{"title":"Gavin Bryars","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGavin Bryars is an English composer and double bassist known for his diverse range of musical styles, including jazz, free improvisation, minimalism, experimental music, and neoclassicism. Born in Goole, East Yorkshire in 1943, Bryars has been active in the music industry for decades. His works have been published on Mnemonic Publishing.\u003c\/p\u003e\n\n\u003cp\u003eWith a career spanning multiple genres and artistic movements, Bryars has collaborated with renowned musicians and ensembles such as Ingram Marshall, Terry Riley, Steve Reich, Kronos Quartet, Philip Glass Ensemble, and many more. His innovative approach to composition has earned him a reputation as one of the most influential figures in contemporary music.\u003c\/p\u003e\n\n\u003cp\u003eWhether it's his mesmerizing minimalist compositions or his avant-garde experimentation with soundscapes, Gavin Bryars continues to push boundaries and challenge traditional notions of music. His vast body of work showcases his immense talent and unwavering dedication to artistic exploration.\u003c\/p\u003e","products":[{"product_id":"dido-and-orfeo-after-purcell-and-gluck","title":"Dido and Orfeo (after Purcell and Gluck)","description":"\u003cp\u003eThis music, for saxophone, viola, cello, and piano, was written by \u003cstrong\u003eGavin Bryars\u003c\/strong\u003e for ballet and involves a reworking of music from Purcell's \u003cem\u003eDido and Aeneas\u003c\/em\u003e and Gluck's \u003cem\u003eOrfeo ed Euridice\u003c\/em\u003e, just as a previous collaboration, \u003cem\u003eAmjad\u003c\/em\u003e (BCGBCD10), had taken Tchaikovsky's \u003cem\u003eSwan Lake\u003c\/em\u003e and \u003cem\u003eSleeping Beauty\u003c\/em\u003e as its source.\u003c\/p\u003e\n\n\u003cp\u003eThe music originates in extracts from the two operas chosen by the choreographer - sometimes only forty seconds or less - but recomposed into longer pieces. A few of these, like Purcell's \"Dido's Lament,\" are well-known, others less so. But each piece, however much it is transformed, extended or modified, is recognizable from the original.\u003c\/p\u003e\n\n\u003cp\u003eThe music was recorded live during the ballet's world tour.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD.","offer_id":50394255360331,"sku":"2053726","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5052442023654_192b07e0_thumbnail_4096.webp?v=1726435141"},{"product_id":"through-the-night-conventa-del-carmen","title":"Through the Night (Conventa del Carmen)","description":"\u003cp\u003eThis recording involves Roger Heaton and Gavin Bryars, on bass clarinet and double bass respectively, playing long, slow music through the night - extended versions of laude - from midnight to 4:30am, in specific locations within the Conventa del Carmen, a disused religious building in Valencia. The recording was by Chris Ekers, using a 'dummy head' microphone system and is best listened to on headphones to give the experience of 360-degree sound. In most of these pieces they were placed on opposite sides of a long rectangular space - facing each other or playing into alcoves in the walls, thereby generating reflected sounds. Others were made in a large space, a former refectory.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD.","offer_id":50394286260555,"sku":"2053727","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5052442023661_73b04cea_thumbnail_4096.webp?v=1726435558"},{"product_id":"the-sinking-of-the-titanic-2","title":"The Sinking of the Titanic","description":"\u003cp\u003eInaugural release on the seminal Obscure Records, Produced by Brian Eno in 1975. Featuring Derek Bailey, Michael Nyman and John White, First-time vinyl reissue. Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. \u003ci\u003eThe Sinking of the Titanic\u003c\/i\u003e, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers' experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship's band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars' magnum opus.\u003c\/p\u003e\u003cp\u003eJesus' Blood Never Failed Me Yet, the album's second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars' composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It's no surprise that Jesus' Blood is known as Tom Waits' all-time favourite piece of music.\u003c\/p\u003e\u003cp\u003eProduced by Brian Eno in 1975 as the inaugural release on Obscure, \u003ci\u003eThe Sinking of the Titanic\u003c\/i\u003e draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience's attention to their subtlety have only strengthened over time.\u003c\/p\u003e","brand":"Superior Viaduct","offers":[{"title":"Black LP","offer_id":50402620997963,"sku":"2000934","price":39.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50402620834123,"sku":"2000933","price":39.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Gavin_Bryars_The_Sinking_of_the_Titanic_CD_SLEEVE_ARTWORK_d6652158_thumbnail.jpg?v=1726552978"},{"product_id":"adelaide-town-hall","title":"Adelaide Town Hall","description":"\u003cp\u003eAdelaide Town Hall\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50417207411019,"sku":"1005880","price":14.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"hommages","title":"Hommages","description":"\u003cp\u003eCrepuscule presents a newly remastered CD edition of the influential album Hommages by acclaimed modern British composer Gavin Bryars. Originally released in November 1981 on Les Disques du Crepuscule, \u003ci class=\"\"\u003eHommages\u003c\/i\u003e was recorded in Leicester in February 1981 and produced by noted Belgian new music composer Wim Mertens. The album was conceived as a series of diverse homages to other composers, which include Bill Evans (\u003ci class=\"\"\u003eMy First Homage\u003c\/i\u003e), Ferruccio Busoni and Gustav Holst (\u003ci class=\"\"\u003eThe English Mail-Coach\u003c\/i\u003e and \u003ci class=\"\"\u003eThe Vespertine Park\u003c\/i\u003e) and Percy Grainger (\u003ci class=\"\"\u003eHi-Tremolo\u003c\/i\u003e).\u003c\/p\u003e\u003cp\u003eFeatured musicians included Andrew Bilham, Ronald Reah, Andrew Renshaw, Nigel Shipway, Dave Smith, John White and Marie Wilson, as well as Gavin Bryars himself on piano and vibraphone. The album is the only one which documents the important period between Bryars’ early experimental music and later works from \u003ci class=\"\"\u003eMedea\u003c\/i\u003e onwards, as well as his enthusiasm for small composer \/ performer ensembles. This 63 minute digital remaster of \u003ci class=\"\"\u003eHommages\u003c\/i\u003e now includes two bonus tracks composed and recorded by Bryars during the same period: \u003ci class=\"\"\u003eDanse Dieppoise\u003c\/i\u003e, and the lengthy piano piece \u003ci class=\"\"\u003eOut of Zaleski’s Gazebo\u003c\/i\u003e. The booklet features extensive notes by Gavin Bryars on the origin and performance of all six pieces, and preserves the original album cover artwork by Marc Borgers.\u003c\/p\u003e","brand":"Les Disques Du Crepuscule","offers":[{"title":"CD","offer_id":50417267966283,"sku":"1063602","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/53431a7f-e80f-4768-aa79-4f55c56ee624_thumbnail_4096.jpg?v=1726724239"},{"product_id":"the-leeds-bells","title":"The Leeds Bells","description":"\u003cp\u003eThis album consists of seven original pieces composed for the bells of Leeds Minster and recorded from the live performance as part of Leeds Fuse in April 2009 \"Like many people in England, I grew up with the sound of church bells, whether on Sundays or on practice days. The village where I now live has an active bellringing team, though at 8 bells they are fewer in number and smaller in scale than those at Leeds Minster (13 bells). I was aware that if I were to compose new pieces within the tradition of complex mathematical sets, they would be indistinguishable from existing ones, except to specialists. The various systems of change ringing were attractive to several experimental musicians in the early 1970's providing, as they do, a pre- existing source of systemic change and repetition, one of the ingredients of music of that time. But here I used techniques that change ringing seeks to avoid such as sounding more than one bell at once; using clusters including all the bells at once; writing harmonically, or with melodies and accompaniment.\" - Gavin Bryars\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50422142927179,"sku":"2196955","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-04-25_at_07.36.57_f03e77de_thumbnail_4096.png?v=1726762787"},{"product_id":"11th-floor-after-film-noir","title":"11th Floor (after film noir)","description":"\u003cp\u003e\"Like most ballet music I composed for Edouard Lock, the music involves reworking existing scores but this time from a musical genre; 1940's and 50's Film Noir, rather than from specifc composers The film studio's big band is reduced to just four players: tenor saxophone, doubling clarinets, accordion, piano and double bass. Here the musicians have to be versatile with the references to various forms of jazz and to some of the conventions of Film Noir music. As with all this music, recognition and memory of the source is critical. For the production by Cullberg Ballet, who commissioned the work, I had four of the finest Swedish musicians who move freely between the various musical demands: being precise, but fexible in a nonclassical way; understanding the requirements of this musical approach, with a powerful double bass driving the ensemble, which even swings at times, anchored at the centre by the richness and fluidity of the accordion, and moving subtly between written music and improvisation.\"\u003c\/p\u003e\u003cp\u003ePerformers on this recording: Lisa Langbacka, accordion\/ musical director; Nils Berg, tenor saxophone, bass clarinet, clarinet; Adam Forkelid, piano; Dan Berglund, double bass.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50433004765515,"sku":"2202964","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTY_28b5cd54_thumbnail_4.jpg?v=1726876010"},{"product_id":"the-war-in-heaven-performed-by-netherlands-radio-choir","title":"The War in Heaven performed by Netherlands Radio Choir","description":"\u003cp\u003eThe War in Heaven features not only that eponymous large-scale work by Gavin Bryars for voices and orchestra, but also the very first release of music from any of Bryars' four operas, Epilogue from G. The recordings were made in the composer's presence and under his supervision. A large-scale cantata for two solo voices (soprano and male alto), half chorus, full chorus and orchestra, The War in Heaven was commissioned by the BBC Symphony Orchestra, who gave the first and, until now, only performance at the Royal Festival Hall in 1993. There are two parallel texts: one in English for the soloists that sets the monologue 'The War in Heaven' by Sam Shepard, the other in old Anglo-Saxon for the chorus. The solo vocal parts make extreme demands of the singers with virtuosic passages and very high notes - here two young singers with voices of extraordinary beauty and power, Anja-Nina Bahrmann and Maarten Engeltjes, who are not in the least intimidated by such things! The performance was recorded live in the Muziekgebouw, Amsterdam.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50438626476363,"sku":"375232","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fa334248-5a56-4c6a-9fca-aaeb5f9affb9_thumbnail_4096.jpg?v=1726945916"},{"product_id":"madrigals-volume-1-vox-altera-ensemble","title":"Madrigals Volume 1 Vox Altera Ensemble","description":"\u003cp\u003ein 1998 gavin bryars wrote a set of madrigals for the hilliard ensemble, working within the spirit and aesthetic of those from the italian renaissance. by coincidence the first four settings were written on mondays and he took the decision to write the remaining nine on mondays too. this strategy clearly committed him to writing at least seven books of madrigals. the second book (tuesdays) is for a 6-part group and sets petrarch sonnets in the original 14th century italian. there are 14 madrigals for this book and an extra madrigal ('marconi's madrigal'), written for the centenary of the first transmission of a radio signal - a single letter - across the atlantic ocean. petrarch continues to be a source of inspiration for bryars' vocal music and the album includes the first madrigal from the fourth book (thursday), which consists of 8-part settings of longer poems, commissioned by villa i tatti for vox altera, who perform all the works here. the fifth and sixth books are under way. the title for this recording - al suon dell'acque scriva ('let him write to the sound of the waters') - comes at the end the seventh madrigal in book two.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"CD","offer_id":50438627459403,"sku":"329077","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6f64bac3-e5c6-49e8-88b9-fe0bf2630748_thumbnail_4096.jpg?v=1726945937"},{"product_id":"jesus-blood-never-failed-me-yet","title":"Jesus Blood Never Failed Me Yet","description":"\u003cp\u003eThis album is a remastered reissue of the cult classic recording by Gavin Bryars, \u003ci\u003eJesus' Blood Never Failed Me Yet\u003c\/i\u003e. It was produced in 1975 by Brian Eno for his own Obscure Records label. With its memorable and mesmerising singing of an old tramp, it's the favourite album of Tom Waits and a work that has achieved iconic status. Now made available as the first release in the 'Archive Series' on Gavin Bryars' own label, GB Records, \u003ci\u003eJesus' Blood Never Failed Me Yet\u003c\/i\u003e is coupled with the original recording of 'The Sinking of the Titanic', another iconic work from the early period of experimental music. The piece achieved huge coverage with the 1993 extended version on Point, which introduced additional vocals by Tom Waits. But for many people this original version is the authentic work and it continues to resonate throughout the music world. Composed between 1969 and 1972, \u003ci\u003eThe Sinking of the Titanic\u003c\/i\u003e is also considered one of the classics of British experimental music. The initial starting point for the piece was the reported fact of the Titanic's band having played a hymn tune as the ship went down, the lack of any report of their having stopped playing, combined with a number of other features of the disaster that are both reproducible and that \"take the mind to other regions\".\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50438630310219,"sku":"396174","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c5c82f25-dd94-4081-91de-8e9e6aa3ed0c_thumbnail_4096.jpg?v=1726945958"},{"product_id":"the-sinking-of-the-titanic-live-2012-centenary-tour","title":"The Sinking of the Titanic - Live 2012 Centenary Tour","description":"\u003cp\u003eThis live version of Gavin Bryars' seminal work The Sinking of the Titanic is regarded by the composer as \"the definitive performance\", made with his ideal choice of musicians. It was recorded on the Gavin Bryars Ensemble's tour in 2012, the centenary year of the disaster. It brings together in one performance elements that have appeared separately in the various versions that precede it: the inclusion of the improvising turntablist Philip Jeck; the presence of a second quartet of low strings that consists of his four children; the faint allusion to Aphex Twin's remix The Raising of the Titanic made shortly after the release of the 1994 recording; the water gong first used by percussionist Martin Allen towards the end of a performance on a raft at the shallow end of a renovated Art Nouveau swimming pool in Brussels... Although there have been four previous recordings of The Sinking of the Titanic according to the composer this performance and recording is as near to a definitive one as there is ever likely to be.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":50438741885259,"sku":"375231","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ccbf530c-d853-4daa-90e8-643b2814a935_thumbnail_4096.jpg?v=1726947059"},{"product_id":"irma-an-opera-by-tom-phillips","title":"Irma an Opera by Tom Phillips","description":"\u003cp class=\"MsoNormal\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"font-family: Bookman Old Style;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 13.5pt; color: black;\"\u003eIn February and March of 1977, for Brian Eno’s Obscure Records, I made a version of \u003cem\u003eIrma\u003c\/em\u003e. The following notes on the piece arise out of that involvement and try to show how the piece can be made into a performance state.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"font-family: Bookman Old Style;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 13.5pt; color: black;\"\u003eIrma is a curious score – it is printed on a single sheet 50cms x 50cms. The notation consists of fragments from Tom’s continuing treatment of the victorian novel by W. H. Mallock, which he calls A Humument, and utilizes those short verbal fragments that refer to either ‘‘libretto’’, ‘‘decor and mise-en-scène’’ or ‘‘sounds’’. These 3 categories are arranged in separate sections on the square sheet with, at the bottom, a line of stave notation. At first sight it looks like a piece of indeterminate music – clearly there has to be some preparatory work done before it is performable and no-one would venture to perform directly from the score - but if it is approached in this spirit, like realizing a piece by John Cage or Morton Feldman written during the 1950’s, the sounding results are either largely of a documentary interest, or rely entirely on the gifted performer to make into a coherent sounding whole. True, one could say the same thing for a piece by Cage, such as Variations I, but there the performer is given a number of precise parameters of sound within which he should work, whereas Irma needs to be re-composed rather than realized.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;\"\u003e\u003cspan style=\"font-family: Bookman Old Style;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 13.5pt; color: black;\"\u003eIf the distinction between ‘‘composing’’ and ‘‘realising’’ is overlooked, and if only the materials present in the notation are used, then the result is likely to be impoverished and it is clear that, looked at in isolation as a self-contained work, the score is notationally very\u003cspan\u003e  \u003c\/span\u003ethin. So one either produces an impoverished piece of sounding music, or one takes the responsibility to look further. Tom does not say explicitly that one must go beyond Irma into the rest of his work, but he does say that one has to go outside the piece. On the score he writes: ‘‘Perhaps to treat the indications here given as if they were the only surviving fragments of an ancient opera, or fragments of eye and ear witnesses’ accounts of such, and given no knowledge of performance tradition of the time, to reconstruct a hypothetical whole which would accommodate them economically, would be an appropriate basis of approach to a production.’’ So, try to put it back together and try to fill in all the gaps between these fragments. This approach, which, incidentally coincides with an interest in such procedures within my own work, seems to be the most suitable. If the ‘‘composer’’ uses the sorts of methods that Tom evidently uses in producing pictures, in making A Humument (of which Irma is a part), and if he uses the notations of Irma as clues to lead him into whatever area seems likely to yield rich results, then a much more satisfactory outcome is likely – satisfactory both in terms of the quality of the sounding material and in terms of consistency with the rest of Tom’s oeuvre.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dialogo","offers":[{"title":"LP - Black","offer_id":51461015011659,"sku":"R5289-2284","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8018344399348.jpg?v=1742217470"},{"product_id":"the-collected-works-of-billy-the-kid-yd","title":"The Collected Works of Billy the Kid","description":"\u003cp\u003eThe Collected Works of Billy the Kid is composer Gavin Bryars' fifth opera (and second chamber opera) and is a theatrical adaptation of Michael Ondaatje's novel of the same name. It continues Bryars'principle of intimacy and flexibility, with it being scored for just two singers and six instruments.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":57414821577035,"sku":"R3725-0338","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5052442030775_24d5f626-afe7-47a5-ab74-458aa5647254.jpg?v=1779448859"},{"product_id":"marilyn-forever-zt","title":"Marilyn Forever","description":"\u003cp\u003eHaving previously composed three large-scale, full-evening, operas Gavin Bryars turned to the more flexible, intimate and manageable form of chamber opera with his fourth opera Marilyn Forever (2013). Its smaller cast, reduced instrumentation and simpler production gave the possibility of many further productions, repeated performances, which would have been, and has proved to be, well-nigh impossible with the traditional forms.\u003c\/p\u003e","brand":"GB Records","offers":[{"title":"CD","offer_id":57414822035787,"sku":"R3287-2794","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5052442030843_555c09b1-f464-4b5c-9ebf-34757b4fed8f.jpg?v=1779448859"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_ae7f1a9b_thumbnail_4096_57873a8b-d35c-422e-80c3-b5e171897e99.jpg?v=1726435123","url":"https:\/\/shop.roughtrade.com\/de\/collections\/gavin-bryars.oembed","provider":"Rough Trade","version":"1.0","type":"link"}