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More than two decades later, its emotional core remains undiminished by year’s spent in the major label wringer, both before and after its creation. Like his work with artists including Aimee Mann, Fiona Apple, and Elliott Smith, Brion’s songs offer depth and resonance, and like his soundtrack work on films like \u003ci\u003eMagnolia\u003c\/i\u003e, \u003ci\u003ePunch Drunk Love\u003c\/i\u003e, \u003ci\u003eI Heart Huckabees\u003c\/i\u003e, and \u003ci\u003eEternal Sunshine of the Spotless Mind\u003c\/i\u003e, its scope is widescreen. 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In March of 2017, the full group released the first recordings on our friend's Curly Cassettes label and called them Why Something. We still try to only play non-traditional venues because we like it to be more of a musical hang rather than a sit-and-analyze-us kind of thing. Lots of improvising. Lots of different styles. Never the same way twice. The only rule is to have fun. \u003c\/p\u003e\u003cp\u003eCory has played piano and horns with almost everyone under the sun in Portland (Dandy Warhols, The Delines, Norfolk \u0026amp; Western...) and records many others in his NE Portland studio. Perry makes neon signs under the name The Tiny Spoon, is from Louisiana and has played bass with lots of great bands in New Orleans and PDX (Run On Sentence, Mama Rosa, Nick Delffs). Noah is a Portland sax man extraordinaire (GRAMMIES, Shy Girls, Mike Gamble...), bagel guru and a regular on the Creative Music Guild circuit. 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