{"title":"Honest Jons","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","products":[{"product_id":"moritz-von-oswald-and-ordo-sakhna","title":"Moritz Von Oswald and Ordo Sakhna","description":"\u003cp\u003eA kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and tradi onal percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are delicately treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mys cal drum session, recorded live on stage in Bishkek. And a side-long, dream-like summa on: the locomo ve, oceanic, clangorous, dread Facets. Ravishing, rooted, searching music; beautifully presented. \u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"CD.","offer_id":50383953953099,"sku":"1022469","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d65d0d86-b65b-49dc-a65a-bdbf4245f178_thumbnail_4096.jpg?v=1726280300"},{"product_id":"vertical-ascent","title":"Vertical Ascent","description":"\u003cp\u003ethe group is comprised of max loderbauer (nsi, sun electric) and sasu ripatti (luomo, vladislav delay) as well as the aforementioned basic channel and rhythm and sound member, and even though they've been playing live together for the last couple of years, this is their first recorded output. entitled 'vertical ascent', the album is split into four tracks (titled 'pattern 1' through to 'pattern 4'), and explores organic live polyrhythms and delicately placed affected synth tones. ripatti takes up percussion duties on his home-made steel drums, loderbauer contributes some subtle synth work, whilst von oswald plays his fender rhodes as well as additional percussion. stunning.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP | x2","offer_id":50384598434123,"sku":"314695","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50384598204747,"sku":"314694","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d246134b-88a3-4fce-b85c-544762914e50_thumbnail_4096.jpg?v=1726301570"},{"product_id":"more-moondog-story-of-moondog","title":"More Moondog \/ Story Of Moondog","description":"\u003cp\u003estartlingly remastered at abbey road, two of moondogs key albums, and a kind of summation of his work throughout the 1950s, when he was homeless and performing on the streets of new york. this is moondog at his most direct, original, fresh, playful and let-it-be-said unpretentious featuring the honking geese, tony schwartzs brilliant outdoors recordings (particularly improved in this new version), with interventions from a ships foghorn, a tapdancer and a cocker spaniel, and signature rhythms for trimba, oo, tuji, yukh, and ostrich feathers. andy warhols mother got it straight, on the original prestige cover of story - \"moondog is a poet who versifies in sound, a diarist overcome by love, curiosity and amusement by everything that reaches his ears, all of which he transposes into a symphony of himself. it may be the roar from the streets; it may be the casual chatter in a room or, best of all, it will be that secret music that seeps through imagination and memory. these experiences, so dull to the dull but so alive to him, he orchestrates into a record of those enchanting conversations everyone can hold with himself would he only listen for a bemused moment. they make up the script of that unique tragi-comedy, the story of anyones life. pricking up our ears would be so easy, yet it is seldom done. but when moondog compels us to do it, we are entranced and delivered willingly into new worlds of meaning.\"\u003c\/p\u003e\u003cp\u003eBoth albums on 1 CD, otherwise available individually on vinyl.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP","offer_id":50384749166923,"sku":"1059438","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7cdefd41-159e-4fb2-99c7-42c90e22df42_thumbnail_4096.jpg?v=1726303168"},{"product_id":"london-is-the-place-for-me-6","title":"London Is The Place For Me 6","description":"\u003cp\u003eDouble lp in a gatefold sleeve with a full size booklet. At last, fresh installments in the acclaimed, much-loved series: open-hearted, bitter-sweet, mash-up postcards to the here and now, from young black London. As then, calypso carries the swing. There are four more Lord Kitchener songs - in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry - besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers. Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica. Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott. Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent. The CDs are beautifully presented as miniature books, saddle-stitched, with forty pages of rare, precious photos of the musicians and their social milieu, and in-depth commentary; the LPs in gatefold sleeves with full-size booklet. \u003c\/p\u003e\u003cp\u003eLP 1: Dizzy Reece - The Escape \/ Mighty Terror - Life In Britain \/ Lord Kitchener - Romance On The Queen Mary \/ King Timothy - Jiu Jitsu Calypso \/ Buddy Pipp’s Highlifers - Sway \/ Fitzroy Coleman Quintet - Uncle Joe \/ Lord Beginner - The Joe Louis Calypso \/ Tony Johnson - Marilyn Monroe Calypso \/ Lili Verona - Big Instrument \/ Ginger Johnson - Mambo Contempo \u003c\/p\u003e\u003cp\u003eLP 2: King Timothy - Football Calypso \/ West African Rhythm Brothers - Asikol- oto \/ Rupert Nurse’s Calypso Band - Song Of Joy \/ Buddy Pipp’s Highlifers - Posi ve Ac on \/ Tony Johnson - Me Donkey Want Water \/ Eric Hayden - Belly Lick \/ Rupert Nurse’s Calypso Band - Calypso Rhythm Dance \/ Buddy Pipp’s Highlifers - Prospero \/ Mighty Terror - The Queen Is In \/ West African Rhythm Brothers - Nigeria Odowoyin \u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP | x2","offer_id":50385102569803,"sku":"361063","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/London_Is_the_Place_for_Me_6_Mento_Calypso_Jazz_and_Highlife_from_Young_Blac.jpg?v=1726308293"},{"product_id":"you-better-get-ready-savoy-gospel-1978-1986","title":"You Better Get Ready: Savoy Gospel 1978-1986","description":"\u003cp\u003eThe third of three volumes surveying surely the mightiest Gospel label of them all. Seventeen gems of fierce funk, rapturous soul and transcendent disco and boogie, super-charged with celebration and affirmativeness, loaded with roaring choirs, rocking horns and popping bass guitars, from the years leading up to Savoy's acquisition by Malaco. Hardly any of these recordings have been reissued since their first release. The stupendous opener by Edith Moreno only appeared as a blank-label promo, in a tiny run. Presented in a spot-glossed sleeve, with full-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork. Sound restoration and mastering at Abbey Road; pressed at Pallas. Co-curated by Greg Belson, compiler of Divine Disco; with deep, extensive notes by Robert Marovich, author of A City Called Heaven: Chicago and the Birth of Gospel Music (University of Illinois), and host of the award-winning radio show Gospel Memories.\u003c\/p\u003e\u003cp\u003eLP 1: Edith Moreno - Get Ready For Judgement Day \/ World Wonders - The Cost of Living (Is Very High) \/ The Helen Hollins Singers - He Gave It To Me \/ Solomon Burke - I Know He Lives In Me \/ The Gospelaires Of Dayton Ohio - God Helps Those Who Help Themselves \/ Genobia Jeter - Things Have Got To Get Better \/ The Lady Lois Snead with the Interdemoninational Mass Choir of Atlanta, GA - I Found Out What You Mean To Me \/ Charisma - Protected\u003c\/p\u003e\u003cp\u003eLP 2: The Stan Lee Revue - Make Every Day Count \/ The Sensational Williams Brothers - Sunday \/ The Holy Lights Of Baltimore, MD - It’s Getting Late \/ The 4th Of May - Pass It On \/ The World Wonders Of Birmingham, ALA - Ain’ t It Good To be Here \/ James Cleveland And The Cleveland Singers - Any time, Any Place, Anywhere \/ The Hollywood Stars - Come On Jesus \/ The Steele Family - Show His Love \/ Glenn Jones And The Modulations - It’s All Right\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP | x2","offer_id":50402037793099,"sku":"1102678","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7ccee9bc-ca41-4712-bf35-0545fe9407d7_thumbnail_4096.jpg?v=1726529563"},{"product_id":"london-is-the-place-for-me-5","title":"London Is The Place For Me 5","description":"\u003cp\u003eAt last, fresh installments in the acclaimed, much-loved series: open-hearted, bitter-sweet, mash-up postcards to the here and now, from young black London. As then, calypso carries the swing. \u003c\/p\u003e\u003cp\u003eThere are four more Lord Kitchener songs - in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry - besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers. Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica. Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott. \u003c\/p\u003e\u003cp\u003eExpert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent. The CDs are beautifully presented as miniature books, saddle-stitched, with forty pages of rare, precious photos of the musicians and their social milieu, and in-depth commentary; the LPs in gatefold sleeves with full-size booklet.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black LPx2","offer_id":50402038251851,"sku":"361062","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/600x600bb_ae4beddb_thumbnail_4096.jpg?v=1726529583"},{"product_id":"book-of-sound","title":"Book Of Sound","description":"\u003cp\u003eBand new studio album by Hypnotic Brass Ensemble. Sessions were recorded in Brooklyn and Chicago, and brilliantly mixed at Abel Garibaldi’s studio in the Loop (“Abel was like a musician on this record”), and it’s the Hypnotic’s hometown that permeates. For Cid this is a deeply Chicago record: “it’s got the vibe of the lake, the vibe of the prairies opening up to the west”. It also has the vibe of those Sun Ra Arkestra albums recorded in Chicago in the 1950s, and - of course - the Phil Cohran albums from the 1960s. \u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"CD.","offer_id":50402532622667,"sku":"1022889","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9e633fd4-a65c-4b17-81aa-01696cfb493f_thumbnail_4096.jpg?v=1726548409"},{"product_id":"christians-catch-hell-gospel-roots-1976-79","title":"Christians Catch Hell Gospel Roots 1976 - 79","description":"\u003cp\u003eUtterly magnificent, sublimely soulful survey of the Gospel Roots label, subsidiary of the mighty TK Records at the height of the Miami Sound. A\u0026amp;R was co-ordinated by Gospel legends \u003cstrong\u003eIra Tucker\u003c\/strong\u003e - from the Dixie Hummingbirds - and \u003cstrong\u003eRalph Bass\u003c\/strong\u003e, veteran producer with Savoy, King and Chess.\u003c\/p\u003e\n\n\u003cp\u003eThe label was run by \u003cstrong\u003eTimmy Thomas\u003c\/strong\u003e, who had recently smashed with 'Why Can't We Live Together', for another TK spin-off, Glades. Operations were overseen by \u003cstrong\u003eHenry Stone\u003c\/strong\u003e himself, unlikely King of Disco, who had recorded a young Ray Charles, and pushed forward James Brown.\u003c\/p\u003e\n\n\u003cp\u003eThey drew in artists from all over the US, from St. Louis, Columbus, Memphis, Brooklyn, Cabrini Green in Chicago: unknowns like \u003cem\u003eCamille Doughty\u003c\/em\u003e, reluctant to jeopardise her job at GM ('Generous Motors') in Detroit, and huge-sellers like the revered \u003cem\u003eBrooklyn All Stars\u003c\/em\u003e, who started out on Peacock in 1958. Choral belters, deep ballads, harmony quartets, epic city-blues, gritty funk, powerhouse female soul...\u003c\/p\u003e\n\n\u003cp\u003eKiller-diller Philly like a scorching version of \u003cem\u003eHarold Melvin and The Blue Notes'\u003c\/em\u003e \"Wake Up Everybody\"; and \u003cem\u003eJean Austin's\u003c\/em\u003e raw \"Spirit Free\", co-written by \u003cstrong\u003eRonnie Dyson\u003c\/strong\u003e, produced by \u003cstrong\u003eJesse James\u003c\/strong\u003e at Future Gold.\u003c\/p\u003e\n\n\u003cp\u003eChicago Sound like \u003cem\u003eThe Fantastic Family Aires\u003c\/em\u003e - named after the family's furniture store on North Cicero, but reminiscent of the \u003cem\u003eStaple Singers\u003c\/em\u003e at their best - through to the full-blown glory of \u003cem\u003eThe Fountain Of Life Joy Choir\u003c\/em\u003e, led by \u003cstrong\u003eMarvin Yancy\u003c\/strong\u003e from The Independents, and featuring \u003cstrong\u003eNatalie Cole\u003c\/strong\u003e...\u003c\/p\u003e\n\n\u003cp\u003eSingers like \u003cem\u003eVersie Mae Gibson\u003c\/em\u003e, from the Jordans, by rights up there with Irma, Etta and Ree... Bangers 100%-guaranteed to find their way into \u003cstrong\u003eTheo Parrish\u003c\/strong\u003e sets; and mortal delirium for the prissiest of soul and gospel purists.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e2LP\u003c\/em\u003e - With a 12\"-square, full-colour, sixteen-page album of photos and original artwork.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eCD\u003c\/em\u003e - Comes with a glorious forty-page booklet, including thorough artist-interviews and rare photographs.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black LPx2","offer_id":50414059716939,"sku":"396904","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50414061322571,"sku":"396371","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._f3bd67e9_thumbnail_4096.jpg?v=1726681417"},{"product_id":"various-shangaan-electro-new-wave-dance-music-from-south-africa","title":"Various - Shangaan Electro: New Wave Dance Music From South Africa","description":"\u003cp\u003efrom his small home studio in soweto, nozinja (aka dog) sells more than 50,000 records a year. this is hyper-local music, all of it still considered traditional, all of it marketed through shangaan radio and newspapers to a relatively small set of people who live between johannesburg, limpopo and mozambique. every sunday in soweto groups gather to win the crowd's favour. \"you must be prepared to see the fastest dance ever\" claims dog as the shangaan electro sound drives the beat up to 180bpm. this music is insane and beginning to set fire to the rest of the world thanks to the wonderful honest jon's. do not miss.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP | x2","offer_id":50416044474699,"sku":"329081","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50416043622731,"sku":"329080","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5b94510e-5596-4412-806e-ec1b646139e0_thumbnail_4096.jpg?v=1726694959"},{"product_id":"leaf-playing-in-quito-1960-1965","title":"Leaf Playing In Quito, 1960-1965","description":"\u003cp\u003eThe out-of-this-world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree.\u003c\/p\u003e\u003cp\u003eDilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez \u0026amp; Valencia, who introduced him to the CAIFE label.\u003c\/p\u003e\u003cp\u003eDilson played the leaf open, resting on his tongue, hands free, with his mouth as the resonator. Though a leaf can also be played rolled or folded in half, this method allowed for more precision, a tethered brilliance. A picked ficus leaf stays fresh, crisp and clean-toned for around ten hours. He could play eight compositions, four at each end, before it was spent.\u003c\/p\u003e\u003cp\u003eBiluka plays trills and vibratos effortlessly, with utterly pure pitch, acrobatically sliding into notes and changing tone on the fly. In Manuco, he leads Los Caníbales into a mysterious landscape on a rope pulled from an Andean spaghetti western, and corrals and teases them into a dialogue. A leaf, a harp, a xylophone, and a rondador — joined in Bailando Me Despido (Dancing As I Say Goodbye) by a saucy organ, doing sloshed call-and-response. In Anacu de Mi Guambra, Biluka shows his full range of antics, hiccuping melodically over a set of magic tricks. His expressiveness was boundless.\u003c\/p\u003e\u003cp\u003eThe eucalyptus leaf is popular among Aboriginal Australians. In China, they’ve played leaves for 10,000 years. In Cambodia, people play the slek, a leaf plucked from either the sakrom or the khnoung tree. But ain’t nobody like Biluka, ever.\u003c\/p\u003e\u003cp\u003eAstounding music.\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black | LP | x2","offer_id":50416700784971,"sku":"1161845","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/32b60066-d7e1-4040-94be-95338b5c7ddc_thumbnail_4096.jpg?v=1726708769"},{"product_id":"the-paths-of-pain-the-caife-label-quito-1960-68-1","title":"The Paths Of Pain: The CAIFE Label, Quito, 1960-68","description":"\u003cp\u003eA dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles — especially cumbia — swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions.\u003cbr\u003e\u003cbr\u003eForms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.\u003cbr\u003e\u003cbr\u003eExhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn’t in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington’s small groups, crossed with the brassy energy of ska — try Cashari Shunguito — and an enthralling other-worldliness.\u003cbr\u003eUtterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.\u003cbr\u003e\u003cbr\u003eSumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. Limpid sound, too, courtesy of original reels in Quito, and Abbey Road in London; pressed at Pallas.\u003cbr\u003e\u003c\/p\u003e","brand":"Honest Jons","offers":[{"title":"Black LPx2","offer_id":50430106009931,"sku":"1134601","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/58f74a2f-99b8-49cd-85ae-ef9312703113_thumbnail_4096.jpg?v=1726843966"},{"product_id":"the-paths-of-pain-the-caife-label-quito-1960-68","title":"The Paths Of Pain, The CAIFE Label, Quito, 1960-68","description":"\u003cp\u003eA dazzling survey of the last, bohemian flowering of the so-called Golden Era of Ecuadorian musica national, before the oil boom and incoming musical styles especially cumbia swept away its achingly beautiful, phantasmagorical, utopian juggling of indigenous and mestizo traditions. Forms like the tonada, albazo, danzante, yaravi, carnaval, and sanjuanito; the yambo, with roots in pre-Incan ritual, and the pasillo, a take on the Viennese waltz, arriving through the Caribbean via Portugal and Spain.\u003c\/p\u003e\u003cp\u003eExhumations like the astoundingly out-there organist Lucho Munoz, from Panama, toying with the expressive and technical limits of his instrument; and our curtain-raiser Biluka, who travelled to Quito from Rio, naming his new band Los Canibales in honour of the late-twenties Cannibalist movement back home, dedicated to cannibalising other cultures in the fight against post-colonial, Eurocentric hegemony. He played the ficus leaf, hands-free, laying it on his tongue. One leaf was playable for ten hours. He spent long periods living on the street, in rags, when he wasn't in the CAIFE studio recording his chamber jazz-from-space, with the swing, elegance and detail of Ellington's small groups, crossed with the brassy energy of ska try Cashari Shunguito and an enthralling other-worldliness.\u003c\/p\u003e\u003cp\u003eUtterly scintillating guitar-playing, prowling double bass, piercing dulzaina, wailing organ, rollicking gypsy violin, brass, accordion, harps, and flutes. Bangers to get drunk and dance to. Slow songs galore to drown your sorrows in, with wildly sentimental lyrics drawn from the Generacion Decapitada group of poets (who all killed themselves); expert heart-breakers, with the raw passion of the best rembetica, but reined in, like the best fado.\u003c\/p\u003e\u003cp\u003eSumptuously presented, in a gatefold sleeve and printed inners, with a full-size, full-colour booklet, with wonderful photos and excellent notes. 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