{"title":"Give \/ Take","description":null,"products":[{"product_id":"what-the-patrons-heard-f2z7bp","title":"What The Patrons Heard","description":"\u003cp\u003eAs a founding member of Bauhaus, David J helped spearhead the post-punk scene of the early ‘80’s with a string of innovative work, including Bauhaus’ defining moment, a bona fide classic and feasibly the pinnacle of the entire goth scene: the nine minute plus epic slab of industrial dub “Bela Lugosi’s Dead,” featuring David’s lyrics and bass guitar work. Bauhaus propelled to the upper echelons of the UK charts before reaching their zenith in the summer of ’83 and imploding – shattering into fragments of individual talent. This implosion gave rise to David's wide-ranging solo career. The first of Bauhaus’ members to actively release music outside of the band, David went on to put out solo work and collaborations with various authors, poets and infamous indies such as 4AD. \u003c\/p\u003e\u003cp\u003eIn 1985, David regrouped with two former Bauhaus members to form the hugely successful Love and Rockets. Since then, David has continued to produce his trademark brand of deeply heartfelt and darkly sophisticated music. Highlights of \u003ci\u003eWhat The Patrons Heard\u003c\/i\u003e include a timely rendition of Neil Young’s “Vampire Blues” delivered with penetrating intensity; “Gimme Some Truth,” which brings new urgency and potency to the John Lennon classic; and “Lay Over And Lay,” which delivers folk-punk that only musicians from the British Isles can get right.\u003c\/p\u003e","brand":"Give \/ Take","offers":[{"title":"White LP","offer_id":50384004645195,"sku":"2002213","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._10333e0d_thumbnail_4096.jpg?v=1726282539"},{"product_id":"scorpion-tea","title":"Scorpion Tea","description":"\u003cp\u003eSelf-described by drummer Edley ODowd (Psychic TV, Toilet Boys) as “a band of monsters playing broken instruments,” Scorpion Tea formed through the bonds of friendship, having survived the New York City punk and hardcore scenes together. Meshing cultural influences from Ecuador, Colombia, Eastern Europe, and Puerto Rico with their collective thirst for punk, goth, death rock, and city pop, Scorpion Tea has created a sound described by vocalist Anthony Diaz as “the phonic expression of a den of ravenous creatures.” Fern Puma’s bass lines, dripping with dapper strength, smartly pair with songwriter and guitarist Christian Cruz’s delectable, unnerving riffs and the bold flavor of Edley’s thunderous, yet sensitive drumming while Anthony’s involute lyrical profile elicits an impending storm over a haunted forest. The resulting noise is a harmonious blend with a rich and complex profile that anyone with an ear for the heavy will enjoy.\u003c\/p\u003e","brand":"Give \/ Take","offers":[{"title":"Clear LP","offer_id":50394517668171,"sku":"2055856","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/scorpion_tea_gt054_9a59f9a2_thumbnail_4096.jpg?v=1726441828"},{"product_id":"golden-skin","title":"Golden Skin","description":"\u003cp\u003eFifteen years ago, prolific UK innovator Justin K Broadrick — who rose to fame as guitarist for Napalm Death and founder of seminal industrial group Godflesh — began once again doing what he does best: experimenting. Originally intending to create sketches for his project Jesu, Broadrick realized his new form of beguiling and hypnotic compositions didn’t fit Jesu’s signature guitar-noise assault. \u003c\/p\u003e\u003cp\u003eThis was something entirely new. Thus, Pale Sketcher was born. Written and recorded primarily between 2009-2013, \u003ci\u003eGolden Skin\u003c\/i\u003e was originally slated for release on Richard D. James’ (Aphex Twin) Rephlex Records prior to it shuttering, and it evokes fond memories of the height of experimentation in IDM\/braindance while still resonating heavily with the here and now. \u003c\/p\u003e\u003cp\u003eUnearthed and completed by Broadrick specifically for its unveiling on GIVE\/TAKE, the full-length album reveals itself as a devastatingly beautiful and essential new entry in the artist’s repertoire. Dripping with smart style, shimmering electronics, and complex dream-like vocal sampling, Golden Skin propels the listener through a truly heavy, affecting experience, bordering on ecstatic, from the LP’s melancholy, yet hyper-breaks driven opener “Today,” to the minimal and dusty trip-hop-laden finale “Hymn for Light.” The first Pale Sketcher output in years, Justin K Broadrick’s lost treasure \u003ci\u003eGolden Skin\u003c\/i\u003e is now available.\u003c\/p\u003e","brand":"Give \/ Take","offers":[{"title":"Clear | LP","offer_id":50444849054027,"sku":"1169977","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50444850495819,"sku":"1169978","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/47a2f266-122d-4068-b6d6-55081b5002e2_thumbnail_4096.jpg?v=1727030802"},{"product_id":"dance-hall-putsch","title":"Dance Hall Putsch","description":"\u003cp\u003eAnyone familiar with industrial luminary \u003cstrong\u003eEn Esch\u003c\/strong\u003e and his essential work in groups like KMFDM and PIG knows he is no stranger to political statements through his art.\u003c\/p\u003e\n\n\u003cp\u003eNow, on his first LP in eight years, \u003cem\u003eDance Hall Putsch\u003c\/em\u003e, Esch decimates your standards and dance floors with vitriol. With carefully-sown and complimenting features from fellow KMFDM alumnus \u003cstrong\u003eRaymond Watts\u003c\/strong\u003e, \u003cstrong\u003eGuenter Schulz\u003c\/strong\u003e and \u003cstrong\u003eMark Durante\u003c\/strong\u003e, plus \u003cstrong\u003eVas Kallas\u003c\/strong\u003e (\u003cem\u003eHanzel und Gretyl\u003c\/em\u003e), \u003cstrong\u003eMea Fisher\u003c\/strong\u003e and \u003cstrong\u003eErica Dilanjian\u003c\/strong\u003e (\u003cem\u003eLords of Acid\u003c\/em\u003e), \u003cstrong\u003eHope Nicholls\u003c\/strong\u003e (\u003cem\u003ePigface\u003c\/em\u003e) and more, \u003cem\u003eDance Hall Putsch\u003c\/em\u003e delivers everything an industrial fan could want.\u003c\/p\u003e\n\n\u003cp\u003eFrom opener \"\u003cem\u003eGet Lost\u003c\/em\u003e,\" with its categorically punishing industrial-metal riffs to the slicing EBM electronics of \"\u003cem\u003eYum Yum Beauty and The Nasty Thief\u003c\/em\u003e,\" it's all here and in no less than four languages throughout. En Esch's signature rasp is often contrasted by the sparkling vocals of his female counterparts, and the album is lush with brutal honesty, humor, and even a bonus En Esch-lullaby.\u003c\/p\u003e","brand":"Give \/ Take","offers":[{"title":"Green LP","offer_id":50530901492043,"sku":"2219333","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50530901066059,"sku":"2219332","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/gt051_en_esch-dance_hall_putsch_2dec05cc_thumbnail_4096.jpg?v=1728087498"},{"product_id":"shouting-the-odds","title":"Shouting the Odds","description":"\u003cp\u003eJustin K Broadrick (Godflesh) and Mick Harris (Napalm Death) drop militant, hard techno on split LP. New album doubles the track count (and runtime) of the duo's last collab.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStalwart Birmingham, UK innovators Justin K Broadrick and Mick Harris have connected again as JK Flesh and Monrella to deliver the warehouse-destroying hard techno LP \u003cem\u003eShouting the Odds\u003c\/em\u003e, five years after their last EP, See Red.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing four tracks from each artist, \u003cem\u003eShouting the Odds\u003c\/em\u003e invokes both the feeling of listening to late night pirate radio and sweating in a darkened warehouse as the rafters shake, complete with the perfect amount of analog wow and flutter. Brimming with gnarled, unrelenting kicks hovering between 130–140bpm, the split format deftly showcases both artist's individual strengths, while displaying undeniable commonality.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBroadrick's side leans traditional hard techno, filled with mesmerizing, minimal synth arpeggios and contrasting toplines, all aligned and maligned by shrewd transitions. Harris' section presents more experimental and house influences, using bright, distorted synth hits and a touch of forlorn melody. The tracks take on a life of their own through expert use of filters and just the right amount of delay, stutter, and glitch.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNever before has an album filled with such shining, shimmering synths been so black and threatening. 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