{"title":"Venn Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eVenn Records is an independent UK record label founded by Gallows band members Laurent Barnard and Steph Carter. With a focus on supporting emerging talent, Venn Records has become known for its diverse roster of *artists* and *performers*. Since its inception, the label has been dedicated to providing a platform for musicians who are pushing boundaries and challenging the status quo.\u003c\/p\u003e\n\n\u003cp\u003eAt Venn Records, we believe in the power of music to inspire change and connect people. Our artists create raw, honest, and thought-provoking music that resonates with audiences around the world. From punk rock to alternative sounds, our catalog reflects the eclectic tastes of our founders and their passion for innovative music.\u003c\/p\u003e\n\n\u003cp\u003eWith a commitment to nurturing creativity and fostering artistic freedom, Venn Records provides its *artists* with the support they need to thrive in today's ever-changing music industry. We pride ourselves on being more than just a record label; we are a community that celebrates individuality and encourages collaboration.\u003c\/p\u003e","products":[{"product_id":"big-twenty","title":"Big Twenty","description":"\u003cp\u003eOther Half’s debut album, Big Twenty, is 14 songs of caustic post-hardcore exploring the unpleasant places people go to—and the nastiness they are capable of—in search of identity, community and belonging. The recurring characters that inhabit Big Twenty navigate changing social scenes and trends as they near the end of their twenties, teasing themselves with the past and spiralling in an unhealthy cycle of going out and coming down. The album’s narrative is semi-fictitious, reimagining first-hand experiences watching friends lose themselves to nostalgia, drugs and depression, whilst simultaneously celebrating the warmth of belonging, wherever it is found. Meeting in 2012 through a love of the UK DIY scene and their time split between previous outfits—including Maths, Ducking Punches and Manbearpig—Cal Hudson (guitar, vocals), Alfie Adams (drums) and Sophie Porter (bass, vocals) began writing songs together in Adams’ basement bedroom. From the indie rock cynicism of Archers of Loaf and Arab Strap, to the dischord and energy of bands like Hot Snakes and Unwound, the band have spent the past few years weaving their individual influences together and now deal in a confident, unique brand of scathing storytelling and abrasive punk.\u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"LP","offer_id":50383268577611,"sku":"2143954","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Big_Twenty_418f05c3_thumbnail_4096.jpg?v=1726266106"},{"product_id":"we-live-here","title":"We Live Here","description":"\u003cp\u003eLondon-based duo Bob Vylan release their stunning album \u003ci\u003eWe Live Here.\u003c\/i\u003e It is a collection of songs that deal with racism, police brutality and the socioeconomic divide that’s currently ripping the UK apart. It's short, sharp and utterly essential. Lyrically it straight to the point - \"\u003ci\u003eRemember Stephen Lawrence \/ he too was free to roam \/ eighteen years-old at the bus stop \/ murdered on his way home.” \u003c\/i\u003eBob Vylan have collaborated with artists ranging from Tricky to Slaves, been included in the NME 100 list and earlier released the title track from the project, their anti-racist anthem \u003ci\u003eWe Live Here\u003c\/i\u003e echoing today’s call to arms. 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This is the band that formed in 2016 with the sole intention of playing legendary punk festival Fest in Gainesville, which they did as teenagers. It didn’t matter that they could barely play, and it was an unmitigated disaster, they still had the front to do it. This is the band that embraced and cut their teeth in the DIY punk world. They were poised on the brink of greatness with their epic debut album \u003ci\u003eDirt Mall\u003c\/i\u003e in February of 2020 and, well, you know what happened next, every band has the same story, so we’ll park that there…Instead, Aerial Salad got their collective heads down and pushed and developed their sound away from the three-chord blare of their formative years. This was always a band you were just as likely to see sporting a Stone Roses shirt as you would Snuff. Or a Cypress Hill top as you would see a Pizza Tramp. \u003c\/p\u003e\u003cp\u003eAerial Salad describe their sound as ‘Madchester Punk’, a nod to their heroes in Happy Mondays, XTC, and Carter USM, spiced with the current furore spearheaded by burgeoning Brit-wave bands like Yard Act, Shame, and High Vis. Their second album \u003ci\u003eR.O.I\u003c\/i\u003e (and first for highly regarded Venn Records) leans on these influences, driven forward by pure rock’n’roll swagger while conjuring a late stage, capitalist hellscape through brutalist lyrical narratives. To put it mildly, Aerial Salad is the band you want to see play the breakdown of establishments afterparty, and you already know you’re gonna love it!\u003c\/p\u003e\u003cp\u003eRecorded lovingly in Vibe Recording Studio, Cheetham Hill in Manchester with Dean Glover, \u003ci\u003eR.O.I.\u003c\/i\u003e is an album that moves seamlessly from pulsing post-punk beats to unstoppable stadium rock anthems. ‘The Same 24 Hours (As Beyoncé)’ is Britpop rallying against the fake facade of influencer culture, ‘All Yer Dreamin’ is Mark E Smith at the Hacienda, ‘Chances’ is Oasis taking on Talking Heads. Aerial Salad find space to explore new genres without losing the sense that this is a band born out of the hard touring, DIY punk scene, a community that continues to be close to their heart.The northern three piece want us to know they’re as authentic as it gets. Injecting that raw chaos and violent charm from the stage straight into their recordings. 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Armed with just a microphone and a laptop, in less than a year the Dublin based producer went from playing his first show in a local squat to performing live at Kentish Town Forum, London, supporting post-punk legends Public Image Ltd.\u003c\/p\u003e\u003cp\u003eMeryl Streek’s debut album \u003ci\u003e796\u003c\/i\u003e (2022) cemented itself as one of the most visceral, important political records of the decade so far, with one critic praising it as “the most incendiary and important punk rock album of the year” (Paul Brannigan\/Louder). Though rooted in Irish socio-political commentary, the album’s themes resonated with people around the world, leading to live performances across Europe and as far as Gran Canaria.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSongs For The Deceased\u003c\/i\u003e once again saw the Irish artist enter Darklands Audio with producer Dan Doherty (Fontaines D.C.). The outcome is a kaleidoscopic fusion of news samples, distorted guitars, electronic beats, and traditional Irish music, all laying the foundation for Streek’s impassioned spoken word performance.\u003c\/p\u003e\u003cp\u003eTo push the music into new spaces, Meryl Streek invited guest musicians to collaborate. Benefits’ Kingsley Hall provides spoken word to the album’s ‘Interlude’, Cal Graham from UK punks The Chisel appears on ‘Dogs’ and influential guitarist Oliver Ackermann (A Place to Bury Strangers) delivers a feedback soaked outro for the song ‘Murder’.\u003c\/p\u003e\u003cp\u003eLyrically the songs veer from the deeply personal (‘Paddy’ is a tribute to his uncle Paddy, a unique individual who chose to live life by his own terms) to historic tragedies (‘Stardust’ remembers the victims of the fire that took place at the Stardust venue Feb 14th 1981, killing 48 people and leaving families begging for answers as to why the disaster happened in the first place). “This is a collection of stories about Betrayal, Murder, Injustice, and Corruption around my hometown of Dublin.” explains Meryl Streek. “It’s not just happening in Ireland, it’s happening around the world and we’re supposed to just take it lying down?”. 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Prophecies of A New Realm reverberate, and protagonists calmly wait—destruction of tight-knit boundaries is the aim of this game. Rising free, dressed black, our United Mutations march to the future, flying the freedom flag of Anti-Faction. Rips of rain punish the pavement these disciples walk upon, hard freeze upon their jeans... could this ever be worth it? A voyager speaks: \"Until the feeling turns cold\" - and it never will, for Lo... ...And Behold! Clouds clear and a Summer Sun's frail ray illuminates the way - Liverpool warehouse dry \/ Irish Sea endless sky \/ Dublin nights \/ Brooklyn Heights \/ San Francisco sorrow \/ Knowhere tomorrow. True sound of liberty! Or true sound of lost? Is this comic debris or cosmic slop? Vehicle passing gives the splash\/soak phase... lower the gaze, don't look at it man - 137 is the Police Patrol Van. Repeat, repeat, repeat... yet again, Stop-And-Search \"one cuff fits all\" philosophy for all... Security Dogs and Feral Cats - which is witch within these acts? Thief of joy? Oh boy... Hardcore Petrichor fills the air. \u0026lt;\u0026lt;\u0026lt; In this space spare a thought for those before, those now, and those to follow that will share this journey \u0026gt;\u0026gt;\u0026gt; Infection spontaneity of cobbled streets with pubs to meet is alchemy hard to resist. Under the volcano mentality kicks out, another drink sinks in... Black Stuff \/ Jet Fuel \/ Junk Food and then into the ether. Strike a match for the Doomsday Lottery - magical number: 23. Along the velvet trail to the rotten row, balance redefined: Zero. WHO CARES? Last but not least - these are travellers from night to light! Rewind, get back to work and reverse the wound! Check it Zedd, a riot lies ahead - dig THAT daddy-o! In the hypnagogic static slump of dawn they act ...navigating with instinct over precision - energy as currency and compass. From grapes of wrath at Roscoe Knight (the crossroad where years go and Swallows fly, and drifting generations on a Georgian descent pass by) to the ritual of the savage at Ancient Chapel, Toxteth. No coincidence - this is The Reach! Fire and fury will mark the time between this fine-line of ragged Human refraction and Rock \u0026amp; Rolling Interzonal action - and that, pals, IS A FACT! Whether you are A Winner \/ A Sinner \/ A Strobe-Light Beginner... come to the VICARS! After all, it's not the cough that will carry you off—it's the COUGHIN' they carry you off in. 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Things we have lived, loved and hated in equal measure.” \u003c\/p\u003e\u003cp\u003eOne global pandemic later and the London five-piece released their sophomore record via American label Dais (Cold Cave, Spice, Youth Code). \u003cbr\u003e\u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"Red | LP","offer_id":50453444493643,"sku":"1158062","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Green LP","offer_id":50453445083467,"sku":"2005999","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Blue LP","offer_id":50453448098123,"sku":"2016963","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/350322c3-f99d-449f-8b40-3287b15d47f5_thumbnail_4096.jpg?v=1727172146"},{"product_id":"796","title":"796","description":"\u003cp\u003eDublin avant-garde punk Meryl Streek release their debut album on Gallows’ label Venn Records (Bob Vylan, Witch Fever, Static Dress). 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Fresh-faced and excited, the then-teenagers coined their sound 'beach punk'; a tongue-in-cheek ode to their hometown that they stand by today. Firmly solidifying their identity as breakneck but bubblegum, a pop-tinged punk band, Reminders work to introduce themselves to anybody willing to listen. 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With a grunge-tinged punk sound that fans of Culture Abuse, Gnarwolves, Drug Church, and Milk Teeth will find plenty to revel in, the band made a huge splash (no pun intended) when they dropped their incredible, and very wet, music video for ‘S.L.U.M.P’ back in February of 2020. The track was picked up by BBC Radio 1 and Kerrang! Radio, and soon enough Out Of Love were the band on everyone’s lips, since turning heads at BBC R1, Kerrang! Magazine, Rock Sound, UPSET, DSCVRD, Radio X, Kerrang! 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At home he would invade his older brothers’ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harry’s mother instilled a love of \u003cem\u003eNorthern Soul\u003c\/em\u003e, \u003cem\u003eSlade\u003c\/em\u003e, and rock’n’roll, with stories of nights out at Club Lafayette and family singalongs at home.\u003c\/p\u003e\n\n\u003cp\u003eAccording to Martinez, “Our sound is a culmination of all those early influences and, to be honest, it really shows.”\u003c\/p\u003e\n\n\u003cp\u003eIt wasn’t until 2022 that \u003cstrong\u003eSplit Dogs\u003c\/strong\u003e officially arrived on the scene with bass player \u003cstrong\u003eSuez Boyle\u003c\/strong\u003e joining the band in 2023. 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As word spread, so did the gigging, and soon enough \u003cstrong\u003eSplit Dogs\u003c\/strong\u003e were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis).\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eHere to Destroy\u003c\/em\u003e was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16-track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the music’s authenticity, the album was recorded live, with \u003cstrong\u003eHarry\u003c\/strong\u003e singing along in a vocal booth. 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Themes range from mythical siren songs to extraterrestrial life via the complexities of true love and an overarching questioning of your own existence. Guitarist Adam Parslow explains of the record’s title: “The name for the album is taken from a quote from Jaz Coleman of Killing Joke - who was speaking glowingly of the sound produced by the late great guitarist Kevin ‘Geordie’ Walker. The quote really resonated with us as a band and we felt it perfectly captured the mood of the new songs. This record explores the curiosity between the struggles of human existence on Earth, and the weight of what else might be out there in the wider universe... \" With the addition of a second guitar player since their debut, The Nightmares were able to expand the scope of their approach to songwriting, emboldened to explore sounds more grandiose than ever. Influences on ‘Fire In Heaven’ range from Alkaline Trio, Motion City Soundtrack and The Get Up Kids, to the eclectic sounds of The Cure, Interpol and Bright Eyes. ‘Fire In Heaven’ is the follow-up to The Nightmares’ 2023 debut album, ‘Séance’. The uniquely dark stylings of this record saw The Nightmares forged as one to watch in the UK’s alt underground, their cult status propelled by icon-in-the-making Will Gould of Creeper guesting on a track and the likes of Kerrang! proclaiming they have “Coffinloads of promise”. The Nightmares have also performed an Audiotree session and enjoyed BBC Radio 1 play courtesy of Daniel P. Carter, Alyx Holcombe and Huw Stephens, as well as support from Adam Walton at BBC Radio Wales. The Nightmares are no strangers to the open road and have various dates plotted for the rest of 2024 and into 2025, including a freshly-announced album release show at Clwb Ifor Bach in Cardiff on 14th February 2025. See below for details. Previously, The Nightmares have played shows with Funeral For A Friend, Dashboard Confessional, Kids In Glass Houses, Casey, Fearless Vampire Killers, Miss Vincent, Creeper, Holding Absence, Grave Pleasures and Tiger Army, as well as appearing at festivals such as 2000trees.\u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"Black LP","offer_id":51150356709707,"sku":"2241086","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51150355366219,"sku":"2241084","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_fa819dad_thumbnail_4096.jpg?v=1737734088"},{"product_id":"roi-de-l-herbe","title":"Roi De L’Herbe","description":"\u003cp\u003eFollowing on from last year's acclaimed \u003cem\u003eR.O.I.\u003c\/em\u003e album, Manchester’s favourite sons \u003cstrong\u003eAerial Salad\u003c\/strong\u003e return to the fray with a brand new 5-track EP titled \u003cem\u003eRoi de l’herb\u003c\/em\u003e via Venn Records.\u003c\/p\u003e\n\n\u003cp\u003eHaving released their \u003cem\u003eDirt Mall\u003c\/em\u003e album during lockdown, which was a pretty grim time to put an album out, the release still eventually opened up some exciting doors for the band and captured \u003cstrong\u003eAerial Salad\u003c\/strong\u003e at their most \u003cstrong\u003eAerial Salad\u003c\/strong\u003e; loud, brash, silly, and emotive. 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With a singular guitar amp pushed to breaking point, deafeningly loud drums and rumbling basslines, their lofi instrumental attack gives way to dreamlike melodies that surf the thunder and push the music into netherworlds of shoegaze, indie rock and hardcore, a unique blend that’s undeniably thistle.\u003c\/p\u003e\n\u003cp\u003eAcross this release, the sound stretches from delicate moments of vulnerability that barely whisper along, to a clamour of feedback roaring through the speakers like a jet plane, consistently emotive in delivery and always surprising. While drummer Lewis O’Grady pushes and pulls on the loud quiet aspects of the track, the dual vocal delivery of guitarist Cameron Godrey and bass player Carey Judwyn Rushton harnesses the intensity, conjuring beauty and catharsis throughout. 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While there are clear leanings towards the alt rockness of bands like Diiv and Ovlov, as well as the harder edged style of Title Fight and Deftones, it’s clear the sonics of the Nineties ring throughout the songs, bringing to mind notable musicians like Billy Corgan and Thom Yorke.\u003c\/p\u003e\n\u003cp\u003eThe vinyl version of \u003cem\u003eit’s nice to see you, stranger\u003c\/em\u003e combines the EP of the same name with previously released singles ‘bitebitebite’, ‘close to my chest (hesitate)’, ‘magpies’, ‘lomochrome’ and ‘tiletalk’, making this their most concise catalog release to date.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"LP - Blue and Red Smash","offer_id":53299781828939,"sku":"R4591-0480","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/it_snicetoseeyou_strangerEPCoverArt.jpg?v=1756826217"},{"product_id":"796-the-instrumentals","title":"796 - The Instrumentals","description":"\u003cp\u003eMeryl Streek’s debut album \u003cem\u003e796\u003c\/em\u003e caused quite the commotion when it was released in the Autumn of 2022. 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This prolific outpouring of ideas, with no rules, no other band members, no label breathing down your neck, would provide the blueprint for Meryl Streek’s first sonic offering.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe bulk of \u003cem\u003e796\u003c\/em\u003e was recorded in Meryl Streek’s home, at the time an apartment complex in downtown Vancouver, Canada. Working through the night recording drums himself in a friend’s studio and outsourcing other instruments to guitarists and bass players he knew from the industry. These sessions began to resemble other artists at their most experimental. Mogwai’s sprawling post-rock, Tortoise’s use of minimal electronics and DJ Shadow’s cut and paste sampling, would come to influence the overall sound of this new and exciting project.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt might be his signature spoken word snarl that bonds the songs of \u003cem\u003e796\u003c\/em\u003e together, but without the rich textures backing the vocals, the tone of the record would be completely different. The instrumental version matches the lyrics with the same emotional weight, the same energy, the same joy and the same sadness, and showcases Meryl Streek’s skill not just as a storyteller, but also as a producer and composer.\u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"LP - Black \/ Red Smashed","offer_id":53523735576907,"sku":"R6975-7386","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/796InstrumentalsArtwork.jpg?v=1759484976"},{"product_id":"hagridden","title":"Hagridden","description":"\u003cp\u003e\u003cem\u003eHagridden\u003c\/em\u003e is the second full-length from Scottish sisters Bratakus. Fiercely political and unapologetic, the duo made up of siblings Brèagha Cuinn (guitar and vocals) and Onnagh Cuinn (bass and vocals) deliver ten songs that combine garage rock and feminist punk with the same deft poise as forerunners The Distillers, The Donnas, Bikini Kill and X-Ray Spex.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2019, a BBC news report called Bratakus \"the UK's most remote punk band\". Formed in 2015 outside a small whiskey village called Tomintoul in the Scottish Highlands, the sisters (then 14 and 8 years old) have maintained a DIY ethos in everything they've done. 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Writing for the dreamers and the bedroom dwellers, her songs feel like secrets whispered late at night; raw, intimate, and achingly real.\u003c\/p\u003e","brand":"Venn Records","offers":[{"title":"12\" - Purple","offer_id":56592246047051,"sku":"R1520-4093","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/OpalMag-GoodbyeLavenderArtwork.jpg?v=1771862763"},{"product_id":"melting-sometimes-bleeding","title":"Melting, Sometimes Bleeding","description":"\u003cp\u003eDrawn to the darker nuances of human experience, Night Swimming craft vivid, cinematic soundscapes that blur the lines between dream-pop and indie rock. 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Fueled with classics like 'Heavy Metal', 'Nightmare on Elm Street', and a Tina Turner live tape, the Bristol based four-piece went to work capturing their sophomore album, \u003cem\u003eNice N' Rough\u003c\/em\u003e, with producer Jonah Falco (High Vis, Rifle, and drummer of Canadian punks Fucked Up) and engineer James Atkinson (formerly of seminal hardcore band Voorhees). \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe result is thirteen thumping tracks featuring lightning-fast guitar licks, raspy hooks and cues from greats like Plasmatics, New York Dolls, Motörhead and The Stooges. Front-person Harry Martinez delivers a larger-than-life, undeniable rock 'n' roll performance, injecting the band's reputable live energy straight into the vocal booth. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDespite the glam rock glimmer, the music possesses depth and soul that can easily be missed. 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The lyrics resonate with core values of compassion, resilience, and community—themes rarely explored within a classroom setting or seen in today's fragmented society. By prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs is tradition with any Meryl Streek record, Stories They Don’t Teach You At School unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. 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