{"title":"Above Board Projects","description":null,"products":[{"product_id":"open-up-the-night","title":"Open Up The Night","description":"\u003cp\u003eIt was almost inevitable that growing up with a love for trance would eventually result in Trance Wax releasing his own interpretations of the sound. Following on from the release of his eponymous album in 2020, Trance Wax now shifts into a fresh artistic chapter with his sophomore album, ‘Open Up The Night’. A sixteen-track journey through nostalgia-infused modern trance, ‘Open Up The Night’ symbolizes Trance Wax’s evolution from his early days of adapting trance classics for the modern dance floor. Now homing in on his own interpretation of the genre with an increase in tempo, the Belfast-born DJ and producer created an expansive sonic palette through original productions (‘Adeya’, ‘Aslan’) as well as sample-powered productions (‘Open Up The Night’, ‘Rhythm Of The Night’) that show he means business in this increasingly popular genre. “Listeners can expect a switch-up in BPM compared with the last album,” says Garry McCartney (Trance Wax). “It’s a reflection of what I love listening to, be it trance or other genres. There’s some drum and bass influences woven in as well as a bit of breakbeat, which adds a new dimension to the whole thing. It’s the product of a good few years of experimentation that resulted in something really fast and exciting.”\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Clear LP","offer_id":50383014166859,"sku":"2056387","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Open_up_the_Night_fc3035a1_thumbnail_4096.jpg?v=1726261919"},{"product_id":"generation-liquid-vol-1","title":"Generation Liquid Vol 1","description":"\u003cp\u003eFabio, a true legend in the music industry for over three decades, kickstarted his illustrious career as a Pirate Radio DJ in the mid-80s. Throughout the years, he masterfully evolved his style across various musical genres, ranging from Dub and Hip Hop to House, until he ultimately solidified his position as one of the pioneering forces behind Jungle and Drum and Bass. Fate played a remarkable role in Fabio's extraordinary musical journey. Serendipitously, he landed a pivotal spot on the pirate radio station Phase One, all thanks to a connection through a close friend. This opportunity allowed Fabio to showcase his raw talent and hone his early skills. As destiny continued to guide him, Fabio formed a powerful partnership with Grooverider, and together, they soared to fame, headlining numerous major outdoor raves and orbital M25 parties during the late '80s acid house boom. The duo's magnetic presence and innovative sound captivated audiences, setting them apart as trailblazers in the electronic music scene.\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"LP","offer_id":50388371538251,"sku":"2055150","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2915061491_10_1dd3bb98_thumbnail_4096.jpg?v=1726341572"},{"product_id":"the-beat-by-dj-spun-vol-1","title":"The Beat By DJ Spun Vol 1","description":"\u003cp\u003eThe Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994 In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. \u003c\/p\u003e\u003cp\u003eAmidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as \"The Beat.\" Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from HipHop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix.\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"LP","offer_id":50394093551947,"sku":"2052415","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CS967012-01A-BIG_951733b1_thumbnail_4096.jpg?v=1726432225"},{"product_id":"the-beat-by-dj-spun-vol-2","title":"The Beat By DJ Spun (Vol 2)","description":"\u003cp\u003eIn the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as \"The Beat.\" Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days. The second installment of this remarkable journey into the underground scene maintains the same profound level of depth and significance as its precursor. Showcasing tracks from Electroliners, High Lonesome Soundsystem, Single Cell Orchestra, DJ Emma, and Spun's own Central Fire project, all harmoniously enclosed within the captivating and arresting artwork by Villain Standard, this release stands shoulder to shoulder with its forerunner. Beyond a mere compilation, it's an indispensable extension of the narrative that has indelibly shaped the culture of underground American dance music within the region, embodying the era and the individuals involved. This is the authentic underground sound that reverberated across San Francisco and its surrounding environs, a truly distinctive and exceptional moment in time and space.\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black LP.","offer_id":50395716944203,"sku":"2150763","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_eb078f88_thumbnail_4096.jpg?v=1726470352"},{"product_id":"generation-liquid-part-2","title":"Generation Liquid (Part 2)","description":"\u003cp\u003eIntroducing the eagerly awaited second instalment of Fabio's meticulously curated collection of liquid Drum \u0026amp; Bass classics - 'Generation Liquid.' Fabio, a true legend in the music industry for over three decades, kickstarted his illustrious career as a Pirate Radio DJ in the mid-80s. Throughout the years, he masterfully evolved his style across various musical genres, ranging from Dub and Hip Hop to House, until he ultimately solidified his position as one of the pioneering forces behind Jungle and Drum and Bass. Fate played a remarkable role in Fabio's extraordinary musical journey. Serendipitously, he landed a pivotal spot on the pirate radio station Phase One, all thanks to a connection through a close friend. This opportunity allowed Fabio to showcase his raw talent and hone his early skills. As destiny continued to guide him, Fabio formed a powerful partnership with Grooverider, and together, they soared to fame, headlining numerous major outdoor raves and orbital M25 parties during the late '80s acid house boom. The duo's magnetic presence and innovative sound captivated audiences, setting them apart as trailblazers in the electronic music scene. \u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black LP","offer_id":50417097277771,"sku":"2150765","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_254ae14e_thumbnail_4096.jpg?v=1726716625"},{"product_id":"pure-garage-collectible-classics-volume-1","title":"Pure Garage Collectible Classics Volume 1","description":"\u003cp\u003ePure Garage, the best-selling UKG compilation of all time, returns with a fresh stack of high value collectible classics on DJ friendly vinyl.\n\nWith a host of gold and platinum selling compilation albums under it's belt, plus countless sold out events across the UK, Pure Garage is known and trusted by both hard-nosed purists \u0026amp; the casual listener.\n\u003c\/p\u003e\u003cp\u003e\nThis latest foray coincides with an incredible resurgence in interest for the UK Garage sound, bringing together 8 high collectible infectiously funky cuts, spread across a DJ Friendly 2 slices of vinyl.\n\nPure Garage Collectible Classics Volume 1 opens with Buggin Me by garage pioneer Zed Bias alongside Al Brown, a groovy bassline, funky beats and a great vocal hook combine perfectly to showcase the mighty Zed Bias at his funky best.\n\nSet It Off, by Chris Mack \/ Flavour, is a truly collectible record. Originally only available on vinyl as a limited white label press, copies of Set It Off have been trading hands on sites such as Discogs for as much as £130Ö It's worth buying this compilation purely to get hold of this track on vinyl!\n\nAnother track that is going for big money on reseller sites is Romantic 2001 by DJ Deller. With this minimal 2 step riddim having sold for up to £120. This is definitely one for the collectors.\n\u003c\/p\u003e\u003cp\u003e\nFunkaholics aka Jeremy Sylvester rounds off the first piece of vinyl on this album with the bass heavy Down 2 Da Ground.\n\nVinyl 2 kicks off with the sing-a-long classic from 1998, Anthill Mobsís track Donít Leave Me, followed hotly by the speed garage sounds of Body Grooving by M.F. Project.\n\nFinally, Deep Impact drops My Fantasy followed up with a regular name of the Pure Garage live event line ups, Scott Garcia drops his soulful club classic Music Takes You, rounding out an impressive batch of tracks representing everything exciting about the UK Garage genre.  \u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black LP","offer_id":50417158685003,"sku":"2004389","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2022-12-08_at_20.51.56_113a7b8e_thumbnail_4096.png?v=1726719351"},{"product_id":"pure-garage-collectible-classics-volume-2","title":"Pure Garage Collectible Classics Volume 2","description":"\u003cp\u003eA second instalment of the best-selling UKG compilation of all time, returns with a stunning stack of high value collectible classics on DJ friendly vinyl.\n\nPure Garage Collectible Classics Volume 2 is jam packed full of funky UKG flavas from legends of the scene including Zed Bias, Anthill Mob and Scott Garcia remastered and cut to two slices of heavyweight black vinyl.\n\u003c\/p\u003e\u003cp\u003e\nThe platinum selling compilation brand needs no introduction and these first ever exclusive boutique vinyl releases are truly something very special.\n\nKicking off this compilation is a collaboration between Zed Bias and KC, the Let Me Know (Zed Bias Remix) is a pumping UKG stomper featuring a catch vocal hook and succulently squelchy analogue bassline. Taken All My Time by Industry Standard features the soulful vocals of Abi, this is the DJ Deller Mix, copies of which have been selling for three figure sums on the resellers market!\n\nThe flip side opens with another high value sought after track, Strictly Dubs with Realise. Followed by a tune that received an extremely limited release back in the UK Garage heyday of 1997. I Need You Baby by Underground Solutions is selling on reseller sites for as much as £70!\n\nAnthill Mob come with the goods on side C with Blinded, a must for any UKG DJ set, backed up with Special Request from DJ Double G.\n\nWe keep up the pressure on side D with Groove Committeeís track Heat + Soul, a prime example of UK Garage with pumpin' vocal snippets and funky sampled loops. Finally, this release closes with a Waiting by Scott Garcia which previously got a very limited vinyl release back in 1997. \u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"LP","offer_id":50417185325387,"sku":"2004390","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2022-12-08_at_20.53.58_203fb3a3_thumbnail_4096.png?v=1726720359"},{"product_id":"happy-land-a-compendium-of-electronic-music-from-the-british-isles-1992-1996-volume-2","title":"Happy Land (A Compendium of Electronic Music From the British Isles 1992-1996 Volume 2)","description":"\u003cp\u003eFuture Jazzers, notorious experimentalists and outfield eccentrics stumble onto the dancefloor. In the 90s. In the UK.\u003c\/p\u003e\u003cp\u003eFrom an electronic music perspective, the period 1992 to 1996 in the UK that this compilation celebrates, was one of dizzying sonic diversification.\u003c\/p\u003e\u003cp\u003eIt was also a particularly turbulent time in the UK, not only politically and economically, but also culturally too. Economic catastrophe in ‘92 was followed by widespread poverty, a cost of living crisis and countless political scandals. Meanwhile, John Major’s Tory government pandered to its political base via unpleasant, authoritarian legislation that seemingly sought to crush rave culture, alternative lifestyles, and traveller communities. The UK was not so much a ‘Happy Land’ – to quote the name of this compilation – as an angry and divided one. Sounds familiar, doesn’t it?\u003c\/p\u003e\u003cp\u003eThroughout, the music created by producers based across these Isles remained uniquely British, speeding up a process begun in the late 1980s through the emergence of street soul, bleep \u0026amp; bass and breakbeat hardcore – musical styles whose roots in multicultural \u003c\/p\u003e\u003cp\u003einner-city communities made them distinctly different from the Black American sounds that had inspired their creators. It was here, rather than in the indie pubs of Camden, that real musical revolutions were taking place.\u003c\/p\u003e\u003cp\u003eThis deep diving selection brings together some truly adventurous and original electronic music from this period, much of it very hard to find. Major label outings connect with white label oddities with ease. Perhaps it could even be argued that many of these unearthed gems fit more easily into DJ sets in 2023 than they ever did at the time. The off-kilter swing of Richard D James’ obscure and highly sought after Strider B outing, ‘Bradley’s Robot’ is joined by further rare cuts from Cabaret Voltaire and the Black Dog, and artists as diverse as Ultramarine, Herbert, Fretless AZM, and Radioactive Lamb, amongst others.\u003c\/p\u003e\u003cp\u003eThis collection has been lovingly selected, compiled and mastered for maximum sonic playback. This very special release boasts sublime pastoral themed artwork, as well as informative and passionate liner notes by celebrated music scribe Matt Anniss (‘Join The Future’).\u003c\/p\u003e\u003cp\u003eA1. Strider. B. - Linmiri ≠ Bradley Stryder\u003c\/p\u003e\u003cp\u003eA2. Radioactive Lamb - Bellevedere\u003c\/p\u003e\u003cp\u003eB1. Max - Pull Thy Boots\u003c\/p\u003e\u003cp\u003eB2. Fretless Azm - Dreamland\u003c\/p\u003e\u003cp\u003eC1. Sandoz - Armed Response\u003c\/p\u003e\u003cp\u003eC2. The Black Dog - Cost II\u003c\/p\u003e\u003cp\u003eD1. Zone Smut - Sub Dub Rub (Holyfield Vs. 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These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black | 12\"","offer_id":50429048881483,"sku":"1128860","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2cfba601-2540-42fa-a396-d034a81f7cbe_thumbnail_4096.jpg?v=1726837354"},{"product_id":"bushwacka-listen-up-vol-01-1995-2005","title":"Bushwacka! - Listen Up! Vol 01 (1995 - 2005)","description":"\u003cp\u003eA stunning collection from the vaults of one of London's true maverick electronic producers - Matthew 'Bushwacka!' B.\u003c\/p\u003e\u003cp\u003eAcross 2 volumes we are treated to the deepest selections, rarities, remixes and collaborations from the Bushwacka! studio covering almost a decades worth of music and projects. Sonically traversing styles, vibes and genres\u003ci\u003e Listen Up Vol. 01\u003c\/i\u003e shares a glimpse into the varied Bushwacka! sound world, a wealth of ambient melodies, techno, breaks, deep house and tech-house all rooted firmly in his unique production and engineering flavour. A history spent in the mists of underground UK rave culture and a career full of high profile residencies, global DJ-ing and endless studio sessions has enabled Matthew B to truly hone his musical voice and his ear to create a 'sound', it is this sound that we present to you here in all its glory.\u003c\/p\u003e\u003cp\u003eFeaturing a broad selection of music taken from the cult Plank and Oblong labels and more, choice remixes and tracks from longtime friends and collaborators including Asad Rivzi, Layo Paskin and Dez Ingram,\u003ci\u003e Listen Up! \u003c\/i\u003eis an essential collection for lovers of underground electronics of every style. All tracks featured have been transferred from the extensive Bushwacka! DAT archive and remastered with love by Lawrie Curvepusher. All artwork and design handled by the Atelier Superplus studio. \u003c\/p\u003e\u003cp\u003eA1. Bushwacka! - Harps\u003c\/p\u003e\u003cp\u003eA2. Plus - Untitled\u003c\/p\u003e\u003cp\u003eB1. Bushwacka! - Unestimated Growth\u003c\/p\u003e\u003cp\u003eB2. Bushwacka! - Smashed\u003c\/p\u003e\u003cp\u003eC1. Asad Rivzi - Dual (Bushwacka! Remix)\u003c\/p\u003e\u003cp\u003eC2. The Usual Suspects - Nightstalkin'\u003c\/p\u003e\u003cp\u003eD1. Bushwacka! - Grief\u003c\/p\u003e\u003cp\u003eD2. 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The party was started at London's cavernous Heaven club by Fabio and Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. Rage was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio and Grooverider were the people firmly behind it.\u003c\/p\u003e\u003cp\u003eRage is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio and Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. The compilation takes us on the journey through the sounds of \u003ci\u003eRage\u003c\/i\u003e, accompanied with track by track notes from Fabio \u0026amp; Groove themselves. This is the sound of the underground, from the inside out.\u003c\/p\u003e\u003cp\u003eThis is a masterclass in the old-school. The roots. There is no filler here, it's simply all killer. 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Sleek, futuristic, fathoms deep and wholly original, the music contained on these 2 discs sounds as modern and as vital as it did on it's arrival all of those years ago.\u003c\/p\u003e\u003cp\u003eExploring a deeper vein of electronic music, Megalon craft their own sonic landscapes that are undoubtedly inspired by all forms of cerebral electronic music. Ambient, Detroit techno, electro, European electronics and of course the duo's experiences in London's early acid house and rave scene all filter through their lens to bring something brand new to the table. The arrangement, sound design and mix on the album is outstanding, lending a totally visionary and modern feel to the tracks that continues to echo today.\u003c\/p\u003e\u003cp\u003e'Pandora's Box' is a record that has existed within the shadows for many years, with a hardcore cult following. The kind of record that one might hear deep into the early hours, at the hands of a seasoned selector or an 'insider' who has the knowledge. It is redolent of a time when innovation, ideas and imagination trumped the run of the mill and the homogenous, which goes a long way in explaining what makes this record so exciting some 25+ years later.\u003c\/p\u003e\u003cp\u003eA totally essential mid 90's UK techno and electronic classic, as much a treat for the mind as for the body.\u003c\/p\u003e\u003cp\u003eReissued in full conjunction with the artists and remastered by Curvepusher from DAT and original source materials. 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The first of a 2-part archival collection entitled \u003ci\u003eDiligence\u003c\/i\u003e. Part 1 includes some serious rarities and some straight up, futurist Techno heat, take the majestic technoid melodies of comp opener 'Diligent' from one of Voorn's most well loved alias' FIX for example, completely worlds apart from the jacking and sparse Funk of Baruka's killer \u003ci\u003eTechnision\u003c\/i\u003e. Flawless selections from the early 90's sitting alongside later productions only go to show how diverse and talented an artist Voorn is and how fresh and vital his music still is today. 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Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up.\u003c\/p\u003e\u003cp\u003e'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos.\u003c\/p\u003e\u003cp\u003eAs Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day.\u003c\/p\u003e\u003cp\u003eAs a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ \/ Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions.\u003c\/p\u003e\u003cp\u003eA1. Derrick L Carter - End Of The Line (Got Change For A $20)\u003c\/p\u003e\u003cp\u003eA2. Monolith - Something Wonderful (Club Mix)\u003c\/p\u003e\u003cp\u003eB1. 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Economic catastrophe in ‘92 was followed by widespread poverty, a cost of living crisis and countless political scandals. Meanwhile, John Major’s Tory government pandered to its political base via unpleasant, authoritarian legislation that seemingly sought to crush rave culture, alternative lifestyles, and traveller communities. The UK was not so much a ‘Happy Land’ – to quote the name of this compilation – as an angry and divided one. Sounds familiar, doesn’t it?\u003c\/p\u003e\u003cp\u003eThroughout, the music created by producers based across these Isles remained uniquely British, speeding up a process begun in the late 1980s through the emergence of street soul, bleep and bass and breakbeat hardcore – musical styles whose roots in multicultural inner-city communities made them distinctly different from the Black American sounds that had inspired their creators. It was here, rather than in the indie pubs of Camden, that real musical revolutions were taking place.\u003c\/p\u003e\u003cp\u003eThis deep diving selection brings together some truly adventurous and original electronic music from this period, much of it very hard to find. Major label outings connect with white label oddities with ease. Perhaps it could even be argued that many of these unearthed gems fit more easily into DJ sets in 2023 than they ever did at the time. The off-kilter swing of Richard D James’ obscure and highly sought after Strider B outing, ‘Bradley’s Robot’ is joined by further rare cuts from Cabaret Voltaire and the Black Dog, and artists as diverse as Ultramarine, Herbert, Fretless AZM, and Radioactive Lamb, amongst others.\u003c\/p\u003e\u003cp\u003eThis collection has been lovingly selected, compiled and mastered for maximum sonic playback. This very special release boasts sublime pastoral themed artwork, as well as informative and passionate liner notes by celebrated music scribe Matt Anniss (‘Join The Future’).\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black LP","offer_id":50487675879755,"sku":"2013909","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0-1_5a335612_thumbnail_4096.jpg?v=1727626967"},{"product_id":"fabio-and-grooverider-30-years-of-rage-part-1","title":"Fabio and Grooverider - 30 Years of Rage Part 1","description":"\u003cp\u003e\u003ci\u003eRage\u003c\/i\u003e is approaching it's 30th anniversary. It's sonic and cultural legacy is still being felt today, Fabio and Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. 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It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. Clubs often felt like bastions of male energy. It seemed dance music and culture was going somewhere far, far away from where it was meant to be. The notion of fun had got lost.\u003c\/p\u003e\u003cp\u003eIt was no longer the world they had devoted ten years of their lives to already, and lots of their friends felt the same. When the opportunity came up to do a Sunday night at The Sub Club it felt like the perfect opportunity to rip it all up and start again. So they did. There was nothing in the city (or possibly anywhere) like it. As the club believed wholeheartedly in what they were doing, there was no pressure from The Sub Club to fill the club. So, they embraced the freedom. Groups of people who had never been in the same room at the same time before came together. A community of kindred spirits started to emerge.\u003c\/p\u003e\u003cp\u003eWord spread, slowly. Lots of people checked it out. Many loved it, some hated it. The core of the Optimo idea was to embrace music they loved that might work on the dancefloor from whatever era or genre they thought felt right. It might not seem very radical now but at that time it was revolutionary.\u003c\/p\u003e\u003cp\u003eAfter about a year and a half, the club went from having 100 people attending most nights to suddenly one week having 500 people turn up. It was very weird. It was as if a collective light bulb went off in people’s heads in Glasgow. From that week on, until the very last weekly Sunday night at the Sub Club, in 2010, over a decade later, it was packed.\u003c\/p\u003e\u003cp\u003eThere were 550 Sunday Optimo nights. A LOT of music was played. So, what was the music? People often find it hard to pin down exactly what Optimo is. This has been a positive but also a negative as we live in a world where people want easily defined “brand identities”. The simplest definition of the music played is “music for dancing”, which of course is a very broad definition. Even better than trying to define it in words, we have these 2 volumes of music that give a hint of what that might be.\u003c\/p\u003e\u003cp\u003eThis is not a “Best of Optimo” or a “Greatest Hits of Optimo” compilation. For people who come to, or used to come to the nights there are of course “Greatest Hits”. But, over such a long timespan they are “hits” belonging to a certain moment in time and space. Someone who came to Optimo in 1997 would have a completely different notion of the big tracks at the club to someone coming in 2003, or 2010, or today. This compilation is just a snap shot missing several genres that might make up the DNA of Optimo. There is though a broad sweep through lots of music Optimo loves, that they believe is amazing. Music that they know will rock a dancefloor, that they have played between 1997 and 2023. Of course Optimo nights were not all about rocking the dancefloor. The first hour was always a time for them to play music they loved that often was far removed from the dance. Side 1, Volume 1 of this compilation is the kind of music one might hear at the very start of an Optimo night.\u003c\/p\u003e\u003cp\u003eOptimo have always loved a good slogan. The most long lived, and fitting Optimo slogan is \"We Love Your Ears\", which is in essence what it is all about to them.\u003c\/p\u003e","brand":"Above Board Projects","offers":[{"title":"Black 12\"x2","offer_id":50530148974923,"sku":"2168869","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/OPTIMO2502_c421933b_thumbnail_4096.jpg?v=1728072959"},{"product_id":"optimo-25-part-1","title":"Optimo 25 (Part 1)","description":"\u003cp\u003eOptimo (Espacio) started life as a weekly club night. It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. 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