{"title":"Call Of The Void","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCall Of The Void is a label that is related to or a sub-label of Fire Records (UK). With an impressive roster of talented artists, Call Of The Void brings you the best in music across various genres. From *indie rock* to *electronic* and everything in between, this label has something for everyone.\u003c\/p\u003e\n\n\u003cp\u003eFounded with a passion for music and a commitment to supporting emerging talent, Call Of The Void has quickly established itself as a go-to destination for music lovers. With their finger on the pulse of the industry, they consistently discover and promote groundbreaking artists who push boundaries and challenge conventions.\u003c\/p\u003e\n\n\u003cp\u003eWhether you're looking for catchy hooks or experimental sounds, Call Of The Void delivers. Their diverse catalog features releases from acclaimed acts such as *The Black Angels*, *Deerhoof*, and *Julia Holter*. Each release is carefully curated to ensure that listeners are treated to an exceptional musical experience.\u003c\/p\u003e","products":[{"product_id":"hysterics","title":"Hysterics","description":"\u003cp\u003eBack on vinyl for the first time in 3 decades. An essential vinyl reissue from the recently revived King Rocker stars. Following the release of the critically acclaimed King Rocker documentary (staring Stewart Lee), Robert Lloyd’s cult post-punk are selling out tours and receiving the long-overdue recognition they deserve. Long out of print, rarity-packed deluxe edition of their second album is a worthy follow-up to that of their debut and a harbinger of great things to come. \u003c\/p\u003e\u003cp\u003eTrack listing: 1 Big Print, 2 This, 3 The Happy Medium, 4 Nothing But Trouble, 5 The Bending End, 6 Lower Than Ever, 7 Insurance, 8 Whys of Acknowledgement, 9 Bachelor Land, 10 Crafty Fag, 11 Ponces All, 12 How To Age, 13 Urban Ospreys, 14 Cakehole, 15 The Crunch (12\" Version), 16 All Talk, 17 Look Satisfied, 18 Not Man Enough, 19 Bachelor Land (by Toxic Shock)\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Silver | LP | x2","offer_id":50402636169547,"sku":"1145225","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50402636398923,"sku":"1162089","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5e3e2635-b708-42fa-990f-b1c9391be380_thumbnail_4096.jpg?v=1726553644"},{"product_id":"mush","title":"Mush","description":"\u003cp\u003eSeminal early 90's punk classic originally released on Roughneck. As every year passes, this album grows in importance. Music wise it is passionate and melodic with bits of Motorhead, Snuff and Husker Du whilst lyrically it's powerful and emotional. Recorded at the Greenhouse in London in May 1991, \u003ci\u003eMush\u003c\/i\u003e captures the Leatherface lineup of Frankie Stubbs (vocals \/ guitar), Steve Charlton (bass), Andrew Laing (drums), and Richie 'Dickie' Hammond (guitar, backing vocals) in full flow. This is a landmark album.\u003c\/p\u003e\u003cp\u003eFully re-mastered, this collection includes extensive liner notes featuring interviews with Frankie, as scribed by The Big Takeover’s Jack Rabid, leaving no stone unturned. The release includes remastered bonus material via download, including a unique cover of ‘Message in a bottle’ and ‘Trenchfoot’ from the Not Superstitious 7” and ‘You Are My Sunshine’ and ‘Dreaming’ from the I Want the Moon 7”.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Orange | LP","offer_id":50406577733963,"sku":"1118172","price":20.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP","offer_id":50406578225483,"sku":"351033","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"White | LP","offer_id":50413518979403,"sku":"1118171","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50406577406283,"sku":"1118170","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2618c653-8a32-43f7-89d0-e16213d7ee47_thumbnail_4096.jpg?v=1726674444"},{"product_id":"the-boys-2","title":"The Boys","description":"\u003cp\u003eArguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield \u0026amp; Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones \"Teenage Kicks\", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel\/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Black LP","offer_id":50413480542539,"sku":"2191713","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Boys_-_The_Boys_bd55bdbb_thumbnail_4096.jpg?v=1726674221"},{"product_id":"alternative-chartbusters","title":"Alternative Chartbusters","description":"\u003cp\u003eA punk classic, gloriously anthemic power pop from the cult UK outfit. On 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album “Alternative Chartbusters” was released (once again, produced by Dangerfield \u0026amp; Steel). As AllMusic recognises, “Alternative Chartbusters” was way ahead of its time, a buried treasure that only got dusted off much later: “Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song.” Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel\/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick 7 succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Black LP","offer_id":50413484573003,"sku":"2191712","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Boys_-_Alternative_Chartbusters_LP_59c87f66_thumbnail_4096.jpg?v=1726674242"},{"product_id":"the-adverts","title":"Cast of Thousands","description":"\u003cp\u003eOriginally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Black LP","offer_id":50417110352203,"sku":"2194178","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Adverts_-_Cast_of_Thousands_82e5868d_thumbnail_4096.jpg?v=1726717032"},{"product_id":"minx","title":"Minx","description":"\u003cp\u003eRe-writing the rule book when it came to punk requisites, Leatherface combined passion, angst and power with undeniable songwriting and technical prowess. Led by wordsmith Frankie Stubbs their explosive hooks and thrashing guitars quickly became their trademark and made them one of the most exhilarating UK bands of the 90s.\u003c\/p\u003e\u003cp\u003eArriving at the peak of their career, \u003ci\u003eMinx \u003c\/i\u003echannelled Stubbs’ love for Joy Division and features their much loved fourth bassist, former Snuff band member Andy Crichton. A lost classic, it brought with it a more emotional direction to their sound which was released on the brink of the band’s hiatus.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Red | LP","offer_id":50478615265611,"sku":"1158213","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50478614905163,"sku":"1157229","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4c181f53-287b-4dc2-83d6-3f13f354acd2_thumbnail_4096.jpg?v=1727486859"},{"product_id":"going-through-the-motions","title":"Going Through the Motions","description":"\u003cp\u003eThe Prefects were a tense art punk band from Birmingham and they released just one posthumous 7\" on Vindaloo \/ Rough Trade and one John Peel session 12\". Members went on to form the Nightingales but for just over 2 years (late 77 to early 79) the Prefects were the most important post punk band in Birmingham. \u003ci\u003eGoing Through The Motions\u003c\/i\u003e is the first full-length vinyl collection of The Prefects studio recordings. Although a few tunes don’t stray from the general sounds of their time, there’s innovation and humour here. \u003ci\u003eEscort Girls\u003c\/i\u003e may be the first recorded forerunner of American hardcore. \u003ci\u003eThe Bristol Road Leads To Dachau\u003c\/i\u003e hints at Joy Division’s later \u003ci\u003eThe Atrocity Exhibition\u003c\/i\u003e. Taking it a step farther than Alternative TV’s \u003ci\u003eHow Much Longer \u003c\/i\u003ewith its deliberate dirge, \u003ci\u003eGoing Through The Motions\u003c\/i\u003e, mocks punk expectation against an almost psychedelic haze. \u003ci\u003eTotal Luck\u003c\/i\u003e bears the early evidence of Lloyd’s lone-man confessional style, and Barbarella’s is a tongue-in-cheek tribute to their most-played local venue.\u003c\/p\u003e\u003cp\u003eVersions of The Modern Lovers’ \u003ci\u003eShe Cracked\u003c\/i\u003e and the Prefects’ original \u003ci\u003e625 Lines\u003c\/i\u003e were recorded live by Virgin on the final two nights of Manchester’s Electric Circus and later issued as a compilation with tracks by The Fall, The Buzzcocks, Joy Division and others. The Prefects refused release of their material, believing their first outing should be a studio recording, not a live track or two on a compilation. During the White Riot tour, members of Subway Sect, The Slits and The Prefects joined in on a live encore loosely based on Velvet Underground’s \u003ci\u003eSister Ray\u003c\/i\u003e. Incredibly difficult to listen to, the song was bootlegged widely before eventually appearing on The Slits’ 1980 album of early demos in a 5’20” version called \u003ci\u003eNo More Rock And Roll For You\u003c\/i\u003e. Twenty years later, Vic Godard of Subway Sect edited a minute from the recording and released it on his Twenty Odd Years compilation. \u003c\/p\u003e\u003cp\u003eTwo decades later, The Prefects have edited more than a minute from it and retitled it White Riot Tour. In another twenty years, it is hoped that the prolonged rite of ritual shortening of this song will leave no trace of it at all. For the record, it’s Robert Lloyd going “wooo-ooo” in the background, in what he says was an attempt to mimic the organ part from \u003ci\u003eSister Ray\u003c\/i\u003e, which, listeners may note, is no longer being played. This is the opening salvo in the telling of Robert Lloyd’s career, which will include King Rocker: A film about Robert Lloyd and The Nightingales, by comedian and writer Stewart Lee, director Michael Cumming and Fire Films’ James Nicholls.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"CD","offer_id":50498612822347,"sku":"1077807","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50498613051723,"sku":"1077808","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e49feb5b-1830-4f17-8b34-3daf2588e9c1_thumbnail_4096.jpg?v=1727751074"},{"product_id":"dr-heckle-and-mr-jive","title":"Dr Heckle and Mr Jive","description":"\u003cp\u003eThe debut album by post-punk \/ funk group, Pigbag. Formed from creative jam sessions in punk’s aftermath, the young group gathered steam after convincing Simon Underwood to join the fun following his departure from The Pop Group. Mixing punk, funk, jazz, ska, reggae and afrobeat into a bewitching brew, this vinyl reissue is the first time this album has been on wax since 1982. \u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Black | LP","offer_id":50498683568459,"sku":"1089039","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/46a2c40e-2603-4b3d-b708-56c53c697f2d_thumbnail_4096.png?v=1727753547"},{"product_id":"tales-of-terror","title":"Tales Of Terror","description":"\u003cp\u003eOften cited as a major influence on the key bands of the grunge era (Nirvana, Melvins, Mudhoney etc.) Tales Of Terror's one and only LP is an overlooked classic of 80s NorCal punk rock. Available for the first time in more than 30 years, Kurt Cobain's 32nd-favourite-album-of-all-time is chaotic and charismatic in equal parts; the band's story is tinged with tragedy, but the music they played was life-affirming. Wild, heads down proto thrash metal meets punk excess; think early Guns n’ Roses meets Iggy at the bar from a band whose trajectory was cut short after the death of guitarist Lyon Wong in 1986. A cobweb dispersing buried treasure that stands alongside the debut of The Damned and draws a shaky line through grunge to At The Drive In and way beyond. A super rare release, unavailable for over 30 years; remastered and ready to be cranked up to full volume. \u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Red | LP","offer_id":50499186590027,"sku":"1118577","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dc695d09-a512-4587-91a9-088221adea90_thumbnail_4096.jpg?v=1727769869"},{"product_id":"pigs-on-purpose","title":"Pigs on Purpose","description":"\u003cp\u003eRipe for rediscovery the sought-after and much acclaimed debut album from seminal Birmingham post punk revolutionaries The Nightingales. This newly expanded \u003ci\u003ePigs On Purpose\u003c\/i\u003e is remastered by Stuart Moxham with the addition of early demos and non-album singles from this period. The reissue coincides with new ‘King Rocker’ documentary celebrating the life of lead singer Robert Lloyd – a film by Michael Cumming (Brass Eye, Toast Of London), comedian Stewart Lee and James Nicholls (Fire Films, Fire Records).\u003c\/p\u003e\u003cp\u003eAn early post punk classic, The Nightingales' debut was a strange transmission released as the musical landscape was changing. They were the last important band with roots in the first blossoming of punk and became a major influence upon the explosion of mid-80s indie labels and associated bands.\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"Blue | LP | x2","offer_id":50499798237515,"sku":"1112681","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9a1ee0e2-4cd7-4fc4-bbb6-5c67a2b5dfef_thumbnail_4096.jpg?v=1727774095"},{"product_id":"in-the-good-old-country-way","title":"In The Good Old Country Way","description":"\u003cp\u003e\u003cstrong\u003eThe Nightingales'\u003c\/strong\u003e last original full-length for two decades stands as the final masterpiece postpunk album released before the C86 era. Back on vinyl for the first time in over 3 decades, the reissue is updated to include the whole of the 1985's 7\" single \"It's A Cracker\" and \"What A Carry On\" 12\" EP, plus a clutch of rare tracks never before released on vinyl and a bit of history from Robert Lloyd.\u003c\/p\u003e\n\n\u003cp\u003eDespondently anti-Thatcher and with an air of hopelessness, \u003cem\u003eIn The Good Old Country Way\u003c\/em\u003e has the sense that time was allowed for experimentation and reflection during its creation. Expectations were high as \u003cstrong\u003eThe Nightingales\u003c\/strong\u003e released their sole Vindaloo album and possibly the most underrated album of the postpunk era.\u003c\/p\u003e\n\n\u003cp\u003eThe opening number is heavy on the hoedown, not unlike records their pals \u003cstrong\u003eThe Mekons\u003c\/strong\u003e would release around the same time - a rootsy underlayment to songs of wit, energy, and observation, adaptable both to lengthy groove-based observation and high-octane rants alike. Maria Smith's violin weaves in and out of songs, while the rhythm section of Pete Jenner (bass) and Ron Collins (drums) hold what might have been a disjointed mess, but it's multi-instrumentalist\/arranger Pete Byrchmore who shares the spotlight with Lloyd.\u003c\/p\u003e\n\n\u003cp\u003e\"It's A Cracker\" stuns, not stylistically dissimilar to their recent records for the first ninety seconds, though featuring a bridge hinting at new developments in their sound which could be heard on the next \u003cstrong\u003eThe Nightingales\u003c\/strong\u003e release, '\u003cem\u003eWhat A Carry On\u003c\/em\u003e'. A sublime record, it features the powerful title track in two versions, one of the band's best songs, \"Comfort And Joy\", and the tenderly alienating \"First My Job\".\u003c\/p\u003e","brand":"Call Of The Void","offers":[{"title":"CD","offer_id":50506631086411,"sku":"1155436","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50506632659275,"sku":"1155437","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2f671dc5-fb63-46f1-8fed-6993977d435c_thumbnail_4096.jpg?v=1727826233"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_11a8b400_thumbnail_4096_b9d78e1d-02ea-40f7-8133-c0f083527806.jpg?v=1726553608","url":"https:\/\/shop.roughtrade.com\/de\/collections\/call-of-the-void.oembed","provider":"Rough Trade","version":"1.0","type":"link"}