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Both of these initial encounters provided a fascinating starting ground for the trio's instrumental combinations and communication, but it was during their first tour of Europe that the group's identity and approach fully developed. \u003c\/p\u003e\u003cp\u003eIn SONORE, solos, duos, and trios built from various reed combinations shift and develop through spontaneous musical requirements. The group explores sonic textures, melodies, integrated rhythmic statements, or whatever other musical techniques seem to inspire them and the music during their improvised performances. 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You're either for these musicians and the directions they represent, or against them, it seems to me. Indifference is not an option. Personally, I still consider the group's emergence a sort of 7th-Cavalry-to-the-rescue scene in the final reel of The Story Of Free Jazz (an image often underlined by the call-to-arms of Shannon Jackson's snare drum and Brotzmann's charging horns.)\"\u003c\/p\u003e","brand":"Jazzwerkstatt","offers":[{"title":"12\"","offer_id":50402464432459,"sku":"2052005","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Last_Exit_2f06bac2_thumbnail_4096.jpg?v=1726546096"},{"product_id":"not-about-heroes","title":"Not About Heroes","description":"\u003cp\u003eOn \u003ci\u003eNot About Heroes\u003c\/i\u003e, the haunting yet hopeful new album from the Berlin-based quartet Azolia, the words of WWI-era British poet Wilfred Owen are woven into rich tapestries of stark anti-war sentiment and urgent optimism. Owen wrote his poetry from first-hand experience. He was wounded in combat in 1917 and wrote many of his poems while recuperating, diagnosed with 'shell shock'' what would today be termed PTSD. He returned to his regiment in the summer of 1918 and was killed in France a few months later. The majority of his poems were published posthumously, lending his already haunted lines the ghostly air of wisdom shared from beyond the grave. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eNot About Heroes\u003c\/i\u003e takes its title from the self-penned introduction to Owen's 1920 collection Poems, which sets out a kind of mission statement for his work. 'This book is not about heroes,' he writes. 'English Poetry is not yet fit to speak of them Yet these elegies are not to this generation. This is in no sense consolatory. They may be to the next. All the poet can do today is to warn. That is why the true Poets must be truthful.' Despite the tragedy of Owen's experiences and the darkness of much of his work, it is hope for peace rather than dreadof war that emerges from Azolia's transcendently gorgeous and mesmerizing music. By placing these sentiments in such a profoundly moving and inventive context, they celebrate the transformative power of the human imagination such that a world of possibilities open to the listener.\u003c\/p\u003e","brand":"Jazzwerkstatt","offers":[{"title":"CD","offer_id":50453218689355,"sku":"1120433","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1def6862-14d6-4b1e-a9c8-550eb95d8a54_thumbnail_4096.jpg?v=1727169759"},{"product_id":"live-at-jazzwerkstatt-peitz","title":"Live At Jazzwerkstatt Peitz","description":"\u003cp\u003eCharles Gayle, William Parker and Hamid Drake, three main designers of the New York scene and initiators of SoundVision festivals, meet each other on a stage in Peitz.\u003c\/p\u003e","brand":"Jazzwerkstatt","offers":[{"title":"CD","offer_id":50466443329867,"sku":"2020651","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4250317420046_4b25ad15_thumbnail_4096.jpg?v=1727313299"},{"product_id":"an-evening-with-lee-konitz-and-frank-wunsch","title":"An Evening With Lee Konitz and Frank Wunsch","description":"\u003cp\u003eDuo album by Lee Konitz and Frank Wunsch.  \u003c\/p\u003e\u003cp\u003e\"Our first duo concert in G?ttingen was not entirely successful. I made the mistake that many musicians make when playing duo with Lee for the first time: I played too much. He told me, ''You don't have to give me the beat, I've got it in me.'' We talked a lot about music in general and improvisation in particular and discovered that we shared the same playing ideal: that the music should always sound like we just invented it and that a piece should sound different at every performance.  \u003c\/p\u003e\u003cp\u003eA definite highlight of our duo collaboration was our performance at the 1995 Frankfurt Jazz Festival - CD, The Frankfurt Concert. Lee knew all the standards, but in his last 25 years he always played the same ones, drawing from a repertoire of about 25 pieces. He once told me, ''Frank, if I live to be a hundred, I'll still be able to play new lines every day on All The Things You Are.'' In the recording of our concert from the LOFT in Cologne, which is documented on this CD, Lee begins with Alone Together, has the audience sing the keynote, whistles and sings and plays around the melody on the saxophone. Lydian Adventure is my solo improvisation, with occasional echoes of All The Things You Are and my piece Lydia. Out of the Deep is our version of How Deep is the Ocean. On Body and Soul, Lee begins one of his famous solo cadenzas at the end, but then breaks it off, for reasons that are no longer clear. But I find this version to be inspired and worthwhile, even without the cadenza, and I worked on the ending in the studio with Christian Heck. Unfortunately, it's not totally satisfying, but that's all I could get out of it. You're a Weaver of Dreams segues into a free improvisation that leads to Subconscious-Lee, Lee's famous take on What is This Thing Called Love. Thingin' is based on All The Things You Are, with the harmonies set a tritone lower at the middle section. It's You is Lee's variation on It's You Or No One.  \u003c\/p\u003e\u003cp\u003eThe LOFT was packed that night. Charlie Mariano was there and a lot of students and lecturers from the conservatory. They seemed to like what they heard. I hope, dear listeners, that you, too, will get a lot of pleasure from this music!\" Cologne, May 2021 - Frank Wunsch | Translation: Miriamne Fields\u003c\/p\u003e","brand":"Jazzwerkstatt","offers":[{"title":"CD","offer_id":50466471969099,"sku":"2019614","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_78f35f1c_thumbnail_4096.jpg?v=1727314316"},{"product_id":"live-in-berlin-13","title":"Live In Berlin","description":"\u003cp\u003eWith this album, SoKo Steidle celebrates their 20th anniversary. 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