{"title":"Fruit Bats","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eFruit Bats is an American indie rock band that was founded in 1997 in Chicago, Illinois. Originally starting as a four-track recording project by songwriter Eric D. Johnson, the band has evolved into a touring act with a constantly changing lineup. With their unique blend of indie folk and rock, Fruit Bats have become a staple in the music scene.\u003c\/p\u003e\n\u003cp\u003eSince their inception, Fruit Bats have captivated audiences with their heartfelt lyrics and infectious melodies. Their music resonates with listeners, offering a refreshing take on indie rock. With each album release, they continue to push boundaries and explore new sonic territories.\u003c\/p\u003e\n\u003cp\u003eWhether you're a long-time fan or new to their sound, exploring the discography of Fruit Bats is sure to be an enriching experience. Don't miss out on the opportunity to discover this incredible indie folk-rock act that has made waves in the industry for over two decades.\u003c\/p\u003e","products":[{"product_id":"the-pet-parade","title":"The Pet Parade","description":"\u003cp\u003e\u003ci\u003eThe Pet Parade\u003c\/i\u003e the title track to Fruit Bats’ newest album, might be a surprising opening track for longtime fans of Eric D. Johnson’s beloved indie folk-rock project. The six-and-a-half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. \u003cbr\u003e \u003cbr\u003eWhile many of the songs on \u003ci\u003eThe Pet Parade\u003c\/i\u003e were actually written before the pandemic, it’s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Parade drummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes), singer-songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron \u0026amp; Wine) were forced to self-record their parts in bedrooms and home studios across America. Still, says Johnson, “The songs have enough intimacy that it doesn’t sound like it was made a million miles away.” \u003cbr\u003e \u003cbr\u003eSuch tension and turmoil also impacted the lyrics of The Pet Parade. While \u003ci\u003eCub Pilot\u003c\/i\u003e and \u003ci\u003eHere For Now, For You\u003c\/i\u003e began as more traditional love songs from a personal “I” to a specific “you” Johnson quickly realized that these songs needed to comfort broader audiences, changing the words to a more inclusive “we” and “us.” So too in “The Balcony,” a song ostensibly about a particular space in his grandmother’s apartment, but one that evolved into a metaphor on patience. \u003cbr\u003e \u003cbr\u003eAt times upbeat and reassuring (\u003ci\u003eEagles Below Us\u003c\/i\u003e) and at times quietly contemplative (\u003ci\u003eOn the Avalon Stairs\u003c\/i\u003e), \u003ci\u003eThe Pet Parade\u003c\/i\u003e marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene. Johnson himself who has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and most recently earned two grammy nominations with Bonny Light Horseman doesn’t take this long route of life’s pet parade for granted. “I’m still really excited to make records,” he says. “Lucky and happy and maybe happier that things went slower for me. I’m savoring it a lot more.”\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Black | LP","offer_id":50402381693259,"sku":"1111356","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"Clear | LP","offer_id":50402382020939,"sku":"1111355","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e6f28d51-6f80-44b3-82db-cef235a99612_thumbnail_4096.jpg?v=1726543528"},{"product_id":"echolocation","title":"Echolocation","description":"\u003cp\u003e20th Anniversary edition. Recorded in Chicago in 2001 with producer Brian Deck (Modest Mouse, Iron and Wine), \u003ci\u003eEcholocation\u003c\/i\u003e is the first in a long string of amazing and varied records made by Fruit Bats. This is the starting point, the songs that had been kicking around looking for a suitable home, and they found it here. With backing from many of the members of Califone, Fruit Bats made a lush and understated record that has stood the test of time.\u003c\/p\u003e","brand":"Jealous Butcher","offers":[{"title":"Orange | LP","offer_id":50406234325323,"sku":"1147979","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7f74515d-5c22-4d80-8352-c43973285740_thumbnail_4096.jpg?v=1726584712"},{"product_id":"gold-past-life","title":"Gold Past Life","description":"\u003cp\u003e\u003ci\u003eGold Past Life\u003c\/i\u003e marks both an end and a beginning. It’s the end of an unintentional thematic trilogy of records that beganwith 2014’s \u003ci\u003eEDJ\u003c\/i\u003e (a solo record by name, but a Fruit Bats release in spirit) and hit a peak with 2016’s \u003ci\u003eAbsolute Loser.\u003c\/i\u003e They encompassed years of loss, displacement, and the persistent, low-level anxiety of the current political climate. They were written in the wake of friends who left these earthly confines and families that could have been. These songs on \u003ci\u003eGold Past Life\u003c\/i\u003e, also represent new beginnings the journeys that await after making it through troubled times. In fact, the notion of getting in a van to move on—literally and metaphorically—is exactlywhat\u003ci\u003e Gold Past Life\u003c\/i\u003e is all about. It’s about rejecting notions of idealized nostalgia (\u003ci\u003eGold Past Life\u003c\/i\u003e) and the process of grounding one self in the present, both geographically (\u003ci\u003eA Lingering Love, Ocean\u003c\/i\u003e) and spiritually (\u003ci\u003eDrawn Away\u003c\/i\u003e). Johnson’s falsetto still shines atop the bopping folk-rock of \u003ci\u003eGold Past Life\u003c\/i\u003e. However, the new record also features more keyboard influences and a range of guests including Greta Morgan (Springtime Carnivore, Vampire Weekend), Neal Casal (Circles Around the Sun), Trevor Beld Jimenez and Tim Ramsey (Parting Lines), Meg Duffy (Hand Habits), and more. \u003c\/p\u003e\u003cp\u003eLP - Black Vinyl with Download.\u003c\/p\u003e\u003cp\u003eLP+ - Limited Aqua Coloured Vinyl with Bonus 7\" and Download.\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Blue | LP","offer_id":50420318077259,"sku":"1064902","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50420316012875,"sku":"1064900","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1d2e259d-2a56-4035-ad15-f589d8e09a90_thumbnail_4096.jpg?v=1726752187"},{"product_id":"mouthfuls-3","title":"Mouthfuls","description":"\u003cp\u003eAround the making of \u003ci\u003eMouthfuls\u003c\/i\u003e, Fruit Bats had coalesced into a duo with Gillian Lisee and myself. It was sort of like our own mini cocaine-free version of \u003ci\u003eRumors\u003c\/i\u003e. She wrote the bridge to 'Magic Hour,' which is totally about her. We also co-wrote 'Track Rabbits' together which is still one of my favourite things I've ever done and probably my favorite song on \u003ci\u003eMouthfuls\u003c\/i\u003e.' 'I wrote 'When U Love Somebody' at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and still probably the most popular Fruit Bats song, I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles' 'Two of Us.' Also, I spelled 'you' with a 'U' to reference Prince. People still like dancing to this one.\u003c\/p\u003e","brand":"Jealous Butcher","offers":[{"title":"Green LP","offer_id":50433096745291,"sku":"2223470","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2325784_3a040a44_thumbnail_4096.jpg?v=1726876853"},{"product_id":"tripper-1","title":"Tripper","description":"\u003cp\u003e\u003ci\u003eTripper\u003c\/i\u003e, the Fruit Bats' 2011 follow-up to \u003ci\u003eThe Ruminant Band\u003c\/i\u003e, is more\npared down, with bandleader Eric Johnson doing most of the legwork\nhimself.\u003c\/p\u003e\u003cp\u003eSynthesizers and keyboard loops replace the knotted guitars. Atmospheric\nwashes of sound replace the sunny, straightforward hooks. On songs like \"The\nFen\", instruments replace vocals entirely, sounding more like a clip from an\norchestral movie soundtrack than the work of a rock band. \u003c\/p\u003e\u003cp\u003eThe majority of the\nwork was done by Johnson and producer Thom Monahan, resulting in a layered\nsound that stacks overdubbed harmonies onto combinations of pump organ,\nfound sounds, acoustic guitar, and various bleeps and bloops. \u003c\/p\u003e\u003cp\u003eWhether he's\nworking alone or leading a full lineup, though, Johnson knows his way around a\ngood pop hook, the best songs are rooted in catchy, sunny melodies\nthat shine through their heavy wrapping paper. Proof that Johnson knows how to\nstretch his legs without losing his balance. \u003c\/p\u003e","brand":"Jealous Butcher","offers":[{"title":"CD.","offer_id":50448332783947,"sku":"341357","price":9.99,"currency_code":"GBP","in_stock":false},{"title":"White | LP","offer_id":50448333439307,"sku":"341358","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Tripper_Bonus_Track_Version_c1e82546_thumbnail_4096.jpg?v=1727090057"},{"product_id":"sometimes-a-cloud-is-just-a-cloud-slow-growers-sleeper-hits-and-lost-songs-2001-2021","title":"Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001  2021)","description":"\u003cp\u003eEric D. Johnson, the creative force behind Fruit Bats, doesn’t spend a lot of time looking in the rearview mirror. “Maybe it speaks to some Midwest thing,” he says. “Don’t be overly reflective or navel-gazing. And as a songwriter, you always want to be looking forward, not backward.” But with the 20th anniversary of his first Fruit Bats release (2001’s \u003ci\u003eEcholocation\u003c\/i\u003e) on his mind, it seemed as good a time as any to take stock of his work—and he’s doing so in the form of \u003ci\u003eSometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001–2021)\u003c\/i\u003e, a two-disc collection that tracks the history of Fruit Bats from its earliest days to right now. Thoughtfully compiled by Johnson himself, this set is split in two distinct halves. \u003c\/p\u003e\u003cp\u003eSet in reverse chronological order, the first disc cherry-picks from Fruit Bats’ official releases, including fan favorites “Humbug Mountain Song” from 2016’s \u003ci\u003eAbsolute Lose\u003c\/i\u003er and “The Bottom of It” from his 2019 Merge debut \u003ci\u003eGold Past Life\u003c\/i\u003e alongside some of Johnson’s more personal choices like “Glass in Your Feet” from Echolocation. “I was 25 when I made that record,” Johnson remembers. “I was even younger than that when I wrote that song. I think I hadn’t yet learned to write from the heart. I was trying to create a sound. It wasn’t even so much about the song at that point.” To emphasize both his reticence at dwelling on the past and to showcase how far he has grown as a songwriter, the first disc kicks off with a brand-new track, “Rips Me Up.” Recorded with Josh Kaufman, who helped produce Fruit Bats’ 2021 full-length The Pet Parade, the song is a soulful strutter about, as Johnson says in the liner notes for this set, how love “paralyzes and wounds us.”\u003c\/p\u003e\u003cp\u003eThe second disc is for longtime fans that want a deeper dive into Fruit Bats lore. To put this half of \u003ci\u003eSometimes a Cloud Is Just a Cloud\u003c\/i\u003e together, Johnson dug into several hard drives’ worth of material. Included here are lovely early versions of “Rainbow Sign” and “The Old Black Hole,” recorded to a Tascam 4-track just as Fruit Bats was becoming a reality. There’s also a rambling take on the Steve Miller Band’s classic rock mainstay “The Joker,” and some wonderful never-before-heard original tunes.\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Pink | LP | x2","offer_id":50502539706699,"sku":"1135279","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f29432f0-dd3d-4aa6-b63f-8bd7fd361a25_thumbnail_4096.jpg?v=1727791088"},{"product_id":"a-river-running-to-your-heart-2","title":"A River Running To Your Heart","description":"\u003cp\u003eEric D. Johnson rarely lingers at one location too long. As a kid growing up in the Midwest, Johnson's family moved around a lot, but it wasn't until he became a touring musician years later that motion became a central part of his identity. That transient lifestyle stoked an enduring reverence for the world he watched pass by through a van window. A sense of place is a unifying theme he's revisited with Fruit Bats throughout its many lives. From the project's origins in the late '90s as a vehicle for Johnson's lo-fi tinkering to the more sonically ambitious work of recent years, Fruit Bats has often showcased love songs where people and locations meld into one. It's a loose song structure that navigates what he calls \"the geography of the heart.\" \"The songs exist in a world that you can sort of travel from one to another,\" says Johnson. \"There are roads and rivers between these songs.\"\u003c\/p\u003e\u003cp\u003e Those pathways extend straight through the newest Fruit Bats album, aptly titled \u003ci\u003eA River Running to Your Heart\u003c\/i\u003e. Self-produced by Johnson—a first for Fruit Bats—with Jeremy Harris at Panoramic House just north of San Francisco, it's Fruit Bats' tenth full-length release and one that finds the project in the middle of a creative resurgence. After two decades of making music, hard-earned emotional maturity has seeped into Johnson's songs, resulting in a more complex sound that's connected with audiences like no other previous version of Fruit Bats. \u003ci\u003eA River Running to Your Heart\u003c\/i\u003e represents the fullest realisation of that creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. And while that might seem like a peculiar focus for an artist who's constantly in motion, for Fruit Bats, home can take many forms—from the obvious to the obscure. \u003c\/p\u003e\u003cp\u003eLead single \"Rushin' River Valley\" is a self-propelled love song written about Johnson's wife that clings to the borrowed imagery of the place where she grew up in northern California. Then, there's the gentle and unfussy acoustic ballad \"We Used to Live Here,\" which looks back to a time of youthful promise and cheap rent. But the wistful \"It All Comes Back\" is perhaps the most stunning and surprising track on the album, Johnson's production skills on full display. Built upon intricate layers of synths, keyboards, and guitars, it's a pitch-perfect blend of tone and lyricism that taps into our shared apprehensions and hopes for a post-pandemic life. \"We lost some time \/ But we can make it back \/ 4 Let's take it easy on ourselves, okay?\" sings a world-weary but ultimately reassuring Johnson in the song's opening lines. It's the kind of performance that makes you hope Fruit Bats stays in this one place, at least for a little while longer...\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Blue LP","offer_id":50522009665867,"sku":"2015608","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50522009960779,"sku":"2015619","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50522010386763,"sku":"2015621","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Fruit_Bats_-_A_River_Running_to_Your_Heart_f03e872c_thumbnail_4096.jpg?v=1727997886"},{"product_id":"baby-man","title":"Baby Man","description":"\u003cp\u003e\u003cem\u003eBaby Man\u003c\/em\u003e, the new album by \u003cstrong\u003eFruit Bats\u003c\/strong\u003e, is like nothing else in Grammy-nominated songwriter Eric D. Johnson’s catalog. Little in the arc of his career—including Fruit Bats’ evolution from home recording project to rollicking roadshow, his solo output, and his work with Bonny Light Horseman—points the way to this album, in which his only accompaniment, aside from the occasional blush of synthesizer, is a guitar, banjo, or piano.\u003c\/p\u003e\n\n\u003cp\u003eSave for producer Thom Monahan, reuniting with Johnson for the first time since Fruit Bats’ 2019 breakthrough \u003cem\u003eGold Past Life\u003c\/em\u003e, it’s just Johnson in the room, meaning that when the turntable’s needle meets \u003cem\u003eBaby Man\u003c\/em\u003e’s groove, it’s just him and the listener, mutually in for a reckoning. Monahan’s return to the booth was vital: having mapped the outer limits of Eric D. Johnson’s musical imagination, nobody was better equipped for the deepest trip yet into his soul.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBaby Man\u003c\/em\u003e is an intimate album, but rather than deliver a stripped-down or back-to-basics approach to the Fruit Bats sound, its introspection is rendered at epic scale. “It’s minimalist-maximalism,” Johnson says of his and Monahan’s approach. “There are fewer tracks on each song—four or five at most—compared to recent albums where there’d maybe be five tracks on a song just for synths—but this is me at my most hi-fi.”\u003c\/p\u003e\n\n\u003cp\u003eWhat he and Monahan do to striking effect on \u003cem\u003eBaby Man\u003c\/em\u003e is explore the full power and range of his voice. Pushed forward in the mix, Johnson’s vocals—a showstopping element of his craft—have new purpose and depth on \u003cem\u003eBaby Man\u003c\/em\u003e, breathing life into some of the rawest songs he’s ever written into being, actively finding the heart in the lyrics sometimes just hours after they’d been penned.\u003c\/p\u003e\n\n\u003cp\u003eA text sent to Monahan one morning—“I’m just trying to write a couple more songs”—later becomes the first line of “Puddle Jumper,” a finger-picked heartbreaker whose only competition for the crown of Most Emotionally Devastating Fruit Bats Song is the other eight Johnson originals on this album.\u003c\/p\u003e\n\n\u003cp\u003eThere are no Fruit Bats albums like \u003cem\u003eBaby Man\u003c\/em\u003e. None until this point have demanded this kind of attention. It’s a linchpin in Johnson’s career, one that not only opens Fruit Bats up to a thrilling future but recontextualizes his past, arguing that he is one of his generation’s great singer-songwriters and will be for some time to come.\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"LP - Black","offer_id":52303887860043,"sku":"R0780-2659","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":52303887892811,"sku":"R0780-4830","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/FruitBats-BabyMan_81d72848-1c44-4a0c-954a-a4c90376117c.jpg?v=1752247993"},{"product_id":"the-landfill","title":"The Landfill","description":"\u003cp\u003eThe midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flat expanse. Zipping through it on the highway, you’ll see cities and towns rise up in the distance, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape, hill after hill, built from the refuse of the past: landfills. Some of these hills make for great sledding spots, parks, and trails. Others turn organic waste into compost. The Landfill is something else entirely: a mountain dominating the landscape of Johnson’s heart.\u003c\/p\u003e\n\u003cp\u003eOver the course of his now 25-year career under the Fruit Bats moniker, most of Eric D. Johnson’s output has been the product of patience and fine-tuning. His songs, to borrow a phrase, are slow growers, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down, utilizing the morning pages technique of stream-of-consciousness, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over,” he explains, “but there was way more to explore. I liked the immediacy of it, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks, he was back in a studio, this time with his band — David Dawda (bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill, it’s not hard to understand why: simply put, this band smokes.\u003c\/p\u003e\n\u003cp\u003eProducing the initial recording sessions in Washington’s Bear Creek Studios, Johnson set out to capture “the sound of this band I constantly marvel at, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks, no comped vocals, and minimal overdubs, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band, Bonny Light Horseman, and I was curious to see how it would work with Fruit Bats,” Johnson notes. “It’s both a very personal record, and my most collaborative to date.”\u003c\/p\u003e\n\u003cp\u003eIt’s also the most live a Fruit Bats record has been since 2009’s \u003cem\u003eThe Ruminant Band,\u003c\/em\u003e and in paring back the number of tracks that typically layer a full-band song, the psychedelic, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakes that are larger than life, while “Perhaps We’re a Storm” charges headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eAll of these songs — most of the songs on \u003cem\u003eThe Landfill\u003c\/em\u003e, in fact — mark themselves immediately as some of the best in Eric D. Johnson’s ever-expanding songbook, seekers and anthems alike. It’s the most daunting peak he’s scaled yet, musically or lyrically: a swashbuckling set of full-band jammers couldn’t be more honest and open-hearted about his hopes and anxieties, his dreams and failures, what’s passed and what will come to pass, were it just him, his guitar, and the listener.\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"LP - Pink Splatter in Clear","offer_id":56867751821643,"sku":"R1255-2322","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":56867751854411,"sku":"R1255-2989","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56867751887179,"sku":"R1255-5865","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/FruitBats-TheLandfill.jpg?v=1774276486"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_2ef20369_thumbnail_4096_04fe21c7-f8f7-4add-9012-6398a7e64c3d.jpg?v=1726543490","url":"https:\/\/shop.roughtrade.com\/de\/collections\/fruit-bats.oembed","provider":"Rough Trade","version":"1.0","type":"link"}