{"title":"Warm Winters","description":null,"products":[{"product_id":"ahkka","title":"Ahkka","description":"\u003cp\u003ePauline Hogstrand's music – and Áhkká, in particular – is deeply inspired by both inner and outer influences, by the mystical as well as the rock-solid, by fictitious conversations and the queen mountain of Lappland (Áhkká).\nMeaning \"the old lady\" in Lule Sámi, Áhkká is a barren, wild, exciting, beautiful, and sometimes grumpy mountain regardless of the season. Over the years, the mountain peaks, moss, birch forests, paths, streams, birds and people have shaped the surroundings, and the massif changed them in return - a reflection of a constantly ongoing development and emerging into greatness, surrounding and within. Speaking about why this mountain is so dear to her, the Denmark-based musician shares: \"The nature there is harsh and raw and you can easily feel how it's so much bigger than you. Some people might feel overwhelmed or intimidated, but I feel that when acknowledging the greatness and the power nature consists, I can feel one with it. We come from the same source: I am a part of universe, and universe a part of me.\"\nThe music appearing on Áhkká (the album) simulates the dualities of ascent and descent, tension and release, inhale and exhale. Through implementing extended structures for analog and digital synthesis and processed acoustic instrumentations – strings, recorder, pipes and field recordings – Hogstrand expertly navigates these dual motions across two side-long pieces.\nThe opening \"Herein\" is slow, difficult, at times jagged and unwelcoming; just like climbing up a mountain early in the morning. Hogstrand shares that this piece is \"about surrendering and letting go of control\", especially during the last 10 minutes of the track which consist almost solely of an insistent and pulsating drone leading you to no man's land. \"Magnitude\" offers a release, glimpses of beauty, a softer, easier presence; descending, you're able to see beauty where previously you saw obstacles, perhaps the sun is up, breathtaking views in every direction... This piece is \"about all that becomes available after letting go. Suddenly sight clears up in front of your eyes,\" shares the Swedish composer.\nThe magic ultimately lies in Hogstrand's perception and portrayal of contrasts – she does not view the two as opposites, but as one reality. \"One greatness is not compromised by another greatness.\" In fact, the opposite is true – one without the other loses meaning, depth and context.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Black LP","offer_id":50392647795019,"sku":"2045977","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_a74c67b8_thumbnail_4096.jpg?v=1726410263"},{"product_id":"closures","title":"Closures","description":"\u003cp\u003eRichard Hronský is a Slovak multi-disciplinary artist based in Bratislava. 'CLOSURES', his second album, is a document of his daily musical practice from the last several tumultuous months. His heavy use of samples which are stretched and spliced beyond recognition creates an uncanny world, an elastic, lo-fi, distorted and convoluted reality, and yet, the music holds tremendous emotional weight. It's an album of wistful reminiscence, but also of knowing that things are exactly how they should be, a dreamlike landscape of moments, sounds, impressions and hopes.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape.","offer_id":50396787900747,"sku":"2169138","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1c938d68_thumbnail_4096.jpg?v=1726485341"},{"product_id":"music-for-sixth-tone-harmonium","title":"Music for Sixth-tone Harmonium","description":"\u003cp\u003eComposers Fredrik Rasten and Ian Mikyska present new compositions for Alois Hába's unique sixth-tone harmonium, performed by Miroslav Beinhauer, who has single-handedly revived the instrument after decades of slumber. Alois Hába, Czech composer and pioneer of microtonal music, commissioned a number of microtonal instruments in the 1920s and '30s, including the sixth-tone harmonium, two of which were built. Hába himself wrote only one solo piece for this instrument, and also included a part for it in his sixth-tone opera 'Thy Kingdom Come'. The opera was first performed in 2018, when the Ostrava Center for New Music organised its world premiere, which inspired a number of initiatives to create new pieces for the harmonium. Nine of these pieces were premiered in 2021, 'In' and 'Concord' among them.\nWarm Winters Ltd. is releasing the two pieces as a double CD – each containing seamless audio – with extensive liner notes written by Ian Mikyska, describing Hába's microtonal compositional approaches, inspirations and the context within which these pieces were made. The two pieces by Fredrik Rasten and Ian Mikyska (both created for a project initiated by the Prague Quiet Music Collective aimed at utilising the harmonium) are the longest of these, as well as those written for the smallest instrumentations: Mikyska's piece is for harmonium and electronics (fixed playback), while Rasten's features the harmonium along with the composer himself on two fretless electric guitars played with e-bows. Both pieces are performed by Miroslav Beinhauer, currently the only performer on the sixth-tone harmonium in the world.\nMikyska's 'In' employs sixth-tones to create shifts and discrepancies within tempered microtonal harmonies, whilst also exploring the possibilities of the harmonium's interactions with sounds of the \"real world\" through field and object recordings. 'In' comprises an organic long form music of rich timbres and playful sonic interactions between harmonic and noisy tonalities, and between natural and processed sounds. Rasten's piece 'Concord' is an extended meditation in long tones that creates vibrant harmonic interactions in its explorations of just intonation harmony. By utilising some of the harmonium's approximations of just intonation intervals and seamlessly blending them with the electronically produced string oscillations of the two guitars, both static and subtly moving tones create a sense of liminality within the slow unfolding of the piece.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"CD.","offer_id":50399557779787,"sku":"2176894","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_90645d86_thumbnail_4096.jpg?v=1726506386"},{"product_id":"a-vibrant-touch","title":"A Vibrant Touch","description":"\u003cp\u003eAleksandra Słyż is a Polish composer, sound designer and sound engineer currently residing in Stockholm, Sweden. She has soundtracked and created sound design for multiple films, worked on various installations, and composed music for different ensembles. She has performed at many experimental music festivals, including Unsound Festival (Krakow), Ephemera Festival (Warsaw), Avant Art Festival (Wroclaw), Between Festival (Stockholm), Idealistic Festival (Copenhagen), Kiev Music Fest (Kiev), Open Source Art Festival (Sopot), Sanaatorium of Sound (Sokolowsko), UNG Nordisk Musik Festival (Pitea) and others. \nAleksandra Słyż joins Warm Winters Ltd. with A Vibrant Touch, her second full-length album. While her debut Human Glory released by Pointless Geometry explored two distinct approaches and techniques, here she finds her unique path forward: finding connections between acoustic and synthetic sounds, creating rich drone structures, slowly but intensely pulsing and resonating within the surrounding space and within each listener. \"I am very much fascinated by the processes related to the body sensations experienced through sound and its movement. I have always perceived sound as a physical phenomenon, travelling as waves of energy, as vibrations which we can literally feel and physically experience,\" she shares. \"Therefore, from the very beginning I wanted to use recordings of specific acoustic instruments, which in my opinion beautifully represent the motion itself.\" Joining Słyż and her modular synthesizer on A Vibrant Touch is a quartet of musicians playing violin (Kosma Műller), viola (Kamil Babka), cello (Anna Szmatoła) and alto saxophone (Marcus Wärnheim).The three pieces on the album explore the physicality of sound of these instruments – like the way a finger or bow presses down on the string of a cello, or the air pressure in the saxophone when someone blows inside it – as they intertwine with expert navigation of modular synthesizers by Słyż. Drawing on the work of 20th century spectral composers like Grisey or Scelsi, just intonation, drone music and microtonality for inspiration, the Polish composer uses dissonance, tension and pulse with incredible grace and power. She opens the proceedings with the patient, gliding and stirring piece \"Healing\". \"The Ruthless Act\" is slightly more ominous and grainy, as the cello and modular synthesizer mimic each other's movements to disorienting effect. The final piece \"Softness, Flashes, Floating Rage\" is a monumental composition lasting almost 26 minutes, a crowning jewel of the album. Słyż and the instrumentalists are exceedingly patient as the piece slowly unravels into a brutal, heart- and ear-shattering climax. It's a testament to her compositional prowess, that a piece of this length is imbued with so much weight and elegance.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"LP","offer_id":50409491988811,"sku":"2055998","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_f48a70e1_thumbnail_4096.jpg?v=1726615600"},{"product_id":"quintela","title":"Quintela","description":"\u003cp\u003eQuintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to the contemporary language of the instrument.\nThe bagpipe is strongly tied to traditional musics; its use in different genres and musical contexts is extremely limited and unimaginative. 'Quintela' brings it to a wholly unknown field, decontextualising the bagpipe in order to elevate a personal approach, and leaving behind its male-dominated past (in which it relates to ideas of prestige, dominance or carries even sexual connotations). López expertly demonstrates its grandeur and breadth; the music on 'Quintela' ranges from barely audible sounds of air passing through the hide bag through rhythmical use of its reeds to all-encompassing drones with complex harmonic structures and vibrant overtones.\nThe narrative arc focuses on the composer's past, its people and places, and could be conceived as a journey in and of itself. A homage to those in our memories, but also a step into the unknown, 'Quintela' is an ambitious, graceful and captivating debut.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":50415499542859,"sku":"2185065","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_638ee1d6_thumbnail_4096.jpg?v=1726690683"},{"product_id":"xv-xxvii-iii-xxi-ix-variations-and-coda","title":"XV XXVII III XXI IX: Variations And Coda","description":"\u003cp\u003eLuka Aron is a German musician and composer of electroacoustic and minimalist music based between Stockholm and Berlin. 'XV XXVII III XXI IX: Variations \u0026amp; Coda' is his debut vinyl release. Apart from his solo work, he is also a member of the trio Minua (signed to Nils Frahm's LEITER label) and the dream gaze band Roomer. His work was previously described as \"thick, impasto layers of slow-moving sound that completely command your attention\" in The Guardian.\n'XV XXVII III XXI IX: Variations \u0026amp; Coda' is a four-part suite for an acoustic ensemble (bass clarinet, contrabass, euphonium, foghorn organ, harpsichord, serpent, shō, and trumpet) and analog as well digital synthesis. The result is an album of spiralling compositions which navigate labyrinthine structures of multiple closely related overtones and layers of heavy distortion based on Aron's research and observations of the physiology of hearing through minute listening tests. On the album, the composer collaborates with a number of notable musicians: Mattias Hållsten and Santos Silva (both members of the late CC Hennix' Kamigaku ensemble), just intonation contrabassist Vilhelm Bromander, or Amina Hocine, among others. The release was mastered by Stephan Mathieu at Schwebung Mastering.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Black LP","offer_id":50415697199435,"sku":"2192965","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_00748693_thumbnail_4096.jpg?v=1726692036"},{"product_id":"wanting-less","title":"Wanting Less","description":"\u003cp\u003e\u003cstrong\u003eLatvian expat mu tate\u003c\/strong\u003e joins the \u003cem\u003eWarm Winters Ltd.\u003c\/em\u003e roster with his vaporous, dubbed out excursions. Utilising his trademark crackling field recordings, soporific atmospheres, swooping sub-bass and cascading synths, \"\u003cem\u003ewanting less\u003c\/em\u003e\" is as weightless and gorgeous as his previous outings on \u003cem\u003eExperiences Ltd.\u003c\/em\u003e \u0026amp; \u003cem\u003eUtter\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eMore so than ever before though, he enters more jazz-tinged, melodic territory, without forgoing the traces of (post)club music appearing throughout his discography. This is probably mu tate at his least hallucinatory, yet the music still tingles the deepest recesses of the mind \u0026amp; explores deeply nocturnal atmospheres. Pure bliss!\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Black LP","offer_id":50421774614859,"sku":"2223130","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_77b4f7e1_thumbnail_4096.jpg?v=1726760391"},{"product_id":"sigla-sone","title":"Sigla Sone","description":"\u003cp\u003eInfant joins Warm Winters Ltd. with \"sigla, sone\", an album of strikingly personal and diaristic sound postcards. It's an album conveying the most intimate of moments and memories, encapsulating the feelings of entanglement and interdependence. The Michigan-based producer utilises various field recordings from his personal archives (sounds of a burning garage, conversations, Lake Michigan waves, crunching beach shells, starlings nesting in a bathroom vent…) alongside various treatments of the human voice and reworked\/resampled work of his to create music that's both tender and unassuming, as well as fascinating and complex. The whimsical and the deeply touching sit side by side on an album that exhibits the magic of what ambient music can mean in 2023.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":50430788075851,"sku":"2169126","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5036a487_thumbnail_4096.jpg?v=1726852136"},{"product_id":"rosenhagtorn","title":"Rosenhagtorn","description":"\u003cp\u003eIsabell Gustafsson-Ny joins Warm Winters Ltd. with Rosenhagtorn, a suite of short pieces for piano, violin and voice. Absorbing in its profound focus on listening, this collection is a striking exploration of these sound sources; their repetitions, harmonics and oscillations. Conceiving of the release as a house, a different song is playing in each room, Gustafsson-Ny was able to explore the rawness and fragility of each instrument with incredible freedom and sensibility. She describes the album in the following words: \"In the music there is both repetition and flow, but also the creak of the pedal organ. Here are Radigue traces and slow slow piano. Here is the violin again, resumed after many years of almost fallow. Here are the overtones and the scratchy strings. Here I dare to open the door to the voice.\" A unique kind of dusty, intimate folk music.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":50450930860363,"sku":"2210849","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_9b5cbaa7_thumbnail_4096.jpg?v=1727116071"},{"product_id":"ne-lepj-a-viragra","title":"Ne Lepj a Viragra","description":"\u003cp\u003eA year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as \"a navigation\", a search through \"the personal, familial, cultural, folkloric and geographic of her past and present.\" Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an album of profound faith and confidence in the potential of this fertile soil.\nComposed and recorded during the last 18 months in Bratislava, Slovakia – a city where three countries meet, where the East and the West collide – 'Ne Lépj a Virárga' translates to \"don't step on the flower\". Its themes – budding potential, recognizing the beauty in the ordinary, solidarity, turning despair into hope – emerged through Mede's wholehearted involvement with her community, teaching singing to both children and adults, and various grassroots volunteering initiatives. It features collaborations with local artists, Mede's singing students, as well as fellow Eastern European contemporary artists Martyna Basta and Wojciech Rusin.\nAdela Mede embellishes carefully crafted songs with minimalist and folklore influences, but also embraces more experimental approaches. The result is a collection of quite varied yet consistent pieces which highlight Mede's proficiency as a singer, arranger, producer and improviser. It is a grounded, confident next step for the Bratislava-based artist. Whether her vocals are naked, heavily processed, warped and reversed, or looped and layered; whether the production is sparse and minimalist or overwhelming and swampy; none of that changes the fact that the gentle tentativeness of her debut is gone. This is \"Central European music\", at its most striking and meaningful: patient, determined, embracing both complexity and possibility. \n---\nAdela Mede is a Slovak-Hungarian artist who self-released her debut album Szabadság in early 2022 to critical acclaim. The album received glowing reviews in The Wire, The Quietus and Dazed, airplay on NTS, Resonance FM and BBC Radio 6, and was featured in The Quietus' Best albums from Central and Eastern Europe of 2022. Adela Mede has shared bills with artists such as Lucrecia Dalt, claire rousay, Dialect (UK tour) or Grand River in recent months and continues to perform and create site-specific sonic interventions.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Black LP","offer_id":50489973768523,"sku":"2096871","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e80fc469_thumbnail_4096.jpg?v=1727647591"},{"product_id":"i-dreamt-we-found-a-way","title":"I Dreamt We Found A Way","description":"\u003cp\u003e‘I dreamt we found a way’ is a documentation of Bristol-based artist Rob Winstone’s ongoing, almost spiritual practice of music-making. Titled as an expression of a deep yearning to overcome the alienating byproducts of capitalism and the subsequent dislocation of the human soul, this collection of pieces is a crystal-clear expression of the artist’s inner-most hopes and aspirations. The album takes different paths, showcasing the artist’s various approaches; longform minimalist ambient works, gentle, decaying neoclassical vignettes, diaristic sound entries, as well as more intensive dark ambient cuts sit side by side united in their purpose – to uplift, heal and alleviate suffering. A uniquely paced album, an understated jewel by an artist whose vision is sharpening day by day.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"White Tape","offer_id":50884229759307,"sku":"2234026","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/I_Dreamt_We_Found_a_Way_33e80daa_thumbnail_4096.jpg?v=1732468381"},{"product_id":"ii-8","title":"II","description":"\u003cp\u003eOn (ii), London \u0026amp; Vienna-based duo Bara \u0026amp; Isa present their singular version of devotional music. After meeting at an experimental choir in Café OTO, the duo started collaborating, mostly by exchanging files (initially during the pandemic and now between London and Vienna). (ii) is their debut album which follows a handful of self-released singles and an EP.\nDescribed by the duo as a \"sort of document of personal development, and also the struggles of everyday motions\", this is music which embraces contradictions. Themes of reflection, acceptance and care sit side by side with notions of spiralling and falling, as Bara \u0026amp; Isa explore the nuances and complexities of quotidian life. Working with a rich sound palette of organ pipes, electric organ, voice notes, field recordings, vocals, harp, chimes, tuning forks, singing bowls, bells and flute, the duo slow-cooked and composed these beautiful songs between 2021 and 2024, mostly by exchanging files. And that's exactly what this music sounds like: a digital call with a loved one, glitching, slowed down, disembodied, yet heartwarming and comforting. Mesmerizing, inviting and bewildering all at once.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":50923702255947,"sku":"2235050","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1e106594_thumbnail_4096.jpg?v=1733240271"},{"product_id":"only-good-dreams-for-me","title":"Only Good Dreams For Me","description":"\u003cp\u003eOnly Good Dreams For Me is the new album by Polish producer Zaumne whose works have previously been released on sferic, Mondoj, Warm Winters Ltd. or Perfect Aesthetics. Positioned somewhere between ASMR soundscaping and ambient dub\/ambient pop, Zaumne's music relies on intuition and moving beyond the rational. Zaumne describes himself as a \"sound artist, researcher of human moods, atmospheres, internet culture and its sound content.\" His work has been supported by The Quietus, BBC Radio 6, Philip Sherburne, Shawn Reynaldo and many more.\n'Only Good Dreams For Me' sees Zaumne lift the heavy air which lingered on his previous releases. His trademark diaristic vocal snippets and emotive melodic accents are now anchored in more song-like structures, with Zaumne moving ever-closer to more ambient-adjacent pop music (eg HTRK, YL Hooi, Voice Actor etc.), trip-hop or other electronic genres.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Black LP","offer_id":51003167834443,"sku":"2237098","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5320df62_thumbnail_4096.jpg?v=1734952291"},{"product_id":"without-blinking","title":"Without Blinking","description":"\u003cp\u003eAngelo Harmsworth's lands on Warm Winters Ltd. with his newest album titled 'Without Blinking', imbued, as usual, with a kind of gentle de(con)struction. Comprising of two longer compositions and a shorter piece featuring Felisha Ledesma, 'Without Blinking' is music on the verge of collapse, barely held together by its syrupy textures, intoxicated rhythmic gestures and characteristically raw emotionality. It's Harmsworth trying to map the limits of the senses, playing with our perceptions of time, place and sound, creating something hallucinatory, pseudo-slow-motion, yet fundamentally cathartic in its extremes. He describes his approach as \"gestural complexity alongside uncomplicated tonality\", and recommends listening with your \"eyes wide shut\" – telling descriptions from an artist who tries to reconcile false dichotomies through intense yet captivating sonics.\n'Without Blinking' follows Harmsworth's releases on enmossed\/Psychic Liberation, Angoisse, Opal Tapes, and Lime Lodge, and continues his ongoing collaboration with Felisha Ledesma.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":51246106837323,"sku":"2228242","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_00c3dfd1_thumbnail_4096.jpg?v=1739232105"},{"product_id":"modfase","title":"Modfase","description":"\u003cp\u003eCrumbling tape loops, broken glass sounds, micro-cassette feedback and songs for piano, voice and guitar sit side by side on this uniquely tender release by Danish artist Franciska. Submitted to the label on a cassette sent via mail with typewritten credits, 'Modfase' is masterfully restrained, constructed with a care and gentleness that's hard to find in today's \"ambient\" and \"experimental\" music circles. Each side contains multiple pieces which quickly shift between musique concrete, tape music, avant folk and drone; listening feels like flicking through a personal sketchbook, never dwelling on any page for too long. Truly magical, real music.\nThis recording follows Franciska's wonderful run of releases on labels like Discreet Music, Janushoved, Forlaget Kornmod or VAKNAR.\u003c\/p\u003e","brand":"Warm Winters","offers":[{"title":"Tape","offer_id":51246108082507,"sku":"2228251","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_202f49c1_thumbnail_4096.jpg?v=1739232124"}],"url":"https:\/\/shop.roughtrade.com\/collections\/warm-winters.oembed","provider":"Rough Trade","version":"1.0","type":"link"}