{"title":"Albums of the Year Exclusives 2022","description":"","products":[{"product_id":"fear-of-the-dawn-entering-heaven-alive-and-live-from-marshall-st","title":"Fear of The Dawn \/ Entering Heaven Alive \/ Live from Marshall St","description":"\u003cp\u003e\u003cstrong\u003eJack White\u003c\/strong\u003e triple vinyl collectors set is housed in a box and features his two hit albums from 2022 \u003cem\u003eFear of The Dawn\u003c\/em\u003e \/ \u003cem\u003eEntering Heaven Alive\u003c\/em\u003e, plus a bonus disc of live tracks from White's already legendary 2021 performance on Damien Hirst's balcony.\u003c\/p\u003e\n\n\u003cp\u003eBack in April, Mr. White dropped the first of two albums promised for 2022. \u003cem\u003eFear Of The Dawn\u003c\/em\u003e came out all guns blazing as he seemed to rip up his own rule book and put it back together with some serious riffs, killer tunes, and exceptional studio magic. Like The Stooges in a cosmic glam punch up with Funkadelic, it's completely wonky, thunderous, and a whole lot of fun.\u003c\/p\u003e\n\n\u003cp\u003eIn July, we got \u003cem\u003eEntering Heaven Alive\u003c\/em\u003e where \u003cstrong\u003eJack\u003c\/strong\u003e turned back to what we all know and love but still with just enough slant to elevate himself above everyone else. Here he turns his machines off and drops track after track of undisputed gold. It's still got its left-field surprises though - check the outstanding \"\u003cem\u003eI've Got You Surrounded (With My Love)\u003c\/em\u003e\" for proof of that. He basically made two albums that any other artist or band would kill for just one of! Just a talented young man and an absolute don.\u003c\/p\u003e\n\n\u003cp\u003eOh yeah - he opened a Third Man store in London's Soho too. A truly wonderful place we couldn't recommend more. On its opening day, he surprised everyone with a five-song set from Damien Hurst's balcony, ripping through \"\u003cem\u003eDead Leaves and the Dirty Ground\u003c\/em\u003e\", \"\u003cem\u003eLazaretto\u003c\/em\u003e\", \"\u003cem\u003eSteady, As She Goes\u003c\/em\u003e\", \"\u003cem\u003eWe're Going To Be Friends\u003c\/em\u003e\", and \"\u003cem\u003eSeven Nation Army\u003c\/em\u003e\" which are all included on this very special release. If you were there, you'll know how fantastic it was. Didn't get shut down either. 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Penelope Lowenstein (guitar, vocals), Nora Cheng (guitar, vocals), and Gigi Reece (drums) - the best friends comprising Horsegirl - do everything collectively, from songwriting to trading vocal duties and swapping instruments to sound and visual art design. The warmth and strength of their bond crackles through every second of their debut. With lyrics intentionally impressionistic and open-ended, and a sound that ranges with joy and enthusiasm across a range of styles, Versions of Modern Performance offers many pathways. \u003c\/p\u003e\u003cp\u003eFollowing last year’s one-off ‘Billy’, lead single ‘Anti-glory’ is elastic and propulsive. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe friendship of these three goes far beyond Horsegirl. Reece and Cheng, college freshmen, and Lowenstein, a high school senior, learned to play—and met—through the significant network of Chicago youth arts programs, and they have their own mini-rock underground, complete with zine distros, that they describe as somewhat separate from the “adult shows” that take place at bars and DIY spaces they don’t have access to. They’re exultant about their friends’ talent, noting that any of the bands from that scene could have been (or might still be!) plucked up the way they were.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eVersions of Modern Performance\u003c\/i\u003e was recorded with John Agnello (Kurt Vile, The Breeders, Dinosaur Jr.) at Chicago’s Electrical Audio. “It’s our debut bare-bones album in a Chicago institution with a producer who we feel like really respected what we were trying to do,” the band says. Across the record, Horsegirl expertly play with texture, shape and shade, showcasing their fondness for improvisation and experimentation. One can hear elements of the ‘80s and ‘90s independent music the band love so deeply and sincerely—the scuzzy melodicism of what used to be called “college rock,” the cool, bubbly space-age sheen of the ‘90s vamps on lounge and noir; the warm, noisy roar of shoegaze; the economical hooks and rhythms of post-punk. There’s even a bit of no wave mixed in for good measure. 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It inhabits an edgier world.”\u003c\/p\u003e\u003cp\u003e\u003ci\u003eElectricity\u003c\/i\u003e was produced by the Grammy Award and Mercury Prize nominated British synthpop group Hot Chip, a collaboration born out of mutual admiration watching each other on festival stages, as well as a shared love of Francis Bebey and Giorgio Moroder. The fruits of their labor reveal a gleaming, supercharged, Afrofuturist blinder. Electricity is the first album Ibibio Sound Machine have made with external producers since the group’s formation in London in 2013 by Williams and saxophonist Max Grunhard. True, 2017’s Uyai featured mixdown guests including Dan Leavers, aka Danalogue, the keyboard jedi in future-jazz trio The Comet Is Coming, but Hot Chip and Ibibio Sound Machine worked together more deeply throughout the process, collaborating fully. Along the way, the team conjured a kaleidoscope of delights that include resonances of Jonzun Crew, Grace Jones, William Onyeabor, Tom Tom Club, Kae Tempest, Keith LeBlanc, The J.B.’s, Jon Hassell’s “Fourth World,” and Bootsy Collins.\u003c\/p\u003e\u003cp\u003eThe hook of opener “Protection From Evil” has Williams wielding a massive synth line from Hot Chip’s Al Doyle like a spiritual shield against unspecified, malign forces unspecified because Williams is speaking in tongues. Her lyrics are onomatopoeic: their meaning is defined in her energetic delivery. As Electricity takes off, so do Williams’ words towards a brighter future, alternating between English and Ibibio, sometimes within verses, and propelled by Joseph Amoako’s unabating afrobeat. She digs into this sentiment further on single “All That You Want,” coolly assuring her romantic interest while also requesting reciprocity. 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Jumbo always had (and still does have) an excellent dub\/ reggae selection - and actually released reggae records on its own 'Jumbo label' imprint back in the 70s (how ace is that!?).I had a grounding in reggae from my dad who'd turned me onto the likes of Burning Spear and Linton Kwesi Johnson, but didn't really know much about dub music beyond a Bob Marley record produced by Lee 'Scratch' Perry he'd given me called \u003ci\u003eAfrican Herbsman\u003c\/i\u003e. I started dabbling in dub off the back of that. After a few choice 'Scratch' cuts and King Tubby best of, I bought the Jah Shaka meets Mad Professor record in Jumbo purely because I liked the artwork and because I thought the name was cool. What a purchase. I've been a fan ever since. From his work with Lee Scratch Perry through U-Roy and of course not forgetting his masterful reinterpretation of Massive Attack's \u003ci\u003eProtection\u003c\/i\u003e - the Mad Prof truly is a living legend and it is an absolute honour to have had him stick his dubby fingers all over \u003ci\u003eThe Overload.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eWe're such a vocal heavy band by trade, so it's really ace to hear his reimagining's of the tracks largely stripped of that. His bass heavy mixes, for me, are a gorgeous reminder of what supports my ramblings, a reminder of the man I made them with, the backbone of this band, and the genesis of all these musical ideas that started off our adventure together. These mixes pay tribute to the man with 4 strings, those low end things, Mr. Ryan Needham, and whenever I hear this record, not only will I be reminded of the Mad Professor's greatness, but of our Ry's as well. 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The meeting of an Academy Award-nominated actress and singer, and a Brit Award-winning producer and musician, feels like the tale of two distant stars coming together and forming their own constellation. \u003c\/p\u003e\u003cp\u003eIt all started with a FaceTime call from Butler’s North London kitchen to Buckley’s mountaintop residence in County Kerry, with their friendship growing from an unlikely shared love of Killarney and the small island of Valentia where Butler would go on holiday as a boy. A mutual friend had a feeling they might spark. Buckley had been listening to Old Wow by Sam Lee, produced by Bernard, in the downtime between rehearsals for the National Theatre’s televised production of Romeo and Juliet. \u003c\/p\u003e\u003cp\u003eButler had seen Jessie perform a song on an American chat show in promotion of 2018’s Wild Rose. “I remember clocking just how much character there was in her voice and how freely she expressed it,” recalls Bernard. 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There’s a physicality and a flow to the songs that somehow bear testament to the manner in which Jessie and Bernard threw themselves into making the album. Amid the constant exchange of ideas, songs fomented at speed. The sublime ‘20 Years A Growing’ takes its title from Maurice O’Sullivan’s celebrated 1933 account of life in Great Blasket Island off the coast of County Kerry. \u003c\/p\u003e\u003cp\u003eThe more personal, piano-led ‘Seven Red Rose Tattoos’, captures the essence of loss and longing, with Jessie’s vocal lines a counterpoint to Byron Wallen’s doleful, muted trumpet: “I wanted it to be like a conversation with the ghosts of my thoughts,” says Buckley. The dynamic title track is built around words that Jessie had written during a low period whilst in Chicago filming Fargo, with her extraordinary vocal blazing an emotional vapour trail through Bernard’s chamber-folk arrangement. 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Stirringly fearless, it masterfully combines archetypal storytelling, with as many disparate principles as introspectively possible; capturing the aural shifts in time and attitudes between ‘Generation Game’, and where we join The Lounge Society now.\u003cbr\u003e \u003cbr\u003eBrimming with anthemic-myriad, this is the real deal. Genuine urgency from a group of young creatives living and breathing their inaugurated prime, with breath-taking, anarchic-proficiency. 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Slow\u003c\/p\u003e","brand":"Rough Trade Records","offers":[{"title":"Black | LP","offer_id":50468768121163,"sku":"1169802","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/78730a05-4cac-42e1-ba7c-f95be521daaa_thumbnail_4096.jpg?v=1727351437"},{"product_id":"never-again-part-2","title":"Never Again Part 2","description":"\u003cp\u003eFor the second year in a row Black Country, New Road have taken out time to record four magical covers to celebrate being in Rough Trade Shops Top 10 of the year. It features\u003c\/p\u003e\u003cp\u003eMagnetic fields - I Think I Need A New Heart \u003c\/p\u003e\u003cp\u003eCaroline Polachek - So Hot You’re Hurting My Feelings \u003c\/p\u003e\u003cp\u003eRegina Spektor - Us\u003c\/p\u003e\u003cp\u003eBillie Eilish - Happier Than Ever\u003c\/p\u003e\u003cp\u003eWords from the band\u003c\/p\u003e\u003cp\u003eI Think I Need a New Heart \u003c\/p\u003e\u003cp\u003e- We’re all big fans of the magnetic fields in Black Country, New Road. We tried to listen to 69 Love Songs in the van once but there were simply too many songs. The one that resonated with all of us is this one. It’s our favourite one on there. A fun fact about our performance on this song is that we all play percussion on it. \u003c\/p\u003e\u003cp\u003eSo Hot You’re Hurting My Feelings\u003c\/p\u003e\u003cp\u003e- We were originally going to cover You’re the Voice by John Farnham, but when it came down to it in the studio, it just didn’t sound right. We decided to have a go at covering Caroline Polachek’s famous song ‘So Hot You’re Hurting My Feelings’ instead. A fun fact about this track is that on one of the layers of the guitar solo, May is actually playing the guitar through the piano. Lewis is doing lead vocals on this one. \u003c\/p\u003e\u003cp\u003eUs \u003c\/p\u003e\u003cp\u003e- This song is originally by Regina Spektor. We all absolutely love Regina Spektor, she’s great. We tried to do a wonderful song some justice. When you’re recording four tracks in one day it’s a tough thing to do. The track is also much faster than we originally thought. We started by playing it slower and then had to speed up on the later takes. A really cool fact about this take is that we recorded it on my birthday (I am Charlie the drummer) One of the first takes isn’t of us playing Us, it’s actually of everyone singing happy birthday to me. It didn’t make the final cut though. \u003c\/p\u003e\u003cp\u003eHappier Than Ever\u003c\/p\u003e\u003cp\u003e- Another classic song. I think we’ve all spoken at length about our admiration for Billie Eilish and her brilliant song ‘Happier Than Ever’. I first heard it when we were in the studio recording our album ‘Ants From Up There’. I was delighted to hear such a wonderful song. It is the only one of these tracks that we have ever performed live in concert. It may well remain that way. An interesting side note about this take is that although I’m (Charlie the drummer) credited on playing the drums and vocals on this track, I only play for half of it. One half of the take is performed by a computer that studied my playing and performed an imitation of my drumming.\u003c\/p\u003e","brand":"Ninja Tune","offers":[{"title":"Black 12\"","offer_id":50471128924491,"sku":"1170585","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2d470045-adbf-463e-bd8e-78cec601e83c_thumbnail_4096.png?v=1727392302"},{"product_id":"a-hairdryer-open-the-floodgates","title":"A Hairdryer \/ Open the Floodgates","description":"\u003cp\u003eA selection of tracks taken from The Smile’s sold-out debut live performances at Magazine, London in January 2022. The 10” includes a recording of Peaky Blinders star Cillian Murphy’s reading a William Blake poem, The Smile. This recording accompanied the band to the stage on these live shows.\u003c\/p\u003e\u003cp\u003e['“Open The Floodgates” (Live from Magazine, London) (Reading of Blake’s Poem by Cillian Murphy)', '“A Hairdryer” (Live from Magazine, London)']\u003c\/p\u003e","brand":"XL","offers":[{"title":"Black | 10\"","offer_id":50471363182923,"sku":"2000674","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2022-10-24_at_16.05.47_8af47ba2_thumbnail_4096.png?v=1727399835"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/albums-of-the-year-exclusives-2022.oembed","provider":"Rough Trade","version":"1.0","type":"link"}