{"title":"Conflict","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eConflict is an anarcho-punk band formed in 1980, originally based around Eltham in South London. They are known for their outspokenness on issues such as anarchism, animal rights, the anti-war movement, and their support for the organization Class War. Their gigs during the 1980s often resulted in riots and disturbances due to their provocative nature.\u003c\/p\u003e\n\n\u003cp\u003eIn 1983, Conflict established their own record labels, *Mortarhate* and *Decadent*. Steve Ignorant, a former member of Crass, joined Conflict as a guest vocalist on their pro-animal rights single \"To A Nation of Animal Lovers\". After Crass disbanded, Ignorant became a semi-permanent second vocalist for Conflict following a memorable gig in Brixton where he performed with the band.\u003c\/p\u003e\n\n\u003cp\u003eThe band's iconic *Mortarhate* logo was designed by 'Nihilistic Nobody' and incorporates references to CND (Campaign for Nuclear Disarmament), anarchy and autonomy with two 'A's', and nihilism with an 'N'. This logo first appeared in Thanatos, a pamphlet produced by Mike Diboll from Toxic Graffity fanzine around 1980.\u003c\/p\u003e","products":[{"product_id":"the-serenade-is-dead","title":"The Serenade Is Dead","description":"\u003cp\u003eA no non-sense 7\" collection of early tracks from anarcho-punk masters, Conflict! 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Now includes the Indie hit singles ‘\u003cem\u003eThis Is Not Enough\u003c\/em\u003e’ (No.3, 27 weeks) and ‘\u003cem\u003eThe Battle Continues\u003c\/em\u003e’ (No.1, 23 weeks).\u003c\/p\u003e\n\n\u003cp\u003eThe final disc is the 32 track \u003cem\u003eTurning Rebellion Into Money\u003c\/em\u003e album which topped the Indie Chart in July 1987. Metal Hammer journalist James Sherry has provided in-depth liner notes from a new interview with Conflict front-man Colin Jerwood. The booklet contains many rare photos plus pictures of all relevant releases. 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They've never posed for a group photo, and resolutely taken the independent, self-sufficient counter-culture route where possible, mostly on their own Mortarhate label. In the melee that they create, Conflict's music has often been overlooked. Fierce, tense, cajoling and militant, the reverberation alone is enough to provoke an emotional response. They can be looked on as an amalgam of what The Clash and Crass could have been - rallying protest, exhorting uprising, uniting crowds against common foes - all over a ferocious punk backing. Their singles dominated the top of the indie charts in the 80's. After they were banned from the UK, they played at secret gigs and overseas, but became inactive in the mid nineties. Now, revered by the US straight-edge punk movement and protesters from Seattle to Prague, they have come out of hibernation. 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Crass, the renowned anarchist punk collective, having got Conflict started by releasing their debut single 'The House That Man Bult' in 1982 on Crass Records, ended in 1984 as they had always intended. Now it was up to Conflict to pick up the baton and run with it. And they did, charging into the battle lines of authority.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe years that followed saw Conflict go from strength to strength, peaking on the 18th of April in 1987 at the London Brixton Academy for the 'Gathering of  the 5,000' concert. A climax and explosion of rage and rebellion that inevitably ended up in a police provoked full-scale riot with police injuries, arrests, and  with the band hopelessly in debt and banned from the majority of major London and UK venues.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUndeterred, Conflict continued into the 90s with their acclaimed \u003cem\u003eConclusion\u003c\/em\u003e album and remained a mainstay of the live punk circuit throughout. 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It was engineered by \u003cstrong\u003eJohn Loder\u003c\/strong\u003e under the watchful eye of \u003cstrong\u003eCrass\u003c\/strong\u003e' \u003cstrong\u003ePenny Rimbaud\u003c\/strong\u003e, credited here as Elvis Rimrod.\u003c\/p\u003e\n\n\u003cp\u003eFrom the opening strike of \u003cem\u003eConflict\u003c\/em\u003e, the band made their purpose clear. These early tracks are primal, basic and raw, capturing \u003cstrong\u003eConflict\u003c\/strong\u003e learning their instruments and pushing hard into their own sound. \u003cstrong\u003ePenny\u003c\/strong\u003e and \u003cstrong\u003eJohn\u003c\/strong\u003e channelled that energy brilliantly, and the single quickly connected with the growing anarcho-punk movement.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eCrass\u003c\/strong\u003e frontman \u003cstrong\u003eSteve Ignorant\u003c\/strong\u003e, \u003cem\u003eTo A Nation of Animal Lovers\u003c\/em\u003e was recorded and mixed at Southern Studios in April 1983. A fierce statement against animal abuse, testing and cruelty, it helped place \u003cstrong\u003eConflict\u003c\/strong\u003e at the forefront of the early eighties animal rights movement.\u003c\/p\u003e\n\n\u003cp\u003eAfter \u003cstrong\u003eJohn Loder\u003c\/strong\u003e's passing, the original multi-track tapes were returned to the band. \u003cstrong\u003eColin\u003c\/strong\u003e and \u003cstrong\u003eGav King\u003c\/strong\u003e had them baked and digitised for remixing, though \u003cstrong\u003eColin\u003c\/strong\u003e passed before it could happen. \u003cstrong\u003eGav King\u003c\/strong\u003e completed the remixes, while \u003cstrong\u003eSid Truelove\u003c\/strong\u003e of \u003cstrong\u003eRubella Ballet\u003c\/strong\u003e remastered the original ¼ inch tape mixes.\u003c\/p\u003e","brand":"Cadiz","offers":[{"title":"CD","offer_id":57932009537867,"sku":"R0568-0238","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cadizcd343.jpg?v=1784823540"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/conflict.oembed","provider":"Rough Trade","version":"1.0","type":"link"}