{"title":"Closed Casket Activities","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eClosed Casket Activities is an independent metal influenced hardcore label based in Troy, New York. With a passion for heavy music and a commitment to supporting underground artists, the label has become a respected authority in the scene.\u003c\/p\u003e\n\n\u003cp\u003eFounded by [founder's name] in [year], Closed Casket Activities has been dedicated to discovering and promoting talented bands that push the boundaries of hardcore music. The label's roster includes some of the most influential and innovative acts in the genre.\u003c\/p\u003e\n\n\u003cp\u003eFrom releasing albums that challenge societal norms to organizing tours that bring their intense live performances to fans around the world, Closed Casket Activities continues to make a significant impact on the hardcore community. With their unwavering dedication and uncompromising vision, they have solidified their position as one of the leading labels in metal influenced hardcore music.\u003c\/p\u003e","products":[{"product_id":"suffocating-hallucination-3","title":"Suffocating Hallucination","description":"\u003cp\u003eCollaboration full length from Full of Hell and Primitive Man.\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"CD","offer_id":50384915464523,"sku":"2009874","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50384915661131,"sku":"2009888","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_ede255b7_thumbnail_4096.jpg?v=1726305581"},{"product_id":"the-sin-of-human-frailty-2","title":"The Sin of Human Frailty","description":"\u003cp\u003eThere will always be another peak to summit and boundary to break. \u003cem\u003eThe Sin of Human Frailty\u003c\/em\u003e, End's second full-length offering, pushes beyond its very limits with a fierce commitment to unwavering unpredictability and uncompromising intensity.\u003c\/p\u003e\n\n\u003cp\u003eThe New Jersey quintet counts producer and guitarist \u003cstrong\u003eWill Putney\u003c\/strong\u003e, vocalist \u003cstrong\u003eBrendan Murphy\u003c\/strong\u003e, guitarist \u003cstrong\u003eGregory Thomas\u003c\/strong\u003e, bassist \u003cstrong\u003eJay Pepito\u003c\/strong\u003e, and drummer \u003cstrong\u003eMatt Guglielmo\u003c\/strong\u003e among its ranks. End initially materialized during 2017.\u003c\/p\u003e\n\n\u003cp\u003eThe group's \u003cem\u003eFrom the Unforgiving Arms of God\u003c\/em\u003e EP spawned the fan favorite \"\u003cem\u003eNecessary Death\u003c\/em\u003e,\" and led to a signing with label Closed Casket Activities. Highlighted by \"\u003cem\u003eCovet Not\u003c\/em\u003e\" and \"\u003cem\u003eAbsence\u003c\/em\u003e,\" the band bulldozed the senses with their 2020 full-length debut, \u003cem\u003eSplinters From an Ever-Changing Face\u003c\/em\u003e. Brooklyn Vegan hailed \"\u003cem\u003ePariah\u003c\/em\u003e\" as \"an absolutely filthy dose of modern metalcore,\" and Kerrang went as far as to describe their debut LP as, \"catharsis fed through a distortion pedal and shaped into a dense, destructive wrecking ball.\" Perhaps, Invisible Oranges put it best, \"These gentlemen have come together to summon a fury seldom heard on any album from the realms of hardcore, grind, and black metal…\"\u003c\/p\u003e\n\n\u003cp\u003eIn 2023, the members congregated once again to write and record what would become this sophomore release. \"\u003cem\u003ePart of the goal was to do things our way\u003c\/em\u003e,\" states guitarist \u003cstrong\u003eWill Putney\u003c\/strong\u003e. \"\u003cem\u003eWe didn't want to lean on our influences too heavily, whether it's in terms of production, guitar tone, arrangement, or other elements. We were like, 'Let's just make a record that sounds like End'\u003c\/em\u003e. I feel like there's more of an identity to the band than there has ever been on this record.\"\u003c\/p\u003e\n\n\u003cp\u003eThe final result is a unique blend of HM2 driven Grind and Metallic Hardcore crossover with moments of Industrial chaos over ten tracks. Featuring guest vocal appearances by J.R. Hayes (Pig Destroyer), Debbie Gough (Heriot) and Dylan Walker (Full of Hell), this Graphic Nature Audio recording clocks in over 30 minutes of unhinged aggression and grind. Produced and engineered by \u003cstrong\u003eWill Putney\u003c\/strong\u003e and featuring the art of Alex Eckman-Lawn, this release pushes the complexity of End both sonically and visually. Vinyl comes packaged in a ten-panel die-cut jacket, pressed on deluxe colored vinyl and with a digital download code.\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"Green LP | Rough Trade Exclusive","offer_id":50388611662155,"sku":"2051391","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Orange LP","offer_id":50388612055371,"sku":"2096338","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Red LP","offer_id":50388612219211,"sku":"2096358","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50388611924299,"sku":"2096306","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/s_xETz6W_38be7137_thumbnail_4096.jpg?v=1726345385"},{"product_id":"when-no-birds-sang-2","title":"When No Birds Sang","description":"\u003cp\u003eLike wolves of the same pack separated at birth, outliers instinctually recognise one another. After twisting and turning through the underground on parallel trajectories, the separate paths of Full of Hell and Nothing collide on the collaborative LP, \u003ci\u003eWhen No Birds Sang.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eAt this meeting point, Full of Hell - Dylan Walker [vocals], Spencer Hazard [guitar], Dave Bland [drums], and Sam DiGristine [bass] - and Nothing’s Domenic “Nicky” Palermo [vocals, guitar] and Doyle Martin [vocals, guitar] burst out of genre confines together with a sound that’s equally dangerous and dynamic.\u003c\/p\u003e\u003cp\u003e“Both Full of Hell and Nothing deal with the same genre-phobia,” laughs Nicky. “We’ve been called any style you can think of, but we’re both simply intent on making soul crushers.” “We’re beyond limiting ourselves to a genre,” agrees Dylan. “There aren’t any rules, but there’s clearly an identity. No matter what Nothing does, I can tell it’s them. We’re meeting in the middle where it’s lush and beautiful, but also sad and ugly if you look closely at it. Out of mutual respect, we just decided to go for it.”\u003c\/p\u003e\u003cp\u003eNothing and Full of Hell initially crossed paths in the twenty-tens, sharing the bills of shows and festivals intermittently. Dylan and Nicky kept in touch over the years, and the collaboration naturally followed. Together, they built a new “wall of sound” in the middle out of Full of Hell’s abstract and harsh ambience and Nothing’s searing shoegaze tendencies—conjuring extreme peaks and valleys inspired by the likes of My Bloody Valentine and latter day Swans.\u003c\/p\u003e\u003cp\u003e“We’ve never done anything like this,” Nicky goes on. “The contrast is huge as we’re putting two extremes together and making them work. 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The quintet weaned on the Long Island, New York, hardcore scene have more to say than ever. Sharply biting and insightful lyrics sit atop blunt metalcore in a perfect soundtrack to throw a brick through a window. Incendiary delivers a sound of its own, mixing classic passion and modern power. You'll love it.\u003c\/p\u003e\u003cp\u003eFrontman Brendan Garrone, guitarists Brian Audley and Rob Nobile, and drummer Dan Lomeli, cite East Coast hardcore heroes like Vision Of Disorder, 108, Indecision and Glassjaw as part of Incendiary’s formative DNA. 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Three of the four members of the band were raised in Ocean City. Hazard and Bland still live there, while Walker is located in central Pennsylvania and bassist Samuel DiGristine relocated to Philadelphia. “The American dream is small towns,” Hazard says. “But anyone that’s grown up in a small town realizes it’s just as fucked up in a small town as it is in a big city—if not more, because it’s more condensed.” Walker’s lyrics have always framed their suffering with what he calls “fantastical, metaphorical shit,” but on Coagulated Bliss his writing is clear and direct. The album’s title is meant partly to reflect the idea of the over-pursuit of happiness leading to misery—whether in addiction, greed, or anything else. “Your happiness is just out of reach and you don’t know why,” he says. “Too much of this bliss, you think you’ve found your endpoint, but it’s really just this small, tiny, little thing that’s going to ruin your fucking life. And that could be anything.” Much of the album is rooted in the band’s own experiences. “A hundred dead ends, a thousand dead friends,” Walker screams on “Doors to Mental Agony.” “I hear their howling, I hear them weeping.” There are corpses slicked with morning dew, “false balms for deep wounds,” numb failures, thieves in the night and killers in the dark. There are many trackmarks; there are many dirty needles. The album’s viciousness and Walker’s clear reading of the world around him might scan as misanthropy—“humanity to blame,” he concludes after running through the ways the earth is “riddled with sores” in “Gasping Dust”—but it comes from a place of disappointment that’s driven by a deep love for people and life and the world. “There’s not a lot of anger, to be honest,” he says. “I’ve never felt anger when we’re playing, ever. It feels like electricity that’s built up in my body that has to get out. But I feel more profoundly sorrowful than I ever do anger.” The world may be in a constant state of bitter flux, but Full of Hell have never sounded more at home in it.“We’ve shed any kind of ‘do we belong in this space, what do people expect of us,’” Walker says. “The joy is in the pursuit.” The loosening of their grip on the direction of their music has made it feel paradoxically closer to the bone. “People tend to burrow themselves so deeply into things they love,” Walker says. “It’s too much of a good thing, and it almost cheapens it.” By paring back their sound, Full of Hell aren’t just finding a new way forward: They’re proving that a little bit less of a good thing can add up to so much more.\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"LP - Clear with Blue and Neon Orange Smoke | Rough Trade Exclusive","offer_id":50414769078603,"sku":"2188618","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Clear with Splatter","offer_id":50414771306827,"sku":"2193135","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50414770028875,"sku":"2193134","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Metallic Blue","offer_id":52306275860811,"sku":"R7329-3470","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Coagulated_Bliss_5be0bad2_thumbnail_4096.jpg?v=1726685512"},{"product_id":"an-unexpected-reality-4","title":"An Unexpected Reality","description":"\u003cp\u003eIn a world of announcements of announcements, Gatecreeper are firing no warning shots before dropping their new release. “I think the social media environment has just fried our attention spans,” vocalist Chase Mason says. “Trying to hold someone’s attention for two or three months with a typical album roll-out doesn’t seem feasible with everything else currently going on in the world.” That’s not the only reason An Unexpected Reality comes with no pre-release hype whatsoever. “It’s meant to be listened to as a whole, so we didn’t wanna break it up or release a couple songs ahead of time as ‘singles’ or whatever,” Mason clarifies. “We also didn’t wanna treat it like it’s our next full-length. Because it’s not.” Written, recorded and now released during the Covid-19 pandemic, An Unexpected Reality is Gatecreeper like you’ve never heard them before. Exploring both ends of the tempo spectrum, the release offers two opposing sides of the band’s musical personality. Side one consists of seven short, sharp shocks that have a total running time of less than seven minutes. Inspired by grind, punk and hardcore, tracks like “Starved,” “Rusted Gold” and “Amputation” are some of the fastest offerings the Arizona death metal squad has ever recorded. Side two is the exact opposite. Consisting of a single 11-minute track entitled “Emptiness,” this is Gatecreeper at their slowest and most funereal. Think of it as an extended version of the death-doom tracks that the band closed out Sonoran Depravation and Deserted with. “I’ve had the idea to do a record like this for a while,” Mason offers. “In 2020 we were supposed to be touring all year. Once everything got cancelled, we decided it was the perfect time to turn this idea into a reality.” When Gatecreeper were getting into writing mode for An Unexpected Reality, Mason brought a new list of influences to the table, ranging from grindcore and Scandanavian hardcore to funeral doom and black = metal. The rip-roaring abandon of side one takes its cues from Napalm Death, Totalitär, Terrorizer and Master. The keening funeral doom of “Emptiness” was informed by the likes of Mournful Congregation, Paradise Lost, Evoken and Katatonia. The format of An Unexpected Reality was partly inspired by Black Flag’s My War, an album that famously polarized fans in 1984 with fast, thrashy songs on side A and three long, slow and sludgy tracks on the flipside. “When I was getting really into sludge and stoner metal like the Melvins and Eyehategod, they always referenced the B-side of My War,” Mason says. “Hearing bands talk about not just a record but a specific side of a record, I thought that was really cool and it always stuck with me.” Tempo and length aren’t the only anomalies on An Unexpected Reality. “We usually have a hard rule in Gatecreeper that we don’t have blast beats,” Mason points out. “But for the first side of this record we lifted that rule and ran with it.” Given that An Unexpected Reality was created entirely during the pandemic, it’s no surprise that some of the songs bear its unmistakable mark. “Superspreader” is a prime example. “That song was written when Arizona was the number one Covid hotspot in the world,” Mason explains. “The whole record was actually recorded during that time as well.” “Sick Of Being Sober” hits even closer to home for Mason, whose recovery from addiction is well documented.\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"Black LP","offer_id":50417113792843,"sku":"2196830","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/An_Unexpected_Reality_86b3ce1c_thumbnail_4096.jpg?v=1726717138"},{"product_id":"suffocating-hallucination-2","title":"Suffocating Hallucination","description":"\u003cp\u003ePrimitive Man brings their grimy, misery-driven heaviness together with Full Of Hell’s iconoclastic genre-busting grindcore into a singularly powerful dual artistic statement. Produced by Andrew Nelson (Harms Way, Weekend Nachos, LURK), \u003ci\u003eSuffocating Hallucination \u003c\/i\u003eunites them in a blisteringly blissful sonic celebration of disillusionment and chaos. Issued by Closed Casket Activities, the record arrives just in time for a US tour with The Acacia Strain and Fit For An Autopsy.\u003c\/p\u003e\u003cp\u003eNeither group is a stranger to splits and collaborations. The Primitive Man discography, which boasts the unstoppable \u003ci\u003eImmersion\u003c\/i\u003e (2020) and the \u003ci\u003eInsurmountable\u003c\/i\u003e EP (2022), among other gems, includes split EPs with a number of like-minded bands, including Hell, Unearthly Trance, and Hexis.\u003c\/p\u003e\u003cp\u003eFull Of Hell straight-up merged with Japanese noise masters Merzbow for a collaborative album, followed by a pair of records with experimental metal duo The Body. Those are in addition to a long history of split EPs, with the likes of Nails, Psywarfare, and Code Orange, to name just a few.\u003c\/p\u003e\u003cp\u003eThe combination of Full Of Hell’s furious blast furnace speed and Primitive Man’s immersive glacial doom was born first from friendship and second from the idea that they had something to say in unison. Full Of Hell guitarist Spencer Hazard suggested it. Soon, he and his bandmates – Dylan Walker (vocals), Dave Bland (drums), and Sam DiGristine (bass) – were in a room with Primitive Man’s Ethan Lee McCarthy (vocals, guitars), Jonathan Campos (bass), and Joe Linden (drums).\u003c\/p\u003e\u003cp\u003e“It’s kind of like making a new hybrid band,” Walker explains. “It’s a really special marker of the friendship between us. We approach each collaboration differently, depending on the personalities in the room. With Primitive Man, we wrote everything in the studio. 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Support on several shows came from Jarhead Fertilizer, who hails from one of Full Of Hell’s two home states, Maryland (the other is Pennsylvania), and features Full Of Hell’s Bland and ex-bandmate Brandon Brown.\u003c\/p\u003e\u003cp\u003eVinyl comes package in four different jackets, each featuring different artwork printed on a silver foil card stock and a gatefold insert.\u003c\/p\u003e","brand":"Closed Casket Activities","offers":[{"title":"Orange LP | Rough Trade Exclusive","offer_id":50426334642507,"sku":"2007434","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0-1_289392db_thumbnail_4096.jpg?v=1726807487"},{"product_id":"auditory-trauma-2","title":"Auditory Trauma","description":"\u003cp\u003eWelcome to the secret life of the crash test dummy. \u003cem\u003eAuditory Trauma\u003c\/em\u003e, the \u003cem\u003eNothing Isolation Sessions\u003c\/em\u003e, recorded live at Philadelphia’s own Underground Arts on October 16th, 2020.\u003c\/p\u003e\n\n\u003cp\u003eOriginally released as the record release live stream for \u003cem\u003eThe Great Dismal\u003c\/em\u003e (Relapse Records), this recording is now released as a one-time vinyl pressing. 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