{"title":"!K7","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e!K7 is a German label that has been at the forefront of the music industry for years. With a diverse range of genres and styles, they have become known for their ability to cover all bases when it comes to music. Whether you're into electronic, hip-hop, or even experimental sounds, !K7 has something for everyone.\u003c\/p\u003e\n\n\u003cp\u003eWhat sets !K7 apart from other labels is their commitment to quality. They take pride in working with some of the most talented artists and performers in the industry, ensuring that every release meets their high standards. As a result, they have gained a reputation as a trusted distributor and licensor.\u003c\/p\u003e\n\n\u003cp\u003eIf you're looking for groundbreaking music that pushes boundaries and challenges conventions, look no further than !K7. Their dedication to innovation and creativity shines through in every release. So whether you're an avid music lover or just looking to discover something new, explore the world of !K7 and prepare to be amazed.\u003c\/p\u003e","products":[{"product_id":"no-hassle-15th-anniversary","title":"No Hassle (15th Anniversary)","description":"\u003cp\u003eFor the 15th anniversary of this timeless classic, !K7 Records reissue Tosca’s seminal album\u003ci\u003e No Hassle\u003c\/i\u003e in an audiophile 3LP format. \u003c\/p\u003e\u003cp\u003eMulti-instrumentalists Richard Dorfmeister and Rupert Huber have been friends since their Vienna schooldays. Richard later became half of the globally acclaimed DJ-producer duo Kruder and Dorfmeister, while Rupert worked in piano composition and sound-art installation. \u003ci\u003eNo Hassle\u003c\/i\u003e is Tosca’s fifth studio album. A luxurious tapestry of analogue and digital sounds, submerged samples and live instruments, it evolves and expands into an hour-long ambient symphony. \u003c\/p\u003e\u003cp\u003eThe title reflects not only the duo’s laidback approach to making music but their whole philosophy of life. \u003ci\u003eNo Hassle\u003c\/i\u003e is all about contemplation and concentration. While recent Tosca releases like\u003ci\u003e J.A.C.\u003c\/i\u003e (2005) and the remix collection \u003ci\u003eSouvenirs\u003c\/i\u003e (2006) were a move towards classic song structures and club-friendly grooves, their latest is a much more introspective journey into inner space. It was conceived as a single seamless sea of sound, deeply layered with liquid rhythms and tidal melodies. Warm and enveloping, each leisurely track flows gently into the next, a musical ocean moving in slow motion. This is an album to plunge deeply into and get lost inside. \u003c\/p\u003e","brand":"!K7","offers":[{"title":"Black LPx3","offer_id":50382925005131,"sku":"2178404","price":37.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/unnamed_10_97acfd7a_thumbnail_4096.jpg?v=1726261566"},{"product_id":"lonely-guest","title":"Lonely Guest","description":"\u003cp\u003eLonely Guest was conceived and put together over the last 18 months by one of British music’s true innovators: Tricky. But as he’s keen to make clear: this ain’t no Tricky album. Rather it’s a thrilling meeting of musical mavericks, with the likes Idles’ Joe Talbot pitting his unique approaches to songwriting against Tricky’s otherworldly production. From an unsettling tale of isolation courtesy of Maxïmo Park’s Paul Smith (‘Christmas Trees’) to the grunge stylings of Marta’s ‘Move Me’, via the tense storytelling of London rapper Kway’s ‘On A Move’, these diverse statements come together as a bold artistic statement of their own. The late artistic visionary and legend Lee “Scratch” Perry features vocals on ‘Atmosphere’ with Tricky and Marta. It is with great sadness that Tricky and the False Idols team acknowledge and honour Lee “Scratch” Perry’s passing.\u003c\/p\u003e","brand":"!K7","offers":[{"title":"White | LP","offer_id":50383102312779,"sku":"1131967","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"Used","offer_id":50383101985099,"sku":"1131966","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50383101788491,"sku":"1131964","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4d8ab680-8365-4287-8419-dcac415c8ab7_thumbnail_4096.jpg?v=1726263129"},{"product_id":"l-ecstacy","title":"L'Ecstacy","description":"\u003cp\u003eThe creative partnership between Tiga \u0026amp; Hudson Mohawke expresses a mutual love of “hardcore romance,” a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. 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Whether she transmits it through her upbeat productions or magnetic energy at the decks, the Canadian-born DJ and producer, real name Jayda Guy, is a beacon of empathy on the dancefloor.\u003c\/p\u003e\u003cp\u003eIt’s no surprise, then, that Jayda G’s DJ-Kicks mix, captures the buoyant spirit of the music that has influenced her most. “DJ-Kicks has been a personal goal of mine for a really long time. I've been a fan for decades now. I remember there was one mix by Chromeo and it had some French disco on it that always stood out in my mind,” she remembers. Clocking in at just over an hour, Guy’s mix takes you on a journey that moves through loved classics and new bubblers.\u003c\/p\u003e\u003cp\u003eThe mix contains Jayda's Brand new single \"All I Need\", the follow up to Grammy Nominated breakthrough single \"Both Of Us\", a slinky house tune co-produced with James Ford that fizzes with shimmering energy. A rallying cry for kinship and understanding, Guy’s insouciant vocals insist “all I need is you to hear me”, gliding across the perfectly swung house beat. “Because the mix was made during the pandemic, I thought, ‘What music makes me happy?’ I want people to feel like they know me. I wanted it to be approachable, still honouring the disco and soul music that I love. I hope that translates in some shape or form.”\u003c\/p\u003e\u003cp\u003eCD (mixed)\u003cbr\u003e** = exclusive\u003c\/p\u003e\u003cp\u003e1. Light Of The World - London Town\u003cbr\u003e2. Aged In Harmony - You're a Melody\u003cbr\u003e3. Glass Beams - Taurus\u003cbr\u003e4. KOKOROKO - Uman\u003cbr\u003e5. Atmosfear - Invasion\u003cbr\u003e6. Universal Togetherness Band - More Than Enough\u003cbr\u003e7. Royale - I Want Your Body\u003cbr\u003e8. Don Blackman - Just Can't Stay Away\u003cbr\u003e9. Gerry Read - 90’s Prostitution Racket\u003cbr\u003e10. Naomi Daniel - Stars (Dos Cult Mix)\u003cbr\u003e11. 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It’s no surprise for an artist that takes electronic music’s most intoxicating sensibilities and effortlessly reimagines them as experimental pop and R\u0026amp;B. The Canadian singer, producer and DJ from Hamilton, Ontario, has trodden an inspiring path which led to 2013’s boldly minimalist debut \u003ci\u003ePull My Hair Back\u003c\/i\u003e, released on revered UK label Hyperdub. Gorgeously complex follow-ups \u003ci\u003eOh No\u003c\/i\u003e – shortlisted for Canada’s prestigious Polaris Prize – and 2020’s \u003ci\u003eAll the Time\u003c\/i\u003e crowned her as a singular talent in the left-of-pop sphere.\u003c\/p\u003e\u003cp\u003eIt’s with this genre-bending approach that Jessy Lanza presents her entry for the DJ-Kicks series – a sprawling, club-indebted odyssey that draws you in closer and closer with each listen. Recorded this summer, the mix is an incisive snapshot of her emotional landscape during the past 18 months. In 2020, with nothing but a van, a few personal belongings and her musical gear, Lanza and her partner relocated from New York City to the Bay Area to ride out the pandemic. A change of scenery, buoyed by the slower pace of their new home, gave her a fresh perspective during a worldwide screeching halt.\u003c\/p\u003e\u003cp\u003eJessy Lanza’s DJ-Kicks mix also arrives as a divine stroke of timing. As the world slowly starts to re-open, it’s a portal into the ecstatic energy of the dancefloor; an emblem of genuine healing – both personal and communal – that transports listeners to a state of pure euphoria.\u003c\/p\u003e\u003cp\u003eTRACKLISTING\u003cbr\u003eCD \u003cbr\u003e01 Jessy Lanza - Guess What\u003cbr\u003e02 Jessy Lanza - Seven 55 (feat. Loraine James) [DJ-Kicks]\u003cbr\u003e03 Jessy Lanza - Wet x3 (feat. Taraval)\u003cbr\u003e04 DJ Spookie - Twilite\u003cbr\u003e05 Michael J. Blood - Lip Biter\u003cbr\u003e06 Mr. Ho - Bail-E\u003cbr\u003e07 Crystal - Jungli - la [Joe Howe Club Mix]\u003cbr\u003e08 Masarima - Freak Like U [Club Mix]\u003cbr\u003e09 Golden Donna - Foaming\u003cbr\u003e10 Mafia Boyz - Teaspoon La Qoh\u003cbr\u003e11 Markus Mann - I'm Losing\u003cbr\u003e12 Jim C. 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As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name.\u003c\/p\u003e\u003cp\u003eTheir latest project, \u003ci\u003eOsam\u003c\/i\u003e, takes this idea of renewal even further. A meditative journey through rhythm and texture, the album represents a new chapter for the Austrian duo. It’s as much an instrument for change as it is a source of inspiration. \u003ci\u003eOsam\u003c\/i\u003e is a direct translation of the number eight in Serbian, but it also acts as the mediaeval symbol for a fresh start – a renaissance. 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Even though they only produced two unreleased maxis, big names like Count Basie, Bomb The Bass, Alex Reece or United Future Organization had some of their tracks remixed by these exceptional producers. Their productions on compilations of Ninja Tune, SSR and Wall Of Sound are considered milestones regarding the trip-hop genre and many major companies are trying to release their debut album.Since 1993 the two smart Austrians Peter Kruder \u0026amp; Richard Dorfmeister have been working together as a team and when being asked about their musical roots they name musicians like Miles Davis, Sly Stone, Brian Eno, Serge Gainsbourg or Bill Laswell. Besides this they are great admirers of the Gilles Peterson and Coldcut Radioshow of London's cult-station Kiss FM, which had a lot of influence on their musical open mindness. Their label G-Stone was able to gain outstanding reputation with its four releases and earned fantastic media reaction in international publications.\u003c\/p\u003e\u003cp\u003eBesides their outstanding fame as producers both were able to blast even the hippest clubs on this planet with their extravagant DJ-sets. Their breathtaking mixture of trip-hop, dub, ambient and drum'n'bass is supposed to be way-leading thus supporting their cult-status. Smokin' tracks of Herbalizer, Statik Sound System, Hardfloor, Aquasky, Shantel and others are combined on their DJ-Kicks set, gathering the hottest labels from Ninja to Cheap, from Moving Shadow to Creative Wax. A dub producer helped to remix the entire material making it a thrilling club soundtrack for the 90s. By the way, during the work for DJ-Kicks and their debut album they refused remixes for U2, Grace Jones, Elvis Costello and the Fantastic Four.\u003c\/p\u003e\u003cp\u003eVinyl Track Listing\u003c\/p\u003e\u003cp\u003eA1. 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His pioneering work in the studio and live arena has influenced a whole new generation of like-minded musicians that have helped make the capital one of the most musically exciting and quickly evolving cities in the world, with Williams' own virtuoso drumming and percussion right at the heart of it all.\u003c\/p\u003e\u003cp\u003eThe exceptional Yussef Kamaal album \u003ci\u003eBlack Focus\u003c\/i\u003e was one of the most talked about records of 2016. Vinyl pressings kept selling out, it received rave reviews, earned the band the Breakthrough Act award at the 2017 Jazz FM awards and led to spellbinding live shows all over Europe. The follow up, \u003ci\u003eThe Return,\u003c\/i\u003e came on Williams' own new Black Focus label and took his band global, all while picking up nominations for best independent album at the AIM Music Awards.\u003c\/p\u003e\u003cp\u003eImprovised rhythm and spirituality are at the heart of everything Williams does, as is London life, with its diverse people, cultures and musical customs all feeding into his work. That is also true when making more electronic sounds as Henry Wu, who appears here after standout EPs on labels like Rhythm Section International. Williams' music is so individual it is more than deserving of its own tag: the artist himself calls it Wu Funk, and some of the many sounds that feed into it are all showcased on this adventurous new mix.\u003c\/p\u003e\u003cp\u003eExclusives include a live take of \u003ci\u003eSnitches Brew\u003c\/i\u003e, new Kamaal Williams tracks \u003ci\u003eShinjuku\u003c\/i\u003e and \u003ci\u003eStrings ATL\u003c\/i\u003e, as well as \u003ci\u003eWivout U\u003c\/i\u003e from Henry Wu. Those vital highlights sit next to classic jams from Southern Freeze, a strong contingent of London innovators from K15 to Dego and Tenderlonius to Kaidi Tatham, with funk driven house from Peven Everett, raw stuff from Steve Julien, lush synth grooves from Lone and feel good grooves from Phil Asher all making this is an honest and uplifting collection that, when necessary, is happy to eschew blends, fades and mixing in favour of red hot selections and sequencing.\u003c\/p\u003e\u003cp\u003eKamaal Williams DJ-Kicks is a fascinating insight into the record collection of a true musical alchemist.\u003c\/p\u003e","brand":"!K7","offers":[{"title":"LP","offer_id":50389976744267,"sku":"1077381","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50389976875339,"sku":"1077380","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/17cc624d-c193-4d6c-8ca3-5fb2f77af553_thumbnail_4096.jpg?v=1726377443"},{"product_id":"suzuki","title":"Suzuki","description":"\u003cp\u003e\u003cstrong\u003eTosca\u003c\/strong\u003e is the second studio album by Austrian downtempo \/ trip-hop duo \u003cstrong\u003eTosca\u003c\/strong\u003e, released by Studio !K7 and G-Stone Recordings in 2000.\u003c\/p\u003e\n\n\u003cp\u003eUnlike many of Tosca's subsequent releases, \u003cem\u003eSuzuki\u003c\/em\u003e is essentially an instrumental album, with vocal samples integrated throughout, but in such a way that they \"become a part of the instrumentation.\"\u003c\/p\u003e\n\n\u003cp\u003eThe album is dedicated to the Zen master Shunryu Suzuki. 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The result is an all-star line up that crosses genre and generations to produce a truly cracking EP, one that is clearly rooted in the original music while also moving into new, unexpected territories. \u003c\/p\u003e\u003cp\u003eWhether it is dubstep pioneer Mala bringing a heavy and sophisticated twist to ‘Low Ceilings’, or breakthrough post-punk artist Wu-Lu flipping ‘Washed in You’ into a completely new realm, complete with a captivating feature from the one and only Lex Amor, the quality on show is undeniable.  \u003c\/p\u003e\u003cp\u003eShy One brings one for the bruk heads, with a bumping remix of ‘Learning Lessens’ that flips between styles and mood, deftly using Andrew Ashong’s floating vocals to great effect. 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As DJ Boring, the Australian DJ and producer has forged a vibrant and illustrious career that has taken him to all corners of the globe. Unlike his puckish alias, Hallis has earned a cherished reputation for his effervescent stage presence and bombastic sets, which take in a hi-NRG flow of oddball techno, Chicago house, future funk and the emotional depths of melodic trance and ambient music. \u003c\/p\u003e\u003cp\u003eFittingly, his DJ-Kicks mix is a winding journey through the moods, sounds and eras that coloured Hallis’ complex inner world during the compilation process. “Trying to compile this put me in a pretty strange headspace. To be honest, I was trying to compile a vast range of stuff so I just needed to be on my own to focus on it. I stayed in one day and then finished it off in my studio” Hallis explains. “Then I just totally zoned in – it all came spilling out of me.” “At first, I was going to do something completely different – it was just going to be dance music! But I think a lot of people like the at-home listening aspect, and that really resonated with me – it’s what I enjoy. I want people to feel that they can put the mix on at the start of their night, while they’re cooking dinner, before ramping up a bit before going out.” \u003c\/p\u003e\u003cp\u003eLikewise, Hallis’ own approach to his DJ-Kicks selections is informed by the foundational tenets of the genre, where soulful melodies and grooves interact to build a feeling of euphoria. It’s a creative approach inspired by Moodymann’s iconic 2016 DJ-Kicks recording, in which the Motor City icon simmers slow soul, jazz and funk to a boil, releasing a melange of life-affirming house tunes. “When I first moved to London, my friend and I would play this at work, because it came out around that time. We just had an obsession with DJ-Kicks and Moodymann was our favourite. It’s all about the slow burn that then perfectly meshes into this energetic dancefloor area. I wanted to do my own version of that,” he says. \u003c\/p\u003e\u003cp\u003e“This DJ-Kicks mix is my personality to a tee,” smiles Hallis, relishing the creative freedom of exploring myriad emotional territories as a DJ. “It’s a perfect balance of everything that I love; it’s hopeful and meditative, but also fun. I hope people listen to it front to back and go on the journey – because it goes everywhere.” \u003c\/p\u003e\u003cp\u003eTRACKLISTING\u003c\/p\u003e\u003cp\u003eCD \u003c\/p\u003e\u003cp\u003e1. Anthony Napels - Orb Two \u003c\/p\u003e\u003cp\u003e2. Patrick Holland - Fried \u003c\/p\u003e\u003cp\u003e3. Surgeons Girl - Sympathetic Cycle \u003c\/p\u003e\u003cp\u003e4. Thomas Fehlmann -Schizophrenia \u003c\/p\u003e\u003cp\u003e5. Oscar Jerome - Berlin 1 \u003c\/p\u003e\u003cp\u003e6. Rampa - 79249 Intro \u003c\/p\u003e\u003cp\u003e7. Matisa - Balet \u003c\/p\u003e\u003cp\u003e8. Sally C - All Love \u003c\/p\u003e\u003cp\u003e9. Teqmun - Nettle Dweller (Pariah Remix) \u003c\/p\u003e\u003cp\u003e10. Beste Hira - Pembe Bulutlar \u003c\/p\u003e\u003cp\u003e11. Burnski - Pacific \u003c\/p\u003e\u003cp\u003e12. Cameo Blush - Art Of Worry \u003c\/p\u003e\u003cp\u003e13. DJ BORING - You Luv Me \u003c\/p\u003e\u003cp\u003e14. Shanti Celeste - Cutie \u003c\/p\u003e\u003cp\u003e15. Hertz - More Funk \u003c\/p\u003e\u003cp\u003e16. Bambounou - Expensive Discogs House \u003c\/p\u003e\u003cp\u003e17. Jennifer Loveless - Back 2 Front (She Just Keeps Going) \u003c\/p\u003e\u003cp\u003e18. Regal86- Fuel (Deep Dish Mix) \u003c\/p\u003e\u003cp\u003e19. Tim Taylor Vs. Thor 54 - Over The Hill (Mr G's Hi Nrg Dub) \u003c\/p\u003e\u003cp\u003e20. DJ BORING - N15 \u003c\/p\u003e\u003cp\u003e21. Odymel - Even Sven \u003c\/p\u003e\u003cp\u003e22. Leo Pol - I'd Rather Be Getget \u003c\/p\u003e\u003cp\u003e23. Ede \u0026amp; Deckert feat. Sargland - Immer (Narciss 'Venice' Remix) \u003c\/p\u003e\u003cp\u003e24. moktar \u0026amp; Saad El Soghayar - حركة H \u003c\/p\u003e\u003cp\u003eLP \u003c\/p\u003e\u003cp\u003eA1. DJ BORING - You Luv Me \u003c\/p\u003e\u003cp\u003eA2. Patrick Holland - Fried \u003c\/p\u003e\u003cp\u003eA3. Sally C - All Love \u003c\/p\u003e\u003cp\u003eB1. Cameo Blush - Art Of Worry \u003c\/p\u003e\u003cp\u003eB2. DJ BORING - N15 \u003c\/p\u003e\u003cp\u003eB3. Sfire - Sfire6 \u003c\/p\u003e\u003cp\u003eC1. Burnski - Pacific \u003c\/p\u003e\u003cp\u003eC2. Leo Pol - I’d Rather Be Getget \u003c\/p\u003e\u003cp\u003eD1. Bambounou - Expensive Discogs House \u003c\/p\u003e\u003cp\u003eD2. 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This new album features one track made with Frank Wiedemann - one half of acclaimed electronic duo Âme - and award-winning sound engineer Francesco Donadello who has worked with everyone from Jóhann Jóhannsson to Thom Yorke.\u003c\/p\u003e\u003cp\u003eNiklas's personal journey becomes a captivating and colourful musical journey that combines his melancholic and delicate pianism with synths and electronic beats, suggestive ambient and the evocative voices of German singer Lúisa, Spaniard Bianca Steck and the Icelandic Kaktus Einarsson, frontman of post-punk band Fufanu. 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Fans of Fleetwood Mac, Peter Gabriel, Grace Jones, Arthur Russell, Jam Hammer, Prince and Bobby O will find much to like, but this is clearly modern music, where heavy clubs beats are layered-up with perfectly-placed arrangement, ace playing and stratospheric soundscapes. 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A true giant of the underground dance world, they proudly present the original ‘Jazz Potato’ himself: Mr. Scruff! \u003c\/p\u003e\u003cp\u003eHis 31-track masterclass features one new and exclusive track and spans the decades like a funky timelord for this special mix, Scruff brings some of the world’s best analogue and digital musicians together in a head-spinning melange of sinuous groove – ably blending sometimes disparate elements into an aurally nourishing whole - courtesy of two of the safest DJ hands you’ll ever have the pleasure to be in.\u003c\/p\u003e\u003cp\u003eCD 1. Iona Fortune - Da You 2. Equiknoxx - The Link 3. Black Pocket - Thank You And Credits 4. Vernon Maytone - Old Pan Sound 5. Tiger - When 6. DJ Nervoso - Kuia 7. Andreya Triana - Gold (Max Graef Remix) 8. Sudan Archives - Wake Up 9. Emilio Santiago - Bananeira 10. Rosa Maria - Samba Minerio 11. Laurel Aitken - Sexy Boogie 12. Antibalas - Si Se Puede (Battle of The Species) 13. Natural Self - The Sound 14. Tony Allen - Gbedu B 15. Dobie - Magenta 16. Errorsmith - My Party 17. Mr. Scruff vs CyberPunkJazz - 3001: A Space Disco Remix (DJ-Kicks) 18. Fats Comet - Dub Storm 19. Ding Dong - Badman Forward Badman Pull Up 20. Paddy Steer - Loufoque 21. Andy Ash - Ease Yourself 22. Mr. Scruff - Where Am I? 23. Max Graef - No 5 24. Alexander Robotnick feat. Stefano Cocco Cantini - Love Supreme (Extended) 25. Hashim - We're Rocking The Planet 26. Zongamin - Nonstop 27. Bumcello - Frbom 28. Archie Pelago - Brown Oxford 29. Seiji ft. Lyric L - Loose Lips 30. Snowboy And The Latin Section - Carga Tu Bateria 31. Drymbago - Chupacabra\u003c\/p\u003e\u003cp\u003eLP\u003c\/p\u003e\u003cp\u003eLP \u003c\/p\u003e\u003cp\u003eA1. Andreya Triana - Gold (Max Graef Remix) A2. Sudan Archives - Wake Up A3. Tiger - When A4. Ding Dong - Badman Forward Badman Pull Up\u003c\/p\u003e\u003cp\u003eB1. Mr. Scruff vs CyberPunkJazz - 3001: A Space Disco Remix B2. Max Graef - No 5 \u003c\/p\u003e\u003cp\u003eC1. 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More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album \u003ci\u003eHappy Nation\u003c\/i\u003e (titled \u003ci\u003eThe Sign\u003c\/i\u003e in North America). Now it gets reissued for RSD 2020 and features the Original Mix and Instrumental Version.\u003c\/p\u003e","brand":"!K7","offers":[{"title":"7\"","offer_id":50448617341259,"sku":"1089243","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/224fa1fd-744f-40a9-bd08-1eca11c937d2_thumbnail_4096.jpg?v=1727093961"},{"product_id":"silent-move","title":"Silent Move","description":"\u003cp\u003eThis is a Record Store Day 2019 item. It will be available to purchase from our stores from 8am 13th April. Remaining stock will be available to purchase from this page at 00.01 20th April.\u003c\/p\u003e\u003cp\u003eThis reissue is pressed on orange vinyl exclusively for Record Store Day. After three sought-after singles for the Whatever We Want label - plus remixes for the likes of Gorillaz, Fran Ois K, Mudd, Toby Tobias, James Yorkston, Grandada Bob, Black Devil and Cosmo Vitelli - Quiet Village step out of the shadows to present their much-anticipated debut album, \u003ci\u003eSilent Movie\u003c\/i\u003e. Comprised of master crate-digger Joel Martin and rising dance-music star Matt Edwards (a man of many monikers including Radio Slave and Rekid), and borrowing their name from Martin Denny's exotica masterpiece, Quiet Village make the old sound new (and vice versa). Influenced by Italian film soundtracks, library music, disco edits, acid rock and vintage soul, they mix the unlikeliest elements - bluesy guitar, chamber strings, air-raid sirens, shuffling breakbeats, even flutes and seagull cries - into an hour-long, beautiful reverie. 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In the early years they refashioned dubstep into innovative new forms that drew on ambient, garage and electronica. After a critically acclaimed debut album on Hotflush, they signed to Warp Records and have consolidated their position at the forefront of the international electronic scene with two critically acclaimed albums and countless world live tours. This is a mix inspired by a mini-run of DJ gigs that Mount Kimbie played with Actress. “It was an interesting and challenging experience, and I learnt a lot on the six dates we did,” says Kai, who explains that plenty of the tracks he was playing during those gigs make it into the mix. They make it a forward looking affair that calls on music the band have discovered recently; music they have found inspiring. Their own ‘DJ-kicks’ track was made specially for the mix and was initially influenced by Stanislav Tolkachev and Alexis Perala, who are both also included. Rather than a painstaking plan or meticulous studio approach, this session captures the improvised energy of a real DJ mix, but one where each track is given time to breath and make an impact rather than one where DJ trickery is at the fore. The result is a succinct 50 minutes that often goes deep, with roughhewn drums and grainy atmospheres from the likes of Terrence Dixon, Severed Heads, Marco Bernardi and Object Blue. It perfectly knits together stripped back rhythms, percussive tracks and more harmonic techno while seamlessly joining the dots between the old and the new. 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There are identifiable elements of the artist you already know - an uncanny sense for rhythm, an ability to shape samples and frequencies like clay, an affinity for the subtle changes of repetition - yet this is first and foremost music born from the need for silence. There is no easy entrance point or index for the listener. The first album, \u003ci\u003eThe Lapse of Exchange\u003c\/i\u003e, is the sound of life as heard from a small Chinatown window in downtown Manhattan, the thunder of populism on the horizon. The album opens with music that reflects the inherent tension between the life of the artist - the self-doubt, the late nights, the aspirations - and the world outside - the hustle and bustle of a city that never sleeps, the wars abroad, the politicians at home. 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After establishing himself with rough but emotive house as Rimbaudian and jungle as Birds of Sweden, he unveiled his DJ Seinfeld alias to the world, first with underground hit single \u003ci\u003eU\u003c\/i\u003e, then with his \u003ci\u003eTime Spent Away From U\u003c\/i\u003e album on Lobster Fury in November 2017. It was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. Acclaim came in from far and wide, with everyone from Rolling Stone to Pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. Jakobsson approached his DJ-Kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and “reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.” In order to make it as personal as possible, he called upon the many talented people around him making music. They returned with an enthusiasm that reminded Jakobsson of his own early passion, and in turn invigorated him and the whole process of assembling the mix. It was finally recorded at Inkonst club in Malmo because, recently back from years in Barcelona, he has not yet set up a studio in his hometown. DJ Seinfeld’s DJ-Kicks is not only a testament of his characterful DJ skills, but also a complete artistic statement that showcases his unique vision of dance music. 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It’s a game of two: Turin-based Davide Tomat, who has over twenty years experience as a multi-instrumentalist, band leader, and sound designer in several Italian projects (Niagara, N.A.M.B., and founder of the Superbudda collective); and musician Gianluca Petrella, hailing from southern Italy but in fact a citizen of the world and - more importantly - one of the most revered and inventive jazz trombone players in the world from the last decade or so (as stated on several Down Beat Critics’ Polls and proven on his Blue Note and ECM releases). \u003ci\u003eKepler\u003c\/i\u003e, their collaborative effort, is a beast of a different nature. It has so many textures, intuitions, and complexities that you can hardly list this simply as a “jazz-meets electronica” project. 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The American’s adventurous 29 track trip features seven exclusives, including two of her own plus those from Rrose, Machinewoman, FIT Siegel, Nick León and Ikonika.\u003c\/p\u003e\u003cp\u003eAn electronic outlier, Halo hails from Ann Arbor, Michigan, but has been based in Berlin for a number of years. Landing on labels like Hyperdub, Honest Jon’s and Latency, Halo has released a body of work ranging in style, yet cohered by production and compositional tendencies that sound distinctly her own. Her studio work tends to be a multi-layered mix of the electronic and the acoustic, the organic and the synthetic. As a DJ, meanwhile, she lays down more floor focussed mixes of techno, bass and worldly drum rhythms, and her live sets are similarly visceral and direct.\u003c\/p\u003e\u003cp\u003eHalo’s DJ-kicks packs a lot in to just 60 minutes. It kicks off with the first of two of her own exclusives, ‘Public Art’, a tactile piano loop that sets the melodic tone of the mix in focus. Crunchy drums soon take over and begin what is a blistering ride through electro, trippy minimalism and textures that range from icy and dubby to steel plated and sharp from the likes of Red Axes, Parris and an exclusive from Rrose.\u003c\/p\u003e\u003cp\u003eAnother exclusive, rough and ready cut from Machinewoman follows, before the mid section twists and turns on surging drum patterns, frantic industrial textures and spaced out gqom sounds from the likes of Griffit Vigo, Dario Zenker and Final Cut. 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Created for the ‘Plunderphonia’ series for 7K!, itself a reinterpretation of the acclaimed !K7 DJ-Kicks series, the album owes as much to Giacomo's decade of living and playing in London as it does to the forefathers of jazz that he is paying homage to here. \u003c\/p\u003e\u003cp\u003eThemes and melodies from compositions dating back to the 1920s have been adapted, inverted, transformed, and plunderized to make a collection of tunes that are undoubtedly jazz and when heard with contemporary ears, sonically of our times. This is not a straight up covers LP. Giacomo, who is joined by a fresh group musicians that connects all corners of the London contemporary jazz landscape, from Dylan Jones of Ezra Collective to rising star Jaz Kayser, sees his compositions here more aligned to hip hop mindset, starting with “samples'' and turning them into something completely new.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"!K7","offers":[{"title":"CD","offer_id":50457423118667,"sku":"1130849","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e8b6240e-38dc-45ac-afc1-dcd3a331c952_thumbnail_4096.jpg?v=1727205278"},{"product_id":"wema","title":"Wema","description":"\u003cp\u003eFor Wema, collaboration is a state of mind. 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Through this lens, Wema is a near-spiritual listen, invoking the sacred sounds of their global influences. The tape-delayed vocal samples and sparse industrial clangs of Kande are reminiscent of the kind of deconstructed beats you might find in a closing club set. Bendir Bendir’s pointillist soundscapes are juxtaposed with a warm chorus of Msafiri’s layered harmonies. Msafiri Jam Pt 2, with its uptempo percussion and atmospheric background noise, features the undulating hornwork of groundbreaking Afro-Cuban trumpeter Yelfris Valdes. 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The British violinist and composer’s dazzling exploration of the interface between violin and technology and between the poles of intimacy and grandeur, as rich and deep and wide as the landscape that lies its heart, named after the Vale of York where Goff grew up. The album encapsulates not just a landscape but a place in time and an identity forged through youth and adulthood, all viewed from his current base in Berlin.\u003c\/p\u003e\u003cp\u003eGoff’s artistic project is one which has been informed by his previous collaborations as both a performer and recording engineer, performing with artists such as Thor Harris (Swans, Amanda Palmer) and Federico Albanese, playing in concert halls across Europe. On his very first day working at the legendary Vox-Ton studios, Goff was introduced to Adam Wiltzie (half of the venerated post-classical\/ ambient duo Stars Of The Lid \/ A Winged Victory for the Sullen), and over the next two years, he worked with post-classical and post-rock visionaries such as the late Jóhann Jóhannsson, Hildur Guðnadóttir (notably on the film soundtracks for Chernobyl and Joker), Dustin O'Halloran and Yair Elazar Glotman.\u003c\/p\u003e\u003cp\u003eWhen conceptualising and setting his own parameter for his debut album \u003ci\u003eVale\u003c\/i\u003e, he had all studio tools at his disposal, but he gave himself, “the task of only using the violin as the starting point for composition.” At Vox-Ton, with co-producer\/mixer Sam Slater (Chernobyl, The Joker), Goff combined analogue purity with processed, looped and layered treatments, with Jóhannsson’s words in his mind: “music where the electronic and acoustic sounds blend seamlessly,” - “I don’t consider I achieved that, but it helped me to discover my own path forward”. He also respected the role of bass guitar and rhythm in his DNA, and decided to embellish the completed tracks with synth bass, double bass (played by Yair Elazar Glotman) and percussion (by Andrea Belfi),” sounds that would add some life,” he explains. “I wanted to follow the music and not be dogmatic about it.”\u003c\/p\u003e\u003cp\u003eSimon Goff has poured everything into \u003ci\u003eVale\u003c\/i\u003e: from personal and musical memories to lessons learnt. 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Born in 1968, he grew up in an extended family that was both black and white, urban and rural, containing strong women and volatile men. His choice of cover versions is revealing. Janet Kaye's 1979 lovers rock classic 'Silly Games' reminds him of his childhood in Bristol's Knowle West district. 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Originally released digitally in September 2020 to critical acclaim, seeing support from Benji B (BBCR1), Giles Peterson (BBC 6Music) and Jamz Supernova (1Xtra), this exclusive vinyl edition includes an additional track featuring MC Altaf.\u003c\/p\u003e","brand":"!K7","offers":[{"title":"Black | LP","offer_id":50465985036619,"sku":"1127135","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/985f566f-851a-4f04-bc02-1c25d4d099b6_thumbnail_4096.jpg?v=1727300005"},{"product_id":"theo-parrish-dj-kicks","title":"Theo Parrish - DJ-Kicks","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.roughtrade.com\/gb\/collection\/compilations-of-the-year-2022\"\u003e\u003ci\u003eRough Trade Compilations of The Year: #12\u003c\/i\u003e\u003c\/a\u003e\u003c\/p\u003e\u003cp\u003eThe approach Parrish took to compiling DJ-Kicks was very ambitious, inviting his Detroit peers to produce a collection of brand new material, and in turn creating the first ever all exclusive entry to the esteemed series.\u003c\/p\u003e\u003cp\u003e\"Detroit creates. But rarely imitates. Why? We hear and see many from other places do that with what we originate. No need to follow. Get it straight. In the Great Lakes there are always more under the surface than those that appear to penetrate the top layer of attention and recognition. What about them that defy tradition? Those that side step the inaccurate definitions often given from outside positions? This is that evidence. Enjoy.\"\u003c\/p\u003e\u003cp\u003eFirst CD\u003c\/p\u003e\u003cp\u003e1. De'Sean Jones and Ideeyah - Pressure\u003c\/p\u003e\u003cp\u003e2. Donald Lee Roland II - Simba's Theme\u003c\/p\u003e\u003cp\u003e3. Meftah - When The Sun Falls\u003c\/p\u003e\u003cp\u003e4. Theo Parrish and Duminie DePorres - The Real Deal\u003c\/p\u003e\u003cp\u003e5. Specter - The Upper Room\u003c\/p\u003e\u003cp\u003e6. Deon Jamar - North End Funk\u003c\/p\u003e\u003cp\u003e7. Ian Fink - Moonlight (Duality\/Detroit Live Version)\u003c\/p\u003e\u003cp\u003eSecond CD\u003c\/p\u003e\u003cp\u003e1. 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