{"title":"Black Acre","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBlack Acre is a Bristol based music company and label that was founded in 2007. With over a decade of experience, Black Acre has established itself as a prominent figure in the music industry. Known for its diverse roster of talented artists, *Black Acre* has consistently delivered groundbreaking and innovative music across various genres.\u003c\/p\u003e\n\n\u003cp\u003eSince its inception, *Black Acre* has been at the forefront of pushing boundaries and challenging conventions within the music scene. The label prides itself on discovering and nurturing emerging talent, giving them a platform to showcase their unique sound and artistic vision.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive catalog of releases, *Black Acre* continues to captivate audiences with its distinctive blend of electronic, hip-hop, experimental, and bass-driven sounds. From ambient melodies to energetic beats, each release from *Black Acre* offers a captivating sonic journey that resonates with listeners worldwide.\u003c\/p\u003e","products":[{"product_id":"44th-move","title":"44th Move","description":"\u003cp\u003eMultifaceted musicians Alfa Mist and Richard Spaven announce identities behind their 44th Move project and drop their debut self-titled EP on Black Acre. The pair are two of London’s most hotly tipped Jazz artists, and both have a broad range of influences. Alfa Mist is a self-taught piano player with his early album \u003ci\u003eAntiphon\u003c\/i\u003e becoming an international fan-driven success, receiving more than 6 million streams on youtube alone. Since then he has continually moved on to straddle many genres with recent projects such as \u003ci\u003eStructuralism\u003c\/i\u003e and \u003ci\u003eOn My Ones\u003c\/i\u003e, both experimenting with solo piano, neo-classical and hinting at his roots in Hip Hop. Meanwhile, Spaven’s accolades includes three studio albums, such as the acclaimed \u003ci\u003eReal Time\u003c\/i\u003e LP on Fine Line, working with The Cinematic Orchestra, Guru’s Jazzmatazz, Flying Lotus, Jose James, Jameszoo and Jordan Rakei.\u003c\/p\u003e\u003cp\u003eThe pair now team up together for a poignant debut release as 44th Move. “Creating the sound was just a coming together where we discovered that we shared a lot of the same influences. We got to writing straight away - before we really got to know each other. I found it easy with a ton of inspiration. Ideas kept coming and we were on the same page. In retrospect we want 44th to have an edge - it’s a ‘heart on your sleeve’ project where we can express all those hip hop and broken beat records.” - Richard Spaven \u003ci\u003eLittle Techno\u003c\/i\u003e opens with an essence of melancholy and emotional connection emphasising loose drums, pulsing keys and delicate chords. \u003ci\u003eFly\u003c\/i\u003e then superbly merges contemporary glitches and samples with organic percussion while \u003ci\u003eHope \u003c\/i\u003efuses Alfa Mist’s vocal-work with elegant brass, keys and an undercurrent of subtle rhythmic delight. On the flip, \u003ci\u003eBroken\u003c\/i\u003e flows with soft Rhodes sequences and Spaven’s signature crisp-sounding snares, giving a sophisticated edge to its arrangement before \u003ci\u003eTwo Nil \u003c\/i\u003eslants towards a broken-beat lane with distant keyboards, syncopated beats and dystopian-like harmonies.\u003c\/p\u003e","brand":"Black Acre","offers":[{"title":"Clear | 12\"","offer_id":50453384954187,"sku":"1117361","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c8006191-3258-4be3-a32f-5661f2f6d7a1_thumbnail_4096.jpg?v=1727171486"},{"product_id":"antiphon","title":"Antiphon","description":"\u003cp\u003eAlfa Mist is considered a frontrunner in the new London jazz movement. Created around a conversation with his brothers, Alfa blends melancholy Jazz harmony with alternative hip-hop and soul credits. 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Having released his impressive debut EP, \u003ci\u003eLegion\u003c\/i\u003e, back in 2015 - a raw, self-produced grime-rap hybrid - he has since remained dormant to the outside world, bar a quick-fire feature on Commodo’s \u003ci\u003eHow What Time\u003c\/i\u003e LP in 2016. Written over the course of that period and entirely self-produced, \u003ci\u003eFight The Good? Fight\u003c\/i\u003e digs deeper than ever before into Rocks’ psyche, drawing on both religious elements — “I was more or less force fed it when I was younger” — and his own experiences for much of its lyrical inspiration. He talks money, love, confusion, happiness and ambition to tell the story of his own every day battles. Musically, \u003ci\u003eFight The Good? Fight\u003c\/i\u003e also broadens horizons, with Rocks widening his scope to take in sounds from beyond the sprawling urban landscape of his home town of Croydon. On tracks like \u003ci\u003eNitty Gritty\u003c\/i\u003e and \u003ci\u003eInto My Own Hands\u003c\/i\u003e for example, the two tracks that bookend the record, he flows at trademark lightning speed over crunchy rap beats, but its on cuts like \u003ci\u003eDownpour\u003c\/i\u003e and the wandering spoken-word of \u003ci\u003eRed Hand Of Ulster\u003c\/i\u003e that he unmasks a new, more vulnerable guise. Toning down his flow to reflect and take stock, it is in these solemn, inward moments that Rocks shines the brightest. Comfortable spitting acapella, off-beat or even in spoken word - over straight-up rap beats or woozy Commodo instrumentals - he has long been considered one of the UK’s most compelling young lyricists, but on \u003ci\u003eFight The Good? 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Sitting somewhere between hip-hop, neo-soul, left field electronics, and UK system culture, his work reaches a new level on the incoming full length.\u003c\/p\u003e","brand":"Black Acre","offers":[{"title":"LP","offer_id":50497954873675,"sku":"1043832","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/be7de718-e801-43df-919e-cef460f3b6a8_thumbnail_4096.jpg?v=1727735551"},{"product_id":"jun-kamoda","title":"Jun Kamoda","description":"\u003cp\u003eHouse, disco and hip hop smashed together from cut and paste producer Jun Kamoda, who also raps in Japanese on a couple of the songs. \u003ci\u003eSurreal Tongue in Northern Osaka\u003c\/i\u003e kicks off the album with organic, choppy hip–hop paced drums lead by rugged Japanese vocals. Kamoda then follows with \u003ci\u003eNightmare Club\u003c\/i\u003e and \u003ci\u003eCrush\u003c\/i\u003e - two tuneful, funk-infused rollers. \u003ci\u003eHakoniwa Disco Strut\u003c\/i\u003e switches up to a reformed new-age disco track with an emphatic 60s electric guitar solo surrounding the center. The next three tracks, \u003ci\u003eMt Woo, Gravity of Love \u003c\/i\u003eand \u003ci\u003eBlooming Blues\u003c\/i\u003e are all peppered with high-energy, uplifting melodies layered over a more uniform house sound. \u003ci\u003eThe Ruddy Sunset\u003c\/i\u003e, is a pitched down, Balearic inspired dance track – deep bass-lines and mellow flutters providing the core. The album decisively ends by throwing genre categories completely out the window with \u003ci\u003eNo Rhyme Nation\u003c\/i\u003e – tough, broken drums and breaks of unpredictable, eccentric melodies are the theme here. Previous releases on Mister Saturday Night and Mallgrab’s Steel City Dance Discs, as well as two EPs on Black Acre. For fans of Daphni, Avalanches and Beastie Boys.\u003c\/p\u003e\u003cp\u003e2LP - Double Vinyl with Full colour sleeve by the painter Hisano (Jun’s wife) and cartoon booklet insert by Jun (who is also a cartoonist).\u003c\/p\u003e","brand":"Black Acre","offers":[{"title":"LP | x2","offer_id":50498009366859,"sku":"1045765","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/906bb54e-dc0a-4ace-bb04-96af9c0d5bb2_thumbnail_4096.jpg?v=1727736619"},{"product_id":"partials","title":"Partials","description":"\u003cp\u003eReturning home after the acclaimed Holding EP and the highly regarded Clap! Clap! Remix, Lurka continues with his journey into sonic bat country. \u003ci\u003ePartials \u003c\/i\u003ekicks off with Lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. Dancehall for witching hour.\u003ci\u003e Mach\u003c\/i\u003e steps in with an equally holo-deck soundscape. Drums swing in awkward alliance with dry wooden blocks and woozy binary language. Both tracks united in their skewed viewpoint and distinctive awkward funk.\u003c\/p\u003e","brand":"Black Acre","offers":[{"title":"Black | 12\"","offer_id":50500464247115,"sku":"1100658","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/97ef89f3-5f8e-4ab4-a00a-1e372bc7e42a_thumbnail_4096.jpg?v=1727777647"},{"product_id":"liquid-portraits","title":"Liquid Portraits","description":"\u003cp\u003eItalian producer Clap! Clap! returns to Bristol's Black Acre with his third album, \u003ci\u003eLiquid Portraits\u003c\/i\u003e. Clap! Clap!’s third album once again deploys his inimitable technique in fine style, however with new eyes as this new project signifies a definite shift in his work having spent the last few years learning the art of mixing which has lead to some breakthroughs. Entitled\u003ci\u003e Liquid Portraits\u003c\/i\u003e, the album - as the name suggests - is a collection of sonic paintings, an attempt at capturing furtive, subconscious memories through sound. The tracks reference trips Crisci took and people he met – from southern Italy to Hokkaido via the Kif Mountains of Morocco – as well as more abstract ideas of loss, calmness, and childhood. Having been approached by Paul Simon to work on his 2016 album \u003ci\u003eStranger To Stranger \u003c\/i\u003eafter Simon discovered \u003ci\u003eTayi Bebba\u003c\/i\u003e through his son, Clap! 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Blending swirling synths with punk energy, on ‘Scum of the Earth’ Thick Richard’s no-frills, spoken word - ”but just remember this planet is made out of dirt, when you call me the scum of the earth” - is peppered with broken beats and distorted vox lines. Originally a track made from a live recording of Thick Richard taken in the wee hours of the morning in the smoking area of Corsica Studios about eight years ago, he managed to re-record during the UK lockdown in 2020, adding verses from another poem, People in Crack Houses Shouldn't Throw Rocks. \u003c\/p\u003e\u003cp\u003eTraversing post-punk, jazz, techno, weirdo house and beyond with a psychedelic spin, across twelve tracks Earth Scum promises insight into the multiverse of FYI Chris. The duo pay homage to their strong sense of community and life as they know it in South London and the North of England, nodding to friends and family along the way. Sonically, the pair showcase their varied palettes and musicality with a darker and more rugged multi-instrumental approach, while shining a light on their gallows sense of humour. Hailing from the North, FYI Chris (Chris Watson and Chris Coupe) met in South London - fast becoming key players in that tight-knit local community as well as the global dance music scene. Regulars at Peckham’s Rye Wax and often at the helm of the Rye Wax radio show; pre-pandemic, the duo could also be found playing gigs in esteemed underground venues across the globe. 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As an influential force in Atlanta’s dance music community - and with a strong connection to the sounds of Detroit - Stefan’s music reflects a genuine love for the underground. He held a residency at the legendary Sound Table with Ash Lauryn until its closure, runs the beloved monthly party Kudzu, and has spent years committed to his craft as a producer, DJ, promoter, and label manager. Tying the threads between an ever-expanding pool of sounds, his approach to production looks beyond the restraints of formal genre, and instead towards community, offering new sonic frameworks for others to soundtrack their own personal journeys. Black Acre has, since its inception in 2007, focused on strains of electronic music that mutate across different styles, and as such, Soulflow touches on a number of subcultural moments. As the name suggests, the title track is an uplifting, 101 groove of stripped back soul, driven by Stefan’s vocal treatments. ‘What’s Your Sign’ heads into hazier territory for an angular cut of minimal hypnotism. Taking a trip further into Stefan’s musical heritage with a nod to mid-2000s dubstep, ‘Cleanse’ is a half-time stepper adorned with glistening keys and improvised melodies that flawlessly embodies the cross-pollinated spirit of the genre, continuing the lineage of what occurred before with a sincere appreciation. Rounding things off is ‘Body Know’ - born from an experiment with a bass guitar and beat-boxed percussion - that fuses echoed vocals with a driving, analogue funk. Soulflow offers an honest portrayal of Stefan’s musical story, honing in on its past to build an expansive vision of its future. 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Close friends and long-admired peers, including Akiko Haruna, Art School Girlfriend, Tlya X An, Shadow Stevie, Thomas Ridley and Cold Light’s Eldon add colour to \u003cstrong\u003eScaler\u003c\/strong\u003e’s darkened palette and point to the left-turns they’re leaning into.\u003c\/p\u003e\n\n\u003cp\u003eThe intense softens into introspection. The blistering becomes a balm. \u003cem\u003eEndlessly\u003c\/em\u003e is the second album from \u003cstrong\u003eScaler\u003c\/strong\u003e, a.k.a. Alex Hill, Isaac Jones, James Rushforth and Nick Berthoud, alongside visual artist Jason Baker. 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