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This is the story of Martyn Ware.\u003cbr\u003e\u003cbr\u003eThe Human League and Heaven 17 were among some of the most pioneering bands of the 1980s, with Ware having played an integral role in each of their numerous successes. A young lad from the heart of post-war Sheffield, Ware formed The Human League a few years out of school in his early twenties. Described by David Bowie as 'the future of music', it wasn't long before the band become known for their innovative and infectiously catchy singles such as 'Being Boiled', touring with the likes of Siouxsie and the Banshees and Iggy Pop before Ware's departure. Heaven 17 followed suit, with their soon-to-be classic albums, Penthouse \u0026amp; Pavement and The Luxury Gap, featuring several colossal hits. 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Today, David is one of Parliament's most prominent and successful campaigners for social justice. He led the campaign for Windrush British citizens to be granted British citizenship and has been at the forefront of the fight for justice for the families affected by the Grenfell Tower fire.\u003c\/p\u003e\u003cp\u003eIn 2007, inspired by the bicentenary of the Abolition of the Slave Trade Act and looking to explore his own African roots, David Lammy took a DNA test. Ostensibly he was a middle-aged husband \u0026amp; father, MP for Tottenham and a die-hard Spurs fan. But his nucleic acids revealed that he was 25% Tuareg tribe (Niger), 25% Temne tribe (Sierra Leone), 25% Bantu tribe (South Africa), with 5% traces of Celtic Scotland and a mishmash of other unidentified groups.\u003c\/p\u003e\u003cp\u003eBoth memoir and call-to-arms, \u003ci\u003eTribes\u003c\/i\u003e explores both the benign and malign effects of our need to belong. 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Readers need not be fans of Hitchcock's music to find this enchanting.' ―\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePublishers Weekly,\u003c\/span\u003e\u003cspan\u003e on \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e1967\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e'Memoirists rarely begin their work with a stroke of genuine inspiration, and Robyn Hitchcock's ingenious idea to limit his account of his life to the titular year gives this sharp, funny, finely written book an unusually keen, wistful intensity without sacrificing its sense of the breathtaking sweep of time. 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