{"title":"Compilations \u0026 Reissues of the Year 2025","description":"\u003cp\u003eWhat a year for the crate diggers, genre obsessives and the collectors - from sugar-rush soul and overlooked synth oddities to visionary works-in-progress finally unearthed. These compilations and reissues have soundtracked our shops, our homes and our headphones - and now they’re ready to take pride of place in your collection.\u003c\/p\u003e","products":[{"product_id":"tune-in-turn-on-drop-out-the-television-personalities-radio-sessions-1980-1992","title":"Tune In, Turn On, Drop Out: The Television Personalities Radio Sessions (1980-1993)","description":"\u003cp\u003eThis new collection brings together classic radio sessions from Television Personalities, the masters of DIY post-punk and indie pop. Featuring two 80s BBC sessions that aired on John Peel and Andy Kershaw, along with a super rare 1992 WMBR set, this double LP features covers of Buzzcocks, The Raincoats and Daniel Johnston with previously unreleased songs and a bonus download WFMU session from 1993.\u003c\/p\u003e\u003cp\u003eThe Television Personalities’ splendid DIY skills and loveable ramshackle persona led them on many a subversive trip both on record and playing live. But it was the radio that first introduced them to the world in a whirlwind of repeated spins. John Peel let outsiders everywhere tune in to their altered world. And, at the height of punk they parodied the new revolution, their single ‘Part Time Punks’ becoming a Peel staple, and the clamour to hear more eventually resulting in a session in 1980.\u003c\/p\u003e\u003cp\u003eThrough the 80s, Daniel Treacy had matured into a gifted storyteller turned pop culture narrator who placed the modern world in his own hazy shade of focus. His songs were loveable, immediately identifiable and pin prick sharp; they were tidily observational, and often magically acute. 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First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.\u003c\/p\u003e\u003cp\u003eOutside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points. “The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.”\u003c\/p\u003e\u003cp\u003eIn the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. 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It also marks a period in which the label was embraced as much by acid house afficianados as hardcore dub heads, with this album becoming a staple of the post-rave ‘comedown’ session. The title track is a veritable On-U Sound anthem, mashing up reggae, tripped out electronica, The Doors and Motown into an epic groove, guaranteed to get crowds moving from the sound system session to the festival field, and all points in between.\u003c\/p\u003e\u003cp\u003eOut of print on vinyl for many years, this edition has been re-cut by Frank Merritt at The Carvery, with an inner sleeve featuring rare photography by Coneyl Jay and new liner notes by Rob Harris (Test Pressing).\u003c\/p\u003e","brand":"On U Sound","offers":[{"title":"Black LP","offer_id":50857231778123,"sku":"2233205","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Stoned_Immaculate_7821c52e_thumbnail_4096.jpg?v=1731949386"},{"product_id":"goodbye-horses-the-many-lives-of-q-lazzarus-music-from-the-motion-picture","title":"Goodbye Horses: The Many Lives of Q Lazzarus (Music from the Motion Picture)","description":"\u003cp\u003eFor almost everyone, the entry point for discovering the music of Q Lazzarus came via \u003ci\u003eGoodbye Horses\u003c\/i\u003e. The song first appeared in 1988, via Jonathan Demme’s Married to the Mob, but it would not become fully lodged into popular consciousness until it infamously materialized again in Demme’s \u003ci\u003eThe Silence of the Lambs\u003c\/i\u003e in 1991. \u003ci\u003eGoodbye Horses\u003c\/i\u003e felt like a self-contained universe – dreamlike and wholly unusual, an instant classic that left listeners captivated and curious about the mysterious voice behind it. That voice belonged to Diane Luckey, a uniquely talented artist whose music was ahead of its time and who would ultimately remain largely unrecognized in her lifetime. In conjunction with the release of Aridjis Fuentes’ documentary film \u003ci\u003eGoodbye Horses: The Many Lives of Q Lazzarus\u003c\/i\u003e, Sacred Bones is releasing a collection of songs that span the entirety of Q’s career, showcasing the different eras of her work and the full breadth of her personality. \u003c\/p\u003e\u003cp\u003eThe first collection of music to be given the blessing of Q’s remaining family, Goodbye Horses has the distinction of being her first and only full-length release. Recorded between 1985 and 1995, this trove of previously unreleased music reflects some of the most interesting facets of pop music from the past four decades in away that feels both savvy and wildly eclectic. The titular “Goodbye Horses” remains a singular piece of spooky new wave perfection and one might imagine an entire Q Lazzarus album coiled around this aesthetic, but much like singers such as Alison Moyet, Annie Lennox, or Lisa Gerrard, Q’s chameleonic voice could lend itself perfectly to a variety of styles and settings. Her cover of Talking Heads’ “Heaven” transforms the song into a full-throated power ballad complete with tinkly piano flourishes, while her take on Gershwin’s “Summertime” sounds like the kind of dubby club redux that could have been a perfect companion to anything from Nightclubbing-era Grace Jones. \u003c\/p\u003e\u003cp\u003eTracks like “My Mistake” and “Hellfire” flirt with house music and showcase just how brassy and belty Q’s voice could be when shere ally let loose, while “Don’t Let Go” sounds like the kind of bombastic radio single Cher might have released several decades ago. 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This LP comprises the band’s first two demo sessions which were mailed out via cassette to labels in 1991 finding their way to the UK music press and generating instant buzz and an ensuing feeding frenzy to sign the band. After signing with Caroline Records Drop Nineteens decided to write an entirely new record, \u003ci\u003eDelaware\u003c\/i\u003e, for their first official release, leaving the songs on \u003ci\u003e1991\u003c\/i\u003e frozen in time. \u003c\/p\u003e\u003cp\u003eSwells of layered guitars and buried vocal harmonies adorn these tracks, displaying Drop Nineteens when the comparison to their UK contemporaries like Slowdive and Ride were apt. \u003ci\u003e1991’s\u003c\/i\u003e songs, recorded with a low fi charm, show an ambitious young band capable of writing songs filled with texture and hooks, on the eve of their breakthrough record.\u003c\/p\u003e","brand":"Wharf Cat","offers":[{"title":"LP - Clear | Rough Trade Exclusive","offer_id":51048814182731,"sku":"2228299","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Grey","offer_id":51048813461835,"sku":"2228298","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51048814772555,"sku":"2237853","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WCR191-DropNineteens-CoverImage_a2b73a6f_thumbnail_4096.jpg?v=1736169073"},{"product_id":"paul-weller-presents-that-sweet-sweet-music","title":"Paul Weller Presents That Sweet Sweet Music","description":"\u003cp\u003eSoul music has always been in \u003cstrong\u003ePaul Weller's\u003c\/strong\u003e blood, from early Jam covers of Martha and the Vandellas' 1963 classic \"\u003cem\u003eHeatwave\u003c\/em\u003e.\" Along with other forms of music, soul found its way into Paul's record collection, nourishing his ears and informing his own songwriting.\u003c\/p\u003e\n\n\u003cp\u003eWe don’t need to recap a questing musical career from the Jam to the Style Council and then blossomed into one of the most productive and revered careers of any UK solo artist. 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This reissue includes the original record alongside a whole extra LP of rarities and unreleased cuts, continuing Fire Records in-depth series of reissues from the legendary band.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eCar Button Cloth\u003c\/i\u003e is an extraordinary affair of musical and emotional extremes, a soundscape spanning “the most beautiful piano-led mourning in the history of the broken heart” that switches into perky jangle-pop for fleeting moments and contains the ultimate self-deprecating classic ‘The Outdoor Type’, penned by Smudge cohort Tom Morgan, as well as a cover of the bluegrass standard ‘Knoxville Girl’ and ‘If I Could Talk I’d Tell You’ co-written with The Vaselines’ Eugene Kelly. All bases are covered.\u003c\/p\u003e\u003cp\u003eTo further unravel where Evan’s head was at during the period of its creation, this deluxe double album comes with a record of exquisite and typically eclectic scene setting covers that occupied B-sides and alternative format versions, plus other super rare offcuts, live takes and remixes. A diet of Volcano Suns, Glen Campbell, The Jacobites, The Sir Douglas Quintet and Whitney Houston influenced Evan’s thinking and added further colour to an album that remains something of a Dorian Gray-style masterpiece. The first side of extras is rounded off with the never before released ‘Arise’, originally set for the remake of Great Expectations and later realised as Rancho Santa Fe on solo album ‘Baby I’m Bored’.\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"2LP - Blue","offer_id":51184447062347,"sku":"2229268","price":47.99,"currency_code":"GBP","in_stock":false},{"title":"2LP - Red","offer_id":51184447684939,"sku":"2230204","price":46.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Lemonheads_-_Car_Button_Cloth_-_Deluxe_Clothbound_Edit_93a8aafd_thumbnail_40.jpg?v=1738297988"},{"product_id":"coles-corner-20th-anniversary-edition","title":"Coles Corner (20th Anniversary Edition)","description":"\u003cp\u003eParlophone \/ Rhino release a special 20th Anniversary Edition of Richard Hawley’s revered 2005 album \u003cem\u003eColes Corner. Coles Corner\u003c\/em\u003e was Hawley’s third studio album and his first for Mute Records. After five years of garnering praise for his songwriting talents and heart-melting baritone voice, and steadily building a solid fanbase through his outstanding live performances, hard work paid off on an album regarded by many as his best.  \u003c\/p\u003e\n\u003cp\u003eRecorded in Sheffield’s Yellow Arch Studios, and co-produced with his long-time bassist Colin Elliot, and Mike Timm, Coles Corner featured fellow musicians Shez Sheridan (guitars), Jon Trier (keyboards), Jonny Wood (upright bass) and Andy Cook (drums). They conjured up an exquisite album inspired by Hawley’s love of vintage ‘40s and ‘50s sounds, chamber pop, country, blues, and rock ‘n roll, on a set of intimate love songs full of nostalgia, regret, sadness and a bittersweet atmosphere, on a collection that would cement Hawley’s abiding love and passion for his hometown of Sheffield. Coles Corner is a cornerstone in the catalogue of one of the most creative and outstanding UK singer-songwriters of the past two decades. \u003c\/p\u003e","brand":"Parlophone","offers":[{"title":"LP - Black","offer_id":56473770819915,"sku":"R2820-8389","price":31.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Zoetrope","offer_id":56474877919563,"sku":"R2820-6194","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"2CD","offer_id":56474877952331,"sku":"R2820-4358","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Unknown_432c4a6d-bf67-4ab5-a4cf-d41b5265c214.jpg?v=1741088807"},{"product_id":"gather-in-the-mushrooms-the-british-folk-underground-1969-1975","title":"Gather in the Mushrooms - The British Folk Underground 1969-1975","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eCompiled by Bob Stanley to document the acid folk scene, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eGather In The Mushrooms\u003c\/em\u003e was first issued in 2004 on \u003c\/span\u003e\u003cspan\u003eSanctuary as a CD-only release; it proved popular enough \u003c\/span\u003e\u003cspan\u003efor a sequel entitled\u003cem\u003e Early Morning Hush \u003c\/em\u003etwo years later.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis new edition of \u003cem\u003eGather In The Mushrooms\u003c\/em\u003e contains \u003c\/span\u003e\u003cspan\u003ethe cream of both long-deleted compilations with a few additions \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003e\u003cspan\u003eC.O.B., Roy Harper, Fotheringay \u003c\/span\u003e\u003cspan\u003e– that weren’t available to Sanctuary at the time. Though they aren’t \u003c\/span\u003e\u003cspan\u003etraditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tuung et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed \u003c\/span\u003e\u003cspan\u003eelectricity; they weren’t part\u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e\u003cspan\u003etimers. Listening to “Gather In The Mushrooms”, we are transported to a time when no \u003c\/span\u003e\u003cspan\u003eone used the term post-modernist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003e\u003cspan\u003enot necessarily one of poachers and pedlars, but one of long-haired youths in tie- dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages. Groups such as Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once\u003c\/span\u003e\u003cspan\u003eyou hear something as eerie and evocative as ‘Graveyard’. \u003c\/span\u003e\u003cspan\u003eHome-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 Corn Rigs - Magnet \u0026amp; Paul Giovanni 02 Morning Way - Trader Horne 03 Preview  Nottanum Town - Oberon 04 Graveyard - Forest 05  The Skater - Midwinter Side 2 01 Winter Winds - Fotheringay 02 Lord And Master - Heron 03  Fly High - Bridget St John 04 Sheep Season - Mellow Candle 05 The Bells Of Dunwich - Stone Angel Side 3 01  The Seagulls Scream - Christine Quayle 02  Forest And The Shore - Keith Christmas 03  Rosemary Hill - Fresh Maggots 04 Fine Horseman - Anne Briggs 05  The Werewolf - Barry Dransfield Side 4 01 Another Day - Roy Harper 02 Window Over The Bay - Vashti Bunyan 03 Eleven Willows - COB (Clive's Original Band) 04  The Herald - Comus\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ace Records","offers":[{"title":"CD","offer_id":51483097530699,"sku":"R6526-1551","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"2LP - Black","offer_id":51483097563467,"sku":"R6526-7212","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Yellow \/ Rough Trade Exclusive","offer_id":51483097596235,"sku":"R6526-2753","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/CDTOP1659GATHERINTHEMUSHROOMSCD.jpg?v=1742485157"},{"product_id":"carrie-and-lowell-10th-anniversary-edition","title":"Carrie and Lowell (10th Anniversary Edition)","description":"\u003cp\u003eA decade after its release, \u003cem\u003eCarrie and Lowell\u003c\/em\u003e continues to resonate as one of \u003cstrong\u003eSufjan Stevens\u003c\/strong\u003e’ most personal and beloved albums—“a fall-down gorgeous and emotionally devastating masterpiece” (The Guardian).\u003c\/p\u003e\n\n\u003cp\u003eTo mark the anniversary, Asthmatic Kitty Records presents \u003cem\u003eCarrie and Lowell – 10th Anniversary Edition\u003c\/em\u003e, featuring seven never-before-released demos that offer a rare window into the album’s creation. With updated cover art, a beautifully designed 40-page booklet, and new essay reflecting on the album by \u003cstrong\u003eSufjan\u003c\/strong\u003e, this special edition celebrates and expands the legacy of one of his most cherished works.\u003c\/p\u003e\n\n\u003cp\u003eThis anniversary edition is a must-listen for fans and newcomers alike, inviting listeners to experience the music’s evolution and reflect on the raw emotional landscapes that influenced its creation. Expanded 2LP package features seven never-before-released demos from \u003cem\u003eCarrie and Lowell\u003c\/em\u003e or its era on the second disc, a 40-page booklet, and new essay reflecting on the album by \u003cstrong\u003eSufjan\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Asthmatic Kitty","offers":[{"title":"2LP - Violet \/ A4 Print","offer_id":51544860590411,"sku":"R5685-7949","price":47.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Violet","offer_id":51535701049675,"sku":"R5685-5920","price":47.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Black","offer_id":51535701082443,"sku":"R5685-6877","price":47.99,"currency_code":"GBP","in_stock":true},{"title":"2CD","offer_id":51535701115211,"sku":"R5685-7234","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c271e0be-2db9-5eee-7785-41e16316a9b6_acf7840b-53f9-4976-81ef-7a5daf6a8c7a.jpg?v=1752236834"},{"product_id":"the-making-of-five-leaves-left","title":"The Making of Five Leaves Left","description":"\u003cp\u003e\u003cem\u003eThe Making Of Five Leaves Left\u003c\/em\u003e includes unaccompanied demos, studio outtakes and previously unheard songs that tell the story of how Nick Drake’s debut album \u003cem\u003eFive Leaves Left\u003c\/em\u003e came to be released on Island Records in 1969.\u003c\/p\u003e\n\u003cp\u003eThis Nick Drake Estate authorised edition comprises over 30 previously unheard outtakes from the sessions, compiled across three discs. The final disc to complete the package is the original Joe Boyd produced album. The whole set has been mastered by John Wood. \u003c\/p\u003e\n\u003cp\u003eAccompanied by a 60 page book printed on special textured paper stock, written by Neil Storey in collaboration with Richard Morton-Jack, complete with full track recording details, charts and recording history. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eLP TRACKLISTS:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC ONE – 1st Sound Techniques Session aka The Beverley Martyn demo \u0026amp; Alt Takes from February 1968 to April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide A\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMayfair - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed- 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide B\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face – Rough Mix with Guide Vocal – September 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 5 – April 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 2 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 7 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed – Take 1 – May 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMy Love Left With The Rain – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC TWO – Paul de Rivas Reel – October 1968 \/ Out-Takes November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide C\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBlossom – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eInstrumental – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMade To Love Magic – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMickey’s Tune – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide D\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThree Hours – Take 2 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me – Take 4 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face – Take 1 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun – Take 1 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree – Take 4 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC THREE - Out-Takes from December 1968 to April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide E\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime of No Reply – Take 3 into Take 4 – December 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e‘Cello Song – Take 4 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMayfair – Take 5 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man – Take 1 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide F\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWay To Blue – Cambridge – Winter 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane – Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun – Take 1 into Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man – Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC FOUR - The Original Album – Released 3rd July 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide G\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThree Hours\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWay To Blue\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSide H\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e‘Cello Song\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD TRACKLISTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC ONE – 1st Sound Techniques Session aka The Beverley Martyn demo \u0026amp; Alt Takes from February 1968 to April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMayfair - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed- 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face - 1st Sound Techniques Session – March 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face – Rough Mix with Guide Vocal – September 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 5 – April 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 2 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Take 7 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed – Take 1 – May 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMy Love Left With The Rain – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC TWO – Paul de Rivas Reel – October 1968 \/ Out-Takes November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBlossom – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eInstrumental – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMade To Love Magic – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMickey’s Tune – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me – Cambridge, Lent Term 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThree Hours – Take 2 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me – Take 4 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eStrange Face – Take 1 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun – Take 1 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree – Take 4 – November 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC THREE - Out-Takes from December 1968 to April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime of No Reply – Take 3 into Take 4 – December 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e‘Cello Song – Take 4 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMayfair – Take 5 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man – Take 1 – January 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWay To Blue – Cambridge – Winter 1968\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane – Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun – Take 1 into Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man – Take 2 – April 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eDISC FOUR - The Original Album – Released 3rd July 1969\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eTime Has Told Me\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRiver Man\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThree Hours\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWay To Blue\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eDay Is Done\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003e‘Cello Song\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eThe Thoughts of Mary Jane\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMan In A Shed\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFruit Tree\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSaturday Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMR","offers":[{"title":"4LP - Boxset","offer_id":51618193375563,"sku":"R7418-2565","price":109.99,"currency_code":"GBP","in_stock":true},{"title":"4CD - Boxset","offer_id":51618193408331,"sku":"R7418-4198","price":99.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3NickDrake_MakingOfFiveLeavesLeft_Boxset_NoObi.jpg?v=1744278875"},{"product_id":"all-the-young-droids-junkshop-synth-pop-1978-1985","title":"All The Young Droids: Junkshop Synth Pop 1978-1985","description":"\u003cp\u003e\u003cem\u003eAll The Young Droids: Junkshop Synth Pop 1978-1985\u003c\/em\u003e is a new compilation that charts the underbelly of the epoch-defining sound of the synthesizer in 80s popular music. Compiled by Philip King, the music here connects the dots between DIY synth enthusiasts grappling with new, cheap synthesizers at the tail-end of punk and wannabe, jobbing songwriters enthralled by the new music pioneered by Gary Numan, Depeche Mode, and Daniel Miller's Mute Records.\u003c\/p\u003e\n\u003cp\u003eFeaturing rare tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter chart flops, and heralded underground synth classics, \u003cem\u003eSchool Daze\u003c\/em\u003e paints a picture of beautiful failure. Complete with extensive sleeve notes written by King and never-before-seen imagery, all 24 tracks were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master tapes.\u003c\/p\u003e\n\u003cp\u003eThe story told on \u003cem\u003eAll The Young Droids\u003c\/em\u003e is one of the dawning opportunity presented by both the emergence to the market of cheaper analog synthesizers and the distribution networks plus indie labels that exploded with the advent of punk music in 1976. While the music that sprouted out all over the globe in the wake of these factors was decried as fake, plastic, a refutation of punk's guitar-led revolution, it's telling that much of the music on \u003cem\u003eAll The Young Droids\u003c\/em\u003e was created in bedrooms, ramshackle studios, and home-made setups with often borrowed equipment.\u003c\/p\u003e\n\u003cp\u003eIn the era of record labels jumping to capitalize on the success of The Sex Pistols, The Clash (both on major labels, of course) these artists struggled to stand out from a new gold rush with next to no budget or PR team. With radio and labels desperate for the new \u003cem\u003eYazoo\u003c\/em\u003e, what resulted was a testament to necessity being the mother of invention.\u003c\/p\u003e\n\u003cp\u003eAt the time, the synthesizer was the music of the future, a shiny new machine that could paint like an orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry \u0026amp; The Holograms, it's a pulsing, sardonic weapon.. the only instrument on the \u003cem\u003eMessthetics\u003c\/em\u003e classic lampooning of New Wave fashion. In Hamburg, a 16-year-old Andreas Dorau used it to write and record (with his female classmates on vocals) a global smash in \u003cem\u003eFred Vom Jupiter\u003c\/em\u003e (later licensed to Mute Records). The hard-to-find English version (\u003cem\u003eFred From Jupiter\u003c\/em\u003e, natch) is included here.\u003c\/p\u003e\n\u003cp\u003eMany artists with already-storied careers caught the bug and recorded synthesizer-fueled peons to space, computers, the future and, of course, love interests. Harry Kakoulli, late of \u003cem\u003eSqueeze\u003c\/em\u003e, recorded a solo album in 1979 that included the incredible power-synth-pop smash-that-never-smashed \u003cem\u003eI'm On A Rocket\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e1. Design - Premonition 03:43 2. 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It also features a bonus 12-inch 45 rpm EP featuring four tracks issued as singles in 1974. \u003c\/p\u003e\n\u003cp\u003eCD - \u003cspan\u003eThis edition has been newly remastered from the original master tapes and features an additional seven bonus tracks drawn from rare singles and studio out-takes. It also includes an illustrated booklet with new essay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e7CD\/2Bluray - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis limited-edition deluxe box set comprises seven CDs and two Blu-Ray discs and features a brand new remaster of the original album with seven bonus tracks drawn from studio out-takes and rare singles along with two full previously unreleased concerts mixed by Stephen W Tayler. 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Packed with stone-cold bangers from across their career: \"Ready For The Floor,” “I Feel Better,” and “Flutes,” to name a few. Alongside, new track, \"Devotion\", which sees the band in full voice, merging pop hooks with their unique dancefloor mentality.  \u003ci\u003eJoy In Repetition\u003c\/i\u003e highlights the consistency of their stellar career so far and cements their status as one of the most important British groups in the last two decades. To complement this, the album comes housed in a cover designed by legendary British pop artist Sir Peter Blake, mastermind behind the iconic \u003ci\u003eSgt. Pepper’s Lonely Hearts Club Band\u003c\/i\u003e artwork. and features a little monkey with a miniature cymbal (a little nod to \"Over and Over\").\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe \u003ci\u003eJoy In Repetition\u003c\/i\u003e really is in you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"elementtoproof\"\u003e\u003cb\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003col start=\"1\" type=\"1\"\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eReady For The Floor - \u003ci\u003eMade in the Dark\u003c\/i\u003e (2008)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eBoy From School - \u003ci\u003eThe Warning\u003c\/i\u003e (2006)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eOne Life Stand - \u003ci\u003eOne Life Stand\u003c\/i\u003e (2010)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNight And Day - \u003ci\u003eIn Our Heads\u003c\/i\u003e (2012)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eFlutes - \u003ci\u003eIn Our Heads\u003c\/i\u003e (2012)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eHungry Child - \u003ci\u003eA Bath Full of Ecstasy\u003c\/i\u003e (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eOver And Over - \u003ci\u003eThe Warning\u003c\/i\u003e (2006)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003ePositive - \u003ci\u003eA Bath Full of Ecstasy\u003c\/i\u003e (2019)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLook At Where We Are - \u003ci\u003eIn Our Heads\u003c\/i\u003e (2012)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eNeed You Now - Why Make Sense? 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The versions of the songs presented here are a wonderful addition the group's canon.\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"LP - Black","offer_id":52945829331275,"sku":"R4353-5138","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5065019688903.jpg?v=1752847480"},{"product_id":"something-more-than-free-10-year-anniversary","title":"Something More Than Free (10 Year Anniversary)","description":"\u003cp\u003eHow does an artist follow a critically-acclaimed breakthrough record like \u003cem\u003eSoutheastern?\u003c\/em\u003e For Jason Isbell, the answer was \u003cem\u003eSomething More Than Free\u003c\/em\u003e. With songs like \"24 Frames,\" \"Flagship,\" and \"Children of Children,\" the 2015 album found Isbell tackling the subjects he knows best: the dignity of work, the difficulty of love, the friction between the present and the past.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomething More Than Free\u003c\/em\u003e further established the North Alabama native as a bonafide songwriter, and also netted him his first two Grammy Awards, for Americana Album of the Year, and for American Roots Song of the Year (\"24 Frames.\") 10 years later, Something More Than Free has been re-mixed by the legendary Sylvia Massy (Prince, Johnny Cash, Tom Petty), breathing new life into these now classic songs in the Isbell canon. And as a cherry on top, the man has broken his normal rule and included a b-side here. \"Should I Go Missing\" is a bluesy jammer highlighted by Isbell's slide guitar playing. 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I’d just finished another of my weekly Soho Radio shows and was starting to think about the next one. Raf had been on as a guest playing some of his favourite tunes of the day. We had a few drinks, told a few stories and started to plot and scheme. It was always a dream of mine to have a daily radio show. Radio had always informed and excited me from my early teens listening to John Peel under the blanket when I should’ve been either sleeping or revising right up to the present-day musical excursions of NTS, WFMU and numerous internet based stations. \u003c\/p\u003e\n\u003cp\u003eWe decided to speak to Adrian and Dan who ran Soho Radio to see if they’d be up for us doing a daily morning show. To our surprise they were into the idea and within 5 minutes Adrian came up with the name Morning Glory. We all liked it. We were all excited. It was all systems go. In December 2017 Raf and myself started a daily 2 hour show. We did the show together, got guests in and the musical policy was whatever we felt like that day. After several months Raf found the mornings too much. Off he went into the distance occasionally coming back with a smile, and a bag of new music. I carried on alone and then suddenly in March 2020 the world stopped, and we went into lockdown.\u003c\/p\u003e\n\u003cp\u003eWe set up in my house in Catford, Southeast London and carried on. The show became 3 hours a day and I started to invite friends, record labels, record shops, bands etc.. to supply me with hour long mixes that I played every day. The show took off during this time. My musical tastes expanded as I spent all day long searching for new sounds from around the globe. People started to send me more and more music. I became obsessed with the show. The audience started to take to social media and ask for certain tracks or artists to be played. I got listeners to make me mixes to play on the show and I did several phone interviews with musicians while playing some of their favourite tunes.\u003c\/p\u003e\n\u003cp\u003eI was grateful that Soho Radio left me to my own devices. They never told me what to do or what to play – they trusted me and I trusted my instincts.\u003c\/p\u003e\n\u003cp\u003eThe music on this compilation is not a ‘best of’ it’s just how I felt when I compiled it at the start of 2025. Apart from a couple of tracks they are all things I’ve come across since the show started in December 2017. If I did a list of tracks now I’m sure it would be completely different. Surely that’s the point. We never stick in one place. We are always moving and searching. Always trying to unlock our minds. Put it on. 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