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By championing artists with unique voices and perspectives, Dischord remains at the forefront of underground music culture.\u003c\/p\u003e\n\n\u003cp\u003eAs one of the longest-running independent labels in the United States, Dischord Records has maintained its commitment to artist ownership and control. With a focus on fostering long-term relationships with its roster of talented musicians, the label provides them with creative freedom while offering a platform for their work to reach a wider audience. Discover groundbreaking music that defies expectations on Dischord Records.\u003c\/p\u003e","products":[{"product_id":"minor-threat","title":"Minor Threat","description":"\u003cp\u003eThe first two 7\"s on a 12\", also known as the Minor Threat LP, was a combination of Minor Threat's first two eps,\u003ci\u003e Minor Threat \u003c\/i\u003e(originally released june 1981) and \u003ci\u003eIn My Eyes \u003c\/i\u003e(originally released December 1981). 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This could not be further from the truth. As the film and soundtrack to Instrument proved, this is a band that is only concerned with musical growth, with each album improving on its predecessor. But no album they have put together has the jump ahead that \u003ci\u003eThe Argument\u003c\/i\u003e has. \u003c\/p\u003e\u003cp\u003eBeing both ear-shattering and spine-tingling at once, this is Fugazi at their \"musical\" best. Incorporating melody with texture and their signature angular approach, the band has raised the bar for themselves and others once again. The first \"full\" track, \"Cashout\" (an anti-gentrification anthem), is classic stuff, with a subtle guitar line exploding into a screaming chorus, but this time there is less of an emphasis on the screaming and more on the gentle melody of the verse. Slower tracks like \"The Kill\" and \"Life and Limb\" touch on strange new territory. 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By autumn, they invited Amanda MacKaye (Desiderata, Routineers) to join them, and the chemistry was immediate. In February 2020 at DC's Rhizome, Bed Maker played their first show and then paused their activities the follow- ing month, as did most people.\u003c\/p\u003e\u003cp\u003eDue to the state of the world in 2020 and 2021, they continued writing music through sharing recordings. Mike Schleibaum assisted by assembling home recordings of their individual parts into working demos. This allowed them to keep momentum, and by the time in-person rehearsals resumed, a handful of songs and new ideas were close to fruition. 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The fall of 1981 found the Washington, DC punk scene in one of the first of many fallow periods when a number of active bands broke up at the same time. SOA, Minor Threat, Red C and the uUtouchables had all split up, and this resulted in a number of the musicians reorganizing. Mike and Ivor from SOA formed a new band with Alec of the Untouchables singing and another wilson high school kid, Chris Bald, on bass. they called themselves 'The Faith' and played their first show at hb woodlawn high school in november '81. At the end of 1982, Eddie (also a former member of the Untouchables) joined Faith as a second guitarist and six months later they recorded the \u003ci\u003eSubject to\u003c\/i\u003e \u003ci\u003eChange\u003c\/i\u003e 12\" ep. 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Actually, the lyrics get a bit vague - bordering on equivocality at times - which has its advantages and disadvantages.\u003c\/p\u003e\n\n\u003cp\u003eWith \u003cem\u003eSteady Diet\u003c\/em\u003e, Fugazi get more economical and less forceful. Though not nearly as neck-gnawing as \u003cem\u003eRepeater\u003c\/em\u003e, \u003cem\u003eSteady Diet\u003c\/em\u003e still packs a sizable wallop, but with slower tempos and less deliberate instrumentation.\u003c\/p\u003e\n\n\u003cp\u003eAs always, a poison-tipped dart is pointed at the government, media, and major entertainment outlets. Ian MacKaye's \"\u003cem\u003edestroy your television\u003c\/em\u003e\" rant on \"\u003cem\u003ePolish\u003c\/em\u003e\" is one of the more direct and simple songs. His \"\u003cem\u003eKYEO\u003c\/em\u003e\" comes straight from the rice paddy or homefront, depending on interpretation.\u003c\/p\u003e\n\n\u003cp\u003eIt urges the listener to always remain aware, whether awaiting the enemy's next battle move or remaining blissfully unaware of how people can be taken advantage of by others. As with the rest of the band's catalog, lyrics are provided in the booklet.\u003c\/p\u003e\n\n\u003cp\u003eThis makes things much easier on the intent listener, as both Picciotto and MacKaye have weird voices that become unintelligible when howled over their instrumental din. 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Running against the theory that Fugazi is a pack of killjoys, numerous instances pop up where the band's twisted sense of humor is apparent. The sinister ha-has that open \"Birthday Pony,\" the android sample in the pleasant (!) instrumental \"Combination Lock,\" and random piano plinks all manage to find a welcome place. But the most uncharacteristic track is the \"Blade Runner in Kingston\" slo-mo instrumental \"Version,\" featuring clarinet skronks, dubwise rhythm, incidental zaps, and - get this - no guitars. Picciotto declares in the immediately following \"Target\" that he hates the sound of guitars. What gives? It's clearly a rumination against corporate America's capitalization\/bastardization of \"punk\" aesthetics. If anyone had the right to comment, it was Fugazi. \"Back to Base\" and \"Downed City\" (another dubby intro here) return to more standard issue, hardcore roots Fugazi, full of the soaring guitars that the band is most known for. Closing out the nearly flawless second side is yet another contemplative exit track, \"Long Distance Runner.\" Acting as a daily affirmation of sorts to combat lethargy, MacKaye opines, \"If I stop to catch my breath\/I might catch a piece of death.\"\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Red LP","offer_id":50436592238923,"sku":"285178","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50436591354187,"sku":"285182","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Red_Medicine_360b2fe8_thumbnail_4096.jpg?v=1726919291"},{"product_id":"instrument-1","title":"Instrument","description":"\u003cp\u003eSince almost nothing about Washington DC's \u003cstrong\u003eFugazi\u003c\/strong\u003e is conventional, it makes perfect sense that their first career-spanning compilation album is largely made up of demos and unreleased tracks. Ostensibly the soundtrack for Jem Cohen's documentary, \u003cem\u003eInstrument\u003c\/em\u003e, the album is a glimpse into the creative process of one of punk's most adventurous and forward-thinking bands.\u003c\/p\u003e\n\n\u003cp\u003eThe material stems from the 10 years between 1988 and '98 and, aside from some demo versions of songs that appeared in finished versions on 1998's \u003cem\u003eEnd Hits\u003c\/em\u003e, is largely composed of unreleased music. 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On 11 of the LP’s 12 songs, J. is joined by Peter Moffetton drums, Brooks Harlan on bass, and Gordon Withers on cello and guitar.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black | LP","offer_id":50462778720587,"sku":"1065168","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50462777868619,"sku":"1065167","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/14570415-92ef-478d-bcca-d4c3abf933ce_thumbnail_4096.jpg?v=1727259618"},{"product_id":"fumble","title":"Fumble","description":"\u003cp\u003eDischord reissue \u003ci\u003eFumble\u003c\/i\u003e, the final full-length by Washington, DC's Scream. Recorded in 1989 and released in 1993, this was the second Scream record to feature drummer Dave Grohl (the first being \u003ci\u003eNo More Censorship\u003c\/i\u003e, which was released on RAS Records). 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A 134-page booklet with info about all the bands featured on this release, a brief historic review of Dischord and loads of photos.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"CD | x3","offer_id":50470682263883,"sku":"154261","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f1b961ce-ef67-46fa-a753-66f601645274_thumbnail_4096.jpg?v=1727380387"},{"product_id":"first-demo","title":"First Demo","description":"\u003cp\u003eFirst Demo's first appearance on CD and vinyl - bolstered by an 11th track: \"\u003cem\u003eTurn Off Your Guns\u003c\/em\u003e\", recorded during the same sessions which was omitted from the original demo tape.\u003c\/p\u003e\n\n\u003cp\u003eIn early January 1988 and after only ten shows, \u003cstrong\u003eFugazi\u003c\/strong\u003e decided to go into Inner Ear Studio to see what their music sounded like on tape. 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Joey Picuri (aka Joey P), who would later become one of \u003cstrong\u003eFugazi\u003c\/strong\u003e's longtime sound engineers, joined the band for the initial tracking.\u003c\/p\u003e\n\n\u003cp\u003eThe sessions only lasted a couple of days, but tour dates and indecision about the tape would delay the final mix for another two months. Though the band was at first pleased with the results, it soon became clear that this tape would remain a demo as new songs were being written and the older songs were evolving and changing shape while the band was out on tour. It was decided that the session would be passed out free as cassette copies, with the band actively encouraging people to share the recording.\u003c\/p\u003e\n\n\u003cp\u003eIn the spring, \u003cstrong\u003eFugazi\u003c\/strong\u003e went out on its first U.S. tour and a few weeks after returning from the road they went back to Inner Ear to record what would become their debut Dischord release, the self-titled 7-song 12\" EP. 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LP - With Download and Postcard set.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"LP","offer_id":50470963773771,"sku":"380439","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50470964265291,"sku":"380440","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/60c2d5ae-9e23-4656-9440-59fdd1ada876_thumbnail_4096.jpg?v=1727386365"},{"product_id":"the-messthetics","title":"The Messthetics","description":"\u003cp\u003eThe Messthetics are an instrumental trio featuring Brendan Canty (drums), Joe Lally (bass), and Anthony Pirog (guitar). Brendan Canty and Joe Lally were the rhythm section of the band Fugazi from its inception in 1987 to its period of hiatus in 2002. This is the first band they’ve had together since then. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. One half of the duo Janel and Anthony, he has emerged as a primary figure in the city’s out-music community. The trio’s debut includes nine songs recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. 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For this session, the band returned to its original lineup: guitarist Brian Baker, singer Shawn Brown, bassist Roger Marbury, and drummer Colin Sears. 7\" comes with Download.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"7\"","offer_id":50479335211339,"sku":"401665","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/55444e40-4705-4c1f-91d8-356ae62ae782_thumbnail_4096.jpg?v=1727507329"},{"product_id":"margin-walker","title":"Margin Walker","description":"\u003cp\u003e\u003cstrong\u003eFugazi's\u003c\/strong\u003e second release, first released as Dischord 35 and then as the latter half of the \u003cem\u003e13 Songs\u003c\/em\u003e album along with their first EP, \u003cem\u003e7 Songs\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMargin Walker\u003c\/strong\u003e is clearly an artistic step above \u003cem\u003e7 Songs\u003c\/em\u003e, a further progression in the early \u003cstrong\u003eFugazi\u003c\/strong\u003e sound.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black LP","offer_id":50482008031563,"sku":"148658","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DIS35_1464dbae_thumbnail_4096.jpg?v=1727547957"},{"product_id":"fugazi","title":"Fugazi","description":"\u003cp\u003eThis is Fugazi's debut record, released in 1988. Unlike all other Fugazi releases, Guy Picciotto did not contribute guitar to this record; all guitar present was performed by Ian Mackaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release \u003ci\u003e13 Songs\u003c\/i\u003e along with the following EP\u003ci\u003e Margin Walker\u003c\/i\u003e.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black LP","offer_id":50483023380811,"sku":"323788","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"Red LP","offer_id":50483024625995,"sku":"1115575","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1a863e45-339e-4595-b658-123d248b1e3e_thumbnail_4096.jpg?v=1727559953"},{"product_id":"acr-1999","title":"Acr 1999","description":"\u003cp\u003eFrom their inception in 1988 until their hiatus in 2006, the \u003cstrong\u003eLungfish\u003c\/strong\u003e music band released 11 full-length albums and played concerts across the United States and in Europe. The band is renowned for intense creative productivity, releasing albums annually from the years 1992 - 2000.\u003c\/p\u003e\n\n\u003cp\u003eBut what is not generally known is that volumes of Lungfish material never saw the light of day. The 1999 \u003cem\u003ea.c.r.\u003c\/em\u003e session offers a rare glimpse into some of this elusive material and by extension, into the Lungfish creative process. These 10 songs were recorded and mixed by Craig Bowen at Baltimore's \u003cem\u003ea.c.r.\u003c\/em\u003e studios but never released.\u003c\/p\u003e\n\n\u003cp\u003eAfter the session, the band decided to continue writing new songs - ultimately recording at Inner Ear studios what became \u003cem\u003eNecrophones\u003c\/em\u003e (2000). Six of these songs were re-recorded and released on \u003cem\u003eNecrophones\u003c\/em\u003e, while four others remained unreleased, until now.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Silver LP","offer_id":50484099252555,"sku":"350859","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DIS174V_9d6a6a09_thumbnail_4096.jpg?v=1727581272"},{"product_id":"flex-your-head","title":"Flex Your Head","description":"\u003cp\u003e\u003cstrong\u003eDischord Records\u003c\/strong\u003e was founded by \u003cstrong\u003eIan Mackaye\u003c\/strong\u003e and \u003cstrong\u003eJeff Nelson\u003c\/strong\u003e of \u003cem\u003eMinor Threat\u003c\/em\u003e to release records by their bands, friends' bands, and to document the explosive D.C. punk music scene of the day.\u003c\/p\u003e\n\n\u003cp\u003eAll of the important early D.C. punk bands (except for \u003cem\u003eBad Brains\u003c\/em\u003e) appear on this compilation: \u003cem\u003eTeen Idles\u003c\/em\u003e (\u003cstrong\u003eIan\u003c\/strong\u003e and \u003cstrong\u003eJeff\u003c\/strong\u003e's first band), \u003cem\u003eUntouchables\u003c\/em\u003e, \u003cem\u003eState of Alert\u003c\/em\u003e (the first band of \u003cstrong\u003eHenry Rollins\u003c\/strong\u003e, then known as \u003cstrong\u003eHenry Garfield\u003c\/strong\u003e), \u003cem\u003eMinor Threat\u003c\/em\u003e (the most important hc band ever), \u003cem\u003eGovernment Issue\u003c\/em\u003e, \u003cem\u003eYouth Brigade\u003c\/em\u003e (not the band from another \"state of mind\"... this is the other \u003cem\u003eYouth Brigade\u003c\/em\u003e), \u003cem\u003eRed C\u003c\/em\u003e, \u003cem\u003eVoid\u003c\/em\u003e, \u003cem\u003eIron Cross\u003c\/em\u003e, \u003cem\u003eArtificial Peace\u003c\/em\u003e, and \u003cem\u003eDeadline\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA1 \u003cem\u003eThe Teen Idles\u003c\/em\u003e– \"\u003cem\u003eI Drink Milk\u003c\/em\u003e\"\u003cbr\u003e\nA2 \u003cem\u003eThe Teen Idles\u003c\/em\u003e– \"\u003cem\u003eCommie Song\u003c\/em\u003e\"\u003cbr\u003e\nA3 \u003cem\u003eThe Teen Idles\u003c\/em\u003e– \"\u003cem\u003eNo Fun\u003c\/em\u003e\"\u003cbr\u003e\nA4 \u003cem\u003eUntouchables\u003c\/em\u003e– \"\u003cem\u003eRat Patrol\u003c\/em\u003e\"\u003cbr\u003e\nA5 \u003cem\u003eUntouchables\u003c\/em\u003e– \"\u003cem\u003eNic Fit\u003c\/em\u003e\"\u003cbr\u003e\nA6 \u003cem\u003eUntouchables\u003c\/em\u003e– \"\u003cem\u003eI Hate You\u003c\/em\u003e\"\u003cbr\u003e\nA7 \u003cem\u003eState Of Alert\u003c\/em\u003e– \"\u003cem\u003eI Hate The Kids\u003c\/em\u003e\"\u003cbr\u003e\nA8 \u003cem\u003eState Of Alert\u003c\/em\u003e– \"\u003cem\u003eDisease\u003c\/em\u003e\"\u003cbr\u003e\nA9 \u003cem\u003eState Of Alert\u003c\/em\u003e– \"\u003cem\u003eStepping Stone Party\u003c\/em\u003e\"\u003cbr\u003e\nA10 \u003cem\u003eMinor Threat\u003c\/em\u003e– \"\u003cem\u003eStand Up\u003c\/em\u003e\"\u003cbr\u003e\nA11 \u003cem\u003eMinor Threat\u003c\/em\u003e– \"\u003cem\u003e12XU\u003c\/em\u003e\"\u003cbr\u003e\nA12 \u003cem\u003eGovernment Issue\u003c\/em\u003e– \"\u003cem\u003eHey Ronnie\u003c\/em\u003e\"\u003cbr\u003e\nA13 \u003cem\u003eGovernment Issue\u003c\/em\u003e– \"\u003cem\u003eLie, Cheat \u0026amp; Steal\u003c\/em\u003e\"\u003cbr\u003e\nA14 \u003cem\u003eYouth Brigade (2)\u003c\/em\u003e– \"\u003cem\u003eMoral Majority\u003c\/em\u003e\"\u003cbr\u003e\nA15 \u003cem\u003eYouth Brigade (2)\u003c\/em\u003e– \"\u003cem\u003eWaste Of Time\u003c\/em\u003e\"\u003cbr\u003e\nA16 \u003cem\u003eYouth Brigade (2)\u003c\/em\u003e– \"\u003cem\u003eLast Word\u003c\/em\u003e\"\u003cbr\u003e\nB1 \u003cem\u003eRed C\u003c\/em\u003e– \"\u003cem\u003eJimi 45\u003c\/em\u003e\"\u003cbr\u003e\nB2 \u003cem\u003eRed C\u003c\/em\u003e– \"\u003cem\u003ePressure's On\u003c\/em\u003e\"\u003cbr\u003e\nB3 \u003cem\u003eRed C\u003c\/em\u003e– \"\u003cem\u003eSix O'Clock News\u003c\/em\u003e\"\u003cbr\u003e\nB4 \u003cem\u003eRed C\u003c\/em\u003e– \"\u003cem\u003eAssassin\u003c\/em\u003e\"\u003cbr\u003e\nB5 \u003cem\u003eVoid (12)\u003c\/em\u003e– \"\u003cem\u003eDehumanized\u003c\/em\u003e\"\u003cbr\u003e\nB6 \u003cem\u003eVoid (12)\u003c\/em\u003e– \"\u003cem\u003eAuthority\u003c\/em\u003e\"\u003cbr\u003e\nB7 \u003cem\u003eVoid (12)\u003c\/em\u003e– \"\u003cem\u003eMy Rules\u003c\/em\u003e\"\u003cbr\u003e\nB8 \u003cem\u003eIron Cross\u003c\/em\u003e– \"\u003cem\u003eWargames\u003c\/em\u003e\"\u003cbr\u003e\nB9 \u003cem\u003eIron Cross\u003c\/em\u003e– \"\u003cem\u003eNew Breed\u003c\/em\u003e\"\u003cbr\u003e\nB10 \u003cem\u003eIron Cross\u003c\/em\u003e– \"\u003cem\u003eLive For Now\u003c\/em\u003e\"\u003cbr\u003e\nB11 \u003cem\u003eArtificial Peace\u003c\/em\u003e– \"\u003cem\u003eArtificial Peace\u003c\/em\u003e\"\u003cbr\u003e\nB12 \u003cem\u003eArtificial Peace\u003c\/em\u003e– \"\u003cem\u003eOutside Looking In\u003c\/em\u003e\"\u003cbr\u003e\nB13 \u003cem\u003eArtificial Peace\u003c\/em\u003e– \"\u003cem\u003eSuburban Wasteland\u003c\/em\u003e\"\u003cbr\u003e\nB14 \u003cem\u003eDeadline (5)\u003c\/em\u003e– \"\u003cem\u003eStolen Youth\u003c\/em\u003e\"\u003cbr\u003e\nB15 \u003cem\u003eDeadline (5)\u003c\/em\u003e– \"\u003cem\u003eHear The Cry\u003c\/em\u003e\"\u003cbr\u003e\nB16 \u003cem\u003eDeadline (5)\u003c\/em\u003e– \"\u003cem\u003eAftermath\u003c\/em\u003e\"\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black LP","offer_id":50486809067851,"sku":"323534","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/007_8154b44b_thumbnail_4096.jpg?v=1727615871"},{"product_id":"all-through-a-life","title":"All Through A Life","description":"\u003cp\u003eIn 1983, the D.C. punk scene had grown and changed, and with that had come a loss of focus for many people. The violence and nihilism that had become identified with punk rock, largely by the media, had begun to take hold in D.C. and many of the older punks suddenly found themselves repelled and discouraged by their hometown scene.It was a time of redefinition and Rites of Spring more than led the charge. They not only challenged the macho posturing that had become so prevalent within the punk scene at that point, but more importantly, they defied musical and stylistic rule. The people that followed the band made it a point to never miss a gig, as ROS seemed to approach every show as if it was their last. The results could be explosive, often resulting in the destruction of their equipment, and this may well be one reason that they ended up playing only 15 shows. It was the boldness of this band that really contributed to the swell of energy, often referred to as \"Revolution Summer\", that swept over the D.C. scene in 1985. Two songs by Rites of Spring, released in 1987.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"7\"","offer_id":50486908289355,"sku":"292916","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/022_d8547b5e_thumbnail_4096.jpg?v=1727617334"},{"product_id":"end-on-end","title":"End On End","description":"\u003cp\u003eIn 1983, the DC punk scene had grown and changed, and with that had come a loss of focus for many people. The violence and nihilism that had become identified with punk rock, largely by the media, had begun to take hold in dc and many of the older punks suddenly found themselves repelled and discouraged by their hometown scene. It was a time of redefinition, and Rites of Spring more than led the charge. They not only challenged the macho posturing that had become so prevalent within the punk scene at that point, but more importantly they defied musical and stylistic rule. The people that followed the band made it a point to never miss a gig, As Rites of Spring seemed to approach every show as if it was their last. The results could be explosive, often resulting in the destruction of their equipment, and this may well be one reason that they ended up playing only 15 shows. It was the boldness of this band that really contributed to the swell of energy, often referred to as 'revolution summer', that swept over the DC scene in 1985. Rites of Spring released one full-length, \u003ci\u003eEnd on End\u003c\/i\u003e, and a 7\", both on Dischord records. Brendan and Guy later went on to play in Fugazi and Michael is currently recording under the name mighty Flashlight.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black LP","offer_id":50486908977483,"sku":"148660","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Rites_of_Spring_f6eafba5_thumbnail_4096.jpg?v=1727617355"},{"product_id":"3-songs","title":"3 Songs","description":"\u003cp\u003eRemastered and updated art version of 1989 single which originally was released on Sub Pop and then Dischord. The three tracks were later included on the cd version of \u003ci\u003eRepeater\u003c\/i\u003e.\u003c\/p\u003e","brand":"Dischord","offers":[{"title":"Black 7\"","offer_id":50486911795531,"sku":"163182","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/043-web_2b787646_thumbnail_4096.jpg?v=1727617417"},{"product_id":"can-i-say","title":"Can I Say","description":"\u003cp\u003eThe only actual album released with original vocalist Dave Smalley up front until \u003ci\u003eFour on the Floor\u003c\/i\u003e years later, \u003ci\u003eCan I Say\u003c\/i\u003e in ways helps mark a turning point between hardcore's straight ahead origins and a more accessible - but just enough - approach that would eventually prime punk's breakthrough in the mid-nineties. Baker's roots in Minor Threat are clear throughout, but at the same time the production, assisted by Ian Mackaye, is actually stronger and crisper than much of that band's work. Call it time or better facilities, but Dag Nasty rocks in a full, smack-out-of-the-speakers way with unbridled energy. Smalley, meanwhile, has a vocal delivery halfway between strident pronouncement and anguished reflection - it's not emo in the original sense of the term (or alternately the late nineties watering down of same), but it's a careful balance just the same. He's not per se a great vocalist, but he does make a commanding frontman, while his lyrics grapple with personal politics in a winning, thoughtful way. 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