{"title":"We Release Whatever The Fuck We Want Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWe Release Whatever The Fuck We Want Records is a Swiss label founded and curated by [artist name] of [label name] and Stéphane Armleder aka [artist name] of [label name].\u003c\/p\u003e\n\n\u003cp\u003eWith an unapologetic approach to music, this label fearlessly pushes boundaries and challenges conventions. They have gained a reputation for releasing unique and unconventional sounds that defy categorization.\u003c\/p\u003e\n\n\u003cp\u003eFounded on the belief that music should be free from restrictions, We Release Whatever The Fuck We Want Records has become a platform for artists who refuse to conform. Their diverse roster showcases experimental, avant-garde, and genre-defying music that captivates listeners with its raw authenticity.\u003c\/p\u003e","products":[{"product_id":"wave-notation-3-erik-satie-1984","title":"Wave Notation 3: Erik Satie 1984","description":"\u003cp\u003eThe first official worldwide reissue of Satsuki Shibano’s \u003ci\u003eWave Notation 3: Erik Satie 1984\u003c\/i\u003e, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa’s own \u003ci\u003eStill Way\u003c\/i\u003e (1982) and Hiroshi Yoshimura's \u003ci\u003eMusic For Nine Postcards\u003c\/i\u003e (1982).\u003c\/p\u003e\u003cp\u003eThe highly sought-after album, sourced from the original master tape, includes English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWave Notation 3\u003c\/i\u003e is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyō ongaku \/ environmental music (alongside Brian Eno, John Cage to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie’s works.\u003c\/p\u003e\u003cp\u003eSatsuko Shibano’s minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada’s \u003ci\u003eThrough The Looking Glass\u003c\/i\u003e, Hiroshi Yoshimura’s \u003ci\u003eGreen\u003c\/i\u003e, and Satoshi Ashikawa’s \u003ci\u003eStill Way\u003c\/i\u003e.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LPx2","offer_id":50383091302731,"sku":"2025932","price":44.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50383091171659,"sku":"2025931","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW065CD_138e021d_thumbnail_4096.jpg?v=1726262801"},{"product_id":"limited-40-years-anniversary-box-set","title":"Limited 40 Years Anniversary Box Set","description":"\u003cp\u003eLimited 40 Years Anniversary Box Set, packed with their complete discography, as well as a never-released-before live recording, an 80-page fanzine with an extensive biography written by Swiss music historian Lurker Grand, unseen archival material, and artist contributions, and a poster replica of an original concert flyer from 1980.\u003c\/p\u003e\u003cp\u003eConceived, conceptualized and supervised by original band member Stephan Eicher, the box set includes the following exclusive content:\u003c\/p\u003e\u003cp\u003eGrauzone’s self-titled album from 1981 reissued as a 180g vinyl double LP with 9 additional tracks, amounting to the band’s complete studio discography. Included are the classics \"Eisbär\", \"FILM 2\", \"Raum\", \"Moskau\", \"Träume Mit Mir\", \"Der Weg Zu Zweit\", and \"Wütendes Glas (Maxi Version)\", as well as the deep and unconventional album cuts that make Grauzone so unique. The double LP is housed in a heavy gatefold sleeve, with liner notes by Lurker Grand, an insert with the original album’s lyrics, and a special Xeroxed artwork imagined by Stephan Eicher.\u003c\/p\u003e\u003cp\u003eGrauzone’s Live LP, a recording of their April 12th 1980 concert at Gaskessel in their hometown of Bern, Switzerland, with a sleeve artwork by Stephan Eicher.\u003c\/p\u003e\u003cp\u003eAn 80-page Fanzine containing the history of Grauzone written by Lurker Grand, never-seen images of the band and their collaborators and incredible snapshots of the late 70s\/early 80s underground scene in Switzerland, as well as artist contributions by Christian Marclay, Genesis P-Orridge, Sylvie Fleury, John Armleder, Maurizio Cattelan, Gregor Hildebrandt and more, cementing Grauzone’s Art band with a Punk attitude ethos.\u003c\/p\u003e\u003cp\u003eA 60 x 90 cm poster replica of Grauzone’s Spex (Bern) concert flyer from October 25 1980.\u003c\/p\u003e\u003cp\u003eAbsolutely All the elements included in this box set collection were photocopied by hand with a vintage Xerox machine before being printed, as wished by Stephan Eicher (who took care of photocopy duties for a good chunk of the material). A bold artistic choice, a nod to the DIY ways of the era this release represents, and drawing a parallel between the acts of reissuing and photocopying.\u003c\/p\u003e\u003cp\u003eThe pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, \"an Art band with a Punk attitude\".\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black | LP | x3","offer_id":50384058417483,"sku":"1110457","price":69.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/de60aa84-547a-410d-93a8-d3a2405ef7bf_thumbnail_4096.jpg?v=1726284974"},{"product_id":"safari","title":"Safari","description":"\u003cp\u003eSafari was a jazz-fusion unit led by keyboardist Toshiyuki Daitoku, who had recorded with the likes of George Otsuka and Mukai Shigeru, and Gregg Lee, a Californian who had previously played in fusion bands such as Caldera and Native Son.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOriginally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSafari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune “All Right in The Night”, and the fan-favorite buoyant vacation hit “The Morning After”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP - Blue","offer_id":50384768336203,"sku":"2222247","price":46.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Transparent","offer_id":53143067296075,"sku":"R7453-5745","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/BEAT85_296fabad_thumbnail_4096.jpg?v=1726303390"},{"product_id":"nova-4","title":"Nova + 4","description":"\u003cp\u003eInitially released in 1986 as part of the Soundscape series commissioned by Misawa Home Corporation for use in their prefabricated houses, Yutaka Hirose’s \u003ci\u003eNova \u003c\/i\u003ehas grown to become a mythical piece of theJapanese minimalist \/ ambient \/ environmental scene of the eighties. Initiated around the enchanting landscapes of the two first tracks recorded for the project, \u003ci\u003eNova\u003c\/i\u003e and \u003ci\u003eEpilogue\u003c\/i\u003e, Yutaka Hirose’s magnumopus serenely blends vintage synth with nature sounds, exploring soothing palettes and organic backdrops. For \u003ci\u003eSlow Sky\u003c\/i\u003e, Hirose explains he \"went for a pointillism-like sound, and tried to express a scenery of awakening, where the portal of a heart is opening up\", while on Humming The Sea, he \"tried to compose a kind of music that expresses the daily, lazy life of child-like innocence in a summer vacation in some small town.\"\u003c\/p\u003e\u003cp\u003eThe bonus LP gathers four long unreleased pieces created around the same period of time for installations, described by Yutaka Hirose as \"not music per se but rather sound sculptures\", and including the haunting \u003ci\u003eShadow Of A Water Droplet\u003c\/i\u003e which was recorded for an Ikebana exhibition.\u003c\/p\u003e\u003cp\u003eAll in all, \u003ci\u003eNova + 4\u003c\/i\u003e is a transcendent experience of nature in the urban context, an oeuvre which, much like Midori Takada’s \u003ci\u003eThrough The Looking Glass\u003c\/i\u003e or Satoshi Ashikawa’s \u003ci\u003eStill Way\u003c\/i\u003e, holds the power to appeasethe soul in turbulent times. The Soundscape series also includes Hiroshi Yoshimura's \u003ci\u003eSurround\u003c\/i\u003e album.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black | LP | x2.","offer_id":50389220393291,"sku":"1065740","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e39700ef-740f-4676-97b2-88b9883d6639_thumbnail_4096.jpg?v=1726355679"},{"product_id":"shower","title":"Shower","description":"\u003cp\u003e\u003ci\u003eShower\u003c\/i\u003e, the brand-new album by New York born, Los Angeles based ambient \/ jazz \/ downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, \u003ci\u003eHome Decor\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eContinuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, \u003ci\u003eShowe\u003c\/i\u003er draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.\u003c\/p\u003e\u003cp\u003eAs you tilt your head back and close your eyes, let the hot and dripping sounds of \u003ci\u003eShower\u003c\/i\u003e transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50394900693323,"sku":"2056637","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW086_46353a48_thumbnail_4096.jpg?v=1726449891"},{"product_id":"level-select","title":"Level Select","description":"\u003cp\u003eThe first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length \u003ci\u003eLevel Select\u003c\/i\u003e, originally only released on cassette and digital. The liquid drum and bass meets Y2K era video gaming aesthetics monster is now available in a limited edition vinyl double 180 gram LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve.\u003c\/p\u003e\n\u003cp\u003eEntirely written and composed by UK producer Pizza Hotline (apart from \"Glacier Zone\", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track \"Polygone Dremscape\" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.\u003c\/p\u003e\n\u003cp\u003eSpellbinding, atmospheric, and beautifully melodic, \u003ci\u003eLevel Select\u003c\/i\u003e is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s \/ early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"2LP - Transparent","offer_id":50403468443979,"sku":"2022740","price":44.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Coke Bottle Green","offer_id":57065568633163,"sku":"R4513-9988","price":41.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW078_4568c257_thumbnail_4096.jpg?v=1726561081"},{"product_id":"violent-cop-original-soundtrack","title":"Violent Cop (Original Soundtrack)","description":"\u003cp\u003eThe first official reissue of Daisaku Kume’s original soundtrack for the highly acclaimed 1989 Japanese crime\/drama movie \u003ci\u003eViolent Cop\u003c\/i\u003e. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only \"Beat\" Takeshi Kitano!\u003c\/p\u003e\u003cp\u003e\u003ci\u003eViolent Cop\u003c\/i\u003e marks Kitano’s directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50409191965003,"sku":"2054883","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW071_5499f1cf_thumbnail_4096.jpg?v=1726611271"},{"product_id":"grauzone","title":"Grauzone","description":"\u003cp\u003eA reissue of Swiss cult band \u003cstrong\u003eGrauzone\u003c\/strong\u003e's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand.\u003c\/p\u003e\n\n\u003cp\u003eThe 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend \u003cstrong\u003eStephan Eicher\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members \u003cstrong\u003eMartin Eicher\u003c\/strong\u003e, \u003cstrong\u003eStephan Eicher\u003c\/strong\u003e, and \u003cstrong\u003eMarco Repetto\u003c\/strong\u003e, and on-and-off participants \u003cstrong\u003eChristian GT Trüssel\u003c\/strong\u003e, \u003cstrong\u003eClaudine Chirac\u003c\/strong\u003e, and \u003cstrong\u003eIngrid Berney\u003c\/strong\u003e, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics.\u003c\/p\u003e\n\n\u003cp\u003eWith an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, \"an Art band with a Punk attitude\".\u003c\/p\u003e\n\n\u003cp\u003eCompletely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song \"\u003cem\u003eEisbär\u003c\/em\u003e\", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.\u003c\/p\u003e\n\n\u003cp\u003eThis extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle\/accident - where pop and youthful experimentation meet at (new\/cold\/no) wave and industrial crossroads, and where classic hits (\"\u003cem\u003eEisbär\u003c\/em\u003e\", \"\u003cem\u003eFILM 2\u003c\/em\u003e\", \"\u003cem\u003eRaum\u003c\/em\u003e\", \"\u003cem\u003eTräume Mit Mir\u003c\/em\u003e\", \"\u003cem\u003eDer Weg Zu Zweit\u003c\/em\u003e\"...) flawlessly mesh with unconventional deep cuts (\"\u003cem\u003eIn Der Nacht\u003c\/em\u003e\", \"\u003cem\u003eFilm 1\u003c\/em\u003e\", \"\u003cem\u003eMaikäfer Flieg\u003c\/em\u003e\"...).\u003c\/p\u003e\n\n\u003cp\u003eVery simply put: Good timeless music with an edge. \u003cstrong\u003eStephan Eicher\u003c\/strong\u003e went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. \u003cstrong\u003eMarco Repetto\u003c\/strong\u003e flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"2LP - Black","offer_id":50416655073611,"sku":"1113288","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50416655335755,"sku":"1113286","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":51940508991819,"sku":"R4021-4150","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/37929d73-3c4a-4dd3-922d-9f0679114e7d_thumbnail_4096.jpg?v=1726708073"},{"product_id":"raum-1","title":"Raum","description":"\u003cp\u003eThe first ever vinyl maxi-single release for \u003ci\u003eRaum\u003c\/i\u003e, Grauzone’s best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse \/ Klang \/ Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.\u003c\/p\u003e\u003cp\u003eInitally released almost 40 years ago on the beloved compilation \u003ci\u003eSwiss Wave - The Album\u003c\/i\u003e (Off Course Records) alongside the band’s massive hit \u003ci\u003eEisbär, Raum\u003c\/i\u003e is the biggest Grauzone track people have yet to discover. An über-infectious New York style bassline played by Christian \"GT\" Trüssel and frantic drumming by Marco Repetto’s blend with Martin Eicher’s hauntingly hopeless lyrics and Claudine Chirac’s saxophone escapades to personify post-punk heaven and all its wonderful anomalies. It’s disco with an edge, pop filled with fear, it’s The Cure infused with proto- techno and Swiss art chic. Or maybe, it’s simply one hell of a song that will make you dance and shout. It’s good!\u003c\/p\u003e\u003cp\u003eFurther on the a-side, Naum Gabo’s rework takes Grauzone to modern dance floors with a thumping track and bounce-inducing groove on which Liquid Liquid’s very own Dennis Young adds magic in the form of marimba, Roto Toms, and EBowed guitar. The energy is electric, the sound is huge, a club banger with extra heart, ready for sound systems of all kinds. The b-side features Ata Macias’ fabled extended version of \u003ci\u003eRaum\u003c\/i\u003e (first released in 2010 via Live at Robert Johnson) that Stephan Eicher described as \"the perfect Grauzone edit\" (and it is!), plus a straight to the point radio edit of Naum Gabo’s rework.\u003c\/p\u003e\u003cp\u003eThis release follows WRWTFWW’s reissue of Grauzone’s \u003ci\u003eEisbär \u003c\/i\u003emaxi single as part of the 40 years anniversary of the band. 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It became a mega hit, totally unplanned, but how could you resist such a track?\u003c\/p\u003e\n\n\u003cp\u003e\"Film 2\" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience.\u003c\/p\u003e\n\n\u003cp\u003eThe maxi single ends with \"Ich Lieb Sie,\" a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right. At the crossroads of post-punk, new wave, pop, and electronic experimentation, the \u003cem\u003eEisbär\u003c\/em\u003e maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of \u003cstrong\u003eGrauzone\u003c\/strong\u003e's music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. 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Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.\u003c\/p\u003e\u003cp\u003eWith its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.\u003c\/p\u003e\u003cp\u003eRemastered for 2024, this reissue is a must-have for fans of Haruomi Hosono \/ YMO, The Irresistible Force, Spacetime Continuum,Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69\/450464, and mind-expanding musics. 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A unique voice, a unique approach, and nothing less than magnificent music.\u003c\/p\u003e\u003cp\u003eHako Yamasaki, a pioneer in both the creative boom and the rise of feminism in 1970s Japan, went on to release over thirty albums, building an impressive discography and a fascinating career filled with ups and downs. Her work, inimitable and timeless, deserves the utmost recognition and should be celebrated. 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Whatever you call this many monikered group, their impossibly rare 1967 single has been making collectors everywhere salivate. 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Umcheol, his\nambient meets Irish traditional music soundscape is available as a limited edition LP (500 copies worldwide)\nhoused in a 350gsm gatefold sleeve with a superb triptych of paintings by Irish artist Conor Campbell. \u003c\/p\u003e\u003cp\u003eA splendid pairing of Irish folk instruments (harp, tin whistle, fiddle, harmonium) with synthesizers, Umcheol\ntells the tragic yet beautiful tale of two legendary figures of Irish mythology, Cú Chulainn and Ferdiad. The\n40+ minute ambient narrative is a subtle and touching alliance of past and present, tradition re-\ncontextualized and retold with a modern approach.\n\u003c\/p\u003e\u003cp\u003eGareth Quinn Redmond explains: \"For the longest time, I have desired to blend elements of both ambient\nand Irish traditional music. Umcheol - Cú Chulainn agus Ferdiad, is the first in a series of works that seeks to\ncoalesce these two palettes of sound. The primary focus of this album was to begin using traditional\ninstruments such as the harp, tin whistle, fiddle and even the harmonium, which in recent times has become\ncommonly used in Irish folk music. By pairing these instruments with synthesizers, I hope to create a\nsoundscape that gives new agency for the stories of my culture\nto be realized and retold.\"\n\u003c\/p\u003e\u003cp\u003eVery personal and delicately visceral, \u003ci\u003eUmcheol \u003c\/i\u003eis a contemplative journey that will resonate with fans of\nJapanese environmental music, minimalism, folk experimentations, and mythological soundtracks. Gareth\nQuinn Redmond’s previous album, Laistigh Den Ghleo, an ode to the work of Satoshi Ashikawa is still\navailable on WRWTFWW Records - perfect time to re-visit!\n\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50466502672715,"sku":"2004088","price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW069_b962f3bb_thumbnail_4096.jpg?v=1727315000"},{"product_id":"music-for-a-cosmic-garden","title":"Music for a Cosmic Garden","description":"\u003cp\u003eA new full-length collaborative project by Japanese\nambient \/ environmental legend Takashi Kokubo (Ion Series) and Italian \/ Swiss trombonist Andrea Esperti\n(Esperti Project): \u003ci\u003eMusic for a Cosmic Garden.\n\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eRecorded during the heights of the pandemic and completed in February 2021, the majestic 8-track\nethereal \/ botanical soundscape created by Kokubo and Esperti is available as a limited edition double LP and a\ndigipack CD, \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTakashi Kokubo, environmental music figure, celebrated sound designer, and founder of Studio Ion, has\nreleased over 20 albums, including the genre-defining and highly sought-after Ion Series. He's also played a\nmajor role in the sonic identity of Japan, creating the country’s mobile phone earthquake alert sound, credit\ncard payment validation jingles, and much more. In 2020, Takashi Kokubo received a Grammy nomination\nfor his track \"A Dream Sails Out to Sea, Scene 3\" off Light in the Attic’s Kankyō Ongaku compilation. He is\nknown for recording “sound scenes from nature” around the world using a binaural CyberPhonic microphone\nof his own invention and for his very unique brand of healing music.\n\u003c\/p\u003e\u003cp\u003eAndrea Esperti is a Swiss trombonist and composer originally from Puglia (Italy). 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Both versions come with liner notes by the great Masaaki Hara. \u003c\/p\u003e\u003cp\u003eA true soundtrack maestro, Kenji Kawai is behind the legendary soundscapes of cult animes and movies such as \u003ci\u003eGhost in the Shell, Avalon, Ring, Ip Man\u003c\/i\u003e, and\u003ci\u003e Seven Swords\u003c\/i\u003e among numerous others. \u003ci\u003ePatlabor 2: The Movie (Original Soundtrack)\u003c\/i\u003e is one of his most experimental offerings, an outstanding palette of emotion-filled ambient atmospherics and percussion mastery breathing beautifully through Kawai’s minimalism meets modern classical approach. His symphony of moods paints a delicate picture of urban isolation, a central theme in the movie, but doesn’t hide hints of hope for a joyful future. \u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black | LP.","offer_id":50475683709259,"sku":"1136968","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"CD.","offer_id":50475683217739,"sku":"1136967","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2aaaa2d4-a611-4109-a9df-1358c13b9f3c_thumbnail_4096.jpg?v=1727449082"},{"product_id":"interior","title":"Interior","description":"\u003cp\u003eInterior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra’s Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing.\u003c\/p\u003e\u003cp\u003eInterior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories.\u003c\/p\u003e\u003cp\u003eThe unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987.\u003c\/p\u003e\u003cp\u003eAfter that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50476740378955,"sku":"1159251","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b9e5f253-a6e6-4cb8-aa8a-e795ae4ba9d5_thumbnail_4096.jpg?v=1727463289"},{"product_id":"trace-sound-design-works-1986-1989","title":"Trace: Sound Design Works 1986-1989","description":"\u003cp\u003eWRWTFWW Records release Yutaka Hirose’s never-heard before 11-track collection \u003ci\u003eTrace: Sound Design Works 1986-1989\u003c\/i\u003e, available on double LP and double CD, with liner notes from the artist.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTrace\u003c\/i\u003e is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.\u003c\/p\u003e\u003cp\u003eRather than simply providing pre-recorded compositions, Hirose sought to create a \"sound scenery\". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of \"sculpturing time through sound\".\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTrace: Sound Design Works 1986-1989\u003c\/i\u003e is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates \"a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness\" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.\u003c\/p\u003e\u003cp\u003eAll in all, \u003ci\u003eTrace\u003c\/i\u003e is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s \u003ci\u003eThrough The Looking Glass\u003c\/i\u003e, Hiroshi Yoshimura’s \u003ci\u003eGreen\u003c\/i\u003e, Satoshi Ashikawa’s \u003ci\u003eStill Way\u003c\/i\u003e, Motohiko Hamase’s \u003ci\u003eNotes of Forestry\u003c\/i\u003e, Inoyamaland’s \u003ci\u003eDanzindan-Pojidon,\u003c\/i\u003e and Yutaka Hirose’s very own \u003ci\u003eNova\u003c\/i\u003e.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black | LP | x2","offer_id":50476811256139,"sku":"1161499","price":39.99,"currency_code":"GBP","in_stock":false},{"title":"CD | x2","offer_id":50476811845963,"sku":"1161498","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ce3fd7b5-7085-49bb-86a3-e5c0392b6ed6_thumbnail_4096.jpg?v=1727464175"},{"product_id":"zentsuu-collected-works-2001-2019","title":"Zentsuu: Collected Works 2001- 2019","description":"\u003cp\u003eWRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing\nproject Omodaka. including 14 songs never released on vinyl before. The 18-track \u003ci\u003eZentsuu: Collected\nWorks 2001-2019\u003c\/i\u003e album is available on double LP in heavy 350gsm sleeve with printed inner sleeves, as\nwell as on CD.\n\u003c\/p\u003e\u003cp\u003eInitiated in 2001 while trying to create a \"boat racing song\", the Omodaka project features sublime music by\nveteran electronic \/ house \/ jungle \/ video game music producer \/ DJ Soichi Terada and the vocals of Japanese\nfolk min'yō and enka singer Akiko Kanazawa for a never-heard-before colorful blend of retro game\n8bit \/ chiptune sounds and traditional Japanese music with wet electro rhythms, joyful 90s house grooves, and\nslick downtempo vibes. Feel-good, sexy, and fun, Terada’s project brings forth one of the most unique\nsounds in recent memory. The smile-inducing sonic adventure is packed with irresistible hits and a good\ndose of dancefloor-ready gems: a well deserved delivery of good times for 2022 and beyond!\n\u003c\/p\u003e\u003cp\u003eTokyo born genius Soichi Terada has built an impressive career in different music genres. He co-founded\nrespected label Far East Recording with Shinchiro Yokata, composed the soundtrack for cult video game\nseries Ape Escape, released tons of amazing house music records (some included in the beautiful\ncompilation Sounds from the Far East released by Rush Hour in 2015), and has been a celebrated world-\ntouring DJ.\n\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"CD","offer_id":50477186941259,"sku":"2000282","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50477187432779,"sku":"2000283","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW067CD_19fb397b_thumbnail_4096.jpg?v=1727466423"},{"product_id":"tree-of-life","title":"Tree of Life","description":"\u003cp\u003eWRWTFWW Records is proud to announce the worldwide reissue of Midori Takada’s solo album from 1999,\u003ci\u003e Tree of Life.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eOriginally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto’s \"Merry Christmas Mr. Lawrence\" and many more were recorded) and released on CD only for the Japan market in 1999, \u003ci\u003eTree of Life\u003c\/i\u003e is Midori Takada’s best kept secret, a lost gem of minimalism and percussive ambient. The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and bells, notably on the magnificent fan-favourite \"Love Song Of Urfa\". The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua, allowing Midori Takada to unveil new layers of her artistic mind with a slightly more theatrical approach and a beautiful crystallization of complex simplicity.\u003c\/p\u003e\u003cp\u003eThe entire album was given a fresh new audiophile mix by Midori Takada herself and was mastered at Emil Berliner Studios, with half speed cutting for the vinyl version, to ensure an audio presentation aligned with the Japanese pioneer’s vision.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"CD","offer_id":50477245595979,"sku":"1169445","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50477246153035,"sku":"1169446","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4a1ad90f-7945-4364-a244-bf61b893be78_thumbnail_4096.jpg?v=1727467334"},{"product_id":"home-decor","title":"Home Decor","description":"\u003cp\u003e\u003cstrong\u003eDanny Scott Lane\u003c\/strong\u003e presents \u003cem\u003eHome Decor\u003c\/em\u003e, his sixth full-length album. This ambient\/jazz\/downtempo musician, originally from New York and now based in Los Angeles, offers a heartwarming 10-track affair that exudes nostalgia-tinted modern chill-out music.\u003c\/p\u003e\n\n\u003cp\u003eAvailable in a limited edition vinyl with only 500 copies worldwide, \u003cem\u003eHome Decor\u003c\/em\u003e comes housed in a heavy 350gsm sleeve featuring artwork from 3D virtual designer Lucas Barbuzzi. The album is a silky cocktail of 80s synths and exotica seduction, gently carried by Matt Elliot Gooden’s sensuous saxophone.\u003c\/p\u003e\n\n\u003cp\u003eDescribed as ambient smooth jazz with hints of italo, minimalism, and fusion, \u003cem\u003eHome Decor\u003c\/em\u003e is the perfect soundtrack for cozy situations. It sets the mood for one last drink on the balcony, strolls by the beach, relaxing, thinking back, and even activities like gardening and cooking something delicious.\u003c\/p\u003e\n\n\u003cp\u003eHighlighted tracks such as \"\u003cem\u003eChampagne Spill\u003c\/em\u003e,\" \"\u003cem\u003eBaby’s First Balcony\u003c\/em\u003e,\" and \"\u003cem\u003eTwin Bed\u003c\/em\u003e\" are not to be missed. They provide a well-deserved moment of respite in these tumultuous times. \u003cem\u003eHome Decor\u003c\/em\u003e is truly a rare gem that soothes the mind, body, and soul.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50477288751435,"sku":"2002715","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW077_deaa9307_thumbnail_4096.jpg?v=1727468182"},{"product_id":"odyssey-original-amiga-demoscene-soundtrack","title":"Odyssey (Original Amiga Demoscene Soundtrack)","description":"\u003cp\u003eThe first ever release of the soundtrack for the sci-fi Amiga demoscene wonder Odyssey by the Alcatraz group, with music from Greg - and what is possibly the first ever vinyl release for an Amiga demoscene soundtrack, if not the first ever vinyl release for a demoscene soundtrack whatsoever!\u003c\/p\u003e\u003cp\u003eThe special limited edition vinyl features the complete soundtrack of the demo sourced from the original masters as well as printed innersleeves, a 24x24 inch double-sided poster with extensive liner notes on the fascinating history of the Amiga demoscene on one side and a floppy disk print on the other, and a WRWTFWW sticker sheet. \u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50477323288907,"sku":"2005020","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW074_8d20cd5a_thumbnail_4096.jpg?v=1727469213"},{"product_id":"poly-time-soundscapes-forest-of-the-shrine","title":"Poly-Time Soundscapes \/ Forest Of The Shrine","description":"\u003cp\u003e\u003ci\u003ePoly-Time Soundscapes \/ Forest Of The Shrine\u003c\/i\u003e, a brand new release by Japanese producer Taro Nohara (Yakenohara). 8 tracks of pure environmental ambient bliss available on LP housed in a heavy 350gsm sleeve with an artwork from the artist himself.\u003c\/p\u003e\u003cp\u003eBased in Tokyo, Taro Nohara is a producer, beatmaker, DJ, and music activist who made a mark with his electronic \/ ambient unit Unknown Me ( (of Not Not Fun Records fame). His new solo project,\u003ci\u003e Poly-Time Soundscapes \/ Forest Of The Shrine\u003c\/i\u003e, is a unique and modern take on Japanese environmental music, a free floating re-interpretation of the sub-genre made famous by Midori Takada, Hiroshi Yoshimura, or Satoshi Ashikawa (and more!) fused with subtle nuances of various origins: downtempo, hip hop, sound design, chill-out, experimental.\u003c\/p\u003e\u003cp\u003eConceived as a two-part adventure of contemplative peace, Taro Nohara’s organic soundscape takes you on a mind-soothing walk through time (or memories) and the beautiful mysteries of luscious forests - don’t resist, let yourself go, explore!\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50477364248907,"sku":"1165353","price":32.99,"currency_code":"GBP","in_stock":false}]},{"product_id":"tokyo-fist-original-soundtrack","title":"Tokyo Fist (Original Soundtrack)","description":"\u003cp\u003eWRWTFWW Records is deeply honoured to announce the release of Chu Ishikawa and Der Eisenrost’s soundtrack for experimental action drama \u003ci\u003eTokyo Fist\u003c\/i\u003e, released in 1995 and directed by legendary director\/producer\/writer Shin’ya Tsukamoto (Tetsuo: The Iron Man and its sequels, Bullet Ballet, Hiroki The Goblin, Nightmare Detective). Previously only published on CD in Japan, the cult movie soundtrack is available on vinyl for the first time ever and housed in a heavy 350gsm sleeve.\u003c\/p\u003e\u003cp\u003eThe \u003ci\u003eTokyo Fist\u003c\/i\u003e soundtrack gorgeously blends explosive industrial music, heavy percussion, martial rhythms and noise experimentations with contemplative ambient and emotion-filled synth soundscapes, perfectly encapsulating the nihilistic pain felt by the characters of the movie and the brutally visceral rebirth they go through. Ishikawa and Der Eisenrost’s compositions hit hard, sometimes truly terrorizing, sometimes heart- gripping in gloomy and bewitching ways.\u003c\/p\u003e\u003cp\u003eThis is no holds barred music, a venture into the darkest yet most strangely beautiful corners of the human mind (and heart).\u003c\/p\u003e\u003cp\u003eThe late great Chu Ishikawa was one of the innovators of the industrial and experimental scene in Japan and has collaborated with Shin’ya Tsukamoto on numerous movies. He also worked extensively with Takashi Miike, another visionary filmmaker from his home country. Ishikawa was the leader of groundbreaking Industrial-Metal-Percussion unit Der Eisenrost whose live performances around Japan left an indelible mark on the genre’s history.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50477368410443,"sku":"2001974","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW070_3cc8f6f3_thumbnail_4096.jpg?v=1727470912"},{"product_id":"tsunawatari","title":"Tsunawatari","description":"\u003cp\u003eThe first official worldwide reissue of the sophomore album from fabled Japanese folk singer-songwriter\/actress\/writer Hako Yamasaki, \u003ci\u003eTsunawatari\u003c\/i\u003e. The limited edition 180g vinyl LP comes in a heavy sleeve with the original artwork, and the digipack CD has one bonus track. Recorded right after her outstanding debut \u003ci\u003eTobimasu, Tsunawatari \u003c\/i\u003ewas released in 1976 on Elec Records, one of the first independent labels in Japan, and solidified Hako Yamasaki as one of the most gorgeous voices of the country and an exceptional musician and singer. \u003c\/p\u003e\u003cp\u003eA truly perfect follow-up, it immortalizes the bitter beauty of heartache with tearful performances and nostalgic empowerment. The beauty of melancholic songs reaches heartbreaking heights in Tsunawatari, a magnificent ode to the sorrow of lost love and the time that passes offered to the world with a very unique brand of folk music. The kind of folk that goes for the guts, folk that shamelessly flirts with tearful blues, contemplative soft pop and psychedelic nostalgia.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"CD","offer_id":50477670007115,"sku":"2016106","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50477670334795,"sku":"2016107","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW080_e721214e_thumbnail_4096.jpg?v=1727476278"},{"product_id":"ar-ais-aris","title":"Ar Ais Ars","description":"\u003cp\u003e\u003ci\u003eAr Ais Arís,\u003c\/i\u003e the third album by Irish producer Gareth Quinn Redmond, following his amazing Satoshi Ashikawa-inspired \u003ci\u003eLaistigh Den Ghleo\u003c\/i\u003e released in 2019 and this year’s ambient-meets-Irish-traditional-music soundscape \u003ci\u003eUmcheol\u003c\/i\u003e. The 8-track LP comes as a limited edition of 500 copies worldwide with artwork by Dublin artist Barry Gibbons and liner notes from Gareth Quinn Redmond himself. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eAr Ais Arís\u003c\/i\u003e is Gareth Quinn Redmond’s fortuitous love affair with the art of tape loops - a practice he discovered while performing with Ross Chaney and Myles O’Reilly in late November 2020. Fascinated, he spent months experimenting with the technique: By cracking open the shell of a cassette, cutting the tape and splicing the ends together, I created repeating sound loops of varying lengths. After reassembling and slotting the cassette into the Tascam Portastudio, I recorded and played back the sounds of the tape loop.\u003c\/p\u003e\u003cp\u003eThese sounds were then manipulated using the pitch wheel to make subtle and warbly inflections to the recordings. This is achieved by speeding up or slowing down the playback speed of the tape, which offers dynamic contrasts in both mood and texture.\u003c\/p\u003e\u003cp\u003eThe result is 8 deliciously enchanting minimalistic tape loops creating a very rare kind of daydreaming environmental music full of accidental miracles and dusty soothing backdrops. It’s a very very very pleasant listening experience inspiring a feeling of enveloping warmth and gentle coziness, with an uncanny touch of spellbinding magic. \u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50477744718155,"sku":"2013973","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW068_9c786d3a_thumbnail_4096.jpg?v=1727477559"},{"product_id":"through-the-looking-glass-5","title":"Through the Looking Glass","description":"\u003cp\u003eJapanese percussionist Midori Takada's sought after and timeless ambient \/ minimal album \u003ci\u003eThrough The Looking Glass was \u003c\/i\u003eoriginally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many, \u003ci\u003eThrough The Looking Glass\u003c\/i\u003e is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50490066075979,"sku":"2018615","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW018LTDBV_779f0abd_thumbnail_4096.jpg?v=1727650899"},{"product_id":"lp-1","title":"LP","description":"\u003cp\u003eNew album from legendary Deee-Lite member Towa Tei, celebrating the 30th year of his career. 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Indoor, outdoor, and every day of the year, this one will make you dance and smile!\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50490621100363,"sku":"1143756","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/28dc0434-c2f2-43ff-b4a2-2f6ca103bcf6_thumbnail_4096.jpg?v=1727668407"},{"product_id":"super-metroid-ost-recreated","title":"Super Metroid (OST Recreated)","description":"\u003cp\u003eThe first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation\/restoration of the beloved Super Metroid video game soundtrack. \u003c\/p\u003e\u003cp\u003eComposed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration \/ action-adventure \/ sci-fi \/ alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.\u003c\/p\u003e\u003cp\u003eJammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: \"This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience.\"\u003c\/p\u003e\u003cp\u003eLP - The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LPx2","offer_id":50491324105035,"sku":"2171489","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WRWTFWW085REG_7560e1ea_thumbnail_4096.jpg?v=1727685449"},{"product_id":"the-machine-original-motion-picture-soundtrack","title":"The Machine - Original Motion Picture Soundtrack","description":"\u003cp\u003eLP vinyl housed in Glow in the Dark sleeve. WRWTFWW Records is insanely excited to announce the first ever vinyl release of Tom Raybould’s award-winning movie soundtrack for excellent AI-themed sci-fi thriller \u003ci\u003eThe Machine\u003c\/i\u003e (2013). The limited edition LP boasts 16 superb tracks and is housed in a special glow in the dark sleeve. Undoubtedly one of the greatest (and most overlooked) movie scores of the 2010s, \u003ci\u003eThe Machine \u003c\/i\u003efinds its influences in the works of John Carpenter, Vangelis, Brad Fiedel, and Tangerine Dream, but presents its own unique twist, one that cleverly evokes the thin line between man and machine that haunts the whole film. Cold and tenacious rhythms suggest mechanical killer instincts, brooding synths crystallize the fear of an AI-controlled future, but the warm and gentle sounds of guitar and piano ease the tension and bring hope of humanity. From its menacing introduction to its tender ending, Tom Raybould’s masterwork ingenuously blends ambient, electronic, neoclassical, and synthwave to recontextualize and upgrade the classic 80s sci-fi movie score template, holding its own against mammoth soundtracks like Blade Runner or The Terminator. Truly. Cold with a touch of humanity like the perfect machine, Tom Raybould’s movie score won the BAFTA Cymru award for Best Original Music in 2013.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"LP","offer_id":50507182408011,"sku":"1083562","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9a6770dd-2d3d-4caa-b25a-af1884c1c693_thumbnail_4096.jpg?v=1727841119"},{"product_id":"club-2","title":"Club","description":"\u003cp\u003eWRWTFWW Records is honoured to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album \u003ci\u003eClub\u003c\/i\u003e, previously only released as a limited edition of 50 cassettes back in 1983. The electronica\/proto-techno\/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. \u003c\/p\u003e\u003cp\u003eA precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient\/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier and Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.\u003c\/p\u003e\u003cp\u003eFilled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.\u003c\/p\u003e\u003cp\u003eExperience the roots of Japanese electronica!\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50507252236619,"sku":"2208180","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"Clear LP","offer_id":50969883312459,"sku":"2228943","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0035828849_10_647de7ff_thumbnail_4096.jpg?v=1727844372"},{"product_id":"chrysalide","title":"Chrysalide","description":"\u003cp\u003eWRWTFWW Records is wonderfully proud to announce the long anticipated official reissue of \u003ci\u003eChrysalide\u003c\/i\u003e (1978), the sole album from French multi-instrumentalist and enigmatic genius Michel Moulinié. The krautrock\/ambient\/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the original reels and housed in a heavy 350gsm sleeve.\u003c\/p\u003e\u003cp\u003eOriginally released in 1978 on Ange and Jean-Claude Pognant's mythical prog rock label Crypto,\u003c\/p\u003e\u003cp\u003e\u003ci\u003eChrysalide\u003c\/i\u003e is a fusion of minimalist meditations, cosmic soundscapes, and ambient with a human warmth, carried by a profoundly beautiful and unique use of twelve-string guitar, bass, and violon. \u003c\/p\u003e\u003cp\u003eIdeal for an introspective listening experience, the hypnotic Kosmische Musik of Michel Moulinié belongs to the same psychedelic family as Manuel Göttsching’s Inventions For Electric Guitar, Mike Oldfield’s Tubular Bells, early Tangerine Dream, and Steve Hillage’s creative guitar mastery. WRWTFWW listeners will also be remined of the label’s seminal French release, Dominique Guiot's \u003ci\u003eL'Univers\u003c\/i\u003e \u003ci\u003ede la Mer\u003c\/i\u003e, which makes a great pairing with \u003ci\u003eChrysalide\u003c\/i\u003e.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"Black LP","offer_id":50507298865483,"sku":"2208179","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Chrysalide_7e1b33f3_thumbnail_4096.jpg?v=1727846146"},{"product_id":"anecdote","title":"Anecdote","description":"\u003cp\u003eOfficial reissue of Motohiko Hamase’s extremely rare live album \u003ci\u003eAnecdote\u003c\/i\u003e (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the Esplanade Series which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnecdote \u003c\/i\u003ewas recorded live June 12th 1987 at Spiral Garden (Wacoal Art Center) in Aoyama (Tokyo) as part of the Eat Newsic Concert No.3. Motohiko Hamase on electric fretless bass, synthesizers and computer programming, is accompanied by frequent collaborators Toshio Kaji on acoustic piano and synthesizers, and Yasunori Yamaguchi (of #Notes of Forestry fame) on acoustic percussions. The three-man band improvises around Hamase’s unique repertoire of ambient and electronic music, reinterpreting pieces from his albums Reminiscence, Intaglio, and #Notes of Forestry.\u003c\/p\u003e\u003cp\u003eIt’s environmental and minimalist experiments with a jazz soul, three brilliant musicians flowing to blissful heights, and a beautiful testament to the 80s Japanese ambient scene that gave birth to seminal releases by Midori Takada, Satoshi Ashikawa, Yutaka Hirose and many more. Essential. The live album came out on CD only in 1993 on Motohiko Hamase’s Lung Records.\u003c\/p\u003e","brand":"We Release Whatever The Fuck We Want Records","offers":[{"title":"CD","offer_id":50526693032267,"sku":"1092581","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d977aa2e-cc40-472a-81ec-8c863601c10f_thumbnail_4096.jpg?v=1728047010"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_108c576b_thumbnail_4096_78f99d60-d2e3-4c1d-9879-c5d85f935599.jpg?v=1726262769","url":"https:\/\/shop.roughtrade.com\/collections\/we-release-whatever-the-fuck-we-want-records.oembed?page=6","provider":"Rough Trade","version":"1.0","type":"link"}