albums for MAG, always accompanied by the pianist Alfredo Linares, with whom he shared the credits for the musical arrangements. The outstanding ‘Guajira Boogaloo’ is taken from Lagos’ second album - and was also released as a separate single - and has become a much in-demand DJ favourite. On the flipside, Los Destellos deliver their killer ‘Guajira Sicodélica’. Los Destellos truly defined the sound of Peruvian cumbia\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50407871185227,"sku":"2004869","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/w6ugE-8A_40c93a61_thumbnail_4096.jpg?v=1726601079"},{"product_id":"guayaba","title":"Guayaba","description":"\u003cp\u003eTito Puente’s classic ‘Guayaba’ has been recorded by so many artists over the years and these two covers by Sonora de Lucho Macedo and La Logia Sarabanda are undoubtedly among the best ones. Here you are two proper dance floor shakers for the tropical heads out there, recorded under the influence of the early 70s Latino rock sounds. Reissued on a 45 for the first time. Our series of tropical 45s aimed to shake up the dance floors presents two incredible versions of one of the best songs ever composed by maestro Tito Puente: Guayaba. \u003c\/p\u003e\u003cp\u003eIn the late 1950s, rock’n’roll shook the foundations of music in Peru, and orchestras rushed to cover hit songs and explore the possibilities of mixing them with tropical music. Lucho Macedo followed this trend, even many years later. In 1972 his version of 'Guayaba' was published, combining elements of the emerging Chicano rock sound, popularized internationally by bands like Santana or Malo, blended with a Latin flavor loaded with elements of mambo, son montuno, boogaloo... Timbales and distorted guitars shaking hands in this very dance floor friendly version. La Logia Sarabanda would arrive all the way from Rio de la Plata but —despite their origin— they’d release their records exclusively in Peru and Mexico. Their only single opened with another very interesting version of 'Guayaba' that highlights the sounds of fierce and psychedelic guitars while keeping the Latin essence of the original song. First time single reissue! \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50412392317259,"sku":"2056562","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45100_f766db73_thumbnail_4096.jpg?v=1726667316"},{"product_id":"cumbia-morena","title":"Cumbia Morena","description":"\u003cp\u003eThis 7” single features two outstanding cumbias published on MAG in the 60s that have never been available on a 45 release before. Dance floor oriented tropical music at its best! MAG has been, since its foundation in 1953, a pivotal label in Peruvian music, allowing the development of the careers of both tropical artists and musicians of other genres such as rock, pop and jazz. At the head was Don Manuel Antonio Guerrero, its founder, and the name of the record company is nothing more than an acronym formed from its own name. (M.A.G.). This 7” single features two outstanding cumbias published on MAG in the 60s that have never been available on a 45 release before. Carlos Pickling was a legendary MAG artist who led the orchestra that accompanied Benny del Solar, Lita Branda and Melcochita in the tropicalized version of Spanish rumba, when the beats of Iberian rumba were still exotic in South America, and he also played countless cumbias, mambos and guarachas. The distinctive sound of his Hammond organ can be heard on this recording, ‘Cumbia Morena’, as it became his signature sound. Los Demonios de Corocochay were one of the first Andean cumbia bands in Peru and sported an unique sound spiced up with the textures of a playful organ, as can be heard on this superb ‘Cumbia en Dominante’. Dance floor oriented tropical music at its best! TRACKLIST Side A CARLOS PICKLING Y ORQUESTA —CUMBIA MORENA Side B LOS DEMONIOS DE COROCOCHAY —CUMBIA EN DOMINANTE\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black 7\"","offer_id":50415573827915,"sku":"2189569","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/lnZD0c7T_929f8e10_thumbnail_4096.jpg?v=1726691310"},{"product_id":"lo-borges-3","title":"Lo Borges","description":"\u003cp\u003eReminiscent of the Clube da Esquina album he made the same year with Brazilian superstar Milton Nascimento, Lô Borges' 1972 solo debut proves that his influence on Nascimento was quite strong. The recording is texturally lush and dreamy, at times urgent and bizarre, and filled with the fantastic and intricate guitar playing one would expect of Borges after hearing his dazzling work with Nascimento. His vocal arrangements are lavish, often similar to the vocal qualities of George Harrison's \u003ci\u003eAll Things Must Pass\u003c\/i\u003e, and his instrumental arrangements are just plain confounding. Piano phrases mash in and out of control over the unorthodox yet clever progressions; polyphonic percussion interlocks with jazzed-out organ lines and thoughtful, melodic bass work.\u003c\/p\u003e\n\u003cp\u003eOccasionally, a string section will fall into place, fulfilling the album's decorative quota, and the whole construction becomes watertight. It is truly stunning to pick apart the timbre of individual instruments and realize how necessary and meticulous each part is in the overall presentation. Borges is one of those arrangers who can build up a music bed with miles of depth and construct a wall of sound, yet keep the overall concept in crisp focus. No layer of the instrumentation seems to ever become obscured by another, nor does any part seem unnecessary, and so much is going on rhythmically and melodically that it demands full attention. The remarkable quality of Brazil's musical culture to seamlessly integrate as many outside influences into one place is well represented here. Many western textures, such as soul, rock, jazz, and pop, are absorbed into the picture with fervor and grace rarely executed in the world of western music. \"Não Foi Nada\" illustrates this particularly well, but the melting-pot sentiment echoes through all of Borges' performances here. \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP - Black","offer_id":50417093345611,"sku":"2018958","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Outlook-micki5gm.jpg?v=1763134033"},{"product_id":"vagamente","title":"Vagamente","description":"\u003cp\u003eBeautiful vocal bossa jazz album that includes songs written by Edu Lobo, Vinicius De Moraes, Roberto Menescal and Marcos Valle among others. The backing band was formed by Brazil top musicians led by Luis Carlos Vinhas, Tenorio Jr. and Menescal himself. This is the first solo album recorded by Wanda S· who shortly after would join Sergio Mendes' Brasil 65 (with Rosinha de ValenÁa and Jorge Ben). After touring the States (and recording), she returned to Brazil and did many shows with Baden Powell, Vinicius de Moraes, Luis Carlos Vinhas and Bossa 3. Despite having a very short discography, Wanda Sa· is one of Brazil's best-kept musical secrets. She started to play the guitar at a very young age under guidance by Roberto Menescal, and although her fantastic voice and playing have remained under the radar for the mainstream audience, her outstanding talent is well known and appreciated by those in the know... Highly in demand, this fantastic album, one of the earliest arranging assignments by Eumir Deodato, is now reissued on vinyl again after over a decade unavailable.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | LP","offer_id":50417341563211,"sku":"1152276","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cba9c778-4420-45ee-a81f-a81feae05fa1_thumbnail_4096.jpg?v=1726726807"},{"product_id":"descargas","title":"Descargas","description":"\u003cp\u003e1967 \u003ci\u003eDescargas\u003c\/i\u003e album by Peruvian percussionist Coco Lagos y Sus Orates, featuring Alfredo Linares, Charlie Palomares, Otto de Rojas, Mario Allison… This album was recorded following the success of the \u003ci\u003eDescarga\u003c\/i\u003e sessions released by New York label Alegre Records. It includes a version of Cal Tjader´s 'Mamblues' and 'Brava pachanga', an original by the Father of Boogaloo, Joe Cuba, among many other stand-out tracks. Quality official reissue on 180g vinyl after years unavailable. Includes insert with liner notes. 1966 was a prolific year for the MAG record label. The microphones were constantly on at the label's studios, recording timeless hits by Los Demonios de Corocochay, Betico Salas, Cholo Berrocal, Mario Allison, Alfredo Linares, Carlos Muñoz and Los Pacharacos, just to mention the most successful ones. The percussion playing by 29-year-old Peruvian Coco Lagos stands out on a number of these recordings. \u003c\/p\u003e\u003cp\u003eCoco continued his early career, and he played the conga drums for artists who passed through Lima, accompanying Pérez Prado, Oréfiche and Chano Scotty, among others. In the late 50s, he started working as a regular musician in the recently founded record company MAG, alongside musicians such as Ñiko Estrada, Mario Allison, Lucho Macedo... After taking part in numerous recordings, in 1966 the director of the MAG label, Manuel Guerrero, asked him to make a series of recordings for an LP that would be released under the name Coco Lagos y sus Orates. According to Coco's statements to the press, the orchestra included musicians from the label such as pianist Alfredo Linares; vibraphonists Carlos \"Charlie\" Palomares and Otto de Rojas; timbalero Mario Allison; alto sax player Mario Escobar; Chilean trumpeter Víctor \"Duraznito\" Durand; double bass player Santiago Colón; and vocalists Benny del Solar, Kiko Fuentes and César Gonzales, as well as other backing singers. \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | LP","offer_id":50417360077131,"sku":"1144453","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/faca9b6d-56ec-42c2-a16b-f7b3f4bf0b77_thumbnail_4096.jpg?v=1726727369"},{"product_id":"zamba-zamba","title":"Zamba Zamba","description":"\u003cp\u003eOnce resettled in Lima, Peru, in 1974 after spending some time playing in a jazz quintet in Berlin, sax player Nilo Espinosa would put together the Nil’s Jazz Ensemble, a top-notch array of local talent. They recorded one single album (1976) that remains not only as one of the grails for collectors of Latin-American jazz but also as an outstanding piece of music on its own. \u003c\/p\u003e\u003cp\u003eMost of the line up of the ensemble were also part of Sangre Joven, a side project to release covers of international disco and funk hits for Discos MAG. A full album and a single were released under that moniker in 1975. This 1975 single is loaded with tropical infused funky and disco sounds.‘Zamba Zamba’ is a true-to-the-original cover version of the song ‘Samba Samba’ by Colombian brothers Elkin \u0026amp; Nelson, who moved to Spain in the 70s and recorded a couple of albums with the famous singer Juan Pardo on the production duties. Classic balearic vibes! ‘Lindo Caballito’, on the flipside, is an uptempo Latin track for the dance floor that had been previously recorded by Enrique Lynch and Grupo Ecuación. It includes elements of descarga and boogaloo but with a funky rock twist.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50417495671115,"sku":"2050820","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45097_ad9dc7d1_thumbnail_4096.jpg?v=1726731203"},{"product_id":"east-of-underground","title":"East Of Underground","description":"\u003cp\u003eWonderful and highly sought-after album, born from a promotional campaign by the U.S. Army to encourage recruitment. The recording perfectly captures the spirit of young America through songs written by Sly Stone, Curtis Mayfield, Funkadelic, and Burt Bacharach (via Isaac Hayes, of course). High-level soul and funk performed by brilliant anonymous musicians. Virtually impossible to find in its original edition, Vampisoul are now reissuing it once again thanks to a collaboration with Now Again.\u003c\/p\u003e\n\u003cp\u003eOften, the most prized records by collectors hold unexpected stories. When they also feature incredibly high musical quality and only a few original copies are available, they become the holy grails of collecting. This is the case with this album, recorded by American soldiers stationed in Germany in the early 70s. During the Vietnam War, the U.S. Army organized a band competition among its soldiers. The winners would record a promotional album that would be distributed for free to encourage enlistment during such a turbulent time. The result was a double LP shared between the bands SOAP and East of Underground. Although East of Underground's repertoire consists of covers of soul and funk hits, the quality is surprisingly high: raw guitars, crushing drums, brilliant vocal harmonies... The result perfectly captures the spirit of young America through songs written by Sly Stone, Curtis Mayfield, Funkadelic, and Burt Bacharach (via Isaac Hayes, of course).\u003c\/p\u003e\n\u003cp\u003eHigh-level soul and funk performed by anonymous musicians whose final fate has yet to be confirmed. When the label Now Again tried to reconstruct the story of East of Underground, they only managed to contact one of its members after digging through documents in the New York Library and collaborating with the U.S. Army. We are now pleased to present this wonderful and highly sought-after album once again, a surprising case where the covers rival the originals, creating a unique recording that justifies its immense appeal among collectors.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP - Black","offer_id":50418997264715,"sku":"2172045","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/EOU-3000px.webp?v=1744204927"},{"product_id":"guaracheros","title":"Guaracheros","description":"\u003cp\u003e“Guaracheros” was released on MAG, in Peru, at the end of 1961 and includes six versions, four of them are of Cuban origin, and also original compositions masterfully performed by Nelson Ferreyra’s Sonora. Nelson Ferreyra's career went from strength to strength, and was publicly recognized as an international figure of tropical music. This album is a brilliant reflection of MAG's tagline: \"Si su fiesta le fracasa, discos MAG faltan en casa\" (If your party flops, you’re missing MAG records at home). First time reissue. The records Nelson Ferreya recorded at the MAG studios display his passion for Cuban music and particularly for guaracha, accompanied by the pianist Cano Romero, a personal friend who had played with him from the early days of his career, and would go on to find his own orchestra some years later. Kiko Hernández, the lead singer, joined Ferreyra in almost all his future projects, until his early death in the seventies. “Guaracheros” was released at the end of 1961. Out of the six versions on the LP, four are of Cuban origin: 'Quinto llamado' and 'Óyeme Antonia', belonging to the traditional Conjunto Gloria Matancera; 'Ola!' by the well-known musician José Curbelo; and 'El dulcesito' by Havana-born Nelson Navarro. The songs 'Mucho ritmo' by the Puerto Ricans Moncho Leña y los Ases del Ritmo and Los cadetes navales', a classic by the Colombian master Lucho Bermúdez, complete the half dozen. Few countries outside Cuba embraced guaracha as enthusiastically as Peru. Pancho Acosta, Króffer Jiménez, Oswaldo Barreto and Nelson Ferreyra himself kept the genre alive with their compositions in the sixties and, in the following decade, several of the classics of the Peruvian cumbia movement are really guarachas composed in different parts of the country. ‘Guaracheros' (Kiko Hernández and Pablo Villanueva) opens the LP, a highly crafted composition by Cano Romero. Maintaining the dance level, two songs by Nelson Ferreyra follow: 'Con cencerro y timbal' and 'Fiesta en el aire'. The references to Venezuela in the lyrics are not accidental, as the LP was also distributed there, where it sold very well. Nelson Ferreyra's career went from strength to strength, and he went on to tour Panama, Chile and Ecuador. In the latter, he was publicly recognized as an international figure of tropical music. This album is a brilliant reflection of MAG's tagline: \"Si su fiesta le fracasa, discos MAG faltan en casa\" (If your party flops, you’re missing MAG records at home).\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50423589241163,"sku":"2194234","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1007d576_thumbnail_4096.jpg?v=1726769820"},{"product_id":"cumbia-cumbia-cumbia-vol2","title":"Cumbia Cumbia Cumbia!!! Vol.2","description":"\u003cp\u003eA selection of 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983. “Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia in Colombia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. The main record companies in Colombia such as Discos Fuentes, Discos Tropical, Sonolux, Zeida-Codiscos, Silver, Ondina, Discos Atlantic, Vergara and Curro were created between Barranquilla, Medellín, Cartagena and Bogotá from 1936 to 1954. All of them, without exception, recorded Colombian tropical music that over the years was given different names such as porro, gaita, fandango, paseaito, merecumbé, mapalé, bullerengue or, of course, cumbia. After digging deep into the overwhelming archive of Discos Fuentes in our previous volume, this second instalment in the series “Cumbia Cumbia Cumbia!!!” comprises 28 Colombian cumbia bangers for the dance floor from the deep vaults of Codiscos and associated labels Costeño, Zeida and Famoso, all of them originally released between 1962 and 1983. Legally established on July 1, 1950, Zeida (later Codiscos) was one of the companies that consolidated Medellín as the epicenter of the Colombian recording industry in the central decade of the last century. “Cumbia Cumbia Cumbia!!!” combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. \u003c\/p\u003e\u003cp\u003eTracklist Side A 1. Los Hermanos Martelo – Cumbia Cienaguera 2. Los Trotamundos – Cumbia Porteña 3. Antonio León Y Su Conjunto – Cumbia Triste 4. Antolín Y Su Combo Orense – El Pájaro Milano 5. Francisco Zapata – Una Cumbia Para María 6. Crescencio Salcedo – Tipicismo 7. Sonidos De Gamero –La Cumbia Del Negro Side B 1. Los Teen Agers – Cumbia Sobre El Mar 2. Miguel Villalba Y Su Conjunto – Cumbia Manguelitera 3. Calixto Ochoa – El Indio Mapuchi 4. Alfredo Gutiérrez Y Los Caporales Del Magdalena – Raspacanilla 5. El Michi Y Su Combo Bravo – Antonia 6. Los Graduados – Alumbra Luna 7. Gabriel Mesa – La Luna Y El Pescador Side C 1. Adolfo Pacheco Y Su Conjunto – Pájaro Macua 2. El Conjunto Miramar – Cumbia Del Sol 3. El Combo Cienaguero – Fiesta De Cueros 4. La Sonora Universitaria – Margot 5. Orquesta De Marcial Marchena – Lina 6. Rita Fernández – Llora Su Pena 7. Jaime Llano González – Cumbia En Dominante Side D 1. Los Arko – Cumbia Bogotana 2. Aniceto Molina Y Su Conjunto – Cumbia Candela 3. Los Bobby Soxers – Cumbia Sabrosona 4. Catalino Y Su Combo Negro – Cumbia Montañera 5. La Cumbia Moderna De Soledad – Cumbia Soledeña 6. Alejandro Bernal – Al Compás De Las Polleras 7. Grupo La Droga – La Chicharra\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50424602231115,"sku":"2189593","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/M0julrkV_d401988a_thumbnail_4096.jpg?v=1726780518"},{"product_id":"sicodelicos","title":"Sicodélicos","description":"\u003cp\u003e\u003ci\u003eThis is a Record Store Day 2019 item. It will be available to purchase from our stores from 8am 13th April. Remaining stock will be available to purchase from this page at 00.01 20th April.\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003ePeruvian cumbia \/ Psych Led by Enrique Delgado, Los Destellos truly defined the sound of Peruvian cumbia with the incorporation of diverse influences and the use of electric guitars. This compilation selects the Los Destellos tracks closest to the genres of psychedelia, beat and boogaloo, taken from albums released between 1968 and 1978. These 20 irresistible songs are essential elements of Peruvian cumbia, the rhythm that changed the face of Lima, shook the Andes and spread like a forest fire across the Amazon basin. For fans of Los Mirlos, Link Wray, Davie Allan and surf instrumentals.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP | x2","offer_id":50424700043595,"sku":"1058441","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3d56306a-6d15-445c-bfd8-e4644fe94e2f_thumbnail_4096.jpg?v=1726781596"},{"product_id":"mulata-vamos-a-la-salsa","title":"Mulata Vamos A La Salsa","description":"\u003cp\u003eReissued now for the first time, over 50 years after its original release, in 180g vinyl and including an insert with notes. \u003c\/p\u003e\u003cp\u003eItalian migrant relocated to Peru Luciano Luciani put together an orchestra in 1968 which performed under the name Luciano y sus Mulatos after gaining a name as composer in that country. His debut album \u003ci\u003eMulata, Vamos a la Salsa\u003c\/i\u003e was originally released on MAG in 1970, comprising mainly cumbias and also guaracha, son and salsa tracks, mainly Luciani's own compositions. This album also stands out for the vocals by guarachero Víctor Kiko Fuentes and Benny del Solar, the star of countless Peruvian tropical music recordings. The album also prompted Luciano Luciani's interest in the innovative recordings coming out of Spanish Harlem in New York that would be manifested in his later recordings for MAG in 1975.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black | LP","offer_id":50425462980939,"sku":"1145131","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f82d9f8d-68f2-4b1b-a398-ad1f19548f1e_thumbnail_4096.jpg?v=1726790702"},{"product_id":"weve-got-a-groovy-thing-going-the-latin-soul-of","title":"We’ve Got A Groovy Thing Going: The Latin Soul Of","description":"\u003cp\u003eThose in the know are well aware of Bobby Marin’s work, and the fact that he was behind the scenes for some of the best boogaloo and salsa of the ‘60s and ‘70s. Yet, until now, no one has explicitly put Bobby’s name in the headline and given him his due on the cover of a properly credited Latin soul compilation. This compilation comprises twenty four essential boogaloo, Latin funk, rock and afro disco gems, each one bearing the mark of quality: “A Bobby Marin Production”, including songs by Ricardo Marrero, the Ghetto Brothers, Ocho, Louie Ramírez… A freshly curated overview of his fascinatingly complex back catalog in these genres. Since the late 1980s there have been numerous Latin soul and boogaloo compilations, and certainly much has been written about the history of the music too. An excellent documentary (We Like It Like That, by Mathew Ramírez Warren) and a theatrical musical called I Like It Like That, both named after the well-known Pete Rodríguez anthem ‘I Like It Like That’, have brought the music to a broader audience as well. That tune was also the inspiration for a film in 1994 of the same name that featured a contemporary cover version of the song by Tito Nieves, and more recently the original was sampled by Cardi B and has appeared in commercials too. Additionally, there has been a revival of interest in live bands playing boogaloo and even recoding new compositions, with notable releases by the likes of Setenta, Spanglish Fly and the Boogaloo Assassins among others. Generally, when discussing the “first wave” of Latin soul and boogaloo, it’s the bands and their leaders, the singers and the songs that get all the recognition. But what of the producers, composers, and arrangers behind the music? Over the years, one of the best old-school New York Latin music producers, Bobby Marin, has occasionally been given some well-deserved credit and popped up sporadically in articles or liner notes (Wax Poetics, Fania, Gladys Palmera). However, to the casual public, he is not a household name, even among some fans of boogaloo and salsa. Thankfully, those rare few who are in the know are well aware of his work, and the fact that he was behind the scenes for some of the best boogaloo and salsa of the ‘60s and ‘70s. There are even some contemporary Latin soul compilations that contain mostly material licensed, produced and \/ or written by Bobby (or his brother, Richard), and a tip of the hat must go to Bobby’s friend Dean Rudland for all his work in this area, as well as to Rocafort Records for digging up the long-lost Nitty Gritty Sextet album. Yet, until now, no one has explicitly put Bobby’s name in the headline and given him his due on the cover of a properly credited Latin soul compilation. This collection aims to change that and give the man his Latin soul “props” for the first time on a freshly curated overview of his fascinatingly complex back catalog in this genre. Twenty four essential boogaloo, Latin funk, rock and afro disco gems, each one bearing the mark of quality: “A Bobby Marin Production”, including songs by Ricardo Marrero, the Ghetto Brothers, Ocho, Louie Ramírez… \u003c\/p\u003e\u003cp\u003eTRACKLIST \u003c\/p\u003e\u003cp\u003eSide A \u003c\/p\u003e\u003cp\u003e1. MOVIN’ MUCH TOO FAST - Bobby Marin \u003c\/p\u003e\u003cp\u003e2. A GROOVY THING GOING - Bobby Marin \u003c\/p\u003e\u003cp\u003e3. HEY MR. SKYJACKER - Richie \u0026amp; The PS 54 School Yard \u003c\/p\u003e\u003cp\u003e4. WHAT I FEEL - Ricardo Marrero and The Group \/ The PS 54 School Yard \u003c\/p\u003e\u003cp\u003e5. TAKE A RIDE - Bobby Marin \u0026amp; The Latin Chords feat. Sonny Bravo \u003c\/p\u003e\u003cp\u003e6. WORK YOUR SHOW - Bobby Marin \u0026amp; The Latin Chords feat. Sonny Bravo \u003c\/p\u003e\u003cp\u003e7. ‘NEATH THE HEAT OF THE SUMMER SUN - Bobby Marin \u0026amp; The Latin Chords feat. Sonny Bravo \u003c\/p\u003e\u003cp\u003eSide B \u003c\/p\u003e\u003cp\u003e1. BARBARA WITH THE KOOKY EYES - 107th Street Stickball Team \u003c\/p\u003e\u003cp\u003e2. MOJO SHINGALING - 107th Street Stickball Team \u003c\/p\u003e\u003cp\u003e3. RHYTHM AND SOUL - 107th Street Stickball Team \u003c\/p\u003e\u003cp\u003e4. LUCY’S SPANISH HARLEM - Louie Ramírez \u0026amp; His Orchestra \u003c\/p\u003e\u003cp\u003e5. LOVE IT UP - Louie Ramírez \u0026amp; His Orchestra \u003c\/p\u003e\u003cp\u003e6. JUMPIN’ AROUND - Johnny Rodriguez \u0026amp; Angel René Orchestra \u003c\/p\u003e\u003cp\u003e7. TAKIN’ OVER - La Cucaracha Brass \u003c\/p\u003e\u003cp\u003eSide C \u003c\/p\u003e\u003cp\u003e1. HEY, MAMA - La Cucaracha Brass \u003c\/p\u003e\u003cp\u003e2. WE BELONG TOGETHER - Herbie Olivieri \u0026amp; The Latin Blues Band \u003c\/p\u003e\u003cp\u003e3. COME LIVE WITH ME - Herbie Oliveri \u0026amp; The Latin Blues Band \u003c\/p\u003e\u003cp\u003e4. GOT THIS HAPPY FEELING - The Ghetto Brothers \u003c\/p\u003e\u003cp\u003e5. DO IT - Los Africanos \u003c\/p\u003e\u003cp\u003eSide D \u003c\/p\u003e\u003cp\u003e1. PAMOJA WATU (TOGETHER PEOPLE) - Los Africanos \u003c\/p\u003e\u003cp\u003e2. IT’S YOUR THING - Los Africanos \u003c\/p\u003e\u003cp\u003e3. UNDRESS MY MIND – Ocho \u003c\/p\u003e\u003cp\u003e4. CISCO KID - La Crema \u003c\/p\u003e\u003cp\u003e5. GIMME, TAKE IT - Louie Ramírez (Bobby Marin edit)\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50426658259275,"sku":"2209249","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_0bba87d7_thumbnail_4096.jpg?v=1726815502"},{"product_id":"fruko-power-vol-1","title":"Fruko Power Vol 1","description":"\u003cp\u003eRarities and Deep Album Cuts 1970-1974. Twenty rarities and deep cuts from the early years of Fruko y Sus Tesos on legendary label Discos Fuentes. A collection\nof powerful Colombian salsa dura for the serious collector, DJ and dancer, but also enjoyable for those just discovering Fruko for the first time. 2LP including an\ninsert with photos and liner notes by DJ Bongohead (of Peace and Rhythm). The two-volume collection \u003ci\u003eFruko Power \u003c\/i\u003eis not an homage, career overview,\ngreatest hits or ‘best of’ collection showcasing the evolution of Fruko (Julio Ernesto Estrada Rincón), the Renaissance Man of Colombian tropical music. Instead,\nthis compilation series shines a light on a lesser-known side of the bassist and band leader’s work during the early 1970s with Fruko y Sus Tesos, reissuing in\nphysical form many of his rare or hard to find salsa 45s as well as a few deep album cuts from the first half decade of his career, assembled in chronological order.\nThere are interesting cover versions as well as originals, some of which never appeared on an LP. All of Fruko’s classic vocalists are represented, from early\ncollaborators Humberto “Huango” Muriel and Edulfamid “Píper Pimienta” Díaz to golden-era stars Joe Arroyo and Wilson “Saoko” Manyoma. \u003ci\u003eFruko Power \u003c\/i\u003eis\nless for the newcomer and more for the serious salsa collector, DJ and dancer who may have a few of the maestro’s albums or hits but wants to dig deeper and\nhave all these obscure rarities in one place. However, it also serves as an excellent compendium of powerful Latin dance tracks by Fruko y Sus Tesos that have\nstood the test of time, so even those who do not know much of his work will be sure to feel the power of Fruko.\n\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50427111178571,"sku":"2012096","price":38.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7OC-R6kw_73eee1ad_thumbnail_4096.jpg?v=1726821803"},{"product_id":"pensamiento","title":"Pensamiento","description":"\u003cp\u003eThis is a thrilling double-sider, a delight for DJs because of the funky dancefloor cuts that have never been available on a 45 before. Two outstanding funky gems from Piper Pimienta and Columna de Fuego, among the most innovative Colombian artists of the ‘70s. Early Fruko collaborator and member of Discos Fuentes’ supergroup The Latin Brothers, Piper Pimienta was a renowned salsa singer and composer (and talented dancer!). Following his Fuentes period, he released several records on Venezuela’s Discomoda label. ‘Pensamiento’ is a killer Latin funk cut that was included on the 1979 album “La Fuente” by Piper Pimienta y su Orquesta and has never been available on a 45 before. The flipside features one of the most innovative groups on the Colombian musical circuit in 1973: Columna de Fuego. They forged its sound by creatively and organically mixing elements of heavy rock with rhythms rooted in the music of the Pacific and Caribbean coasts and also funk and soul, keeping a fast pace from start to finish. ‘Iñot’ is an outstanding funky gem for the dancefloor taken from their only LP. Tracklist Side A Pensamiento -Piper Pimienta Y Su Orquesta Side B Iñot -Columna De Fuego\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black 7\"","offer_id":50427156005195,"sku":"2209257","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5b1006d8_thumbnail_4096.jpg?v=1726822361"},{"product_id":"salsa-de-guaguanco","title":"Salsa De Guaguanco","description":"\u003cp\u003eHard salsa with rocking tropical electric guitar! First time reissue, audio remastered from the original tapes, with in-depth liner notes and augmented by three smoking bonus tracks. Príncipe y Su Sexteto, from Caracas, Venezuela, were early pioneers of \"salsa con guitarra eléctrica\" (salsa with electric guitar), a subset of the salsa genre where the electric guitar is the main melodic rhythm instrument, often taking the spotlight in place of the piano and brass section. They were the perfect combination arriving at the right moment, when salsa spontaneously emerged as a new musical movement of the working-class youth of the barrios in Caracas. Príncipe's 1967 debut album, featuring powerful Afro-Latin rhythms like guaguancó and pachanga played with youthful exuberance and originality. A truly unique sound from the dawn of salsa in Venezuela. All the compositions are original to the band, and hold up really well more than 50 years later. Though the arrangements and playing are deceptively simple, the effect is both mesmerizing and energizing, like early rock 'n' roll fed through a Caribbean filter.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"LP","offer_id":50429552558411,"sku":"2145135","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI292_91240cbc_thumbnail_4096.jpg?v=1726840121"},{"product_id":"meshkalina","title":"Meshkalina","description":"\u003cp\u003eIt's hard to choose between the two recordings of the huge psych-latin anthem 'Meshkalina' that were released in Peru in 1969. The Traffic Sound original was a big hit all over the country. The fierce guitars of the Peruvian band and Latin percussion sounds would be spiced with references to Incan culture. Then Paco Zambrano y Su Combo would record it again adding some extra Latin flavour resulting an explosive Latin dancefloor hit! Currently in high demand in the psych\/garage collectors' scene and played out in all major events by top psych DJs, this 7\" comprises both versions for the first time. A perfect DJ tool! \u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Pink 7\"","offer_id":50430535401803,"sku":"1129541","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e896c903-78fb-4e74-9878-4d0a0ef11856_thumbnail_4096.jpg?v=1726849183"},{"product_id":"cumbia-de-sal","title":"Cumbia De Sal","description":"\u003cp\u003eIf Bach can go Moog, so can cumbia! This surprisingly funky novelty tune has one of those break-beat intros that loop makers drool for. Weird synth noodles and chipmunk chorus vocals only add to the “what the?” factor (in a good way!). \u003c\/p\u003e\u003cp\u003eOn the flipside, another updated Costeño classic, with crazy synth noodles, scratchy guitar looping and odd vocals. Hats off to Fruko and Fuentes for letting this experiment in Afro-modernization happen. First time reissue as a separate release, previously only available as part of the long-deleted “Big Box of Afrosound”\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"7\"","offer_id":50430701732171,"sku":"2015730","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/VAMPI45094_37a92b97_thumbnail_4096.jpg?v=1726850962"},{"product_id":"un-hilo-de-luz","title":"Un Hilo De Luz","description":"\u003cp\u003eUnknown spiritual jazz gem recorded in Argentina in the 80s, under the influence of Pharoah Sanders, Don Cherry, Archie Shepp…, and originally released on Litto Nebbia´s label Melopea. Already supported by Gilles Peterson on his radio show, this mind-blowing album combines ethno-free jazz passages and deep progressive compositions led by saxophonist Marcelo Peralta resulting a very impressive ode to the legacy of Coltrane. First time reissue. Includes extensive notes and many previously unpublished photos. 180g vinyl. This is the first and only album ever released by this band, Grupo de Improvisación Tercer Mundo (Third World Improvisation Group), formed by a quartet of young musicians based in Buenos Aires accompanied by drummer Norberto Minchillo (López Fürst, Fernando Gelbard, Jorge Navarro…) and Litto Nebbia himself during the recording sessions. They would also organize weekly jam sessions in public spaces in Buenos Aires, getting visual artists, poets and even passersby involved in these communal actions that aimed to promote self-expression in an environment of total freedom. After the gigs they’d gather again for intense listening sessions of deep jazz for hours… ‘Almas Liberadas’ and ‘Un Hilo de Luz’ sound as a clear tribute to Pharoah Sanders, as the subtitle of the latter openly states. First time reissue. Includes extensive notes and many previously unpublished photos.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50433693122891,"sku":"2194217","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_84c26a00_thumbnail_4096.jpg?v=1726882144"},{"product_id":"orquesta-olivieri","title":"Orquesta Olivieri","description":"\u003cp\u003eThe self-titled “Orquesta Olivieri” was originally released in 1972, just when the Fania Records revolution and the explosion of salsa music, was reaching its peak. Very few copies were distributed at the time. Produced by boogaloo-don Bobby Marin, the album comprises a variety of Latin rhythms, including the much in-demand vocal harmonies-led ‘There is No Other Girl,’ a lowrider soul gem. Side A opens with the slow-paced Latin soul song ‘There is No Other Girl’, that style-wise connects to their previous LP, released when the boogaloo trend was still around. In fact, this song had been previously released two years earlier on a 45 and was then overdubbed (adding an organ on top) for this LP version. The song is very much in demand these days in the lowrider soul scene due to the breath-taking vocal harmonies and appealing production. The album also comprises spicy guaguancós on ‘Cuando llegué a Borinquen’, the classic ‘Los Muchachos de Belén’ and ‘Tabaritiando’. There is also room for a cha-cha-chá, ‘María Isabel, and a guaracha ‘Perrito sabueso’, and the album closes with the Latin soul ballad ‘Preferí perderte,’ interpreted in Spanish. First time official reissue.\u003c\/p\u003e","brand":"Vampisoul","offers":[{"title":"Black LP","offer_id":50433757774155,"sku":"2198547","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_403b8861_thumbnail_4096.jpg?v=1726882695"}],"url":"https:\/\/shop.roughtrade.com\/collections\/vampisoul.oembed","provider":"Rough Trade","version":"1.0","type":"link"}