{"title":"Glitterhouse","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGlitterhouse is a music label owned by Reinhard Holstein. Founded in 1981 by Holstein and Rembert Stiewe, the label started as a fanzine called \"The Glitterhouse\" that focused on 60's garage and psychedelia, punk extensions, weirdo folk, and similar genres. Over the years, Glitterhouse has released music from German artists such as *Surfin' Dead*, *The Strangemen*, and *Shiny Gnomes*. In 1987, Glitterhouse began a cooperation with Seattle-based record label Sub Pop, which led to increased popularity and market position for both labels. This partnership allowed Glitterhouse to distribute records from bands like Nirvana and Soundgarden in Europe.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to working with Sub Pop, Glitterhouse also distributed products from Amphetamine Reptile Records in Europe. However, this collaboration ended when Glitterhouse no longer identified with the musical content of the American noise label. Despite this setback, Glitterhouse continued to publish its own signings including *Monster Magnet*, *Sylvia Juncosa*, *Sister Double Happiness*, and *Bitch Magnet*.\u003c\/p\u003e\n\n\u003cp\u003eSince 1994, Glitterhouse has expanded its roster to include alternative rock bands from Scandinavia and England. The label now covers a wide range of musical styles including widescreen-pop, indie-electronica, avant-garde, dark indie folk, rock,\u003c\/p\u003e","products":[{"product_id":"harney-county-2","title":"Harney County","description":"\u003cp\u003eLimited edition white vinyl reissue of 2013 solo album by Chis Eckman of The Walkabouts, and Chris is also the owner of Glitterbeat Records. Superb 9\/10 review on Americana-UK.com \"Stunning and evocative Americana\"\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"LP","offer_id":50383964340555,"sku":"2009797","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_9ecc4951_thumbnail_4096.jpg?v=1726280712"},{"product_id":"the-gristle-and-bone-affair","title":"The Gristle and Bone Affair","description":"\u003cp\u003eAn album counts the miles and years. It's a set of stories about people, about emotions and follies, and triumphs. About the changes in life. \u003ci\u003eThe Gristle \u0026amp; Bone Affair\u003c\/i\u003e, Terry Lee Hale's 14th record, the second he's made in his home of 20 years in France, and first in his recently adopted city of Marseille. This finds him considering the life he left behind in the US, his time in Europe, and at some of the things the future might hold. It's an album that's taken time, three years in the writing and recording that started before the pandemic stopped the world. \u003c\/p\u003e\u003cp\u003eIt also marks a vastly different approach to writing songs for Hale. Instead of the fingerpicked guitar front and centre, often his hallmark sound, now the instrument - and his voice - stand as the bedrock of all the music here; he's become part of the ensemble \"I'm older, content to step back and let the music speak for itself,\" he explains. \"It's enough to contribute at a base level, to be part of a collaboration. I wanted to leave room for others to fill in their parts. We all recorded separately, no choice with the lockdowns. I had no idea what the others were going to do.\" Those collaborations bring together several strands of Hale's life. He's covered a lot of distance in his time, but one of the most important stops was in Seattle, a place he says was \"foundational.\" He was the only singer-songwriter on Sub Pop 200, the compilation that announced grunge and brought the city to the music world's attention. It was in Seattle that he released his first LP, and came to know many of the musicians, like Jon Hyde (case\/lang\/veirs, Jim White) who adds steel guitar here. He also formed a close, lasting friendship was Chris Eckman of the Walkabouts, who's produced \u003ci\u003eThe Gristle \u0026amp; Bone Affair\u003c\/i\u003e, as well as several of Hale's earlier albums. \u003c\/p\u003e\u003cp\u003e\"He did everything from taskmaster to hand-holder. He's been involved with so many of my records, I trust him implicitly. He keeps me focused.\" It's a disc that features his voice, which has developed with age into something weathered and filled with gentle insights. He's never sounded better than he does here. Listen to the opening track, \"Oh Life,\" where Žiga Golob's (Chris Eckman, Steve Wynn) warm, plucked notes on the contrabass makes an introduction for Hale's crisp yearning falsetto calls, an evocation of an American West that's all but vanished. This time around, there's only one track where Hale's guitar stands out alone, the sole instrumental on the album, \"Doesn't Matter Anymore.\" It's a simple piece, one that was \"older,\" Hale says. \"It's been lying around for a long time. It gives a breathing space between the songs, very evocative of bars, and I've played many of those. It's a basic chord progression, but one that sounds quite universal.\" As producer, Eckman suggested some artists Hale had never worked with, like Catherine Graindorge (Iggy Pop, Nick Cave), whose violin work haunts \"Oh Life\" like a beautiful ghost, adding a deep resonance to the song. The Seattle that's developed since Hale left is there in the sympathetic, clear backing vocals of Claire Tucker, bringing everything full circle. He didn't know what people could put into his songs, and \"I gave very little direction on purpose. I'd send them their tracks and a week or so later I'd receive their parts. I hold my friends close, but it was wonderful to work with people like Catherine and Chris Cacavas, (Dream Syndicate, Green on Red) who played keyboards on \"Curve Away\". \"I've known him years, but we've never done a recording together before.\" But the collaboration extended beyond the spread of musicians. \u003c\/p\u003e\u003cp\u003eThe sound and claustrophobic feel of \"Alive Inside,\" a loving, sympathetic song about the interior world of a man with Alzheimer's is mostly due to the work and imagination of Matt Emerson Brown, the mixing engineer, who had as much of a free hand as the instrumentalists. \"It surprised me when I heard it,\" he says. \"I wasn't sure what he was going to deliver. Matt had said he wouldn't let me hear it until the whole album was mixed. This song was the furthest from my overall vision. It felt like someone trapped inside, gradually revealing himself. Brown has been the secret elixir on this album. He had that sound in his head. I couldn't be happier with what he's done.\" There's a very close, pressing beauty to it, and the sharp, compassionate observations make it a standout in Hale's large catalogue of material: \"Collecting shadows, rocking chair\/ Connections crumbled, sitting there\/ Still the love, open givers\/ Reach sometimes rewards a glimmer\" It's heartfelt poetry, tender and aching and caught in a small space, so different to the sweep of road and distant horizons that echo through \"Curve Away.\" \"I'd been reading a lot of Richard Hugo's work when I wrote that. He was from the American Pacific Northwest and has long been one of my favourite poets.\" It's a testament to a life filled with journeys, looking back over the distance covered and its cost: \"Now, this road is hard on dreamers\/ With cover hard to find\/ Too many fall away, too far behind\". The words could almost stand as a summary of \u003ci\u003eThe Gristle \u0026amp; Bone Affair\u003c\/i\u003e. But this isn't the end of the road, by any means. It's a turn, the start of another part of the journey. The result of three years of thinking, writing, listening, and recording. It's a journey below the flesh, going down deep, all the way to the gristle and bone.\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"LP","offer_id":50389202600267,"sku":"1163135","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50389202927947,"sku":"1163134","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e55a4e4e-8eab-44a5-87cc-267ffcb492e4_thumbnail_4096.jpg?v=1726355436"},{"product_id":"cheers-3","title":"Cheers","description":"\u003cp\u003e2023 REPRESS. Musically they express themselves through their very own interpretation of Indie Pop that might remind one of artists such as First Aid Kit and Boy but there’s a deep texture that resembles Emily Jane White’s delicately dark songs as well. At one time 'Cheers' sounds calm, lovely and in a flow, the very next moment it builds up to a mighty soundscape - just to brake sharply again. Analogue sounds and surf guitars create a warm and charming 60ies atmosphere. All 10 songs come in full and shine band arrangements but are focused on the voices of the two main players.\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"LP","offer_id":50396329967947,"sku":"2168552","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Cheers_2f413ffb_thumbnail_4096.jpg?v=1726480992"},{"product_id":"wir-waren-hier-2","title":"Wir Waren Hier","description":"\u003cp\u003e\u003ci\u003eWir Waren Hier\u003c\/i\u003e is the trio's sixth album. The band was founded in Stuttgart fourteen years ago and stayed in the current line-up of Kevin Kuhn, Julian Knoth and Max Rieger for twelve years now. Die Nerven played their way through the clubs and festivals (Roskilde, Melt!, Appletree Garden, Sziget, Eurosonic), and were the first German-speaking band to release on the style-defining US label Amphetamine Reptile Records. In 2015, they released their third album \u003ci\u003eOut\u003c\/i\u003e on Glitterhouse Records and toured extensively far beyond the borders of Germany, leading to their first live record \u003ci\u003eLive in Europa\u003c\/i\u003e in June 2017. \u003ci\u003eFake\u003c\/i\u003e then, with number 13 a chart success for the band, marked the breakthrough at the latest. Their 2022 self-titled, fifth album \u003ci\u003eDie Nerven\u003c\/i\u003e and extensively touring even topped that. Their music is still angry, loud, dramatic, perhaps you could even say nihilistic. But it's a more mature nihilism than you've ever heard from them. \u003c\/p\u003e\u003cp\u003eDie Nerven were never so close to the aura of their live performances on a studio album as on \u003ci\u003eWir Waren Hier\u003c\/i\u003e - the spontaneity of their interplay on stage, the stop-and-go of their improvisations, the joy of surprising each other, and finally: the collective release into the catharsis. Wastage and the ruthless poisoning of the world: this is now a topic for Die Nerven. Nevertheless, they don't want to moralise: „There is no right life in the wrong one,“ says the band. It is impossible for a person to do everything right anyway. But what is possible is not to let the desperate overall situation blur ones view of the beauty that still remains in this world. \u003ci\u003eWir Waren Hier \u003c\/i\u003e\u003ci\u003e\u003c\/i\u003eis not just an album about what remains when the human race has disappeared. It is also an album with music that is able to understand and describe disappearance as happiness: happiness that you feel when you know how to travel to places where the ugliness of reality is precluded, at least for a moment. Such places are the places of friendship. Die Nerven wrote the new songs in a four-week session in a former restaurant in Stuttgart's Schlossgarten with a view to the opera. \"We were all in a room together again and suddenly everything just worked out. Melodies that link all the songs together formed as if by itself\".\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"Black LP","offer_id":50403993289035,"sku":"2218409","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"Blue LP","offer_id":50403994501451,"sku":"2218411","price":31.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50403991552331,"sku":"2218395","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e8d0516c_thumbnail_4096.jpg?v=1726565547"},{"product_id":"so-this-is-love-2","title":"So This is Love","description":"\u003cp\u003eA pillar of Melbourne’s music and queer communities, Cash Savage has spent the past decade making tough and tender rock’n’roll with her colossal band, The Last Drinks: Joe White (guitar), Rene Mancuso (drums), Kat Mear (violin), Nick Finch (bass), Roshan Khozouei (keyboards), Dougal Shaw (guitar) and Ed Fraser (guitar). The Last Drinks have toured internationally with sound engineer Nao Anzai, who co-produced the album with Cash Savage and Nick Finch. Their legendary live shows are an overwhelming cacophony of emotion and sound, with magnetic frontwoman Cash Savage at the centre of the storm, exhorting the energies of The Last Drinks with mastery and panache. A cathartic, communal experience that refuses to give the audience an easy ethical bypass, but challenges listeners to ask themselves the hard questions and step up. \u003c\/p\u003e\u003cp\u003eThe theme of fragility runs through the album like a faultline. Fragile mental health, a fragile economy, the fragility of the environment and our personal relationships, all on the brink of collapse, threatening to crack under pressure; this is the fraught territory \u003ci\u003eSo This Is Love\u003c\/i\u003e inhabits, and fearlessly explores. The opening three songs of the album flow into each other with increasing urgency, declaring the gravity of the situation. True to the album title, Cash Savage delves deep and with ferocious honesty into what love means to her, as a queer woman coming to terms with a marriage breakup and a mental breakdown. “All love will end, all love will change form”, Cash observes. “If you experience deep love, you don’t judge it as a failure if it doesn’t last. You can love someone after they die, you can love someone in a different way.” Romantic love, family love, the bonds of friendship, self-love and the affectionate intimacy of spending the night with someone are some of the forms that love takes, as the stories of So This Is Love unfold. The shattering experience of depression is at the raw and tender heart of this album. Cash reflects on the bleak daily battles of mental health, and the struggles of a songwriter to be creative and “productive” amidst a backdrop of turmoil and despair. “I had to come to terms with the reality of mental fragility”, Cash recalls, “feeling the pressure to be there for my family, to create music and exist as I did before, and not coping at all. Depression is a human experience, but having not experienced it before, I had no idea how it infiltrates everything – your relationships, your self worth, your capacity to work and create. It’s definitely given me a new level of understanding about mental health and compassion for what people go through.” \u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"LP","offer_id":50417380000075,"sku":"2015734","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/GRLP1100_16648a9e_thumbnail_4096.jpg?v=1726728011"},{"product_id":"the-jeffrey-lee-pierce-sessions-project-axels-and-sockets","title":"The Jeffrey Lee Pierce Sessions Project - Axels and Sockets","description":"\u003cp\u003eThey've done it again! More unreleased tracks written by Jeffrey Lee Pierce, recorded by a stellar cast of musicians collaborating together. 'Axels and Sockets' features many names from the first two volumes including Nick Cave, Debbie Harry, Mark Lanegan, Lydia Lunch, Warren Ellis, Mick Harvey and Kid Congo Powers along with new additions to the collaborative fold in the form of Iggy Pop, Mark Stewart, Thurston Moore, Jim Sclavunos, Primal Scream and Andrew Weatherall.Double LP with CD Version.\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"CD","offer_id":50424545837387,"sku":"373453","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50424546132299,"sku":"373454","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6683c427-98d5-4f27-92ec-6d37ed05a754_thumbnail_4096.jpg?v=1726779732"},{"product_id":"the-journey-is-long","title":"The Journey Is Long","description":"\u003cp\u003e2023 rerelease to tie in with new album. Second volume in the series. 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As a founding member of the alternative country band from Denver, Colorado, \u003cstrong\u003eTola's\u003c\/strong\u003e arrangements, music, and influence in the band were always clearly present throughout their career. This is a more personal and intimate vision.\u003c\/p\u003e\n\n\u003cp\u003eIn collaborations with a few friends and musicians, \"\u003cem\u003eFeathers\u003c\/em\u003e\" is a body of work to be reckoned with. \u003cstrong\u003eTola\u003c\/strong\u003e presents 10 beautiful and dark folk songs. \u003cstrong\u003eChantal Acda\u003c\/strong\u003e, the main vocalist, will carry you to the clouds with her light but deep tones and poetic lyrics.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eALÓWAN\u003c\/strong\u003e takes her to new territories and her talent shows. The Texan \u003cstrong\u003eCalvin Dover\u003c\/strong\u003e (Dover Brothers) accompanies her on a couple of tracks making the duet irresistible. 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That was accomplished by producer Alexander Hacke (Einstürzende Neubauten, Bad Seeds) who has created an intoxicating mix of guitars and other stringed instruments in the final mix.\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"Gold | LP","offer_id":50469734121803,"sku":"1131865","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6b19636b-8916-4c5b-9e0a-674fcaa5deba_thumbnail_4096.jpg?v=1727366460"},{"product_id":"die-nerven","title":"Die Nerven","description":"\u003cp\u003eSo a black album, self-titled. No wolf adorns the cover, no: a black Shepherd Dog in front of a black background. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eDie Nerven\u003c\/i\u003e is also a mood picture. 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Joe Volk was the original singer and lyricist in the band Crippled Black Phoenix, and was signed to Domino Publishing with Justin Greaves as sole songwriters of the band. After six studio albums, one live album and several EP's, Volk left the group to focus his energy on his solo material.  On the new album, Volk worked closely with the Emmy nominated composer Ben Salisbury and Geoff Barrow (the songwriting partnership behind the soundtrack to Alex Garland's 2015 film 'Ex Machina'), with both being credited as additional producers along with Volk. The album was mixed by Joe Volk and Jim Barr (Portishead \/ Get The Blessing), as well as the musician and artist Leafcutter John. The album features the three producers, along with Jim Barr, Billy Fuller (Robert Plant, BEAK\u0026gt;), Adrian Utley (Portishead), Mark Ophidian (US \/ Animals With Machinery), Guy Metcalfe (Thought Forms), Leafcutter John, Luke Harney (Typesun) and a collection of other musicians, all active in the Bristol music scene. The spectrum of the album is broad, ranging from low-fi acoustic pieces featuring subtle analogue electronics from Ophidian and instrumentation from Salisbury, to more realised tracks, layered with Volks harmonies and intricate guitar work with backing from Fuller and Barrow, who constitute the rhythm section of the band Beak\u0026gt;. There is a track featuring a full orchestral score by Ben Salisbury, played by the Bristol Ensemble Orchestra, with a haunting accompaniment by Volk on acoustic guitar and voice, and then, again in contrast, there are tracks at 120 BMP with programmed drums, bass, analogue synths, electric guitars, samples and electronics, with Volk pushing his voice to new extremes for his solo work. This is an album with a broad scope of sounds, styles and influences, yet it manages to translate into a cohesive body of work. The common thread running throughout is the instantly recognisable guitar playing and voice of Volk, which is uniquely complemented by the different musicianship that is bought to each track from the wide array of artists from different genres that he worked with. After leaving Crippled Black Phoenix in 2013, Volk teamed up with the experimental Japanese band Boris to release a split 12\" EP. Volk wrote, recorded and produced his tracks, and the EP was released to widespread critical acclaim. He toured the UK and Europe with Boris, and since this tour, he has been completing work on his new album in Switzerland. Volk is also a composer, having written scores for independent European and British short films. He has had his material used by the BBC, HBO and had commissions from National Geographic. 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Having steadily built his reputation as one of the premiere producers in Germany, with Andere Max continues to showcase his talent and originality that places him alongside some of t he greats of German musical history such as Holger Czukay of Can, with ANDERE at times reminiscent of Holger’s classic 1981 album On The Way To The Peak OfNormal. In the dexterous and playful use of synths Brian Eno’s Here ComeThe Warm Jets also comes to mind. More contemporary touchstones include the dense soundscaping of Swans and the doomy post-pop anthems of The Horrors and Interpol. 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The album summarizes the ambivalent circumstances and emotional rollercoasters that come with living in a privileged, wealthy country - but at the same reflecting on it on numerous levels. The album title isn't merely a drinking toast; it's also a welcome or a farewell, a beginning and an end. Nora Steiner and Madlaina Pollina are young and gifted songwriters with the talent to tell stories -some of them are full of hope and dreams, most without a happy end. Their songwriting certainly isn't just about the insight or introspection - it is outspoken, clever and poetic. They create an impressive and reflective image of our present time. Departure, light and darkness, courage and angst. At one time 'Wünsch mir Glück' sounds calm, lovely and in a flow, the very next moment it builds up to a mighty soundscape - just to brake sharply again. Analogue sounds and surf guitars create a warm and charming 60ies atmosphere. 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Upon the bands' sprawling soundscape you'll hear Ed Fraser's voice preaching their message - experimental, wild, distinguished and radical, yet still catchy. \u003cbr\u003e\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"CD","offer_id":50474002219339,"sku":"1093879","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f9736214-3ada-42f9-86f9-53fdf052b86f_thumbnail_4096.jpg?v=1727432848"},{"product_id":"where-the-spirits-rest","title":"Where the Spirits Rest","description":"\u003cp\u003eThe fifth solo album from \u003cstrong\u003eChris Eckman\u003c\/strong\u003e (The Walkabouts, Dirtmusic, Distance, Light and Sky) is a deep dive into the vagaries of these extraordinary times. 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Omaha is still quite vivid, and above all, Bright Eyes or Cursive. You think of the Mountain Goats, and while you’re at it, of John Darnielle, and with him, one of the best songwriters of all time. You tip your hat to Isaac Brock from Modest Mouse in your mind’s eye. And when it gets quieter, more ethereal, you’re not all too far from the ballads of the Fleet Foxes or even from sitting down at a candlelit table with Iron and Wine. When Oliver does let the pathos of his voice sound, one is quickly at The Divine Comedy, and when you immerse yourself in the lyrics, several wonderful scenes from everyday life emerge, which could just as well be straight out of a Jim Jarmusch film. Well, this is where it’s suddenly obvious: There are no German bands or artists at all on this list? And, they’re all big names? So you ask yourself: How is this even possible? For a young guy from Stuttgart who was known by insiders previously perhaps at some time as a member of the post punk band Kaufmann Frust? \u003cbr\u003e\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"CD","offer_id":50475399577931,"sku":"1131951","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50475400069451,"sku":"1131952","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/90b3383a-39e0-4c3d-be67-462f07c4f940_thumbnail_4096.jpg?v=1727446648"},{"product_id":"silver-sash","title":"Silver Sash","description":"\u003cp\u003e\u003ci\u003eSilver Sash\u003c\/i\u003e shows David Eugene Edwards and his band in finest form once again.\u003c\/p\u003e\u003cp\u003e\"Silver Sash is a totally unique record for Wovenhand. all done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the wovenhand catalog.\" - Chuck French\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSilver Sash\u003c\/i\u003e is the first sign of life by David Eugene Edwards since the critically acclaimed\u003ci\u003e Star Treament \u003c\/i\u003ein 2016. The new album is the first Wovenhand opus completely written in cooperation with Chuck French, who is also known as a guitarist for aggressive Emocore outfit Planes Mistaken For Stars. Both know each other for ages. Finally they found the time to write this astonishing piece of an album. \"The music was recorded in my house in Denver with the help of our dear friend Jason Begin. David recorded his vocals at his house (which also happens to be 3 blocks away). I had a bunch of music in various states of existence, of various ages, languishing in my computer. I made a playlist for David and we just started to devour them bit by bit. Some were scrapped, but most were utilized\" says French. The making of \u003ci\u003eSilver Sash\u003c\/i\u003e has taken longer than for any previous Wovenhand album. It took more than 4 years until both artists were satisfied with the outcome.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSilver Sash\u003c\/i\u003e opens with a mighty clash that is Temple Timber, followed by the forward pushing Acacia \"galloping across the dry grass fields on a horse into the white bark forest\". Song #3 Duat Hawk is the mystic counterpart, focussing on Edwards' rich, billowing and emotive voice that was always the driving force of his music. Next is the first single Dead Dead Beat which kicks off full tilt. The song's galloping drums, hard hitting guitars and Edwards' soaring voice compels us to rise and join the fray. 9 new songs in total were recorded that despite their power and heavyness have lost nothing of its magic and hypnotics as the closing and title track of the album will prove, \"the Namesake. It's a jovial good-bye\" says French. Powerful, subtile and intensly deep. Uniting the calm and mystic side of the early Wovenhand years with the straight forward yet still magic songs\u003cbr\u003eof his latest albums.\u003c\/p\u003e\u003cp\u003eOver the last two decades, his prolific work in both Wovenhand and the legendary 16 Horsepower has influenced and inspired a generation of musicians throughout the expansive alternative music world. The band cannot be described in traditional terms. Their sound is an organic weavework of neo-folk, post rock, punk, old-time, and alternative sounds. All coming together as a vehicle for David's soulful expression and constant spiritual self exploration. 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You never heard of any of the bands mentioned - but you got ears to listen, an open mind to understand and a stomach to digest?\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"CD","offer_id":50476195938635,"sku":"1152271","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50476196462923,"sku":"1152272","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/66039928-0097-4ce1-b841-fa7175eff9be_thumbnail_4096.jpg?v=1727455504"},{"product_id":"taats","title":"Taats","description":"\u003cp\u003e\u003ci\u003eTaats\u003c\/i\u003e was written during the pandemic over a period of almost two years. The band composed a total of 25 songs, 13 of which made it onto the album. The new album of the German-British-Mexican band was produced at Maarweg2 studio in Cologne, where bands like Mando Diao or Jupiter Jones have already recorded. Within 17 days and nights, Tom Allan \u0026amp; The Strangest recorded the full album, which skilfully bridges the gap between Manic Street Preachers, Libertines, IDLES and Fontaines D.C..\u003c\/p\u003e\u003cp\u003e\"We went much further out on a limb musically than usual with this album. Allowed other influences to come in, totally delved in and let loose, sort of created an album out of the indie hooklines of the past that still clearly shows our background but is more mature and above all honest\" says Tom Allan about \u003ci\u003eTaats\u003c\/i\u003e. \"It was good to use the concert-free time to let the songs mature and take the time to work on them. There was a lot of experimentation with new sounds and we had a lot of fun not trying to find a single sound for the album, but letting each song stand on its own.\"\u003c\/p\u003e\u003cp\u003eLyrically, the trio has also evolved, with the album opener Unimpressed \u0026amp; Unaroused dealing with the process of growing old together as a band: \"am I wise enough to know \/ when it's time for me to go and leave the field\". Likewise in the second single 17 Days: \"coming back for sequels \/ is this our line? \/ is this what we're supposed to do? \/ not more to offer \/ than who we are \/ and hoping there's no pleasing you\".\u003c\/p\u003e\u003cp\u003eFor the video shoot of Unimpressed \u0026amp; Unaroused, Tom Allan and Evan Beltran flew to Wales in May 2022: \"In Wales, everything that could have gone wrong did go wrong. It only rained (what did we expect?!). We were therefore unable to visit any locations. The old Ford Capri, which we had hired and planned in the script, wouldn't start. The next day, after we had found a cool location in the middle of nowhere in the mountains of North Wales, our director Alex fell into a small stream, was soaking wet and lost his shoes. The only way to film in the mountains without shoes was from the boot. To top it off, two school buses stopped next to us just before filming began and 30 teenagers went on a field trip at our location. What could possibly go wrong?! Maybe that explains the one take, the wet hair and the slightly fucked up looks. But somehow it fits the song\" says Tom. \u003ci\u003eTaats\u003c\/i\u003e was mixed by Wolfgang Stach (Vierkanttretlager, among others) in Cologne. Unnoticed and Gather Your Senses were mixed by Adrian Hall \u0026amp; Rob Mcvey, who have already worked with artists like Portishead. Tom Meyer from Master and Servant is responsible for the mastering. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eTaats\u003c\/i\u003e shows a band that, with all due respect for the history of rock'n'roll, has gone its own way, that has searched and found, that has set itself new standards in songwriting and performance.Standards that they effortlessly live up to. And standards that countless bands will have to measure themselves against in the future. It's still anthemic, but also unleashed, loose in the best sense, often downright monstrous. If it wasn't so terribly hackneyed, one could even say that this is what the future of rock'n'roll sounds like.\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"CD","offer_id":50476730057035,"sku":"1163132","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50476730909003,"sku":"1163133","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5c1ea65c-f5ff-499b-a448-f24a0f087d6b_thumbnail_4096.jpg?v=1727463139"},{"product_id":"unfucked-live-2","title":"Unfucked: Live","description":"\u003cp\u003e\u003ci\u003eUnfucked – Live\u003c\/i\u003e was originally released by Snoop Records in 1993. It was the band's last album before they signed with Virgin. Surprisingly it never got\nre-released. 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Armin (Beck) works as a minister, Klube (Frank Klubescheid) is a social worker specialized in helping disabled persons live rich and fulfilling\nlives, Reb (Michael Rebbig) is a teacher and Pogo (Thomas Möller) works - since he left The Bates in 1998 – for Hamburg based soccer club FC St.Pauli.\n\u003c\/p\u003e","brand":"Glitterhouse","offers":[{"title":"LP","offer_id":50477519601995,"sku":"2008701","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/lCj_PbPg_5fc36ac6_thumbnail_4096.jpg?v=1727473787"},{"product_id":"risiko","title":"Risiko","description":"\u003cp\u003ePop-Gems with lyrics in German, a little dialect authenticity and Indie-Rock-Fun. 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Stories about unconscious thoughts surfacing, observations of surroundings in times where mental illness and suicide rates are rising like never before. 'When On Fire' is sensual, dark, rough and airy, all at once. The cinematic feeling creates images in the listeners' mind. Owman guides you with a strong will and determination, almost hypnotising you to follow her into a lonely, dark, haunting path heading towards something mystical, a bit frightening but oh so beautiful. A place where contrasts and contradictions, reality and dreams intertwine. Beside Christine Owman you'll find appearances by amazing guest musicians such as Mark Lanegan (Screaming Trees, Queens of the Stone Age), SoKo, Karolina Engdahl (Vanna Inget, True Moon) and Erika Rosen (Swim) with a B-side collaboration by Neil Keener (Wovenhand). Christine Owman's music starts from the darkest underground, surfaces the ground into a mesmerizing cloud of mist and continues reaching for the open sky. 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Sea and Air love playing with extremes and sexual stereotyping. Daniel's falsetto voice and Eleni's androgynous singing confuse the listener, leaving it unclear who's singing the lead on 'Mercy Looks Good On You' and 'HaHaHaHaHa'. The orchestral 'Lady Evropi' is a forseeing vision to the situation in Greece describing its dividing relationship to Europe. Sea and Air make the grade to compose an amazing and individual album about continental Europe that fits no genres. Despite the refusal to try to suit everybody and to be governed too much by Anglo-American influences Evropi still manages to reach the international pop audience with its catchy radio songs like 'Should I Care' or 'Peace Begins At Home'. 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Their legendary live shows are an overwhelming cacophony of emotion and sound, with magnetic frontwoman Cash Savage at the centre of the storm, exhorting the energies of The Last Drinks with mastery and panache. A cathartic, communal experience that refuses to give the audience an easy ethical bypass, but challenges listeners to ask themselves the hard questions and step up. The theme of fragility runs through the album like a faultline. Fragile mental health, a fragile economy, the fragility of the environment and our personal relationships, all on the brink of collapse, threatening to crack under pressure; this is the fraught territory So This Is Love inhabits, and fearlessly explores. The opening three songs of the album flow into each other with increasing urgency, declaring the gravity of the situation. True to the album title, Cash Savage delves deep and with ferocious honesty into what love means to her, as a queer woman coming to terms with a marriage breakup and a mental breakdown. “All love will end, all love will change form”, Cash observes. “If you experience deep love, you don’t judge it as a failure if it doesn’t last. You can love someone after they die, you can love someone in a different way.” Romantic love, family love, the bonds of friendship, self-love and the affectionate intimacy of spending the night with someone are some of the forms that love takes, as the stories of So This Is Love unfold. The shattering experience of depression is at the raw and tender heart of this album. Cash reflects on the bleak daily battles of mental health, and the struggles of a songwriter to be creative and “productive” amidst a backdrop of turmoil and despair. “I had to come to terms with the reality of mental fragility”, Cash recalls, “feeling the pressure to be there for my family, to create music and exist as I did before, and not coping at all. Depression is a human experience, but having not experienced it before, I had no idea how it infiltrates everything – your relationships, your self worth, your capacity to work and create. It’s definitely given me a new level of understanding about mental health and compassion for what people go through.” The album was made in Melbourne with additional recording in a French château, Gîte St Nicolas à Verdelot, where the band bunked down at the end of last year’s European tour. “One of the greatest joys of my life”, Cash avows, “is taking these songs that are incredibly personal to me and bringing them to The Last Drinks. 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