{"title":"Hausu Mountain","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWith one tentacle threaded through the US noise underground and one ear fixed on a worldwide online network of freak-friendly minds, the Hausu Mountain label has pumped a diverse menu of experimental music from its volcanic peak at a steady clip since 2012. Founded in Chicago by musicians and roommates Doug Kaplan (who records as MrDougDoug) and Maxwell Allison (who records as Mukqs), the label originally served as a home for their own projects, including the trio Good Willsmith.\u003c\/p\u003e\n\n\u003cp\u003eAs Kaplan and Allison discover new projects from touring the DIY circuit and scraping through the strangest corners of the internet, *Hausu Mountain*’s wide catalog grows to encompass everything from otherworldly synthesizer composition to frantic beat production in the IDM tradition to strains of free jazz infused with electronics alongside horns or drums – onward through any number of genre-bending mutations you might find in the “???” or “Avant\/Noise” bin in your local record store. As much as *Hausu Mountain*’s releases diverge in terms of style, the label’s aesthetic hinges on the conception of music as a force to both challenge listeners and entertain them in equal measure. Any given release resists stasis, skips at will through disparate musical vocabularies, and leads listeners through dense sonic narratives that defy expectations as each new idea or unpredictable juxtaposition pierces through the cosmic jelly.\u003c\/p\u003e\n\n\u003cp\u003eDoug and Max run *Hausu Mountain*\u003c\/p\u003e","products":[{"product_id":"i-am-upset-because-i-see-something-that-is-not-there-2","title":"I Am Upset Because I See Something That Is Not There","description":"\u003cp\u003eProducer \/ composer \/ multi-instrumentalist Angel Marcloid records music under the moniker Fire-Toolz, though, Marcloid's output emerges in a litany of aliases and projects from the jazz fusion \/ new age of Non-local Forecast to the vaporous nostalgia of Mind Spring Memories the Fire-Toolz catalogue remains the central focus of the prolific artists musical universe and a home for Marcloid's most ambitious work. \"I Am Upset Because I See Something That Is Not There.\", the fifth Fire-Toolz album to join the Hausu Mountain catalog since 2017, follows 2021s sprawling double-album 'Eternal Home' and 2022s self-released EP 'I Will Not Use The Body's Eyes Today'. 'I Am Upset' offers listeners a prismatic cross-section of juxtaposed genres and compositional contortions to explore, maintaining Fire-Toolz's signature density and complexity while tightening the scope of Marcloid's experimentation into the projects most focused song cycle to date. \u003c\/p\u003e\u003cp\u003ePerhaps more than any previous Fire-Toolz album, 'I Am Upset...' presents some form of pop music, carried in Marcloid's passages of clean vocals, in the bright synth tones that animate its tracks, in the yearning saxophone lines that pour into view and whisk the narrative onto a new path. The format of a one-person 'band' carries a different weight in a landscape of solo artists crafting modernist productions that don't allude in the slightest to various twentieth-century rock-related traditions. Fire-Toolz exists on both sides of this divide. The music of Fire-Toolz draws energy on a moment-to-moment basis from the constant fluctuation between seemingly disparate styles, yet Marcloid repeatedly pulls off the impossible feat of making chaotic deviations and improbable jump-cuts between ideas sound holistic, as if such compositional gambits were already logical to begin with. Bursts of harsh textural noise cut into drifts of new age synth bliss, while screamo verses bookend passages of hyper-technical jazz fusion.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"Black LP","offer_id":50383964897611,"sku":"2169942","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50383964733771,"sku":"2015519","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_a777858a_thumbnail_4096.jpg?v=1726280754"},{"product_id":"bug-planet-is-the-current-timeline","title":"Bug Planet Is the Current Timeline","description":"\u003cp\u003eGainesville, FL-based composer\/multi-instrumentalist Tristan Whitehill releases music under the moniker Euglossine.\u003c\/p\u003e\u003cp\u003e Whitehill envisions each Euglossine release as an outlet for a particular subset of discrete genre explorations, applying his prodigious musical training and vast depth of theory knowledge to styles as far-fung as breezy jazz fusion, technoid beat excursions, bleep-heavy modular synth sketches, and hushed acoustic guitar reveries.\u003c\/p\u003e\u003cp\u003e Bug Planet Is the Current Timeline, the second Euglossine album on Hausu Mountain, follows the sublime Coriolis and joins a rich catalog of diverse releases on labels including Orange Milk and Beer on the Rug. Bug Planet balances hyperhigh- fdelity synth arrangements and busy drum patterns with Whitehill's everbewitching performances on guitar, bass, piano, and futes. The album offers us a hybrid strain of Euglossine music that moves away from his more compartmentalized genre experiments to spread its progressive contours out before us over in every direction he can imagine, landing somewhere in territories that Whitehill describes as: \"Biodub, Digital Fusion, or Mutant Jazz.\"\u003c\/p\u003e\u003cp\u003eIf our current timeline is bug planet, Euglossine stands at the entrance in the underbrush, waiting to take our six-to-eight feelers and lead us into a miniature subterranean civilization of his own design. Speaking on the themes that inform the album, Whitehill explains, \"Insects are the most bio-diverse kingdom on Earth. Over half of the organism species on earth are insects. I wanted to share this feeling that just maybe we are not in control of this planet and a hidden ancient force will long outlast our weird struggle.\" .\u003c\/p\u003e\u003cp\u003eWhitehill channels the depth of his knowledge in music theory and production not to bowl us over with his technicality, but rather to give life to his ideas in all their wide scope and to lay out musical narratives in unpredictable arcs that only he could devise.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50393574375755,"sku":"2048711","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0634457146778_051eaa96_thumbnail_4096.jpg?v=1726421480"},{"product_id":"the-celebration-2","title":"The Celebration","description":"\u003cp\u003eCleveland-based producer Tim Thornton makes music under the moniker Tiger Village - Thornton has carved out a niche in the American experimental underground through the wide-spanning releases of his own label Suite 309, as well as through his day job as a quality control supervisor at the Gotta Groove Records manufacturing plant -- meaning that his ears serve as the finish line for a vast slate of vinyl projects that hit the market every year\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50413968949579,"sku":"2056980","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/The_Celebration_bf1d9491_thumbnail_4096.jpg?v=1726680355"},{"product_id":"cleats-3","title":"Cleats","description":"\u003cp\u003eFIN is the musical alias of Canadian-born, New York-based artist Fin Simonetti - Her multidisciplinary practice ropes in elements of future- facing pop music, experimental-electronic production, and visual art - For more than a decade, she has exhibited her ambitious sculpture and installation works -- oriented around marble, metal, and stained glass -- at galleries and museums worldwide\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"Green CD","offer_id":50427481096523,"sku":"2200217","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_285e65b7_thumbnail_4096.jpg?v=1726825353"},{"product_id":"surface-4","title":"Surface","description":"\u003cp\u003eChicago-based producer\/multi-instrumentalist Ben Billington makes music under the name Quicksails A pillar of the Chicago experimental scene and its branches across the midwest and national DIY circuits, Billington has enriched his communities through overlapping roles as a musician and curator \/ promoter of freak sounds for more than two decades.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50445974307147,"sku":"2056963","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Surface_d5ae2a24_thumbnail_4096.jpg?v=1727050794"},{"product_id":"no-1-in-the-world","title":"No 1 in the World","description":"\u003cp\u003eChicago-based producer\/composer Mike Meegan makes music under the moniker RXM Reality. Over the course of four albums on Hausu Mountain since 2018, Meegan refined a strain of electronic production that unites facets of breakcore, techno, grime, noise, and countless other styles into detailed composites that attest to his omnivorous tastes and bottomless technical acumen as a producer. While his live performances over the past few years and 2022’s \u003ci\u003eSick For You\u003c\/i\u003e found him experimenting with his own lead vocals for the first time, pushing the dial somewhere closer to mutated-pop-music injected with distorted roars in the digital hardcore tradition, his new album \u003ci\u003eNo. 1 in the World\u003c\/i\u003e (his fifth on HausMo) dives into the song-oriented branch of his work more than ever before. The album’s hour-long program spans twenty-four shorter tracks that highlight Meegan as the frontman and singer\/songwriter of his own morphing one-person ensemble, without sacrificing any of the complex and unpredictable production decisions that animate his music. Acknowledging the influence of rock, punk, and pop music on his work, and embracing his desire to shine as a more legible human presence within his cybernetic-spreads of electronics, RXM Reality treats us to a vision of his music equally focused on concise songcraft and ballistic rave energy, all the while pushing his sound into a state of mind-bending total overload. As RXM Reality cherrypicks and recombines signifiers from a deep history of experimental electronic vocabularies, one might worry that Meegan’s production runs the risk of collapsing under its own weight, yet it speaks to his experience as a producer that every juxtaposed element hits the mix with a stunning degree of clarity and separation. No. 1 isegues through far-flung genres and styles without ever losing a sense of cohesion, rooted in Meegan’s palpable presence at the center of each track.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50447852077387,"sku":"2216159","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/201374987816_08fb6139_thumbnail_4096.jpg?v=1727083183"},{"product_id":"192","title":"192","description":"\u003cp\u003eErica Eso is a Brooklyn and Kingston, NY-based project led by composer \/ vocalist \/ producer Weston Minissali who has participated in New York's music scene for more than decade as a member of projects like avant-rock post-pop band Cloud Becomes Your Hand and chimeric musique concrète experimentalists VaVatican, while his work at the head of Erica Eso has manifested with varied ensembles on albums including 2019 and 129 Dreamless GMG. Minissali's music under the Erica Eso banner fuses compositional strategies of the avant garde, including the use of microtonal note voicings and advanced synthesis, with songwriting in the vein of art pop. His lush, tightly structured songs teem with melismatic topline melodies, layered vocal harmonies, and fast-shifting narrative arcs, all built over a sturdy instrumental foundation.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50458516488523,"sku":"1152072","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/34ec9b7f-4592-4174-bdb7-ab0beae4c62a_thumbnail_4096.jpg?v=1727211629"},{"product_id":"take-caution-on-the-beach","title":"Take Caution On The Beach","description":"\u003cp\u003eUnderground hip-hop wild card Sharkula has carved himself into the grain of the Chicago underground through 20 years of determined grinding. He records his free-associative verses over a wide spectrum of scene-sourced beats and has built a catalog of over 40 individual albums that he wraps in his own distinctive hand-drawn packaging. Sharkula approaches the spontaneous construction of a verse from the perspective of an improviser, and recorded every track that appears on \u003ci\u003eTake Caution on the Beach\u003c\/i\u003e as a single unbroken vocal take. HausMo co-founder Mukqs's production keeps one foot in the beat architectures and regimented structures of boom-bap hip hop, while continuing his exploration of the potential of 16-bit video game music. Although the spectre of the COVID-19 pandemic rears its head in moments of Sharkula's freestyle verses his overall message remains grounded in positivity, shining a light to combat any existential darkness that bears down on us. \u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50460427911499,"sku":"1118438","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b64cab99-7f21-4dc5-9b72-55f6275cda2a_thumbnail_4096.jpg?v=1727232278"},{"product_id":"monitress","title":"Monitress","description":"\u003cp\u003eSan Francisco-based multimedia artist, composer, and improviser Jon Leidecker makes music under the pseudonym Wobbly. He currently records and tours with seminal experimental group Negativland, and with the Thurston Moore Ensemble. Over the course of a varied musical practice that began in the mid-1980s, Wobbly has collaborated with artists including Matmos, Dieter Moebius (Cluster), Tania Chen, Fred Frith, Tim Story, Thomas Dimuzio, David Toop, Zeena Parkins, and People Like Us. Leidecker has released recordings on labels like Illegal Art, Important Records, Bureau B, and Tigerbeat6. His podcast \u003ci\u003eVariations\u003c\/i\u003e, which explores the history of sampling and collage music, was originally commissioned by the Museum of Contemporary Art in Barcelona in 2009 before evolving into a lecture series at Mills, Stanford, Oxford, and Peabody Conservatory. After contributing extensively to Negativland’s live-mix radio program \u003ci\u003eOver The Edge\u003c\/i\u003e, spearheaded by the late Don Joyce and broadcast from Berkeley’s KPFA FM, Leidecker inherited the program in 2015.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eMonitress\u003c\/i\u003e is Leidecker’s first release with Hausu Mountain. Outside of his wide slate of collaborations and a number of self-published digital releases, the long-gestating album represents the first physical release of a Wobbly solo work since 2002. To create the takes that populate the album, Leidecker developed a process that exploits an arsenal of software on devices like iPads and iPhones. Mobile applications generate MIDI information from the external audio that Wobbly feeds into them, and then he retranslates and synthesizes that data into mutated semblances of songs. Given a chunk of audio as source material, these devices join together to produce densely stacked unison melodies, or spiral out of control when presented with complex polyphonies. In practice, \u003ci\u003eMonitress\u003c\/i\u003e explodes into every direction at once. Wobbly’s pieces highlight hyper-detailed rhythmic grids built over spastic, bludgeoning drum tones, unpredictable chromatic lead lines, and swathes of cybernetic noise texture. .\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD.","offer_id":50464554713419,"sku":"1079782","price":13.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50464551928139,"sku":"1112851","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b141ddfa-68a2-4973-b49f-91515c2ff80d_thumbnail_4096.jpg?v=1727276367"},{"product_id":"joels-picks-vol-2-2","title":"Joel's Picks Vol 2","description":"\u003cp\u003eBBsitters Club is a rock band based in Chicago that features Doug Kaplan and Charlie Olvera on guitar and vocals, Max Allison on bass, and Paul Birhanu on drums. As the label’s de-facto in-haus band, BBsitters Club satisfies Hausu Mountain co-founders Allison and Kaplan’s urge to remain connected to the rock and roll music they grew up loving and playing — far across the spectrum from the experimental electronics featured on the lion’s share of HausMo releases. A solid four years after the one-two-punch releases of \u003ci\u003eBBsitters Club and Party,\u003c\/i\u003e the band’s 2020 debut studio album, and \u003ci\u003eJoel’s Pick’s Vol. 1,\u003c\/i\u003e the first volume in a series of audience-recorded live takes from shows around Chicago, we find the BBs reviving the Joel’s Pick’s series with\u003ci\u003e Vol. 2\u003c\/i\u003e. Charged with the energy of a close-knit group of friends willing to follow along with each other’s most outlandish ideas both in composition and live performance, JPV2 offers us a bewildering yet always tongue-in-cheek palette of ideas cherry-picked and mashed together into amalgams that both embrace “rock traditions” and defy them with a cherubic grin. BBsitters Club’s amorphous compositions land somewhere between the world’s most baked prog band and a jamband that’s never content to lapse into wheel-spinning complacency. On JPV2, BBsitters Club cartwheel between eras and styles of rock music with abandon — a TV stuck flipping channels after your dad falls asleep with one leg on the remote. We encounter the elliptical dueling guitars and autumnal atmospheres of midwest emo \/ math rock, the gregarious stomp of electrified country rock, blues rock that has melted from ingesting one too many hallucinogens, and fried Devo-style art punk that breaches into the realms of ska before melting into free-form noise rock flecked with the bizarro imitative instrument tones of Kaplan’s MIDI guitar.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50507257479499,"sku":"2208713","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/201374979605_a8876a00_thumbnail_4096.jpg?v=1727844627"},{"product_id":"armed-to-the-teeth-l-m-o-m-m","title":"Armed To The Teeth L.M.O.M.M.","description":"\u003cp\u003eNYC-based trio Kill Alters returns to Hausu Mountain with \u003ci\u003eArmed to the Teeth LMOMM\u003c\/i\u003e, their first full-length album following EPs and tapes including \u003ci\u003eNo Self Helps\u003c\/i\u003e (2017) and \u003ci\u003eKill Alters \u003c\/i\u003e(2015). Taking up residence at the intersection of electronics-infused rock, digital hardcore, freewheeling mutant noise experimentation, and incidental found sound culled from bandleader and composer Bonnie Baxter's decades-old family recordings, the album presents the band's most intricate and mind-shattering music to date. \u003c\/p\u003e\u003cp\u003eAs in all of their releases, the incorporation of Baxter's mother's voice from the tapes in her personal archives serves as a central element of Kill Alters' compositions, imbuing their music with added layers of personality and emotional memory, weaving together a story of early childhood nostalgia laced with catharsis and redemption.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50526782947659,"sku":"1143287","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3c89e30e-5c2d-49b9-b296-5c6e69543a3e_thumbnail_4096.jpg?v=1728048143"},{"product_id":"sick-for-you","title":"Sick For You","description":"\u003cp\u003eChicago-based producer Mike Meegan records music under the moniker RXM Reality - Meegan's three previous albums on Hausu Mountain sketch out an evolving trajectory of omni-electronic rhythmic music that warps elements of grime, dubstep, mutated techno, hyperpop, and noise into unpredictable compositions overloaded with synthetic textures and fast-scrolling beat structures.\u003c\/p\u003e\u003cp\u003eWith the new album \u003ci\u003eSick For You\u003c\/i\u003e, Meegan pushes the RXM Reality project into brand new zones along multiple intersecting spectrums. For the first time, he incorporates his voice into his work, employing a series of contrasting vocal styles that complement productions which shine with more finely-crafted details and narrative hairpin turns than ever before.\u003c\/p\u003e\u003cp\u003eThe album feels more progressive and overwhelming than any prior output with its pointillistic beat mosaics and melodic arrangements, taking a few steps closer to some vision of contemporary pop music soaked in adrenaline and ballistic energy. RXM Reality's production thrives on drama, conveyed in mammoth bursts of overlapped drum elements planted over quick- cycling snippets of software synthesis and MIDI guitar. The percussive contours and chest- beating energies of \u003ci\u003eSick For You\u003c\/i\u003e can sound at times like festival- ready EDM or dubstep (even 'brostep') refracted through a funhouse mirror, maintaining a sense of swaggering confidence and bombast even as shards of disembodied beats and synths melt into putty around the edges of the mix.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50526832165195,"sku":"1148534","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/411e233f-8386-4978-9ba5-ae1d3898cce8_thumbnail_4096.jpg?v=1728048855"},{"product_id":"additional-kids-2","title":"Additional Kids","description":"\u003cp\u003eSan Francisco-based multimedia artist, composer, and improviser Jon Leidecker makes music under the pseudonym Wobbly - He is an active member of both the seminal experimental group Negativland, and with the Thurston Moore Group.\u003c\/p\u003e\u003cp\u003e  Additional Kids, Wobbly's third release on Hausu Mountain, is a song cycle that introduces a strain of Leidecker's music rarely heard in his wide-ranging solo catalog: mutated pop music with vocal performances from a diverse guest list of singers appearing on nearly every track. Far from conforming to any standard playbook, Wobbly's conception of pop can't help but get warped and refracted through his idiosyncratic tonal sensibilities and his irreverent sense of humor. In consort with the constantly surprising turns of each guest artist's vocal performance, Additional Kids carries on Leidecker's ever-bewildering high-definition synthesis practice and his confounding production decisions as he builds tracks from staccato bursts of synth, clanging percussion, and garbled swathes of glitched texture. Wobbly considers Additional Kids to be a \"multi-generational album about generations\" and explains that it was \"originally recorded in the early 2000s from the perspective of a bunch of friends asking themselves the question of whether or not to have kids while in their early 30s, then finished 15 years later in their late 40s after some of them had, and some of them hadn't.\" Instead of wallowing in the trappings of pro- or anti-natalism, Wobbly and his collaborators cast themselves as jesters who can deflate these heavy existential considerations through parody and exaggeration, through abrasion and delight.    Additional Kids features contributions from: 0th, Liz Albee, Kevin Blechdom, Blevin Blectum, Anne Bourne, DemonSleeper, Dina Emerson, Dominique Leone, Mai Lingani, Ana Machado, Anne McGuire, Marisa Elene Nadieja, Kanoko Nishi-Smith, John Oswald, Phipps Pt., Danishta Rivero, Sue-C, Shatter Pattern, and Pamela Z.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"CD","offer_id":50527035818315,"sku":"2022974","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_3f8345ef_thumbnail_4096.jpg?v=1728050867"},{"product_id":"blue-rise","title":"Blue Rise","description":"\u003cp\u003eQuicksails’ approach on Blue Rise foregrounds his palette of modular and digital synthesizers, resulting in a strain of music that brims with shimmering textures and lush, layered harmonies. More than a full-on pivot to another style, Quicksails enters into a mode of production that highlights his melodic sensibilities and his ear for sophisticated DAW-based composition. Each track unfolds as a self-contained world replete with fluctuating tiers of fine-grain synth-tones that morph as they stack together into systems of polyrhythmic activity or smear into all-consuming drift. Quicksails lays out a menu of contrasting sentimental spaces and self-contained sonic tableaus, each of which refracts the sun’s light out across new terrains. Blue Rise cements Quicksails not only as a master synthesist and arranger of far-flung sound sources, but as a composer attuned to the time dilating properties and the instantaneous emotional impacts of the zones that he lays out before us. \u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"LP","offer_id":50527166660939,"sku":"1097173","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6ecb6b3e-77ee-43af-a50a-93b18ae8c4ed_thumbnail_4096.jpg?v=1728052191"},{"product_id":"vines","title":"Vines","description":"\u003cp\u003eNatalie Chami and Whitney Johnson perform as a duo under the name Damiana. Both artists have built their own catalogs as multi-instrumentalist improvisers and composers in the Chicago experimental scene, exploring the intersections between ambient, electro-acoustic improv, and more legible songcraft based around their voices and their work with synths and electronics -- all filtered through their backgrounds in classical performance and education.\u003c\/p\u003e\u003cp\u003eChami’s solo recordings under the TALsounds moniker have appeared on labels such as NNA Tapes, and Ba Da Bing!, and her collaborative projects include the trio Good Willsmith. Johnson has released a series of solo LPs as Matchess on the label Trouble in Mind, and has contributed to recordings and live performances by Ryley Walker, Circuit Des Yeux, and Tortoise’s 20th anniversary performances of TNT, among other artists.\u003c\/p\u003e\u003cp\u003eThe album strikes a balance between the realms of deliberate compositional sculpting and free-form improvisation, as Damiana’s evolving sessions of looping synth phrases and harmonized vocal lines emphasize austere beauty and meditation as much as spectral disorientation and instrumental complexity. While the tracks on Vines create the illusion at any given moment of a standing cloud, often coloured by Johnson’s lush viola and Chami’s effect-manipulated electronics, a zoomed out perspective of each session reveals an undulating story arc with contrasting emotional resonances and constantly shifting timbral focus.\u003c\/p\u003e","brand":"Hausu Mountain","offers":[{"title":"Black | LP","offer_id":50527386861899,"sku":"1127423","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f73141db-bca7-4b4b-895a-4901ab44b38f_thumbnail_4096.jpg?v=1728053761"},{"product_id":"eternal-home-instrumentals","title":"Eternal Home - Instrumentals","description":"\u003cp\u003eVarious solo monikers, collaborations, and band memberships stand as monuments in the landscape, focusing in on certain styles associated with each project ' the Weather Channel jazz fusion \/ new age of Nonlocal Forecast, or the hazy vapour nostalgia of Mindspring Memories, to give a few of many examples. The music of Marcloid's flagship project Fire-Toolz sits as the bottomless pit in the centre of the lush environment, drawing ideas and signifiers from all corners into its depths.While Eternal Home maintains Fire- Toolz's role as the outlet for Marcloid's most overloaded and audacious compositional gambits, Eternal Home [Instrumentals] enters the catalog as the album's illuminating companion piece. \u003c\/p\u003e\u003cp\u003eShorn of Marcloid's vocal components, the album takes on a new sheen as it highlights the sheer level of detail present in each meticulously sculpted production. Compositional elements that were previously elided in the context of the full vocal album suddenly shine in all their bewildering complexity. 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Contemplative guitar lines, both bone dry and effected into total abstraction, ripple together over dub-indebted rhythm section grooves before shifting the dial towards beatific twang. Knotty distorted solos surge out of the fray over networks of arpeggios and drum fills. \n\nOn Prayer in Dub, Body Meπa pursues a strain of euphoria charged with elegiac grandeur and the looming potential to crumble at any moment under the psychic weight of confusion. It speaks to the band’s goals and general outlook that chaos never completely consumes their sessions. 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Cohesion emerges through textural continuity and development rather than repetition or pattern-making. Blink and innumerable details might slip by unnoticed, and the landscape might have shifted entirely. 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The Baltimore quintet came together in 2024 with a sharp idea: saxophone-led polymetric composition rooted in Reich, Glass, and Riley, charged by post-punk energy and groove, plus the rhythmic feel of \u003cstrong\u003eMoondog\u003c\/strong\u003e’s street recordings.\u003c\/p\u003e\n\n\u003cp\u003eThere’s real precision here: dual saxophone lines, a lock-groove rhythm section, and arrangements shaped through endless rehearsal. It leans closer to a new music ensemble than a standard rock band, but the live-in-the-studio takes keep it loose, physical, and full of the spark that comes from friends making music together.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eTalking\u003c\/em\u003e moves from tight melodic lattices to head-nodding grooves and moody, melted harmonies, all reflecting the band’s collaborative approach. 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