{"title":"Komos Records","description":null,"products":[{"product_id":"tenafaqit-danilo-plessow-remix-motherless-child-angel-bat-dawid-mothership-child-sankofa-re-mix-2","title":"Tenafaqit (Danilo Plessow Remix) \/ Motherless Child (Angel Bat Dawid Mothership Child Sankofa Re-Mix)","description":"\u003cp\u003eThe first ever remixes on the Komos label. Angel Bat Dwid takes legendary Malian keyboardist Check Tidiane Seck's heartfelt piano solo version of 'Motherless Child' to the Stars. Danilo Plesspw gives his trademark analog dance-floor treatment to Hermon Mehari's 'Eritrean jazz' masterpiece 'Tenafaqit'.\u003cbr\u003e\u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"12\"","offer_id":50393819808075,"sku":"2051624","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/db16ee43-f323-5308-4f60-6a19c2ff07d7_2f7545fe_thumbnail_4096.jpg?v=1726428067"},{"product_id":"criancas-the-music-of-wayne-shorter","title":"Criancas - The Music Of Wayne Shorter","description":"\u003cp\u003e“A piece of music never truly comes to An end. Revisiting a theme illustrates this idea that life goes on.” These are the words of Wayne Shorter, uttered in 2018 upon the release of Emanon, his final opus. On this record, the octogenarian uses dusky hues to shade in the passions of his youth - drawing and science-fiction, as well as the causes he has defended all his life - the fight against ecological upheaval and structural racism. This sentiment did not fail to resonate with Julien Lourau, who has reached a stage in life where he has begun to look back over certain pages written by the man he has always considered one of the masters of his trade. Five years later, this Parisian native has also chosen to revisit his glory days, offering reworked versions of specific tracks composed by his titular elder throughout the 80s. “When I play this music, I find myself back in my teenage bedroom. These are my standards, and they remind me of autumn in Rambouillet.” At that time, after practising his scales, Julien would also play Dungeons \u0026amp; dragons, and immerse himself in SF as well as heroic fantasy - epic influences which are not without a certain connection to the dreamworlds Shorter conjured up, as another fan of landscapes beyond the grasp of reality.\u003c\/p\u003e\u003cp\u003eThis album features four themes taken from Atlantis, which came out in 1985, and two from Joy Ryder, released three years later. To these, he has added a composition penned at around the same time for Sportin’ Life, the penultimate LP by Weather Report. This is rounded off by a tune taken from Native Dancer, the record which, ten years earlier, in 1975, brought together this saxophonist who learnt his trade alongside Art Blakey, before joining Miles’ second quintet, and Brazilian Milton Nascimento.\u003c\/p\u003e\u003cp\u003e“Between Native Dancer and Atlantis, Shorter did not release anything under his own name, but he took the time and care to really perfect his writing. Upon his return, he injected a very Brazilian form of subtlety into his compositions, especially rhythmically. And from a harmonic point of view, these themes are extremely sophisticated, and reveal truly singular colours. In fact, he decided to display the score as if it constituted the liner notes of Atlantis.”\u003c\/p\u003e\u003cp\u003eJulien Lourau is a fan of every Wayne Shorter era, from his Blue Note days, where Mr Gone defined the bases of a truly unique repertoire, all the way to his final quartet - a reference like no other. He decided to focus on this “highly electric” period, which is not necessarily Shorter’s best known, nor his most widely appreciated - despite being a unanimous reference, Shorter has nonetheless never had a direct descendent. In Lourau’s line of sight there lies a desire to focus on typically South American tonic accents which characterise this repertoire, twinned with the ambition to switch up their actual sound “by attempting to open up onto a production highly influenced by eighties fusion\". However, he admits that modifying the structures of these most unique of worlds constituted a fresh challenge. “There’s this labyrinthine harmonic system where you’ve no idea how it holds together, but where it’s actually impossible to touch the slightest element without the whole edifice wavering. It is in fact a very difficult thing to achieve!”\u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"CD","offer_id":50395555070283,"sku":"2145494","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50395555201355,"sku":"2145530","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a0ed96c5-4891-047b-9e71-b555cd526187_617509c3_thumbnail_4096.jpg?v=1726467605"},{"product_id":"studio-pigalle","title":"Studio Pigalle","description":"\u003cp\u003eFive groups, one mythical studio - documenting the emergence of a generation! The initial postulate was simple: five groups, one emblematic studio and 24 hours for each to imagine and record two unreleased tracks with one objective - the will to document a French jazz scene in the midst of renewal.\u003c\/p\u003e\u003cp\u003eIn these last few years, several innovative currents have shaken up the world of jazz and attracted new fans. They have bubbled up from Los Angeles, impregnated with hip-hop culture (Kamasi Washington, Terrace Martin, Thundercat), or from London, tinged with African rhythms (Nubya Garcia, Kokoroko, Ezra Collective). Meanwhile, in France, a new scene is emerging, carrying with it more of a dancefloor-oriented sound influenced by electronic music - an obvious kinship with the French Touch explosion of the late 90s.\u003c\/p\u003e\u003cp\u003eHistorically, every movement has been assimilated to a certain neighbourhood, to specific clubs where late at night, young guns stayed up to imagine the jazz of tomorrow - the Cotton Club for the jazz of the 20s, Minton’s Playhouse in Harlem for Be-Bop, the Black Hawk in San Francisco for West Coast jazz, Birdland in New York for Hard-Bop or a lot more recently, the Total Refreshment Centre which has been the playing field for the new London scene.\u003c\/p\u003e\u003cp\u003en Paris too, this new sound is associated with actual venues, places which have allowed these groups to form, create a repertoire and forge an aesthetic - Le Baiser Salé for Monsieur Mâlâ, La Gare\/Le Gore for Photon, La Pêche in Montreuil for Ishkero, La Petite Halle for Underground Canopy and also le Duc des Lombards and le 38 Riv’ for Alex Monfort; it’s in a live context that this music will always continue to evolve.\u003c\/p\u003e\u003cp\u003eKeeping this “live” spirit, with all its spontaneity, was actually the guiding line for the elaboration of this Studio Pigalle compilation. Each take was recorded in the most organic way possible, bringing all the musicians together in the same room to limit post-production alterations before the final cut was assembled, in just one day, by studio in-house sound engineer, Felix Rémy.\u003c\/p\u003e\u003cp\u003eA feeling of urgency permeates a record guided by an artistic production taking care to crystalise the essence of this artistically free-range generation whose childhoods were rocked just as much by Bill Evans and Roy Hargrove as by J Dilla and Jeff Mills. One of the two tracks recorded is geared towards the dancefloor, and the other, more cosmic\/ambient gives freer rein to individual interpretation.\u003c\/p\u003e\u003cp\u003e01. Underground Canopy - Là - Haut\u003c\/p\u003e\u003cp\u003e02. Monsieur Mâlâ - Transe\u003c\/p\u003e\u003cp\u003e03. Photons - Dessine\u003c\/p\u003e\u003cp\u003e04. Monfort - Since I Met You\u003c\/p\u003e\u003cp\u003e05. Ishkero - Solange\u003c\/p\u003e\u003cp\u003e06. Monfort - Tonight\u003c\/p\u003e\u003cp\u003e07. Underground Canopy - Notus\u003c\/p\u003e\u003cp\u003e08. Ishkero - Lucielle\u003c\/p\u003e\u003cp\u003e09. Photons - La Vie Partie Trois\u003c\/p\u003e\u003cp\u003e10. Monsieur Mâla - Da Vedere\u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"LP","offer_id":50395555594571,"sku":"2145514","price":42.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/cc5c6111-e441-7343-9499-fbad22480902_164a23b0_thumbnail_4096.jpg?v=1726467626"},{"product_id":"reencanto-live-at-union-chapel-2","title":"reEncanto  Live at Union Chapel","description":"\u003cp\u003eCape Verdean singer Mayra Andrade's multi-layered music embraces a blend of radiant, dancing colours, velvet beats and spicy melodies. Her voice is subtly seasoned with pepper, as if the Europe of pop had always been atropical archipelago. Andrade is arguably the front-runner of the many talents that have emerged from Cape Verde over the years.\u003c\/p\u003e\u003cp\u003eHer vividly-hued music which is full of energy and a warm, adventurous upredictability is sung in Cape Verdean creole, English and Portuguese. Mayra’s pop spans the world’s entire vast sweep from Western romanticism, Southern sensuality, domestic reggae and African. It is topical, tropical, traveling pop that, in the words of Mayra, is “music that reflected my life”.\u003c\/p\u003e\u003cp\u003eOn this live album recorded at Union Chapel Mayra Andrade presents her new guitar and vocal collaboration ‘reEncanto’. 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There are five of them, five, like the fingers of one hand, a hand ready to form a fist, to slam down hard on a table but also to gently caress the planet.\u003c\/p\u003e\u003cp\u003eThey all grew up in Togo, only a few frontiers away from Benin and Nigeria, several decades separa- ting them from the great Fela, the man who turned a Yoruba proverb into a hit: Water No Get Enemy. The members of Nana Benz also grew up with the knowledge that water was so precious it had no price, and that Mother Nature was a figure to be celebrated...\u003c\/p\u003e\u003cp\u003eIn fact, respect of the planet and its inhabitants lies at the very heart of their catalogue of songs, songs firmly anchored in the richness of voodoo heritage, songs extolling the value of freedom in English, French and Mina. Earth, wind, fire and water - Nature : that’s what voodoo is! “We’ve always been ecologists, without knowing it, because Voodoo is in fact Nature”, explains Izeale, one of the three vocalists. “At a given moment in our lives, we all dived headfirst into this heritage we had left behind. And there, we discovered the power of voodoo, but also its scales, its incredible rhythms, and its wonderful melodies. And now we dive back in once more, body and soul, because we need to possess enough strength to carry these songs!”.\u003c\/p\u003e\u003cp\u003e Before walking down the path that led them to convents and voodoo ceremonies, these musicians experienced many trials and tribulations. “When you have been raised in a Christian environment, when you sang the praises of Jesus Christ, it’s not easy to turn to voodoo”, admits Parus. “But when I lost my parents at the age of 13, I ended up in charge of the family, and with my younger brothers and sisters, I was looking for a beacon! And that’s where I discovered that voodoo is not just a question of dolls and all that evil folklore we have made up, but that voodoo is within all of us, it’s life itself. And that saved me...”\u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"Black LP","offer_id":50445846610251,"sku":"2026373","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50445846217035,"sku":"2026372","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/AGO_6092a73b_thumbnail_4096.jpg?v=1727047516"},{"product_id":"nigwu-shwabada","title":"Nigwu Shwabada","description":"\u003cp\u003eCharismatic guitar savant Sibusile Xaba reframes maskandi and the avant garde into his own humanist manifesto. With a vocal style that is part dreamscaping and part ancestral invocation, Xaba divines as opposed to plainly singing. Combined with a guitar style that is rooted in expressive picking, Xaba's music shatters the confines of genre, taking only the fundamentals from mentors such as Madala Kunene and Dr Philip Tabane and imbuing these with a mythology and improvisational intensity all of his own. The song \u003ci\u003eTribute to Bafo \u003c\/i\u003ethat features on this new record is an homage to Madala \"Bafo\" Kunene. Maskandi, malombo, the desert blues and jazz all figure in Sibusile Xaba's expansive vocabulary, albeit through a magnetic individual filter. After the acclaimed release of \u003ci\u003eOpen Letter to Adoniah\u003c\/i\u003e in 2017, Sibusile’s second album \u003ci\u003eNgiwu Shwabada\u003c\/i\u003e was recorded in one continuous take at Studio Pigalle in Paris, France, in May 2019. It features his long-time musical companion Naftali on additional vocals. \u003c\/p\u003e\u003cp\u003eTo close the album, London saxophonist Shabaka Hutchings joins Sibusile for a purely improvised 18 minute musical trip recorded that same day. \u003ci\u003ePhefumula \u003c\/i\u003eis a journey of still minds, with a focus on the importance and simplicity of breathing. \u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"Black | LP | x2","offer_id":50453247328587,"sku":"1084931","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b1e949f1-d4f6-45fc-a71c-79d956be2d35_thumbnail_4096.jpg?v=1727170117"},{"product_id":"dancing-people-don-t-dry","title":"Dancing People Don’t Dry","description":"\u003cp\u003eProduced by Malcolm Catto (The Heliocentrics \/ Yussef Kamal \/ Vanishing Twin....). Featuring Camilla George, OneDa.\u003cspan class=\"Apple-converted-space\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBesançon (FR), sometime before lockdown… Still in high school, Laszlo, Baptiste, Matthieu, Maël and Marius, driven by a common desire to make people dance till they sweat, formed Wet Enough!?, and began to make music together, driven by a burning passion for funk, electro, rap and disco.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEarly 2023, they were contacted by Antoine Rajon from label Komos who was to go on to produce their debut EP “Dash”, released in January 2024. A series of gigs followed in Paris, London, Brussels and the Jazz à Vienne festival under the aegis of Astérios Spectacles. That same year, they were also selected to take part in the Inouïs talent showcase at the Printemps de Bourges, as representatives of the Bourgogne Franche-Comté region.\u003c\/p\u003e\n\u003cp\u003eThe “Burgundy Five” then studied at music schools in Brussels, Amsterdam and Lausanne, in institutions more open than their French counterparts when it comes to exploring the full gamut of musical styles; they also frequently met up for composition sessions and concerts.\u003c\/p\u003e\n\u003cp\u003eIn September 2024, they left for London to record their debut album, in the studio of producer and musician Malcolm Catto, as he was charmed by a live at ‘91 Living Room’ in Brick Lane. The Heliocentrics drummer and sonic wizard behind Yussef Kamal’s famous ‘Black Focus’, used his trademark analogue approach to help craft 10 powerful tracks, collectively composed and arranged by the group.\u003c\/p\u003e\n\u003cp\u003eOn this release, we detect the influence of American groups like Ghost-Note and Butcher Brown, but also an energy almost akin to punk rock. And especially, we can sense an enthusiastic appetite for defying genres, without a care for codes or the constraints of aesthetic purism.\u003c\/p\u003e\n\u003cp\u003eTheir starting point is new jazz, conjuring up current scenes in the UK and America (‘Green Tangerine’, ‘Emile Lédonien’, ‘Lullaby for a riot’), but they soon wander into the club with the unashamed housey inflections of ‘Dump’ (carried aloft by Galawesh Heril on vocals). When Marius, the trombonist grabs the mic, he displays mastery of chiselled flow and old school French hip-hop vibes (‘Lascars, San Pé’) as well as ultra-modern, alternative aesthetics (Les 2).\u003c\/p\u003e\n\u003cp\u003eDuring the studio sessions in London, the band invited two British musicians to guest on the record - a junglist rapper from Manchester, OneDa, who illuinates up single ‘One Leg’ with the brightness of her rhymes; and a Londoner, saxophonist Camilla George who offers a vibrant solo, riding high over the amped-up groove of Funk4.\u003c\/p\u003e\n\u003cp\u003eThere’s no doubt they shall join the group for upcoming shows whose philosophy is also expressed in the album’s title:\u003c\/p\u003e","brand":"Komos Records","offers":[{"title":"CD","offer_id":51298544582987,"sku":"R5931-8734","price":15.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":51298544615755,"sku":"R5931-5594","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/WetEnough-DancingPeopleDon_tDry-KOS39LP-Packshot.jpg?v=1740008543"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/komos-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}