{"title":"L-13 Light Industrial Workshop","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe L-13 Light Industrial Workshop and Private Ladies and Gentlemen's Club for Art, Leisure and the Disruptive Betterment of Culture is an independent contemporary art space in Clerkenwell, London. Founded by Steve Lowe, this label is dedicated to promoting and supporting emerging artists who challenge traditional norms.\u003c\/p\u003e\n\n\u003cp\u003eWith a focus on fostering creativity and pushing boundaries, L-13 Light Industrial Workshop provides a platform for artists to showcase their work in a unique and unconventional setting. From exhibitions to performances, this label offers a diverse range of artistic experiences that aim to disrupt the status quo.\u003c\/p\u003e\n\n\u003cp\u003eLocated in the vibrant neighborhood of Clerkenwell, L-13 Light Industrial Workshop has become known for its innovative approach to contemporary art. By creating an inclusive space where both established and emerging artists can come together, this label has cultivated a community that celebrates diversity and encourages collaboration.\u003c\/p\u003e","products":[{"product_id":"twa-brothers","title":"Twa Brothers","description":"\u003cp\u003e50 million years later . . . following an eternity of random mutations and confabulations of atoms, dust and light, Jimmy Cauty and Jem Finer found themselves in a field in Sussex, wrangling a prone twelve-ton hunk of slate into an upright position . . . The Gurdy Stone . . .\u003c\/p\u003e\u003cp\u003eIn a recent hiatus from megalith building they have founded a new band, The Standing Stones. Their first release sees them joined by the extraordinary Scottish folk singer, Alasdair Roberts, to record a version of the age-old ballad Twa Brothers.\u003c\/p\u003e\u003cp\u003eEpic in length, clocking in at just over 10 minutes, \u003ci\u003eTwa Brothers\u003c\/i\u003e collides traditional Scottish folk singing with hip hop 808s and sirens, police radio traffic and NYC radio news broadcasts to create a hyper-quantised dystopio-folk-horror soundscape, blurring the temporal zones of the songs’ ancient origins with the near future.\u003c\/p\u003e\u003cp\u003eJem Finer’s hurdy-gurdy shredding and Alasdair Roberts’ vocals are combined to great effect by Jimmy Cauty’s mashup production style.\u003c\/p\u003e\u003cp\u003eRecorded at Finer’s London studio (Local Sound) and mixed at Cauty’s mountaintop production facility (The Big Omaha) the record is released on the newly formed L-13 Light Industrial Recordings.\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Black 12\" | Signed Copy | Rough Trade Exclusive - 2211236","offer_id":50380088475979,"sku":"2211236","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-07-17_at_13.16.57_0d9e938d_thumbnail_4096.png?v=1726206831"},{"product_id":"the-advanced-acoustic-armaments-cookbook","title":"The Advanced Acoustic Armaments Cookbook","description":"\u003cp\u003eContaining field observations, technical drawings \u0026amp; recipes.\u003c\/p\u003e\u003cp\u003eINCLUDING:CRUSTIES WITH CASH\u003c\/p\u003e\u003cp\u003eHOME MADE SONIC WEAPONS\u003c\/p\u003e\u003cp\u003ePOLICE RAIDS\u003c\/p\u003e\u003cp\u003eA DEAD COWAND MORE.\u003c\/p\u003e\u003cp\u003eThe first in a series of cookbooks from Jimmy Cauty detailing projects from the K Foundation onwards.\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Hardback | Signed Copy","offer_id":50426450936139,"sku":"2036793","price":13.0,"currency_code":"GBP","in_stock":false},{"title":"Hardback","offer_id":50426451067211,"sku":"2046255","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Jimmy-Cauty-AAA-book-6_20b7db01_thumbnail_4096.jpg?v=1726810320"},{"product_id":"the-stonehenge-cookbook","title":"The Stonehenge Cookbook","description":"\u003cp\u003eA harrowing tale of The KLF winning a Brit Award* for Best Band 1992 and how Rockman Rock had to bury it at Stonehenge… Twice!\u003c\/p\u003e\u003cp\u003e This slim but essential volume contains graphic accounts of guitar solos gone wrong, stage observations of nightmarish proportions, extracts from Deep Shit** and a recipe for Rock-Man-Rock cakes.\u003c\/p\u003e\u003cp\u003e Starting with the author aged 7 watching The Beatles and dreaming of rock ‘n roll glory, this story takes us on a wild journey to the heights of rock ‘n roll disillusionment and provides practical advice on how to deal with it with the aid of night vision binoculars and a folding shovel.\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Hardback | Signed Copy","offer_id":50426455130443,"sku":"2046112","price":13.0,"currency_code":"GBP","in_stock":false},{"title":"Hardback","offer_id":50426455425355,"sku":"2046256","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Cauty-Stonehenge_Cookbook_Cover_0c06701e_thumbnail_4096.jpg?v=1726810363"},{"product_id":"rogue-materials-1972-2021","title":"Rogue Materials 1972-2021","description":"\u003cp\u003eAided and abetted by the immediacy of xerox-machines, Jamie Reid has been hooked on the freedom of designing by cut, paste, copy \u0026amp; scrawl since his first encounter with these machines in 1972.\u003c\/p\u003e\u003cp\u003eAlong with a burgeoning DIY scene Reid recognised the errors, experimentation \u0026amp; play inherent in the medium of photocopying made it ideal not just for drafting artwork but for communicating with visceral speed the radical ideas of the time: using it to disseminate agit-prop for the Black Panthers to anti-war rallying cries.\u003c\/p\u003e\u003cp\u003eHere, the scraps of the medium are the message: cutting room floor detritus encompassing 50 years of protest, music, art, radical thinking \u0026amp; speaking out. From Reid’s beginnings at community activist publication Suburban Press, to punk, the Sex Pistols and beyond, shot through with political \u0026amp; spiritual proclamations this book is a collage testament to Reid’s maxim: Keep Warm, Make Trouble.\u003c\/p\u003e\u003cp\u003eIntroduction by John MarchantEdited and designed by Steve Lowe and John MarchantPublished by the L-13 Light Industrial Workshop in association with John Marchant Gallery\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Hardback | Signed Copy | Rough Trade Exclusive","offer_id":50427232878923,"sku":"2047994","price":95.0,"currency_code":"GBP","in_stock":false},{"title":"Hardback","offer_id":50427233763659,"sku":"2048000","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Jamie_Reid_Rogue_Materials_Advance_Info_low_res_2_bcc9cccb_thumbnail_4096.jpg?v=1726823184"},{"product_id":"the-gurdy-stone-zine","title":"The Gurdy Stone Zine","description":"\u003cp\u003eDocumenting the standing of a stone with photos by Josh Hight, Designed and edited by Jimmy Cauty and Jem Finer (aka Local Psycho) with written contributions by, Jem Finer, Jimmy Cauty, Lally Macbeth, Marcia Farquhar, Matthew Clayton, Matthew Shaw,Richard Wilson.\u003c\/p\u003e\u003cp\u003e62 pages in saddle stitched card wraps, 29.7 x 21 cm Comes with a 7” flexi-disc recording of the Gurdy Stone Field Recording No.13, recorded in the field by Psy-Loco Mobile Recording Unit.\u003c\/p\u003e\u003cp\u003eOn the eve of Mayday 2023 Jimmy Cauty and Jem Finer stood a standing stone in a field in East Sussex to mark the passing of the Green Comet (that had last passed earth 50,000 years ago) and the release of their new Local Psycho single The Hurdy Gurdy Song. In a ceremony on Mayday the Hurdy Gurdy Song was embedded into the stone, playing it directly into the rock using powerful transducers.\u003c\/p\u003e\u003cp\u003eThis zine documents and celebrates these events. The Gurdy Stone can be visited on Saturdays from dawn to 1pm and some say if you press your ear against it The Hurdy Gurdy Song can still be heard reverberating down to the earth’s core.\u003c\/p\u003e","brand":"L-13 Light Industrial Workshop","offers":[{"title":"Paperback | Signed Copy","offer_id":50444259524939,"sku":"2048122","price":25.0,"currency_code":"GBP","in_stock":false},{"title":"Paperback","offer_id":50444259918155,"sku":"2048125","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Gurdy_Stone_Zine_1_0b795450_thumbnail_4096.jpg?v=1727026359"},{"product_id":"the-isolater","title":"The Isolater","description":"\u003cp\u003eReaching across the Atlantic to the lofty mountain ranges of her Swiss heritage, Lisa Conway (aka L CON) began to write and record The Isolator during the early days of the coronavirus pandemic. Composing music for the German production of a theatrical play remotely from her studio in Guelph, Canada and navigating a calendar otherwise wiped blank, she sought to anchor herself and hone her piano chops by enrolling in online lessons. Encouraged by her teacher to lean into what felt comfortable, Conway found herself repeating short sequences on the piano when it occurred to her to pursue a record that would allow her to exist in her comforts. “Not that I wasn't striving towards artistic growth and challenging myself on this record,” Conway clarifies, “but I finally gave myself permission to fully live in sound worlds and lean into writing tendencies that are very instinctual and restorative to me.” The album opens with dusty tape loops of Conway’s compositions for alphorns, traditional wooden horns originally used as a means of alpine communication, and sets the scene for The Isolator as a deeply personal and vulnerable exploration of Conway’s relationship to her dual citizenship with Switzerland. \u003c\/p\u003e\u003cp\u003eTaking its title from a line on her Swiss passport that indicates one’s “home place” or “place of origin,” lead track Heimatort contrasts widescreen, mountainous expanses of sound design with comparably dense minimalist melody lines. While a short, circular musical phrase played on a Prophet synthesizer repeats and inverts, Conway lyrically untangles complex layers of feelings towards her inherited hometown. “When you're told stories as a child, you create a mythology about a place — my heimatort is a little town in the mountains I was told I could return to if I was ever in trouble and needed to be taken care of,” Conway says. “As an adult, I'm faced with the practical reality of what that would actually look like — many of my family members are buried there, but I don't have a place to stay, or someone to call, and the rest of my family lives in other areas. How at home do I really feel in my ‘home place’?” \u003c\/p\u003e\u003cp\u003eA conflicted record bouncing between romanticism and the loneliness of navigating the layers of your identity, The Isolator dials into the stories we’ve internalised about nationality, home, our families, and ourselves. Thankfully, this sort of reflective work was not done entirely alone: the album features an array of contributions from musicians including Drew Jurecka, Cedric Noel, Karen Ng, Isla Craig, Victoria Cheong, Morgan Doctor, and more. Holding Swiss exceptionalism to task, title-track The Isolator blossoms from a lonely piano ballad to a sweeping string ensemble suite, while What If Heidi Likes the City (a riff on Heidi, the popular and frequently adapted 19th-century Swiss children’s story Conway has known most of her life) flips the script on the traditional pastoral romance to underline an inexpressible emptiness that can be felt after leaving city life for a rural existence. \u003c\/p\u003e\u003cp\u003eOn Big Pile of Nothing, Conway struggles to take stock of what’s concrete and questions what she can really hold true, singing over a spiralling piano progression and swelling strings. An intimate, modernist expression from a singular artist whose work in sound art and composition continually pushes her into the unfamiliar, The Isolator arrives as a resolute and deeply lived interrogation of self, wrapped in stunning sonics, lush string arrangements and L CON’s remarkable voice.\u003c\/p\u003e","brand":"Ide Fixe Records","offers":[{"title":"Black LP","offer_id":50505779577163,"sku":"2014438","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/L_CON_-_The_Isolater_412b4256_thumbnail_4096.jpg?v=1727816681"},{"product_id":"the-manual-how-to-build-a-peoples-pyramid-the-hard-way","title":"The Manual (How to Build A People's Pyramid The Hard Way)","description":"\u003cp\u003eWhen some bands reform after a hiatus (or in this case, a 23-year moratorium to avoid talking about burning a million quid or why they deleted their entire back catalogue) they might record a new album and go on a world tour. But not\u003cb\u003e \u003c\/b\u003eThe Justified Ancients of Mu Mu\u003cb\u003e \u003c\/b\u003eaka The Timelords aka The KLF aka The K Foundation aka K2 Plant Hire Ltd.\u003c\/p\u003e\u003cp\u003eInstead, when Bill Drummond and Jimmy Cauty (aka King Boy D and Rockman Rock aka The Kingfisher and The Standing Stone) reformed in 2017, they published a novel (2023: A Trilogy) and held a 3-day event in Liverpool called Welcome to the Dark Ages. During these 3 days 400 ticket holders became both the audience and the players in a series of happenings and events that culminated in the announcement that K2 Plant Hire Ltd were building The Peoples Pyramid.\u003c\/p\u003e\u003cp\u003eThe Peoples Pyramid\u003cb\u003e \u003c\/b\u003ewill be a 23-foot-high solid brick monument made with ‘Bricks of Mu’, each brick containing the ashes of a dead person fired into it, in a process called MuMufication. Every year, on the 23rd of November, 400 people gather to lay new bricks and build the pyramid in a ceremonial event of mourning and celebration known as The Peoples Day of Death.\u003c\/p\u003e\u003cp\u003eThis book tells the story of the first 6 years of this most unlikely multi-generational project: via the artworks, ephemera, and photographs from the annual ceremonies forming as people come together to build The Peoples Pyramid.\u003c\/p\u003e\u003cp\u003eMeanwhile, The KLF \u003ci\u003ehave\u003c\/i\u003e announced they will go on a world tour, but not until the year 2323. And they’ve made some black and white pills that are infused with the ashes of the million quid they burned. 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