{"title":"DFA","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eDeath From Above\u003c\/em\u003e (DFA) is a punk funk record label founded by James Murphy, Tim Goldsworthy, and Jonathan Galkin. The label's name was inspired by Murphy's nickname for his punishing tour PA set up while working as the live sound engineer for [a472959]. Since its establishment, DFA has become synonymous with innovative and boundary-pushing music.\u003c\/p\u003e\n\n\u003cp\u003eDFA was born out of a passion for merging punk and funk genres, resulting in a unique sound that captivates listeners. With an impressive roster of talented artists, including LCD Soundsystem and many others, the label continues to push the boundaries of what is possible in music.\u003c\/p\u003e\n\n\u003cp\u003eKnown for their authoritative presence in the industry, DFA remains at the forefront of discovering new talent and releasing groundbreaking albums. Their commitment to quality and creativity has solidified their reputation as one of the most influential labels in contemporary music.\u003c\/p\u003e","products":[{"product_id":"slif-slaf-slof","title":"Slif Slaf Slof","description":"\u003cp\u003eMermaid Chunky. It’s all in a name, sometimes. The danceable, costumed, curiosity rich duo of artists Freya Tate and Moina Moin are as imaginative as they profess. Or, to get more to the point, as we all need them to be.\u003c\/p\u003e\u003cp\u003eFreya and Moina are two visual artists and musicians from Stroud and South London, places where they importantly found communities (Stroud’s SVA and the capital’s Total Refreshment Centre) of like minded people just as willing to chase down an idea to its possibly illogical conclusion. And it is in the collective and the idea of participation that Mermaid Chunky really clicks. This is a party, a collective dance, made all the better with more: people, ideas, layers, kick drums, recorders, saxophones, frogs.\u003c\/p\u003e\u003cp\u003eTo wit, the album’s first track and first single, “Céilí,” named after a traditional Scottish or Irish social gathering and dance, which builds from a simple recorder line into a swelling, warm burst of major chord dance music. Goosebumps or check your pulse.\u003c\/p\u003e\u003cp\u003eFurther down the rabbit hole, “Chaperone” is almost boardwalk electro, like Fischerspooner on a ferris wheel; “Frogsporn” and “Nature Girl” are mucky, trippy dirges filled with stalactites of synth and squelch; “Tiny Gymnast” is a kaleidoscopic waltz into the night. Hold onto your seats, ladies and gentlemen.\u003c\/p\u003e\u003cp\u003eYou might be wondering how we, DFA Records, all the way over in cynical Brooklyn, entered the picture. There was a day a few years ago, sun shining in full Springtime splendor, when James heard something while waiting for a coffee down the street from the office. It sounded simple yet deceptively complex: a dance track, but one where the one - that anchoring first beat in a measure - could be heard a thousand different ways. Frustrated and interested, he Shazamd the song, playing at the shop from an episode of Zakia’s Questing show on NTS, and brought it back to the office, where we all listened to it about fifty times. (The song was “Friends,” from Mermaid Chunky’s VEST EP, released in 2020. It led to an invitation to open for LCD at Brixton Academy in 2022. Mermaid Chunky has also played live alongside The Comet Is Coming, Alabastair Deplume, Snapped Ankles, and many others.)\u003c\/p\u003e\u003cp\u003eThus began our search for Mermaid Chunky. A quest it has been and a quest it will always be.\u003c\/p\u003e\u003cp\u003eFor fans of Jockstrap, Let’s Eat Grandma, Fischerspooner.  \u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black LP","offer_id":50380134252875,"sku":"2206522","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Mermaid_Chunky_-_slif_slaf_slof_a6cbc36c_thumbnail_4096.jpg?v=1726208773"},{"product_id":"dfa-compilation-2-3","title":"DFA Compilation #2","description":"\u003cp\u003eA compendium what are arguably the best prime-era DFA cuts, mostly all recorded and\/or remixed at the old DFA Studios on W. 13th Street (with some notable exceptions), released as 12-inches and then compiled onto a 3xCD set for convenience because, at the time, people actually bought CDs more than vinyl. Now on a 4 LP set - 18 tracks of complete and utter bangers from Joy, Juan Maclean, LCD Soundsystem, Pixeltan, Liquid Liquid, the Rapture etc.\u003c\/p\u003e\u003cp\u003eA1. Black Leotard Front - Casual Friday  B1. J.O.Y. - Sunplus (DFA Remix)  B2. The Juan MacLean - I Robot  B3. The Juan MacLean - Dance Hall Modulator Dub  C1. Delia Gonzalez \u0026amp; Gavin Russom - Rise (DFA Remix)  C2. Black Dice - Wasteder  C3. J.O.Y. - Sunplus  D1. LCD Soundsystem - Yeah (Pretentious Version)  D2. The Rapture - Sister Saviour (DFA Dub)  E1. Liquid Liquid - Bellhead  E2. LCD Soundsystem - Yeah (Crass Version)  F1. Delia Gonzalez \u0026amp; Gavin Russom - El Monte  F2. The Rapture - Alabama Sunshine  G1. Pixeltan - Get Up : Say What (DFA Remix)  G2. LCD Soundsystem - Beat Connection (Extended Disco Dub)  H1. Pixeltan - That’s The Way I Like It  H2. Black Dice - Endless Happiness (EYE Remix)   H3. The Juan MacLean - Less Than Human \u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black | LP | x4","offer_id":50383647670603,"sku":"2001542","price":119.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DFA2140-packshot_de4b6b37_thumbnail_4096.jpg?v=1726274866"},{"product_id":"hang-the-rich-2","title":"Hang The Rich","description":"\u003cp\u003eEcstatic, indignant punk-funk barn burner from one of the avant-garde world's most celebrated saxophonists, backed with a DJ-friendly edit from Optimo's JD Twitch. \u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black 12\"","offer_id":50388436189515,"sku":"2172246","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dickie-landry-hang-the-rich_98985b95_thumbnail_4096.jpg?v=1726342048"},{"product_id":"f-lux","title":"F. Lux","description":"\u003cp\u003eYou must surrender. Because if you’ve followed Naum Gabo over the past 15 years – across various 12-inches, styles, and notable labels - and you’re listening to “F. Lux,” their first proper album, then you’re probably wondering how you wound up here, all the way down, barely able to see through the brain-clogging atmosphere and towering low-end. “F. Lux” is a deep, enthralling listen, alternating between moments of pounding, world-ending techno (“Schinokapsala” and “This 1”) and sharply imagined, surrealist scenes painted with metallic machines (“Aora” and “Haerstag”). There is light to be found in the darkness, but the only way out is through. Naum Gabo are Glasgow’s Jonnie Wilkes (also known as one-half of DJ duo Optimo) and James Savage (prolific mastering engineer). F. Lux was written and produced entirely by them at their Glasgow Hottrax Studios and mastered by James Savage. The album’s front cover artwork is a painting by cherished Scottish painter, Andrew Cranston. The vinyl was pressed at MPO in France using lacquers cut by Bob Weston in Chicago.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black LP","offer_id":50389296480587,"sku":"2175431","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/li1_1_e0ce8cc6_thumbnail_4096.jpg?v=1726357125"},{"product_id":"pow-pow-idjut-boys-remix-too-much-love-rub-n-tug-remix","title":"Pow Pow (Idjut Boys Remix) \/ Too Much Love (Rub-N-Tug Remix)","description":"\u003cp\u003eAmong the depths of the DFA vault (really an assortment of poorly organized hard drives of varying vintages), we found this true hidden gem, a version of \"pow pow\" made all squirrely by master squirrels the Idjut Boys. Why we kept this a secret for 14 years will forever remain a mystery. It's a distant cousin of the original - vocals gone, drums looped out, synths and delay coming down like acid rain. A real chugger. What better to pair it with, then, than Rub-N-Tug's remix of \"too much love,\" long out of print from its original pressing in 2005 and still a complete monster meant for dark rooms and smoke machines cranked up past 11. It lives on wax once again, now with a likeminded buddy. Both tracks were recut at 45RPM by Bob Weston and pressed with care by the good humans at Third Man Pressing in Detroit, MI.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black 12\"","offer_id":50420648313163,"sku":"2184720","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/LCD_Soundsystem_-_Pow_Pow_Idjut_Boys_Remix_12_732c746f_thumbnail_4096.jpg?v=1726753456"},{"product_id":"the-long-goodbye-lcd-soundsystem-live-at-madison-square-garden","title":"The Long Goodbye - LCD Soundsystem Live At Madison Square Garden","description":"\u003cp\u003e\u003ci\u003eThe Long Goodbye: LCD Soundsystem Live At Madison Square Garden\u003c\/i\u003e, a unabridged recording of LCD Soundsystem's near four-hour April 2, 2011 farewell show at New York's Madison Square Garden. Produced and mixed by LCD founder and frontman James Murphy, \u003ci\u003eThe Long Goodbye\u003c\/i\u003e is the ultimate audio document of LCD Soundsystem's now legendary final show. The album's exclusive mix brings new life to every note of music played during the epic MSG show - including of course the performances featured in the acclaimed film \u003ci\u003eShut Up and Play The Hits\u003c\/i\u003e, which chronicled the concert while painting an intimate portrait of Murphy navigating its lead-up and aftermath. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Long Goodbye\u003c\/i\u003e show was the lengthiest, most career-spanning set LCD Soundsystem would ever play. The album captures Murphy and company going out on top and on their own terms: with the ultimate LCD live performance in both senses of the word. On The Long Goodbye, the LCD core live band of Murphy, Pat Mahoney, Nancy Whang, Al Doyle, Gavin Russom, Tyler Pope and Matt Thornley is augmented by a choir, string and horn sections plus contributions from both one-time-only special guests and many of the musicians with whom the band has worked over the years for incredible final performances including 'North American Scum' with guest vocals from Arcade Fire, 'All My Friends,' 'I Can Change,' 'Daft Punk Is Playing At My House,' 'Someone Great,' a full performance of '45:33' featuring Reggie Watts, an epic version of the song that started it all 'Losing My Edge', and literally hours more.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black | LP | x5","offer_id":50422716498251,"sku":"374376","price":92.99,"currency_code":"GBP","in_stock":false},{"title":"CD | x3","offer_id":50422715351371,"sku":"1127012","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Long_Goodbye_Live_at_Madison_Square_Garden_a4854feb_thumbnail_4096.jpg?v=1726766068"},{"product_id":"new-body-rhumba","title":"New Body Rhumba","description":"\u003cp\u003eStretch 'em out and shake off the cobwebs - LCD Soundsystem have returned, in recorded form, from a 5-year hibernation. 'New Body Rhumba' was written and recorded for the new Noah Baumbach film, White Noise, which is an adaptation of the Don DeLillo novel. It’s classic LCD, all tight and brash, with a coda headed for the second star from the right and straight on 'till morning.\u003c\/p\u003e\u003cp\u003eSingle-sided 12'' vinyl, mastered and cut at 45rpm by Bob 'Sparklebear' Weston at Chicago Mastering Service, pressed at MPO in France.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black 12\"","offer_id":50423982719307,"sku":"2003104","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/new_body_rhumba_from_the_film_White_Noise_-_Single_a5485d65_thumbnail_4096.jpg?v=1726772847"},{"product_id":"infinity-machine-003-2","title":"Infinity Machine 003","description":"\u003cp\u003eRIYL: Steve Roach, Suzanne Ciani, Pauline Anna Strom \/\/ Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1\/3 of the Earth Beat DJ troupe. The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees. These events, 5 billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! – and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds. After a while, there was literally three albums worth of material, each of them a voyage into the warm, liminal space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 available from DFA digitally and on a very limited run of cassettes (150 each!) but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Tape","offer_id":50430734303563,"sku":"2176622","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Infinity_Machine_-_Infinity_Machine_003_c8888cee_thumbnail_4096.jpg?v=1726851357"},{"product_id":"infinity-machine-002-2","title":"Infinity Machine 002","description":"\u003cp\u003eRIYL: Steve Roach, Suzanne Ciani, Pauline Anna Strom \/\/ Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1\/3 of the Earth Beat DJ troupe. The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees. These events, 5 billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! – and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds. After a while, there was literally three albums worth of material, each of them a voyage into the warm, liminal space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 available from DFA digitally and on a very limited run of cassettes (150 each!) but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Tape","offer_id":50430736073035,"sku":"2176621","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Infinity_Machine_-_Infinity_Machine_002_0f279b5b_thumbnail_4096.jpg?v=1726851380"},{"product_id":"infinity-machine-001-2","title":"Infinity Machine 001","description":"\u003cp\u003eRIYL: Steve Roach, Suzanne Ciani, Pauline Anna Strom \/\/ Infinity Machine is a duo comprised of Juan MacLean - as in the Juan MacLean, longtime DFA traveler - and Gee Dee, also known as Greg Droggitis, a producer and DJ based in Brooklyn and 1\/3 of the Earth Beat DJ troupe. The project name stems from a series of gatherings the two began hosting in various private spaces around New York City shortly after lockdown, though that description is a bit innocuous for the journeys traveled by its attendees. These events, 5 billed as “psychedelic dance ceremonies” lasting 8 or 9 hours, began with a sound meditation to vibrational and acoustic instruments before eventually segueing into a “dance” soundtracked by a DJ set from Juan and Greg. Something clicked - that ceremonial tea! – and so Juan and Greg began playing and recording in their studio using the same approach: improvisation with equal attention placed on traditional acoustic (flute, guitar, gong) and more contemporary electronic (Yamaha DX-7) sounds. After a while, there was literally three albums worth of material, each of them a voyage into the warm, liminal space between new age, ambient, drone and psychedelia. None of those genres quite fully describe what’s across 001, 002, and 003 available from DFA digitally and on a very limited run of cassettes (150 each!) but if you’ve read this far then you’re either the right kind of curious or just forgot what you were doing.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Tape","offer_id":50430737645899,"sku":"2176620","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Infinity_Machine_-_Infinity_Machine_001_733e379c_thumbnail_4096.jpg?v=1726851401"},{"product_id":"im-hot-for-your-body-2","title":"I'm Hot For Your Body","description":"\u003cp\u003eRIYL: DJ Harvey, Patrick Cowley, the devil. The Pacific Northwest musician John Greek originally released \"I'm Hot For Your Body\" as a limited private press 12\" single in 1979 - rumours abound that only 100 copies were ever made, though much about this record feels apocryphal. Across six minutes of sordid, primal disco- blues, Mr. Greek slowly yields to the power of desire, chasing swirling string synths around the shadows like they're ghosts, dousing everything in flange it's lighter fluid. It is both terrifying and undeniable.\u003c\/p\u003e\u003cp\u003e With permission from Mr. Greek's estate, we've remastered the original and presented it alongside a even-more-unhinged version from Velvet Season and The Hearts Of Gold, the duo of Gerry Rooney (co-founder of the legendary Black Cock edits label) and Joel Martin (of Quiet Village). Not for the faint of heart, this. \u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black 12\"","offer_id":50430738596171,"sku":"2198738","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/John_Greek_And_The_Limiters_-_Im_Hot_For_Your_Body_b1273f66_thumbnail_4096.jpg?v=1726851422"},{"product_id":"oga-for-oga-2","title":"Öga for Öga","description":"\u003cp\u003eLike a dream foggily remembered, Loopsel’s \u003ci\u003eÖga for Öga\u003c\/i\u003e is tempting in its beauty yet slightly menacing in its depth. These songs, like paths in the forest, are heavily, almost treacherously, reverberated, with finger- plucked guitars acting as your signposts amongst the flora and fauna of field recordings, pads and the cool, calm voice of Elin Engström. \u003c\/p\u003e\u003cp\u003eThe album is the second from Engström as Loopsel. She is a Gothenburg-based musician and one half of both the group Monokultur and the team behind the tiny Mamma’s Mystersika Jukebox label with her partner JJULIUS. During what seemed like the nadir of the pandemic, the blurry, otherworldly sounds emanating from their living room snaked into the office of New York’s DFA Records, where the otherwise dutifully DIY pair found the scale of worldwide release and distribution.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black LP","offer_id":50430739185995,"sku":"2023470","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/C3_96ga_For__C3_96ga_98b077e3_thumbnail_4096.jpg?v=1726851446"},{"product_id":"i-used-to-dixon-rework-b-w-pulse-v-1","title":"I Used To (Dixon Rework b\/w Pulse v.1)","description":"\u003cp\u003eLast year, \u003cstrong\u003eLCD Soundsystem\u003c\/strong\u003e released their long-awaited fourth album \u003cem\u003eAmerican Dream\u003c\/em\u003e. The band's first record since 2010's \u003cem\u003eThis Is Happening\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eNow the band return to the fold with two new 12\"s, featuring the previously digital-only single \"\u003cem\u003ePulse (v.1)\u003c\/em\u003e\", and remixes of \"\u003cem\u003eI Used To\u003c\/em\u003e\" and \"\u003cem\u003eOh Baby\u003c\/em\u003e\" by \u003cstrong\u003eDixon\u003c\/strong\u003e and \u003cstrong\u003eLovefingers\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBerlin\u003c\/strong\u003e DJ \u003cstrong\u003eDixon\u003c\/strong\u003e takes on the broodiness of \"\u003cem\u003eI Used To\u003c\/em\u003e\" and opens it up into a club space, a logical choice for the \u003cem\u003eInnervisions\u003c\/em\u003e head and \u003cem\u003eMuting The Noise\u003c\/em\u003e owner.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eLA\u003c\/strong\u003e native and \u003cem\u003eESP Institute\u003c\/em\u003e founder \u003cstrong\u003eLovefingers\u003c\/strong\u003e puts two different spins on the sincere \"\u003cem\u003eOh Baby\u003c\/em\u003e\", making the original track a bit more upbeat and psychedelic.\u003c\/p\u003e\n\n\u003cp\u003eBoth \u003cstrong\u003eDixon\u003c\/strong\u003e and \u003cstrong\u003eLovefingers\u003c\/strong\u003e are prolific selectors and continue the impressive lineage of \u003cstrong\u003eLCD\u003c\/strong\u003e remixes.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"Black 12\"","offer_id":50430740955467,"sku":"1048540","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/76808962-2c91-44d7-8821-020b1c3eba81_thumbnail_4096.jpg?v=1726851465"},{"product_id":"gt-ultra","title":"GT Ultra","description":"\u003cp\u003e\u003ci\u003eGT Ultra\u003c\/i\u003e is the second full length album by Guerilla Toss on DFA Records. The album demonstrates a remarkable shift in sound, musicianship and songwriting, without ever giving up the remarkable unhinged quality that made their earlier recordings so exciting. The album title \u003ci\u003eGT Ultra\u003c\/i\u003e is a clever nod to Project MK Ultra, the government sponsored experiments using new experimental drugs to explore mind control, torture and forced confessions, often with LSD as their drug of choice. These tests lasted from the mid-1950s-1960s but with a new administration in the White House, government sponsored torture is fresh again on many minds. The songs on the album ricochet back and forth between hyper bouncy pop and deeper darker longer, more nuanced tracks. Peter Negroponte’s drumming, always a major highlight for the band, is in full force once again, this time bringing a Nassau \/ Compass Point feel to many tracks, like the classic recordings of Grace Jones and Talking Heads. Kassie’s vocals and lyrics are both more personal and more cryptic than ever (but you can hear every word this time and there is a lyric sheet). As preferred, the meaning is within the listener. It is a dream state record for sure, meant to take you along on a similar vibe that the band has been tripping on these past few years, filled with an insistence to “hydrate, gyrate, think straight, no weight,” all the while under the influence of golden beams of orange sunshine, glimmering glitter and kaleidoscopic bursts. It is no mistake the album is wrapped in vintage blotter acid, created by legendary LSD archivist and artist Mark McCloud and The Institute Of Illegal Images, based in Francisco. \u003c\/p\u003e\u003cp\u003eLP - With Download.\u003c\/p\u003e","brand":"DFA","offers":[{"title":"LP","offer_id":50430745968971,"sku":"1010820","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6499d6cd-2161-4ddd-8dc2-ef8d7823d9fc_thumbnail_4096.jpg?v=1726851529"},{"product_id":"flood-dosed","title":"Flood Dosed","description":"\u003cp\u003eEcstatic, vital, and brilliantly unhinged, Guerilla Toss promotes positive energy and twisted spirituality through the less-traveled path of brutal, intelligent, live rock and roll dance music. Like a hurricane of healing bliss, a Guerilla Toss concert is more of a ritual than a performance. 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Fans of his Desert Sky alias, as well as his work reshaping classic tracks by Harmonia and Eno and Rolf Trostel of Tangerine Dream, will be quite pleased with \u003ci\u003eUnderwater Jams\u003c\/i\u003e. These two new songs unfold at their leisure, going off on whizzing, kosmiche-influenced tangents, all the while guided by the hand drums of percussionist Geronimo Dehler. On A-side \u003ci\u003eThe Lagoon\u003c\/i\u003e, the freedom of the long-form composition allows Edward to go deeper and more mesmeric, while the restrained stomp of B-side \u003ci\u003eMental Dive\u003c\/i\u003e allows for an introspective dance floor moment. \u003c\/p\u003e\u003cp\u003eThough he’s been releasing music for the past decade, Edward has always been a bit enigmatic, with a majority of his discography only available on vinyl. 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Their signature throb that runs along all four tracks, influenced by their time spent in underground scenes in Bucharest, London, and Berlin, as well as an emphasis on the jagged sounds of hardware. Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on \u003ci\u003eIn The Middle Of The Night\u003c\/i\u003e. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster. 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Eric’s textured, off-the-cuff approach to dance music adds a refreshing element of spontaneity and ‘jamming’ to a climate of uncanny smoothness and polish. \u003c\/p\u003e\u003cp\u003eWhere Vol. 1 was composed of “rippers,” Vol. 2 travels at its own pace, continuing to showcase Eric’s ability to recontextualize 4\/4 tracks as psychedelic contortions, from the squelchy vibrations of \u003ci\u003eBS Dropout\u003c\/i\u003e to the blithe, video arcade soundtrack \u003ci\u003eHigh Score Zed\u003c\/i\u003e. 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The \u003ci\u003eGoofballs \u003c\/i\u003eLP finds the Black Dice founding member conducting hectic, dancefloor-oriented experiments; The Vinyl Factory called it a “mangled, spangled journey into the fringes of industrial disco and hallucinatory club tackle.” \u003ci\u003eMixbone\u003c\/i\u003e capitalizes on this direction with remixes that recontextualize and reshape the propulsive energy of the original songs into wholly different forms. \u003cbr\u003e\u003cbr\u003eNew York techno powerhouse and Allergy Season boss Physical Therapy contributes two aptly named takes on \u003ci\u003eMixer Shredder\u003c\/i\u003e – the “Tegel Mix” churns with industrial EBM low-end, and the breakbeat and wubby bassline make the \u003ci\u003eGatwick Mix\u003c\/i\u003e unmistakably English. NHK yx Koyxen remixes Eric for the second time, with a jittery and woozy electro interpretation of \u003ci\u003eNeckbone\u003c\/i\u003e. Cooper Saver, best known for his Far Away parties in Los Angeles, turns in one of the most unexpected remixes, keeping it 4\/4 and creating what sounds like Shep Pettibone making acid house. \u003cbr\u003e\u003cbr\u003eComing off of her 2017 EP on Technicolour \/ Ninja Tune, Machine Woman decided to remix both tracks. With \u003ci\u003eNeckbone\u003c\/i\u003e, she adds a barely-discernible robotic narrative vocal, allegedly about Ryan Gosling. \u003ci\u003eMixer Shredder,\u003c\/i\u003e on the other hand, travels from hissy lo-fi techno into something quite tranquil and beautiful. And with previous releases on 1080p, Freakout Cult, and Wania, Vancouver’s LNS channels the melodic electro tones of classic Bleep-era Warp, like a lost track from LFO or Drexciya. \u003cbr\u003e\u003cbr\u003e\u003ci\u003eDanceable\u003c\/i\u003e might not be the first word one thinks of when describing Eric Copeland’s solo releases. 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Where \u003ci\u003eGoofballs \u003c\/i\u003ewas the first album recorded in its entirety in Eric’s current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, \u003ci\u003eTrogg Modal Vol. 1\u003c\/i\u003e is a bit less serious and more carefree, with tracks that are propelled forward by a singular, frenzied energy. \u003c\/p\u003e\u003cp\u003eChunky percussive layers, hard steady kicks, and tweaked loopy vocals create a playful vibe that is best described as a tropical-industrial hybrid. The final product comes together via seven succinct, self-described “rippers,” music created both deliberately and accidentally, and always with a sense of humor that bubbles over and out through the speakers. 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Low-quality recordings of Bogie’s Instagram sessions were great - simultaneously trancelike and pastoral - so why not make a proper go of it in the studio? Bogie eventually recorded new versions at DFA Studios in Brooklyn with Richey, who had an idea to route his clarinet through a stack of Korg delay units, creating a fluttering, glistening sound that effortlessly dances across each of Murphy’s drones. After a few takes, they had two perfect side-length pieces: “Morningside” and “Eveningside,” which you find here. \u003ci\u003eMorningside\u003c\/i\u003e was produced by Korey Richey and James Murphy for the DFA. Mixed by James Murphy. Mastered and cut by Bob Weston at Chicago Mastering Service. 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This is top-notch, black-clad, spiritually punishing synth-pop, perfectly and carefully programmed and soaring on the back of lead singer Shannon Funchess’ superhuman voice.   Side A, with rampages like “IPC,” is heavier and faster than Side B, which opens with a slow, serene, goosebump-inducing track titled “Angel Tongue” and finished with the near ecstatic “A Certain Person.” \u003c\/p\u003e\u003cp\u003e  The DFA braintrust always maintained a deep love for this record, and we wanted vinyl copies of it for ourselves that didn’t cost so much money. So, we asked if we could reissue it, get Bob Weston to recut it, and press it at a really nice plant like Citizen Vinyl in Asheville, NC. That’s this version right here.   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Jona Bechtolt - founding member of Yacht, former member of the Blow - is a huge talent, something that may not have been readily apparent on any of his three previous full lengths. Those albums, created largely as solo endeavours, will not have prepared listeners for 'See Mystery Lights'.  Now an official partnership between Bechtolt and Claire L Evans, who performed on several songs on 2007's 'I Believe In You, Your Magic Is Real', Yacht finally feel like a full-fledged band with direction and vision, particularly given the added weight (or rather, levity) of Evans' influence. The songs on 'See Mystery Lights' - from the bouncy, burbling you- can't-take-it-with-you screed 'The Afterlife' (which plays like a less hyper companion piece to the Mae Shi's 'Run To Your Grave') to the roller rink-ready Vocoder vocals of 'I'm In Love With A Ripper' - represent Yacht at their most poppy. 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DFA's own sonic collagist Larry Gus blends Eric's mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub's Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left 'em out in the rear window of your car on a sunny day. 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