{"title":"Dear Life","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDear Life Records is a record label based in Philadelphia, Pennsylvania. It was founded by Michael Cormier and co-run with Frank Meadows and Jon Samuels. The label's mission is to release a diverse range of music and audio-based projects that delve into the depths of the human experience.\u003c\/p\u003e\n\n\u003cp\u003eWith artists such as Friendship, Hour, Bellows, Fust, Colamo, 2nd Grade, Yowler, and JR Samuels under its wing, Dear Life Records offers a platform for musicians interested in exploring the smallest intricacies of life through their art.\u003c\/p\u003e\n\n\u003cp\u003eIf you're looking for music that goes beyond the surface level and delves into the tiniest crevices of human existence, Dear Life Records has something special to offer. Explore our catalog and discover unique sounds that will take you on an unforgettable journey.\u003c\/p\u003e","products":[{"product_id":"creamy-dreamy-party-all-the-time","title":"Creamy Dreamy Party All The Time","description":"\u003cp\u003eJoey Nebulous is a pop project crafted from the mind of Joseph Farago. Starting in his college dorm in late 2015, the band began as an operation of close friends. With the support of Farago's gifted and reassuring bandmates, Joey Nebulous has performed around the country, playing at huge venues like Brooklyn Bazaar with Remember Sports and performing alongside indie rock legends like Soccer Mommy. Farago was also lucky enough to collaborate with his musical hero Frankie Cosmos on the single \"Break,\" which was released in April 2023.\u003cbr\u003e \u003cbr\u003e Joey Spumoni Creamy Dreamy Party All The Time is a record almost five years in the making. Combining some of Farago's favorite words, the title mimics the music's facetious outlook and commitment to fun and pleasure. Joey Nebulous has always been a place for Farago to escape his depression, often writing about hedonism, pop icons, and friendship to placate the harshness of growing up in this current climate. The record explores the beauty of everyday foods, the importance of connection, and the blessed parts of being LGBTQ+, hoping listeners will find joy and reverence for commonplace meals and moments, too.\u003cbr\u003e \u003cbr\u003e Joey Spumoni Creamy Dreamy Party All The Time is dedicated to all the queer people who felt like they couldn't excel in their passions, for all the kids who were ridiculed for their interests or told they couldn't succeed. This record rejoices in pop culture, often deemed superficial or tasteless, and celebrates daydreams and fantasies that LGBTQ+ youth are often shamed for. With this debut, Farago and his team of misfits are committed to connecting the Charli XCX lovers with the indie rock heads, the baking show enjoyers, the Halloween fanatics, and everyone in between.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP","offer_id":50393946751307,"sku":"2051198","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_1d60c4e7_thumbnail_4096.jpg?v=1726429386"},{"product_id":"genevieve-4","title":"Genevieve","description":"\u003cp\u003eFust's first record \"Evil Joy\" was a bitter domestic drama obsessed with the kitchen-sink passage of time measured by moments of leaving and returning -  With \"Genevieve\", we find a different kind of leaving: leaving behind, leaving one's old ways, starting anew, a small life together, in \"Family Country.\" Thus, Genevieve: an historical name for both the saintly and the ordinary, the peasantry and the family, the community and the wife, extreme devotion and absolute forbearance. While sonically and instrumentally louder than Evil Joy, Genevieve is thematically more quiet about its pains--more settled in its ways. It is a collection of pathetic love stories written in dedication to \"small life,\" moving from gentle exceptions (\"I can take the late hours if you're with me\") to pitiful admissions (\"I'm never going to change when I leave...\"). What comes with a quiet life? The highest forms of beauty, but we also find here songs of unspeaking companions, the sublime dread of having children, the balance of humility and humiliation, playing the fool for the greater good, and... budget birthday parties. With these stories of possible growth, \"Genevieve\" can't help but also feature tried and true examples of crisis and repression: seeking a bygone lifestyle in an old friend who hasn't changed much over the years, pissing contests, search parties as the form of community for melancholics with no clue what they've lost, old flames you won't let go and dying flames you won't admit. \u003cbr\u003e \u003cbr\u003e \"Genevieve\" was recorded throughout 2021-2022 (mostly) at Drop of Sun studio in Asheville NC by Alex Farrar. The painting by Sasha Popovici is exactly right: a domestic scene yet unfinished. Many friends helped to make it much better than it was without them--Xandy Chelmis, Michael Cormier-O'Leary, Indigo De Souza, MJ Lenderman, Courtney Werner.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"Black LP","offer_id":50407992262987,"sku":"2166263","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_aba8e1b9_thumbnail_4096.jpg?v=1726601609"},{"product_id":"water-giants-3","title":"Water Giants","description":"\u003cp\u003eRIYL: Palberta, Kristine Leschper, Oneohtrix Point Never, Aldous Harding. Nina Ryser's music has always inhabited its own world; a singular and cohesive collection of Keyboard-centric home recordings that marry her undeniable pop sensibilities with a truly bizarre dreamlike aesthetic. With a solo career spanning 7 releases as well as her work in the highly influential art-punk trio Palberta, Nina's artistic voice has been a staple in the American underground for over a decade, her distinctive and consistent sound earning a cult following. \u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP","offer_id":50426502218059,"sku":"2217077","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Nina_Ryser_-_Water_Giants_77747f49_thumbnail_4096.jpg?v=1726811379"},{"product_id":"ease-the-work-2","title":"Ease the Work","description":"\u003cp\u003eTo record \"Ease the Work\", Hour traveled via ferry with an entire studio's worth of equipment to an old off-Broadway theater on Peaks Island in Maine, months before the first tourists would show up -  The week-long session started with an island-wide power outage that halted recording on the first day, and ended with twelve songs that walk steadily between longing and contentment, sentimentality and subtlety, the lift of harmony and the compulsion of a melody you wish would play forever.\u003cbr\u003e \u003cbr\u003e Hour's music cuts a broad pathway, and remains hard to classify or compare. Perhaps most at home beside work from Bill Frisell, Eiko Ishibashi, ECM Records, or the Louisville experimental chamber group Rachel's, Ease the Work shows us life on the boundary of composition and improvisation. It reaches for the sweeping gestures and inspired pacing of classic film scores, Frank Sinatra ballads, and Scott Walker's pop orchestra. It also retains the arresting intimacy of the band's early work. Strings swell and harmonize in counterpoint with electric guitar, clarinet, and piano, while drums, synth pads, and field recordings complete the aural world.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"Black LP","offer_id":50442100474187,"sku":"2184890","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_91b65c8d_thumbnail_4096.jpg?v=1726992154"},{"product_id":"boat-songs","title":"Boat Songs","description":"\u003cp\u003eJake Lenderman lives in Asheville, North Carolina - he plays guitar in the indie band Wednesday and creates his own music as MJ Lenderman and his latest solo release is \u003ci\u003eBoat Songs\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eLenderman describes the album as his most \"polished\" sound to date, built around songs that \"chase fulfilment and happiness\" whether that means buying a boat, drinking too much, or watching seeds fall from the bird feeder. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eBoat Songs\u003c\/i\u003e is the followup to Lenderman's 2020 label debut, \u003ci\u003eGhost of Your Guitar Solo\u003c\/i\u003e, and subsequent release, \u003ci\u003eKnockin'\u003c\/i\u003e, both of which were critically acclaimed for their off-the-cuff alternative country sound. But with \u003ci\u003eBoat Songs\u003c\/i\u003e, Lenderman emerges confident as ever, an innovative voice impossible to ignore.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP - Green \/ Rough Trade Exclusive","offer_id":50446027882827,"sku":"2013875","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Red \/ Rough Trade Exclusive","offer_id":50446027227467,"sku":"1166124","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":50446025785675,"sku":"1154519","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50446026277195,"sku":"1153349","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":53308725002571,"sku":"MjLBScass1","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b69bed08-96e3-4089-804b-8d60140df9be_thumbnail_4096.jpg?v=1727051803"},{"product_id":"rise-vision-comin","title":"Rise Vision Comin","description":"\u003cp\u003eA breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical\/political expression from renowned activist\/scholar\/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless \u0026amp; unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on saxophone who also served as creative director. It features 9 tracks with the title track, “Rise, Vision, Comin” a great example of the adhesive comradery between instrumentation and Madhubuti’s spoken-word.\u003c\/p\u003e","brand":"Life Goes On Records","offers":[{"title":"Black | LP","offer_id":50469535908171,"sku":"2224506","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/71NE34gReL._UF8941000_QL80__7e0c98ea_thumbnail_4096.jpg?v=1727362311"},{"product_id":"natural-science-2","title":"Natural Science","description":"\u003cp\u003eFrom 2019 to 2023 Lindsay Reamer worked as a field scientist. With a guitar and a bag of books in tow, she would leave her home in Philadelphia for the postcard scenes of the American landscape to gather data on visitation in National Parks. She counted cars and RVs, surveyed visitors, and made a temporary home for a few weeks at a time wherever she landed. All the while, she collected her own observations like specimens and slowly weaved the songs that would form her debut full-length, ‘Natural Science.’ Recorded throughout 2023 by Lucas Knapp, ‘Natural Science’ paints with a full spectrum. Humor rubs elbows with heartbreak. Acoustic guitars brush up against synthesizers, cradling Reamer as she sings about the American Chestnut tree extinction, employee gossip at a Day's Inn, fishing beside a power plant, turf grass farms, and waking up next to day-old take-out. The indifferent beauty of nature is held up next to the everyday as Reamer does her very best to find clues for navigating the latter by musing upon both. Following the release of her selfproduced EP ‘Lucky (Dear Life Records) in 2021, Reamer assembled a band with musicians from Philadelphia's vibrant music community and began working her once solo-acoustic songs into full band arrangements. After a brief flirtation with dance music which led to 2022's viral single “Touch Tank,” Reamer settled into a sound that lies somewhere in the folk- rock-pop matrix, explored with the humor and lightness of songwriters like Sheryl Crow or Melanie. Reamer reflects: “When | heard the songs with the band, | knew it was time to make the record. It felt like something | had been working towards my whole life. | grew up around musicians but | never thought | was good enough to be in a band or even to make my own music. My grandmother Joan gave me voice lessons after school, my mom was an opera singer, and my dad a guitar player. But it wasn’t until a few years ago that I realized | could do it. It didn't matter if | could shred on the guitar or something. It was like some illusion shattered.” Reamer is a sincere storyteller. The self-doubt and heartbreak expressed in songs like “Spring Song,” “Sugar,” or “Red Flowers” give way to the triumphant moments of self-acceptance and love in “Lucky,” “Necessary,” and “Figs and Peaches.” ‘Natural Science’ chronicles a path to confidence, an honest reflection of someone with the capacity to hold a deep well of emotion who also makes sure to not take it all too seriously. “Gardens on the land \/ Castles on the beaches \/ | trust my hand and \/ Pluck my figs and peaches,” Reamer sings, as she works to reconcile the strange difficulty we have at finding happiness despite the obvious beauty all around us\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP","offer_id":50473840148811,"sku":"2209517","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50473840410955,"sku":"2209529","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Lindsay_Reamer_-_Natural_Science_603757fc_thumbnail_4096.jpg?v=1727431385"},{"product_id":"the-holey-bible-2","title":"The Holey Bible","description":"\u003cp\u003eFor Francie Medosch, leader of rag tag Philly country-rock outft Florry, the 11 songs on their Dear Life Records debut \u003ci\u003eThe Holey Bible\u003c\/i\u003e urgently radiate a place of hard-won optimism, and pull no punches in laying out the patient road it sometimes takes to get there.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Holey Bible\u003c\/i\u003e aspires to the special feeling of raucous intimacy achieved by the best records in the outlaw country canon, and strikes that rare balance between a display of careful honesty, and an invitation to a party.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP","offer_id":50507000709451,"sku":"2046272","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0656382678940_87451e63_thumbnail_4096.webp?v=1727836241"},{"product_id":"strange-power-2","title":"Strange Power!","description":"\u003cp\u003eRIYL: Weyes Blood, Allegra Krieger, Jessica Pratt, Kath Bloom. 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Violins, vibraphones, drum machines, electric guitars dappled with spring reverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by co-producer Michael Cormier-O'Leary and mix engineer Lucas Knapp) settling the final record in an eerie meridian between spareness and verdancy.\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"Tape","offer_id":50545417257291,"sku":"2222529","price":13.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50545417355595,"sku":"2222541","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Anne_Malin_-_Strange_Power_98289836_thumbnail_4096.jpg?v=1728344975"},{"product_id":"5-na-bossa","title":"5 Na Bossa","description":"\u003cp\u003eThe collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. 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Formed by band leader Mizutani Takashi, their music remained remarkably familiar over the years, and is best described as high volume, raw lo-fi repetitive feedback-drenched guitar noise fests with nods in the direction of the Velvet Underground and Blues Creation.\u003c\/p\u003e","brand":"Life Goes On Records","offers":[{"title":"Black LP","offer_id":50862179254603,"sku":"2233425","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7298594210636_0c09a249_thumbnail_4096.jpg?v=1732041353"},{"product_id":"nelson-angelo-e-joyce","title":"Nelson Angelo E Joyce","description":"\u003cp\u003eIn 1972, Joyce and Nelson recorded the LP Nelson Angelo e Joyce, her only professional recording between 1971 and 1975. Sophisticated in its simplistic sound, the album explores Joyce’s tender voice and Angelo’s melancholic mantra-shaped melodies. 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Across this collection of recordings harvested over two years of extensive DIY touring, bandleader\/composer Michael Cormier-O'Leary demonstrates a deep understanding of the character of his shifting ensemble and its players. Subminiature also serves as a hard worn tour diary, cataloguing concerts that were affectionally curated to highlight the strength of the music; at once adventurous and melodic and insistent upon spaces that encourage deeper connection. These tours saw the group performing in movie theaters, on islands, in machine shops and parking garages, crowded bars and living rooms, churches and theaters. Invariably, the music expands and contracts to match the space the ensemble is performing in. 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The members –– Aaron Dowdy, Avery Sullivan, Frank Meadows, John Wallace, Justin Morris, Libby Rodenbough, Oliver Child-Lanning––weave their voices alongside guests like Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes) to form a music that sounds like a conversation between old friends. And that’s exactly what it is.\u003c\/p\u003e\u003cp\u003eThe songs on \u003ci\u003eBig Ugly\u003c\/i\u003e are hearteningly varied, moving from beer-fisted radio country to elegiac drones to deconstructed ballads. Songs like “Spangled” take up the theme of past traumas and present desensitizations colliding, of the small and cosmic coinciding in the life of a heedless protagonist. “Bleached” finds the soul-searching narrator recalling the feeling of inner vacancy in their childhood: thoughtless, speechless, herded around like cattle in backseats. 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Their melodies are chiseled at extremes, vacillating between the angular and the achingly lyrical. All three members are accomplished artists and composers in their own right, coming from strong backgrounds in the jazz world, and featured alongside artists such as Harry Styles, Mary Halvorson, Dave Douglas, Matthew Barney and more. Their stunning debut LP \"something we once knew\" (out May 3, 2024 on Dear Life Records) is in its own class--a record that teaches us how to listen to it as it progresses. Recorded live in the studio without overdubs, its songs chart troubled and surreal journeys toward understanding or acceptance, passing through mystical corners of its members' singular musical vocabularies.\u003cbr\u003e \u003cbr\u003e In these pieces, Quill and Vandever move fluidly between handling melodies with their voices and their instruments, harmonizing closely with Pardo's melismatic lines. Though the band often works in carefully coordinated group gestures, some of the sharpest moments of catharsis on the record come during virtuosic passages highlighting individual members. 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Exacting instrumentation honed through mentorships and late-night jams at fiddler’s conventions tangles with a community-sourced inventiveness that influences variants and new sounds. Joseph Decosimo is a master of this genre for this very reason, blending deep technique with an openness and curiosity that keep his music crackling with life. A “marvelous fiddler” (No Depression) and banjo player who braids “exultation and veneration” (INDY Week) into his music, on his third solo album \u003cem\u003eFiery Gizzard\u003c\/em\u003e Decosimo gathers a close-knit ensemble of friends from his musical career to infuse his interpretations of fiddle and banjo pieces with a contagious communal joy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs an artist working with traditional music from the South and Appalachia, Decosimo chooses songs based not only on historical significance and lineage but also his own sensory approach. 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A folklorist by intuition, he later became one by profession, studying with old-time legend Clyde Davenport, teaching in East Tennessee State University’s renowned bluegrass program, and receiving his PhD at the University of North Carolina with a dissertation titled “Catching the ‘Wild Note’: Listening, Learning, and Connoisseurship in Old-Time Music.” In North Carolina, Decosimo kicked about in the verdant environment of Durham and Chapel Hill’s folk and indie scenes, collaborating with artists including Alice Gerrard, Hiss Golden Messenger, and Jake Xerxes Fussell. This community has influenced his own music, including his “sublime and strangely heartening” (Bandcamp Daily) 2022 release While You Were Slumbering and Beehive Cathedral, Decosimo’s 2024 “Appalachian mountain music treasury” (New Commute) trio album with Luke Richardson and Cleek Schrey for Dear Life Records.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContinuing on this path, \u003cem\u003eFiery Gizzard\u003c\/em\u003e is home base for a loose outfit of mostly Tarheel-based musicians from within and beyond traditional music. Inspired by a tour with fiddler Stephanie Coleman (Nora Brown), guitarist Jay Hammond, and synth builder and multi-instrumentalist Matthew O’Connell, Decosimo assembled studiomates based on close friendships and comfort. Coleman, O’Connell, and Hammond contribute to Fiery Gizzard, along with bassist and producer Andy Stack (Helado Negro, Wye Oak), horn player Kelly Pratt (Beirut, David Byrne), Mipso and Fust’s Libby Rodenbough, Joseph O’Connell (Elephant Micah), and trad\/experimental artist Cleek Schrey. Decosimo’s fiddle and banjo work is virtuosic, intricate and simple simultaneously, a testament to his many years of study. On some tracks, his playing or lovely, plain-hearted singing is the centerpiece, such as on his interpretations of Texan street preacher Washington Phillips' 1929 recording \"I Had a Good Father and Mother\" or the Eastern Kentucky fiddle barn-burner “Glory in the Meetinghouse,” famously played by Luther Strong for Alan Lomax. But there’s also a trusting open-door policy, like where Southern Appalachian tune “Ida Red” relaxes into Coleman’s sweet, confident fiddling and Hammond’s loping guitar. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs a bandleader, Decosimo’s confidence and enthusiasm for the music reveal the heart of traditional music and how it can come to life through community. \u003cem\u003eFiery Gizzard\u003c\/em\u003e is Joseph Decosimo as a powerful champion of traditional music – a sponge who soaks up as much as he squeezes out, a responsive artist who makes his genre accessible, and a magnet who can bring musicians of all sorts into his orbit with his same passion.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dear Life","offers":[{"title":"LP - Black","offer_id":52569138528587,"sku":"R6157-0878","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52569138561355,"sku":"R6157-7210","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_6e86632e-02ef-407e-ac0a-f96c0c5d08f5.jpg?v=1751140930"},{"product_id":"birds-of-paradise-1","title":"Birds of Paradise","description":"\u003cp\u003eThe realest-deal storyteller in indie-rock today is the Tampa-born, New Orleans-based singer\/songwriter Thomas Dollbaum, and \u003cem\u003eBirds of Paradise\u003c\/em\u003e is his most powerful and dynamic work yet. Following up his critically acclaimed \u003cem\u003eWellswood\u003c\/em\u003e (Big Legal Mess, 2022) and \u003cem\u003eDrive All Night EP\u003c\/em\u003e (Dear Life Records, 2025), \u003cem\u003eBirds of Paradise\u003c\/em\u003e is a goodbye letter to lost loved ones and former selves. These songs find Dollbaum searching for acceptance in the transient in-between places: Florida's pine flatwoods, backroads leading to I-95, where birds fly across the water. And even though the ghosts of his alt-country predecessors Townes and Molina are definitely present, on \u003cem\u003eBirds of Paradise\u003c\/em\u003e, Dollbaum emerges from their shadows—waving to the past, sounding all the more like himself.\u003c\/p\u003e\n\u003cp\u003eThis moment—this album—is long overdue. Both of Dollbaum’s previous releases had taken way too long to record, due to circumstances out of his control, leaving him frustrated. And after having been away from his home for eight years, the place he had left was no longer the place he remembered, and the unchanging of the natural world felt like a constant he wanted to write about. With a sense of immediacy, he wrote \u003cem\u003eBirds of Paradise\u003c\/em\u003e in three months. Called up the musicians he trusted and admired the most—Nick Corson, Josh Halper, and Jake Lenderman—and asked them to meet him at Dial Back Sound in Water Valley, Mississippi with producer\/engineer Clay Jones. They learned and tracked the album in four days, capturing lightning in a bottle, a sonic revelation Dollbaum’s writing has always been waiting for.\u003c\/p\u003e\n\u003cp\u003eWith the help of Lenderman, Halper, Corson, and Jones, \u003cem\u003eBirds of Paradise\u003c\/em\u003e is Dollbaum’s hard-won breakthrough. 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It follows last year's Big Ugly and 2023's Genevieve, which introduced new listeners to Fust’s blend of “small-town poetry” (Mojo) and a familiar yet probing “country-tinged folk-rock” (KEXP) that made it “one of the most fun rock records of the year” (Pitchfork). With Big Ugly, that sensibility didn’t pivot so much as open up: the band plays louder and looser, while the songs feel even more close-up and lived-in, as Aaron Dowdy’s writing sharpens its eye for the detail that suddenly explains a whole life—and the band moves like a circle of friends telling the same story from several angles at once. The record’s reach earned prominent year-end recognition from outlets like Time and Rolling Stone, with critic Steven Hyden calling it “the purest manifestation of the updated alt-country sensibility.” The Evil Joy reissue also continues a quiet through-line in Fust's catalog: a habit of returning to earlier material not as artifact, but as groundwork—recontextualizing the beginnings as the sound keeps moving. That instinct was already visible in 2024's Songs of the Rail, a set of early home recordings that Paste called “one of the best alt-country compilations...in a long, long time”—a reminder that Fust’s forward motion has always been built from an accumulating, shared history. 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