{"title":"Antenna Records","description":"\u003cp\u003eGerman label owned by Timo Siems.\r\nLabel Code: LC 92596\u003c\/p\u003e","products":[{"product_id":"no-brains-jeepster","title":"No Brains \/ Jeepster","description":"\u003cp\u003ePurple coloured vinyl with an artists repro of the discarded original cover of the band tucking into a pigs head on the Abbey Road zebra crossing. Eater were one of the original 1976 Punk bands alongside the Sex Pistols, Clash and Damned and beloved of fans such as Henry Rollins (Black Flag), J Mascis (Dinosaur Jnr), Ian Mackaye (Minor Threat and Fugazi) and bizarrely UK TV personality Jonathan Ross. Their latest release is \u003ci\u003eNo Brains \/ Jeepster\u003c\/i\u003e on Antenna Records. \u003ci\u003eNo Brains \u003c\/i\u003ewas originally mooted as the band’s second single before being shelved. \u003ci\u003eJeepster\u003c\/i\u003e was their souped-up T Rex cover on the flip of their third single\u003ci\u003e Lock It Up\u003c\/i\u003e. These are never heard before remixed and remastered tracks from the recently discovered original Sex Pistols producer Dave Goodman’s master tapes, and show a band with remarkable maturity and playing for their young ages with some deft guitar touches that Goodman inexplicably left off the final official released mixes. In addition, the trebly sound that marked Goodman's production of the band has been restored to its original hard hitting bass frequency making these songs zing and punch with a new urgency and power!! Featuring Andy Blade on vocals, Ian Woodcock on Bass (later the Vibrators), Brian Chevette on Guitar and on drums, the 14-year-old Dee Generate and Phil Rowland (Studio Sweethearts and Slaughter \u0026amp; The Dogs) respectively. \u003c\/p\u003e","brand":"Antenna Records","offers":[{"title":"Purple | 7\".","offer_id":50421775991115,"sku":"1141117","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"Purple | 7\"","offer_id":50421775565131,"sku":"1141118","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/876437ba-bd82-49be-a189-ff3416fbf8e4_thumbnail_4096.jpg?v=1726760405"},{"product_id":"fifteen","title":"Fifteen","description":"\u003cp\u003eIt’s been a great year for Andy Blade and Eater what with \u003ci\u003eAnt \u003c\/i\u003ebeing released worldwide through Cleopatra and some high-profile gigs including fans Dinosaur Junior and US up and comers The Darts. As usual Andy is doing it in his own inimitable way; not for him a band of septuagenarians. Instead, he’s backed by some young pistols called Jo Jo and The Teeth (a band in their own right) which give the songs and intensity and relevancy beyond your traditional punk audiences meaning the sky’s the limit for the band. \u003c\/p\u003e\u003cp\u003eThe new Eater single on Antenna is their version of Alice Cooper’s classic ‘Eighteen’ but renamed after their average ages at the time ‘Fifteen’. It’s backed by the controversial ‘Why Don’t You…?’ (censored version). Both tracks are not on \u003ci\u003eAnt.\u003c\/i\u003e The single is in translucent clear vinyl and colour picture bag with 2 sided lyric insert. The Deluxe version includes a signed A3 folded poster and CDR with rare live Eater Tracks, Andy Blade solo stuff and hilarious audio book excerpts from his acclaimed Secret Life Of A Teenage Punk Rocker. Again done in his own way! \u003c\/p\u003e","brand":"Antenna Records","offers":[{"title":"Clear | 7\"","offer_id":50866705695051,"sku":"1169893","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9a19707d-91c9-4edd-860c-f4f1980dbd1f_thumbnail_4096.jpg?v=1732107043"},{"product_id":"aint-that-a-shame-1","title":"Ain't That A Shame","description":"\u003cp\u003eAndy Blade pays tribute to The Damned’s Brian James with an EP of songs they co-wrote. The lead track is an instant classic.\u003c\/p\u003e\n\u003cp\u003e“Ain’t That A Shame” channels the bittersweet grandeur of classics like “Ain’t It Fun” by the Dead Boys, “Baby Baby” by The Vibrators, and “You Can't Put Your Arms Around a Memory” by Johnny Thunders, alongside the melodic ache associated with The Only Ones.\u003c\/p\u003e\n\u003cp\u003eSometimes you play a song, and it feels like you’ve known it your whole life.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years after it was first written, 'Ain’t That A Shame' finally emerges as the 24-carat earworm it was always destined to be — a lost punk era classic reborn.\u003c\/p\u003e\n\u003cp\u003eIn 1978, during a late-night, alcohol-fuelled studio session, Andy Blade (formerly of Eater), Brian James (founding member of The Damned) and Mark Laff of Generation X came together for an all-star collaboration. The trio recorded two tracks of the four Blade\/James songs they had written together - \"Lying Again” and “Death Awaits” - showcasing a psychedelic new wave edge driven by James’ unmistakable guitar and Blade’s urgent vocal delivery.\u003c\/p\u003e\n\u003cp\u003eShortly after the session, the short-lived union dissolved. James would later revisit one of the songs they’d worked on together “Ain’t That A Shame” (originally titled \"I’m Not Taking All The Blame” with Blade’s lyrics) - reshaping it for his first solo single before going on to form The Lords of the New Church with Stiv Bators.\u003c\/p\u003e\n\u003cp\u003eFor decades, that could have been the end of the story but in 2025 Andy Blade decided to re-record the original version with Billy King (John Mckay’s Reactor) playing Brian’s parts. The result is nothing short of a revelation - an irresistibly catchy song, driven by a nagging, poignant guitar coda and Blade’s characteristically emotive vocal. It is a fitting tribute to the late Brian James, complete with a solo that captures James' distinctive, razor-sharp style. \"I am sure Brian would approve. It is my tribute to him”, says Blade.\u003c\/p\u003e\n\u003cp\u003eTimeless in its appeal, “Ain’t That A Shame” feels equally at home in a sweaty club or blasting across a festival field — the kind of anthem that has crowds singing back, arms and phones aloft.\u003c\/p\u003e","brand":"Antenna Records","offers":[{"title":"7\" - Berry","offer_id":57144204067147,"sku":"R6438-9578","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"7\" - Clear","offer_id":57144204099915,"sku":"R6438-7820","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot2026-04-28at10.25.21.png?v=1777368335"},{"product_id":"i-individual","title":"I, Individual","description":"\u003cp\u003eLondon, 1978 — Emerging from the UK’s underground, Gloria Mundi were never just another punk  band. Their debut album, I, Individual, is a bold, theatrical and uncompromising statement—one that  fuses aggressive rock with performance art, intellect, and confrontation that collided with punk rock.\u003c\/p\u003e\n\u003cp\u003eFormed in mid-70s London by Eddie Maelov and Sunshine (Valerie Patteson), Gloria Mundi began as  an ambitious sci-fi rock opera concept before evolving into one of the more distinctive acts orbiting  the early punk movement. Sharing stages with the likes of early Ultravox (then Tiger Lily) and playing  iconic venues including the Roxy, Vortex and the Marquee, the band quickly built a reputation for  shows that were as visually arresting as they were sonically intense. Their name—drawn from the Latin phrase “Sic Transit Gloria Mundi” (“thus passes the glory of the  world”)—captures the band’s core irony and intent: to challenge, provoke, and resist easy definition. Released on RCA in 1978, I-Individual channels that ethos into a record that pushes beyond punk’s  three-chord limitations. Combining driving guitars, angular arrangements, and the striking addition of  saxophone, the album delivers a layered, “chunky” sound underscored by Maelov’s theatrical vision  and Sunshine’s fierce, uncompromising vocal presence. While contemporaries chased immediacy, Gloria Mundi embraced complexity—something that  divided critics but earned them a devoted following.\u003c\/p\u003e\n\u003cp\u003eAs fanzine writer Mick Mercer observed: “Truly, a  classic, under-appreciated band. They’ll either make perfect sense to you or no sense at all.” The band’s live performances were something to check out: stark white lighting, confrontational  staging, and a commitment to total performance blurred the line between concert and theatre. “If  people just wanted to listen,” Maelov remarked at the time, “they’d stay home with a record. We give  them something happening—something exciting.” Despite the backing of infamous manager Rod Smallwood (next band Iron Maiden!) a major label— and even a personal nod from David Bowie himself—\u003cem\u003eI, Individual\u003c\/em\u003e remained an outsider record: too  conceptual for the mainstream, too theatrical for purist punk. Yet that outsider status is precisely  what makes it endure. Now remastered, I-Individual stands as a vital document of a band that refused to conform— capturing a moment when punk was still being invented, and Gloria Mundi were already pushing it  somewhere stranger. It’s arguably the bridge to Goth and the angular existentialism of Bauhaus, Sex  Gang Children, Death Cult and the like. As John Robb says in his Art of Darkness book “Gloria Mundi  are one of the great lost bands of the scene.” Gloria Mundi didn’t follow the movement. They challenged it!\u003c\/p\u003e","brand":"Antenna Records","offers":[{"title":"LP - Opaque White","offer_id":57414758793547,"sku":"R8703-9868","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/01-GMoutersleeveFINALfront.jpg?v=1779448135"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_0df04b08_thumbnail_4096_2cd03a87-9df1-44a0-9a01-9ba59643c866.jpg?v=1726760377","url":"https:\/\/shop.roughtrade.com\/de\/collections\/antenna-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}