{"title":"Kwaidan Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eKwaidan Records is a music label founded by French producer and composer Marc Collin in the late 90's. Initially, the label focused on producing and releasing Collin's own projects such as Volga Select, Dirty Jesus, Les Petroleuses, Suburbia, and more. However, after the global success of the Nouvelle Vague project in 2004, Kwaidan expanded its scope and began working with various artists including Phoebe Killdeer, Mélanie Pain, Maxence Cyrin, Nicolas Comment, Olga Kouklaki, Marina Celeste and many others.\u003c\/p\u003e\n\n\u003cp\u003eInspired by Japanese culture and named after the movie \"Kobayashi Takiji,\" Kwaidan strives to follow in the footsteps of iconic indie labels from the 80s like Les Disques Du Crépuscule, Crammed Discs and Factory Records. With a commitment to diverse genres of music, Kwaidan continues to produce and release groundbreaking music.\u003c\/p\u003e\n\n\u003cp\u003eLooking towards the future, Kwaidan has exciting plans for new releases in 2012 featuring talented artists such as Yasmine Hamdan,\nBlackout Babies,\nAnnaO,\nJenia Lubich,\nKarina Zeviani\nand Marc Collin's latest project \"The Cold Wave Station.\"\u003c\/p\u003e","products":[{"product_id":"cinerama","title":"Cinérama","description":"\u003cp\u003eLife flows in Cinérama, Julia Jean-Baptiste's debut album, a restless, fiery and joyful river. It is an invitation to languid destinations and festive swaying\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"CD","offer_id":50402375237963,"sku":"2021527","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Julia_Jean_Baptiste_-_Cinerama_59f59b1e_thumbnail_4096.jpg?v=1726543238"},{"product_id":"nouvelle-vague-1","title":"Nouvelle Vague","description":"\u003cp\u003e180 Gram Transparent Vinyl with Download. Nouvelle Vague is the 2004 self-titled debut album by the French band Nouvelle Vague. The album consists entirely of easy listening and bossa nova versions of songs that were written and recorded during the post-punk \/ new wave era. The band's name is a play on words, new wave and bossa nova being the literal translations, in English and Portuguese respectively, of the French phrase Nouvelle Vague, which is itself a reference to the French cinema movement of the 1950s and 1960s. The songs are recorded with female vocalists who had not previously heard the songs they would be covering. It features covers of Depeche Mode, The Clash, Joy Division, XTC, Dead Kennedys, The Cure, Modern English etc.\u003cbr\u003e\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"LP","offer_id":50411281580363,"sku":"394095","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/114c551d-6cb6-4ac6-9252-ecc0c29d7960_thumbnail_4096.png?v=1726655434"},{"product_id":"chrystabell-sings-the-cure","title":"Chrystabell Sings the Cure","description":"\u003cp\u003eOn Strange as Angels, Marc Collin’s new collection of reinvented Cure songs, sung by the ethereal Chrystabell. Produced, arranged and conceived by Nouvelle Vague co-founder Marc Collin, he has again woven repertoire, performance, and his uniquely forged arranging aesthetic into something authentically new. Post-Punk, New Wave, Goth - for over four decades The Cure created alternative music so powerful that it redefined the mainstream. They didn’t just master genres, they transcended them. Throughout these varied styles the group maintained an aesthetic continuity, creating a world so vast and mysterious that there’s room for other artists to explore it.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"LP","offer_id":50415950594379,"sku":"1124903","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50415955640651,"sku":"1124901","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/57858f9f-b2b3-4c4e-952e-490c7b4da084_thumbnail_4096.jpg?v=1726694079"},{"product_id":"lullaby-dressing-up","title":"Lullaby \/ Dressing Up","description":"\u003cp\u003eMarc Collin’s new collection of reinvented Cure songs, sung by the ethereal Chrystabell. Once again, Nouvelle Vague’s mastermind Marc Collin has reinvented the new. “Lullaby is really far from the obvious hit single rules but it's probably one of the most successful songs from The Cure. \u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"Black | 7\"","offer_id":50419694764363,"sku":"1129654","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/16a043b1-119a-4107-b35e-641258f13e41_thumbnail_4096.jpg?v=1726748968"},{"product_id":"kino-music","title":"Kino Music","description":"\u003cp\u003eFollowing his three reactions – Reaction A, Reaction B, Reaction C -,three albums in which Pierre Daven-Keller explored the trails of a certain pop scene or the mysteries of a string quartet on the model of what has been called New Music, here comes\u003ci\u003e Kino Music\u003c\/i\u003e, a new instrumental project which, as its title indicates, deliberately embraces the colours of cinema and more specifically its Italian skies. Pierre Daven-Keller makes no mystery of it: the model or more precisely the horizon of this album is Ennio Morricone in its pop and hedonistic inclinations, with a touch of Bossa Nova and, by extension, a certain variety of studio sound to which another great composer of that period could be related, Burt Bacharach. However, this album is not about copying Morricone’s music is but giving it extensions or recomposing a state of mind which merges a certain idea of lightness with a touch of melancholy. Specify one must that much as the Air duet or the solitary Forever Pavot, it is through the cinema of the 1960s and 70s that Pierre Daven-Keller was initiated to music, as if Morricone along with the original soundtracks of François de Roubaix, Michel Magne, or Eric Damarsan had flown through his veins. \u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"Black | LP","offer_id":50449066950987,"sku":"1074108","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/25198701-6651-4e16-bccb-3e9ef6fcc92c_thumbnail_4096.jpg?v=1727098892"},{"product_id":"portraits","title":"Portraits","description":"\u003cp\u003eTo paint the portrait of a singer, First paint songs. Then paint, Something pretty, Something simple Something beautiful, Something useful.\u003c\/p\u003e\u003cp\u003eIt may sound presumptuous to paraphrase and quote Prévert in a presentation of Portraits, until one considers how poetry, nowadays, is most vivid through songs – and that words are no longer its only vehicle. The object here is to paint the portrait of Doriand, whose songwriting talents have been requisitioned by the most demanding artists (earning him the distinction of “author of the year 2019” by the Society of Authors, Composers and Publishers of Music). His solo career, however, has not been met with the spoils of notoriety. Since his breakthrough 1996 hit \u003ci\u003eAu diable le Paradis\u003c\/i\u003e, the now-forty-something has released four critically-acclaimed albums. But commercial success came through songs he had written for others, such as L5’s \u003ci\u003eToutes les Femmes de ta Vie\u003c\/i\u003e, Mika’s \u003ci\u003eBoum Boum Boum\u003c\/i\u003e and \u003ci\u003eElle me Dit\u003c\/i\u003e, as well as luminaries like Alain Bashung and Michel Polnareff. \u003c\/p\u003e\u003cp\u003eThose friends then rushed to participate to this new type of project, bringing their own signature to songs that Doriand had recorded for his own albums: Mika brings \u003ci\u003eAu diable le Paradis\u003c\/i\u003e down to earth, Keren Ann and Edith Fambuena (singing together for the first time) celebrate their union on \u003ci\u003eLa Mariée\u003c\/i\u003e, Brigitte provides a graceful rendition of \u003ci\u003eEt va la Vie,\u003c\/i\u003e Peter Von Poehl waxes nostalgic on \u003ci\u003eAdolescence\u003c\/i\u003e, Lio confesses on \u003ci\u003eLe Pardon du Chevreuil\u003c\/i\u003e, Helena Noguerra transfigures \u003ci\u003eL’Age des Saisons\u003c\/i\u003e, Philippe Katerine directs us towards \u003ci\u003eIci.\u003c\/i\u003e “The idea was that the singers would contribute their vocals on top of the original productions. So we went back into the sessions, dug up the tapes, and I had them sing over the tracks as they appeared on my albums. We were lucky that the tones were pitch perfect every time. The new album’s coherence is built around the choice of the songs, as well the singer’s perception of them – that’s the link. It’s not only a portrait of myself, but of the person who sings them, like an exchange.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"CD","offer_id":50449239474507,"sku":"1082316","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/341ed438-5ab6-4bc8-ade3-46ecdf71e6ef_thumbnail_4096.jpg?v=1727100602"},{"product_id":"3-13","title":"3","description":"\u003cp\u003e180 Gram White Vinyl with download. \u003ci\u003e3\u003c\/i\u003e is the third album by the French covers band Nouvelle Vague, initially released 16 June 2009. As with their previous release, the album consists entirely of cover versions, mostly of post-punk and new wave songs from the 1970s and 1980s. Four of the tracks are performed as duets, featuring the song's original vocalist performing alongside one of Nouvelle Vague's female singers. It features covers of Echo and the Bunnymen, Violent Femmes, Magazine, Gary Numan, Soft Cell, Talk Talk etc.\u003cbr\u003e\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"LP","offer_id":50449961550155,"sku":"1004505","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/17accb32-a7bb-4f2c-91dd-1efdf268cf06_thumbnail_4096.jpg?v=1727108299"},{"product_id":"fade-out-lines","title":"Fade Out Lines","description":"\u003cp\u003ePhoebe Killdeer's \u003ci\u003eThe Fade Out Line\u003c\/i\u003e was initally released in 2010 and then remixed by The Avener. His version became a wordlwide hit and has now more than 120 million streams on Spotify and 57 million on Youtube. Her original track got then massive traction too. To celebrate the 10 year annivesary of the original track's realease, Kwaidan release a limited \/ one sided 12\" Picture disc of the original track.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"12\"","offer_id":50453134311755,"sku":"1089279","price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fd351d2f-2c65-4922-9bb3-325156d9f767_thumbnail_4096.png?v=1727168557"},{"product_id":"i-could-be-happy","title":"I Could Be Happy","description":"\u003cp\u003eBossa Nova = Nouvelle Vague = New Wave. This transliteration was the starting point for Marc Collin and Olivier Libaux’s unique project, which, by appropriating the punk and post-punk cannon and running it through the Bossa Nova filter, reinvented the cover band genre, revealing new and brilliant talents along the way: Camille, Phoebe Killdeer (whose Fade Out Lines was remixed by The Avener,) Nadeah, Mélanie Pain, and, soon, Liset Alea. The gambit paid off, with sales of over one million records over four albums released between 2004 and 2010, and world tours that included stops at venues such as London’s Royal Albert Hall, L.A.’s Hollywood Bowl and Paris’ Olympia. Since 2011, Nouvelle Vague had stopped recording, focusing on an innovative live show created in collaboration with the mythical Jean-Charles de Castelbajac (Ceremony and Dawn of innocence,) and branching out into different projects: Olivier’s Uncovered Queen of the Stone Age, and Marc’s Bristol, along with his Kwaidan label. The time seems right to write a new chapter in the Nouvelle Vague saga: with a new album \u003ci\u003eI Could Be Happy\u003c\/i\u003e and live show, the band and its coterie of female vocalists continue their time travels with a renewed alegria. Nouvelle vague by Nouvelle Vague and Some Friends is thus more of a nexus of forthcoming projects: a new album comprised of punk and post punk standards imbued with the inimitable Nouvelle Vague touch, and, for the first time, a bevy of surprising Collin \/ Libaux which prove that the two producers are more than prodigious arrangers. This album is also the opportunity to gather again the pioneer singers of Nouvelle Vague: Élodie Frégé, Mélanie Pain, Liset Alea, Nadeah and to find other guests as Camille or Clara Luciani.\u003c\/p\u003e\u003cp\u003eLP - Black Vinyl.\u003c\/p\u003e\u003cp\u003eLP+ - Limited Orange Coloured Vinyl. 2000 Copies.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"CD","offer_id":50453971566923,"sku":"1000880","price":8.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50453972353355,"sku":"1001547","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8cee912d-01ed-4613-9fea-15ded59fa536_thumbnail_4096.png?v=1727179313"},{"product_id":"des-jeunes-gens-modernes-vol-3-post-punk-cold-wave-et-culture-novo-en-france-1978-1983","title":"Des Jeunes Gens Modernes Vol 3 - Post Punk, Cold Wave et Culture Novo en France 1978 - 1983","description":"\u003cp\u003eThe third stunning selection of post punk and cold wave from France from 1978 to 1983. It features tracks from Oto, Berlin 38, Merveilles Attendue, Warum Joe, Analoid, Codek, Martin Dupontand more.\u003cbr\u003e\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"Black | LP | x2","offer_id":50453977366859,"sku":"1108572","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/31190180-b23f-49e1-9239-996260bcabbd_thumbnail_4096.jpg?v=1727179362"},{"product_id":"vie-future","title":"Vie Future","description":"\u003cp\u003eThere are moments in our lives when birth and death intersect and engage in dialogue for a moment. Often, this is done in silence. La Féline decided to go the musical route. \u003ci\u003eVie Future\u003c\/i\u003e, the third album by musician and author Agnès Gayraud (she is just about to publish her recent philosophical essay Dialectic of Pop in English (Urbanomic, 2019), is a truly cosmic record. \u003c\/p\u003e\u003cp\u003eDelving into the intimate in a manner reminiscent of the greatest French songwriters like Anne Sylvestre or Brigitte Fontaine, La Féline channels a sort of Laurie Anderson-like universe. This collusion is prodded along by Xavier Thiry production, who has been working with Agnès since 2008. Together, they paint La Féline’s sound using wide-screen reverb, space echoes and pitch effects, playfully juxtaposing synthesized sounds and string ensembles, peppering songs with noises from the worlds that make up the album's galaxy. The result is imbued with a cinematic glow, recalling science fiction akin to Pink Floyd's Set the Controls to the Heart of the Sun, Ray Bradbury's short stories, the cold exoticism of David Sylvian, and 2001: A Space Odyssey. \u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"Black | LP","offer_id":50455755784523,"sku":"1074535","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e795456b-6217-408e-ace6-9f4887ad44d6_thumbnail_4096.jpg?v=1727193728"},{"product_id":"version-francaise","title":"Version Francaise","description":"\u003cp\u003eln 76-77, the incredible explosion of English-speaking bands focused the energies of a whole generation of Western youth - rebels ready to pick up a guitar and use it like a weapon. Yet more than punk music itself, it was the creative burst it triggered that radically shaped 80s pop and heralded an unending stream of inspired performers. \u003c\/p\u003e\u003cp\u003eAlthough we often speak of the British and American golden age of post-punk from 78 to 84, with artists that included Talking Heads, Joy Division, PIL and Devo, France (together with Switzerland and Belgium) joined the movement too. Today, on a new album, the group Nouvelle Vague have paid tribute to this sumptuous \"Frenchy\" period clothed in the nihilism of punk, along with bitterness fuelled by the economic crisis and, paradoxically, the bewitching spirit of pop. \u003c\/p\u003e\u003cp\u003elts title, \u003ci\u003eCouleurs sur Paris (Colours on Paris)\u003c\/i\u003e is based on both a famous postcard collection and Oberkampf's 1981 punk anthem, and reflects the period, which oscillated between elation and despair. Written by artists sometimes known as \"the modern young people\" and including faux naïf electropop nursery rhymes by Elli and Jacno (\u003ci\u003eAnne Cherchait l'amour,\u003c\/i\u003e 1979), Lio (\u003ci\u003eAmoureux Solitaires,\u003c\/i\u003e 1980) and Etienne Daho (\u003ci\u003eWeek-end à Rome\u003c\/i\u003e, 1984), along with Lili Drop (\u003ci\u003eSur ma Mob\u003c\/i\u003e, 1979) and Taxi Girl (\u003ci\u003eJe suis déjà Parti,\u003c\/i\u003e 1986), the songs clearly express the hopes and disappointments of the day. \u003c\/p\u003e\u003cp\u003eThe sense of melancholy suggested by the disenchanted lyrics of \u003ci\u003eDéréglée\u003c\/i\u003e - performed in 1977 by Marie-France, an icon of Paris nightlife - is even more noticeable on the 1981 hit by The Civils, who cynically sang, \"Tonight, they're dying in Chad, but l'm buying my dream Walkman\" before taking it to the chorus: \"The economic crisis is fantastic, decadence is the right feel\". \u003c\/p\u003e\u003cp\u003eThe punk shockwave con also be felt in the music of bands who radically shaped French culture and song. Like Rouen, with Les Dogs (\u003ci\u003eSandy, Sandy\u003c\/i\u003e, 1982), every provincial town and city in France began to produce bands at the end of the 70s and the start of the 80s. Wunderbach's 1983 punk pamphlet \u003ci\u003eOublions l'Amérique\u003c\/i\u003e was a foretaste of what is now called alternative punk, a genre that won acclaim in 1988 with Mano Negra's \u003ci\u003eMala Vida.\u003c\/i\u003e Indochine, French pop legends for the last thirty years, also encouraged the trend in the summer of 1983 with \u003ci\u003eL'aventurier, \u003c\/i\u003eafter a first single brimming with the spirit of rebellion, \u003ci\u003eDizzidence Politik\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003eRita Mitsouko, the duo that emerged from the underground Parisian punk scene of the late 70s, rocketed to stardom in 1984 with \u003ci\u003eMarcia Baïla\u003c\/i\u003e. Equally baroque, TC Matic - the first band fronted by Belgian singer Arno - released an ironic, political underground hit in 1983: \"Putain, putain\". Other artists fuelled a post-punk movement that explored the romanticism of machines and the darkness of new wave, including the cult, much-neglected duo from Nancy, Kas Product (\u003ci\u003eSo Young but so Cold\u003c\/i\u003e, 1982) and Switzerland's Stephan Eicher, whose\u003ci\u003e Two People ln A Room\u003c\/i\u003e (1985) followed on from Eisbaer, a hit in a more underground style written with Grauzone in 1981. However, the genre's most influential practitioners were certainly Noir Désir. From their first single in 1987 (\u003ci\u003eOù veux-tu qu' je r'garde?\u003c\/i\u003e), they won mainstream success with their unique fusion of 80s gloom and power rock. Beyond from the meteoric success of Bordeaux's Gamine (\u003ci\u003eVoilà les Anges\u003c\/i\u003e, 1988) and the subversive spirit of Jad Wio (\u003ci\u003eOphélie\u003c\/i\u003e, 1989), French post-punk reached its climax with the success of Noir Désir, Rita Mitsouko, Stephan Eicher and Manu Chao, whose albums reigned supreme in the 90s French charts. From the underground scene to gold records: the eternal story of pop.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"Black | LP","offer_id":50465266205003,"sku":"1100983","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50465266073931,"sku":"1100979","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f82eab0c-1b47-4b91-ac64-b2a7df185859_thumbnail_4096.jpg?v=1727284393"},{"product_id":"first-three-albums","title":"First Three Albums","description":"\u003cp\u003eNouvelle Vague continue celebrating their 15th year anniversary with a 3CD reissue of their first three albums. All the classic new wave covers, you could ever need!!\u003c\/p\u003e\u003cp\u003eCD1 - Nouvelle Vague\u003c\/p\u003e\u003cp\u003e1. Love Will Tear Us Apart\u003c\/p\u003e\u003cp\u003e2. Just Can't Get Enough\u003c\/p\u003e\u003cp\u003e3. In A Manner Of Speaking\u003c\/p\u003e\u003cp\u003e4. 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He then produced the album, as a kind of postcard inviting the listener to go on a journey. \u003c\/p\u003e\u003cp\u003eThe project was generated by Marc Collin, in a long line of daring productions wherein cultures clash into – and subvert – each other. With this latest album, Mareva Galanter takes us on a trip through her Tahitian origins, prompting a meeting between the Parisian she has become and the Polynesian she never stopped being, invoking her home region’s vibrant sounds: percussions (Toe’re), intergenerational choirs (Himene), ancestral nose flute (Vivo)... Traditional sounds, so dear to Mareva, that are here highlighted in their most authentic form. Through its 12 tracks, “Paris – Tahiti” is the artist’s most personal full-length outing. A musical odyssey recorded in Paris and Tahiti, the album subtly blends traditional sounds with French pop, the modernity of the production espousing the immortality of tradition. This curiously beguiling album is a fresh new meeting of the cultures: the guitars, bass, drums, keyboards and vocals were recorded at Paris’ Alphaville Studio by Hugo Bracchi, while the ukuleles, percussion, drums, nose flute and traditional choirs were recorded in Tahiti’s AMSP studio by Jean-Luc Casula, using wood and bamboo instruments entirely handmade by the musicians themselves.\u003c\/p\u003e","brand":"Kwaidan Records","offers":[{"title":"CD","offer_id":50506735223115,"sku":"2026013","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Mareva_Galanter_-_Paris-Tahiti_4571ee9a_thumbnail_4096.jpg?v=1727828783"},{"product_id":"kill-the-pain-2","title":"Kill The Pain","description":"\u003cp\u003eKill The Pain? What is it? A cross between Les Rita Mitsouko and Dolly Parton? An unlikely duo? An intriguing alchemy between the Australian Phoebe Killdeer, singer and songwriter of the international #1 hit Fade Out Lines, and the French Mélanie Pain, the voice behind the success of the band Nouvelle Vague. Kill The Pain is moving between nostalgic styles, disrupting time as much as it can with shameless pleasure, mixing references and influence from Carmen McRae to the Slits, from the raw energy of ESG to the poetic musicality of Peggy Lee, from the pent-up force of Patti Smith to Kim Gordon sardonic lyricism. Kill The Pain is a happy mess, a kaleidoscope of musical genres, a joyful helter-skelter of Latin percussion, funky bass, spicy electric guitars, uninhibited vocals, Afro beat drums and 80's keyboards. In the tradition of outlandish women in pop culture, the duo are completely different and enable each other to reach a state of craziness together. 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Her latest release Tarbes reinvents the circle of life and challenges our preconceived notions. \u003c\/p\u003e\u003cp\u003eShe welcomes us to her hometown with sweet and clear melodies over the backdrop of an electronic hum, reminiscent of Mark Twain classic Tom Sawyer. Tarbes is no more than a listen away. Physically prevented from returning to her hometown by the viral threat we all know all too well, Agnès found her way back with a small Electone home organ. The constraints of off-peak hours that called for some DIY savvy, slowly but surely, roused her spirit. With a drum machine, a bass and a guitar, she succeeded in making the young girl inside her smile again. With 13 songs and just as many adventures Tarbes is a concept album that tells the story of a young woman’s formative years, as spent in her hometown. 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For 3 songs Tarbes, Jeanne d’Albret and Fum, inspired by an Occitan poem of Louisa Paulin (1888-1944), she invited the young voices of Conservatoire Henri Duparc a building she knows intimately, despite never feeling allowed to enter as a child to breathe the energy of their adolescence into this record. She also collaborated with Lyon’s own François Virot to imbue his delicate rhythms into her work, as well as Belgian guitarist Mocke Depret. Lastly, La Féline entrusted the last production stages to her eternal partner in music, Xavier Thiry, with Stéphane “Alf” Briat on the mixing board. The final piece has a complex tranquility, surrounded by non-verbality, with Jeanne d’Albret, Louisa Paulin and the Pyrénées safeguarding Agnes’ secrets. \u003c\/p\u003e\u003cp\u003eWith the calm reassurance of her metamorphoses, La Féline delivers a slice of silence to her town, serving as both her cradle and theater. Tarbes’ Théâtre des Nouveautés is where Agnès Gayraud, La Féline, has decided to present Tarbes to its residents on October 14, 2022. While “nouveautés” evokes newness, this theater is reminiscent of a future which is already outdated, where modernity is only vague and fictional, carrying reminders of French haute-kitsch accordionist Yvette Horner, whose parents were the caretakers of what was then called the Cani Eldorado a bastion of virtue through the 30s, with its lineup of Catholic films. However, by the 60s, it would have become a temple of pornographic cinema. Tarbes, “Les Nouveautés”, end card. 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