{"title":"Electronic","description":"\u003cp\u003eElectronic vinyl that captures the pulse of club culture, experimental soundscapes and underground innovation. Our selection highlights essential techno, ambient, house and leftfield releases—spanning reissued classics to cutting-edge newcomers. A space for rhythm, repetition and exploration, where machines speak and the dancefloor still matters.\u003c\/p\u003e","products":[{"product_id":"un-american-activities","title":"Un-American Activities","description":"\u003cp\u003e\u003cem\u003eUn-American Activities\u003c\/em\u003e is the 11th studio album by \u003cstrong\u003eMolly Nilsson\u003c\/strong\u003e. Written and recorded entirely on location in California at the former home of writer, poet, and early opponent of the National Socialist regime in 1930s Germany, Lion Feuchtwanger and his wife Marta.\u003c\/p\u003e\n\n\u003cp\u003eAn album of experimentation, genre-mashing, and above all, Nilsson’s instantly recognizable melodic skill and empathy. It continues the songwriter’s explorations of power, freedom, oppression, and its opposing force, a love unbound.\u003c\/p\u003e\n\n\u003cp\u003eAfter accepting an artist residency as part of the Villa Aurora program, Nilsson began work crafting a new album from scratch in a new environment, afforded the freedom, space, and time to challenge her practice and take her music into new territory.\u003c\/p\u003e\n\n\u003cp\u003eThe resulting work, \u003cem\u003eUn-American Activities\u003c\/em\u003e, is a love note not only to the artist who was among the very first to be declared an \"enemy of the state\" by the Nazi regime but also to both the eternal struggle he fought and the human spirit that pervades all of Nilsson’s best work.\u003c\/p\u003e\n\n\u003cp\u003eIt is also a double-pointed poison pen letter: a critique of the new forms of oppression wielded by her temporary adopted country of the USA but also an acknowledgment of the promise it always offers but never fulfills.\u003c\/p\u003e\n\n\u003cp\u003eAlong with the novel use of color and photography in the artwork for \u003cem\u003eUn-American Activities\u003c\/em\u003e, there are swathes of new techniques, genres, and timbres new to Molly Nilsson’s music in evidence, 16 years into her music career.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOn Jackboots Return\u003c\/strong\u003e is an icicle-cold New Beat track that deals directly with the current situation in Germany and the resurgent Nazi-affiliated AfD. The question the song asks is, what’s the timeframe we’re talking about? Is this the 30s, or somewhere a lot closer to home?\u003c\/p\u003e\n\n\u003cp\u003eThe beat is picked up on \u003cstrong\u003eThe Communist Party\u003c\/strong\u003e, Nilsson’s deepest bow to House music, evoking the early 90s Rave pioneers, Belgian 80s music, and Vogue-era Madonna.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Beauty Of The Duty\u003c\/strong\u003e does to pounding Electro what Nilsson’s last album \u003cem\u003eExtreme\u003c\/em\u003e did to Metal: subsume it into the Molly Nilsson aesthetic. It goes hard.\u003c\/p\u003e\n\n\u003cp\u003eWhile \u003cem\u003eUn-American Activities\u003c\/em\u003e finds Nilsson experimenting, creating instinctive music on a first-thought-best-thought basis, there are still “classic” Molly moments liberally spread throughout.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eExcalibur\u003c\/strong\u003e feels like the Molly of old, an absolute star of a chorus refrain smudged with the Vaseline of fuzz and hope. \u003cstrong\u003eRed Telephone\u003c\/strong\u003e is wide-eyed, slathered in reverb and chorus effects, distorted with soaring melody, a heart-tugger that tugs the body upwards to the heavens with each evolving wave.\u003c\/p\u003e\n\n\u003cp\u003eGlistening digital tones wash through the album, providing a Y2K etherealness to Nilsson’s audacious \u003cem\u003eStars and Stripes\u003c\/em\u003e reference to \u003cem\u003eWetcheeks\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003ePerhaps the album’s standout, however, is \u003cstrong\u003ePalestine (Somewhere Over The Rainbow)\u003c\/strong\u003e, which is suffused with empathy, solidarity, and in referencing the classic socialist-penned canon song from \u003cem\u003eThe Wizard Of Oz\u003c\/em\u003e, speaks directly to the tradition of fighting oppression with full hearts of hope. What activity could be more “American” than that?\u003c\/p\u003e","brand":"Night School","offers":[{"title":"CD.","offer_id":50380086509899,"sku":"2206098","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":50380086739275,"sku":"2206099","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"LP - White","offer_id":50380087034187,"sku":"2206100","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/185ade6f-f327-adbf-cfc9-16a6d89fbdc0_ab51d64e_thumbnail_4096.jpg?v=1726206752"},{"product_id":"twa-brothers","title":"Twa Brothers","description":"\u003cp\u003e50 million years later . . . following an eternity of random mutations and confabulations of atoms, dust and light, Jimmy Cauty and Jem Finer found themselves in a field in Sussex, wrangling a prone twelve-ton hunk of slate into an upright position . . . The Gurdy Stone . . .\u003c\/p\u003e\u003cp\u003eIn a recent hiatus from megalith building they have founded a new band, The Standing Stones. Their first release sees them joined by the extraordinary Scottish folk singer, Alasdair Roberts, to record a version of the age-old ballad Twa Brothers.\u003c\/p\u003e\u003cp\u003eEpic in length, clocking in at just over 10 minutes, \u003ci\u003eTwa Brothers\u003c\/i\u003e collides traditional Scottish folk singing with hip hop 808s and sirens, police radio traffic and NYC radio news broadcasts to create a hyper-quantised dystopio-folk-horror soundscape, blurring the temporal zones of the songs’ ancient origins with the near future.\u003c\/p\u003e\u003cp\u003eJem Finer’s hurdy-gurdy shredding and Alasdair Roberts’ vocals are combined to great effect by Jimmy Cauty’s mashup production style.\u003c\/p\u003e\u003cp\u003eRecorded at Finer’s London studio (Local Sound) and mixed at Cauty’s mountaintop production facility (The Big Omaha) the record is released on the newly formed L-13 Light Industrial Recordings.\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Black 12\" | Signed Copy | Rough Trade Exclusive - 2211236","offer_id":50380088475979,"sku":"2211236","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-07-17_at_13.16.57_0d9e938d_thumbnail_4096.png?v=1726206831"},{"product_id":"total-24","title":"Total 24","description":"\u003cp\u003eHello 24! Nice to have you here. 23 is so yesterday, so over the top, \nreally. Well, we’ve been dancing the following dances recently. What \nabout you?\n\n\u003c\/p\u003e\u003cp\u003eWhat lasts a long time usually turns out well. Having admired Tee Mango \nfrom afar for many years, our A\u0026amp;R Michael Mayer took heart and \ninvited him to this year’s Total. “So In Love” is in the best tradition \nof the Kompakt minimal funk of the early years. We are delighted to have\n this lovely Englishman on board!\n\n\u003c\/p\u003e\u003cp\u003eReinhard Voigt has always placed great emphasis on loving animals. On \nthe track with the unsurprising title “Der, der mit dem Gummiball sang \n(Orange)”, he lets whole hordes of different four-legged friends and \npoultry on the microphone. Hopefully the stench will dissipate from the \nstudio.\n\n\u003c\/p\u003e\u003cp\u003eWhen Rhenish cheerfulness meets holiday anticipation, the result is \nsomething like this Hawaiian shirt turned music called “Chee-Caruso” by \nJurgen Paape. No animals were tortured for this piece either, even if it\n sounds like it.\n\n\u003c\/p\u003e\u003cp\u003eWe stay in the realm of fauna and turn our attention to London’s \naward-winning pedigree dog Rex the Dog. “Laika” is a heart-warming ode \nto the mongrel dog of the same name, who was the first living creature to make it from the streets of Moscow into space. She would have loved that bleep.\n\n\u003c\/p\u003e\u003cp\u003eA little-known fact about Michael Mayer is that he is one of the fastest\n crossword puzzle foxes on the left bank of the Rhine, always in \nrelentless rivalry with Wolfgang Voigt, who thinks he is even faster. \nThe big battle is yet to come. Uninvited guest with five letters? \n“Urian”.\n\n\u003c\/p\u003e\u003cp\u003eAs an integral part of the family, Jonathan Kaspar is of course not to \nbe missed. “Are You” celebrates the kind of early morning rapture that \nis commonplace at his new DJ venue, the brand new Cologne superclub FI. \nEverything is so colourful here.\n\n\u003c\/p\u003e\u003cp\u003eSascha Funke takes a bow to one of the greats of German showbiz with the\n trippy electro smasher “The Heck”. Born – like DJ Koze and Barnt – in \nFlensburg, died in Berlin in 2018 and wore glasses. More will not be \nrevealed.\n\n\u003c\/p\u003e\u003cp\u003eMore emotion, more love, more sing-along factor? Si, claro! Argias \n“Love Keeps You Running” masterfully combines groove and pop – a blend \nthat sounds very familiar to us. She may be at home in Madrid, but \nthere’s Cologne DNA in her somewhere. We’re sure of it.\n\n\u003c\/p\u003e\u003cp\u003eLet’s meet the legends, the veterans! Jorg Burger is still in a \npsychedelic mood in 2024. That suits him, that’s where he needs to be, \nthat’s where we want him to be. A parallel universe is conceivable in \nwhich such music is affectionately called Goa.\n\u003c\/p\u003e\u003cp\u003e\nBefore going to bed, the Wassermann reads us a fairy tale from the \nArabian Nights. At the same time, we focus on a point between \neverything, but really everything, and absolute, stark naked \nnothingness. 3, 2, 1… Let go.  \u003c\/p\u003e","brand":"Kompakt","offers":[{"title":"Black LPx2","offer_id":50380092277067,"sku":"2212262","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50380092080459,"sku":"2212261","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Kompakt_Total_24_7dd33701_thumbnail_4096.jpg?v=1726207029"},{"product_id":"utah-saints","title":"Utah Saints (National Album Day 2024)","description":"\u003cp\u003e\u003cstrong\u003eUtah Saints\u003c\/strong\u003e are one of the most important acts since the inception of electronic dance music. 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Grab yours quick, this will not get repressed.\u003c\/p\u003e","brand":"Fool's Gold","offers":[{"title":"Black 7\"","offer_id":50380108595531,"sku":"2212286","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/DuckSauce-aNYways-RecordInSleeve-Front_0e419ef8_thumbnail_4096.webp?v=1726207924"},{"product_id":"the-head-as-formd-in-the-criers-choir","title":"The Head as Form'd in the Crier's Choir","description":"\u003cp\u003eThe compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of\nthe mental dances that we construct to understand acts of passage; the ways that we commune and memorialize\nand carry symbols back into the world beyond representation. To this end, \u003ci\u003eThe Head as Form’d in the Crier’s\nChoir\u003c\/i\u003e engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of\npoems from 1922, and Monteverdi’s l’Orfeo, an early baroque opera from 1607. \u003ci\u003eThe Head as Form’d in the Crier’s\nChoir\u003c\/i\u003e follows on from the last two albums, which were attempts to begin bridging the gap between the fixed\nelectroacoustic pieces that emerge in Davachi’s home studio and her slow-paced, somewhat open-form chamber\nwriting, in which each performance presents a new structure and in which each iteration offers the path to a new\ncomposition and deeper meaning.\n\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"Black LP","offer_id":50380111151435,"sku":"2210647","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50380110594379,"sku":"2210646","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/GJiEqxwA_9b51eea4_thumbnail_4096.jpg?v=1726208023"},{"product_id":"st-annes","title":"St Anne's","description":"\u003cp\u003eClay Pipe is pleased to welcome back the Tinderstick’s keyboard player David Boulter to the label. Since his \u003ci\u003eYarmouth\u003c\/i\u003e LP in 2020, and the spoken word-based \u003ci\u003eLovers Walk\u003c\/i\u003e the following year, Boulter has concentrated on his soundtrack work. He has produced scores for documentary maker Volkan Üce’s Displaced – and Tinnitus, a visually striking film by Brazilian director Gregorio Graziosi. He has also released a series of lathe-cuts featuring his soundtrack work, and the Factory Mini CD and Twelve Bells for Libuše flexi-disc single on Clay Pipe.\u003c\/p\u003e\u003cp\u003eSt Ann’s, is a tribute to the council estate, on the edge of Nottingham city centre that defined Boulter’s formative years: “I was born in the old St Ann’s. Famously documented in the late 60s as some of the poorest social housing in England. Crumbling, cramped, and full of damp. We had a shared toilet in the backyard and no bathroom, some of the houses were without hot water, it was freezing cold in winter. 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Recorded in Los Angeles, the songs seethe with dread, lust, reckoning, and abandon, backlit by the light pollution of a thousand dead end city streets. Alfons co-produced the collection with versatile composer and producer Nightfeelings, achieving a thick, smoky balance of eerie synths, fog machine low end, and bruised, crooning voice.\u003c\/p\u003e\u003cp\u003eThe title alludes to a friend’s offhand remark about Alfons’ intrinsically performative nature. The opener, “Soon,” swells to life with hymnal electronics before kicking through the dance floor with a huge new wave hook, spiked with caustic kiss-off lyrics (“Asleep I still say it aloud \/ Scared stiff it’s all around \/ We never did call it off, now our organs dried \/ Scared stiff to stone, you liar”). The music moves between beauty and bitterness, anthem and anguish, the sound of melancholia gone massive. On track after track, Alfons wields pop dynamics and brooding production wizardry like a weapon, spiraling through a roll call of singles – “All At Once,” “The Shore,” “Dark Day,” “Boys of LA.” Throughout, there’s a sense of emotional turmoil elevated to strange heights, stained by guilt and ghosts and the memory of those wronged and those still unforgiven.\u003c\/p\u003e\u003cp\u003eAs a world unto itself, \u003ci\u003ePerformance\u003c\/i\u003e is persuasive, immersive, and intoxicating, at the threshold of stirring and disturbing. Alfons’ voice is the anchor in the storm, singing a collage of impressions and confessions with a smeared, stream of consciousness logic. 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He has collaborated with former National Poet for Scotland, Liz Lochhead, and written soundtracks for Radio 4. Perman’s work as a musician and DJ has taken him across the world, with numerous record releases under his own name and with experimental group\/arts collective Found, alongside visual works at the Sydney Opera House and National Museum of Scotland.\t\t\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAsh Grey And The Gull Glides On\u003c\/i\u003e is the pair’s first collaborative album as a duo. The record is rooted in Perman's ambient-acid-house grooves and multi-textural percussion built from sampling the knocks, clangs and creaks of Wasylyk’s upright piano.These are woven through a palette of drum machines, rolling transcendental piano motifs, fluttering synthesisers, saxophones swells and hymnal choral vocals.\u003c\/p\u003e\u003cp\u003eApproaching the meditative ten-song collection,Tommy posted Andrew three envelopes containing ‘Recording Instructions’, ‘Tempo Cards’ and ‘Chord Cards’. Nodding towards the Fluxus instructions of Yoko Ono’s Grapefruit and the environmental cues of Perman and Wasylyk’s collaboration on Sing the Gloaming (‘If it’s wet outside: 100bpm. 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Always pushing forth and expanding his now classic rigidly cold analog sounds and rhythmic structures entwined with lush atmospheric synth compositions, \"Grand Bal is another milestone in his ever growing discography\".\u003c\/p\u003e","brand":"Aesthetical","offers":[{"title":"Black LP.","offer_id":50382099775819,"sku":"2182524","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD.","offer_id":50382099513675,"sku":"2182510","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/AES008CD_1622f8cd_thumbnail_4096.jpg?v=1726242035"},{"product_id":"from-the-archives","title":"From The Archives - RSD 2024","description":"\u003cp\u003eThis product is a Record Store Day exclusive title and is not available to pre-order.\u003c\/p\u003e\u003cp\u003eTo buy in-store: 8am, 20\/04\/2024 (Record Store Day).\u003c\/p\u003e\u003cp\u003eTo buy online: 8pm, 22\/04\/2024. (Subject to availability).\u003c\/p\u003e\u003cp\u003eDon’t forget: Click 'Notify Me' to be the first to know about its availability online. It also helps us to place accurate orders so that we can please as many of you as possible on the day.\u003c\/p\u003e\u003cp\u003eThis LP was released once before in 2007 and has been out of print\/indemand again for over a decade. It represents the best tracks from FSOL's \"From The Archives\" series.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"Black LPx2","offer_id":50382100791627,"sku":"2181437","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/FSOL-RSD_f8a7d7d5_thumbnail_4096.jpg?v=1726242055"},{"product_id":"battle-lines","title":"Battle Lines","description":"\u003cp\u003e\u003cem\u003eBattle Lines\u003c\/em\u003e is the second album from \u003cstrong\u003eBob Moses\u003c\/strong\u003e, the duo of Tom Howie and Jimmy Vallance. 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After several years of various combinations, in 1993 they began working together in this trio format and began calling themselves 'Radio Massacre International'. After amassing a number of recordings that they were happy with, the group released their first CD in 1996 and also began playing shows and electronic music festivals. Throughout the 90s, the group released many CDs and toured much of western Europe. They have also appeared in the USA six separate times, beginning in 2002.\u003c\/p\u003e\n\n\u003cp\u003eTheir music is largely improvised and performed live, without overdubs, gathering shape via post-recording editing. Their discography, which includes many BandCamp-only releases, is quite extensive. 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Snatches of voices found out in the ether cut through the machine fog, drifting across burbling analogue equipment lovingly kept working long after supposed sell-by date. By the time the click and thump of snare and bass drum arrive, the sounds are all encompassing, swirling around you with dizzying, disorientating effect. noise is untethered by constraints of volume, seemingly leaping from left to right to middle with a life of its own. For a band used to dealing in psychedelics, this time round the Chemical Brothers have really pushed the envelope. \u003ci\u003eFurther\u003c\/i\u003e is the Chemical Brothers' seventh studio album, an eight track masterpiece of modern psychedelia. Effortlessly fusing freefrom analogue wig-outs to juggernaut dancefloor dynamics on the album's first single, \u003ci\u003eEscape Velocity\u003c\/i\u003e - arguably the most unrelenting 12 minutes of music ever to pick up serious national radio support in the UK - the record sees Tom Rowlands and Ed Simons explore the boundless possibilities of their sound. taking a trip through four decades of electronic noise, Tom and Ed have taken the template set up with their occasional electronic battle weapon releases and allowed them to mutate gloriously into an entire album. 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The sound has moved into new territories, with tastes of house, disco, and techno, all with an underlying base note of acid on tracks such as the slippery night cruise intensity of ‘\u003cem\u003eBirth of A Smirk\u003c\/em\u003e’, where Colonel Abrams gets his nipples tortured.\u003c\/p\u003e\n\n\u003cp\u003e‘\u003cem\u003eQueen of 14th St\u003c\/em\u003e’ is all watersports and Cybotron force from Detroit via Deptford. First single ‘\u003cem\u003eWalking In The Heat\u003c\/em\u003e’ struts like a sunburnt and horny Kraftwerk, while ‘\u003cem\u003eGhent\u003c\/em\u003e’ is purest uncut ’88 acid. Vol. II is the art of seduction in damp rooms painted black. Keep hydrated from whatever source is available. Be your own pleasure centre.\u003c\/p\u003e\n\n\u003cp\u003eVol. II is veritable selection box of booty bumps and illegal highs made at night for the night and beyond. 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