{"title":"Late Music","description":null,"products":[{"product_id":"the-head-as-formd-in-the-criers-choir","title":"The Head as Form'd in the Crier's Choir","description":"\u003cp\u003eThe compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of\nthe mental dances that we construct to understand acts of passage; the ways that we commune and memorialize\nand carry symbols back into the world beyond representation. To this end, \u003ci\u003eThe Head as Form’d in the Crier’s\nChoir\u003c\/i\u003e engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of\npoems from 1922, and Monteverdi’s l’Orfeo, an early baroque opera from 1607. \u003ci\u003eThe Head as Form’d in the Crier’s\nChoir\u003c\/i\u003e follows on from the last two albums, which were attempts to begin bridging the gap between the fixed\nelectroacoustic pieces that emerge in Davachi’s home studio and her slow-paced, somewhat open-form chamber\nwriting, in which each performance presents a new structure and in which each iteration offers the path to a new\ncomposition and deeper meaning.\n\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"Black LP","offer_id":50380111151435,"sku":"2210647","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50380110594379,"sku":"2210646","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/GJiEqxwA_9b51eea4_thumbnail_4096.jpg?v=1726208023"},{"product_id":"long-gradus","title":"Long Gradus","description":"\u003cp\u003eA new longform commissioned work released on the artist’s own Late Music label. String quartet version available as a 2LP and CD, or four different instrumental variations presented as the Long Gradus: Arrangements 4CD boxset.\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"Black LPx2","offer_id":50394549944651,"sku":"2055602","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"CDx4","offer_id":50394550075723,"sku":"2055603","price":44.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50394549780811,"sku":"2055601","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/LG-LPcover_3d7e90a4_thumbnail_4096.jpg?v=1726442419"},{"product_id":"cantus-descant","title":"Cantus, Descant","description":"\u003cp\u003eThe new Sarah Davachi record is an 80 minute, 17 track double album meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering. On two tracks the artist’s own vocals are also heard for the first time. This is the first release on the artist’s own label, Late Music. \u003c\/p\u003e\u003cp\u003eThe title of the record – \u003ci\u003eCantus, Descant\u003c\/i\u003e – has both literal and metaphorical meaning and is something of a concept album that addresses the relationship between the two. In medieval music, the Latin ‘cantus’ was used as a general term for unadorned singing or chant and by the end of the Middle Ages it came to represent the highest voice of a polyphonic choral texture, often improvised. \u003ci\u003eDescant\u003c\/i\u003e, at that time, was used in part to denote the structures of polyphony and counterpoint, the harmonious play of two or more voices against one another. The instrumentation is predominantly organ-based, a combination of electric organ, reed organ and a pipe organ based on a 15th century design. These arrangements are embellished with tape-based technologies like the Mellotron and echo devices.\u003c\/p\u003e\u003cp\u003eSarah is based in Los Angeles and has previously released records with Superior Viaduct, Ba Da Bing!, Recital and Boomkat Editions. \u003c\/p\u003e","brand":"Late Music","offers":[{"title":"Black | LP | x2","offer_id":50498727084363,"sku":"1096666","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/3ad19d8e-df53-44b8-8757-59b06f47dc80_thumbnail_4096.jpg?v=1727755490"},{"product_id":"antiphonals","title":"Antiphonals","description":"\u003cp\u003eIt was once said that listening to \u003ci\u003eAntiphonals\u003c\/i\u003e was, “like listening to a progressive rock album except it’s just the keyboard parts.” As the second full-length LP on Late Music, Davachi offers here a slow and sedate solo affair composed with the various horns and woodwinds of the mellotron alongside organs, pianos, harpsichord, and more quiet delights. \u003c\/p\u003e","brand":"Late Music","offers":[{"title":"Silver LP","offer_id":50500580901195,"sku":"1125846","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50500580344139,"sku":"1125845","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/121372cf-54b2-4431-867e-fb1b133752d0_thumbnail_4096.jpg?v=1727778522"},{"product_id":"two-sisters","title":"Two Sisters","description":"\u003cp\u003e\u003ci\u003eTwo Sisters\u003c\/i\u003e is the latest release on Sarah Davachi’s Late Music imprint with a collection of nine extended compositions for chamber ensemble and solo pipe organ. The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alongside sine tones and electronic drones. Among the pipe organs featured on the album is an extremely rare Italian tracker organ from 1742, housed now in the Southwest desert region of the United States. Davachi is accompanied in these recordings by a formidable group of musicians and interpreters, including Johnny Chang, Judith Hamann, Rebecca Lane, Andrew McIntosh, Mattie Barbier, Tiffany Ng, Jessika Kenney, Dorothy Berry, and the ensemble Apartment House. The carillon that sounds on the piece ‘Hall of Mirrors’ is the third largest in the world, with its heaviest bell weighing approximately twelve Imperial tons.\u003c\/p\u003e\u003cp\u003eThe compositions of \u003ci\u003eTwo Sisters\u003c\/i\u003e are all guided by a certain harmonic language and by a series of modal and cadential structures that have deeply preoccupied Davachi’s solo and chamber writing for the past several years. Perceptions of suspension and resolution are in some cases severely extended over a long period of time and in other cases are made to be circular, so as to undo the more typical sensations of sonic progression and pacing. Timbral homogeneity within the instrumentation and instrumental register of each piece is also of particular importance here, shifting the listener’s focus to the nuances of gradual variation as it happens texturally, microtonally, and acoustically. In fact, it is the collective goal of these compositions to induce a heightened harmonic and temporal space for both the listener and the player in equal parts; to give reverence to the practice of listening, to the active construction of space, and to the experience of moderated time.\u003c\/p\u003e\u003cp\u003eVarious non-equal tuning systems are also observed in these compositions, including several forms of septimal just intonation, a “well” temperament, and the standard quarter-comma meantone temperament that Davachi often gives particular preference to. Iteration – that is, the notion that repetition with even the slightest deviations in articulation can reveal an endless capacity for altered perception – has been a constant influence in her work, and becomes especially meaningful in the context of tuning, where sustained intervallic patterns vary greatly depending on their function within the system. In most cases across \u003ci\u003eTwo Sisters\u003c\/i\u003e, there is a constancy of chordal structure that is shifted in a unique way simply through voicing, as in the continual exchange of dyads that constitute the movement of the piece ‘En Bas Tu Vois’, for instance.\u003c\/p\u003e\u003cp\u003eConceptually, there is a loose thread that runs through the compositional methods of \u003ci\u003eTwo Sisters\u003c\/i\u003e, influenced by the allegory of ‘temperance’ in a minimalist aesthetic sense: “one foot on land, one foot in the water”, as it were, caught in the perpetual balance of restraint as delight and necessity. There are mirrored sonic and structural images throughout the album, also reflected in the iconography of the cover: the satyr and the subject, the shared gaze between head and body, the dialogue between cerebral and physical response, as above so below. It’s like there’s two sisters of faith and chance.\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"2LP - Green","offer_id":50504719925579,"sku":"1160206","price":37.99,"currency_code":"GBP","in_stock":true},{"title":"2LP - Black","offer_id":50504720187723,"sku":"1160205","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/34d5129d-5f02-4f9a-8598-78b6f8d57f08_thumbnail_4096.jpg?v=1727809581"},{"product_id":"barons-court","title":"Barons Court","description":"\u003cp\u003eSarah Davachi’s 2015 debut LP. A series of extended electroacoustic solo and chamber works, performed by Davachi and a cast of players from the San Francisco Bay Area, recorded across Canada, California, and Europe. It’s all in a landscape, landscape, the location of the mind.\u003c\/p\u003e\n\u003cp\u003eThe work of Sarah Davachi is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, temperament and intonation. Influenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance. Late Music is pleased to offer a triad of official vinyl reissues for Davachi’s seminal albums originally released between 2015 and 2018. The records included are \u003cem\u003eBarons Court \u003c\/em\u003e(2015), \u003cem\u003eAll My Circles Run\u003c\/em\u003e (2017), and \u003cem\u003eLet Night Come On Bells End The Day (\u003c\/em\u003e2018).\u003cbr\u003e \u003cbr\u003eSarah Davachi is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her work is entrancing and physical, often leading to states of \"where am I, and what is happening?\".\u003cbr\u003e \u003cbr\u003eHer compositions span chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation.\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"LP - White","offer_id":51733235761483,"sku":"R6133-3484","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/qcXso6Nw.jpg?v=1745842914"},{"product_id":"all-my-circles-run","title":"All My Circles Run","description":"\u003cp\u003eThe acclaimed 2017 LP, originally released in a small run of vinyl on the Cincinnati-based Students Of Decay label. Featuring a suite of extended pieces for strings, voice, organ, and piano, it is said to hover “somewhere between the conscious and the unconscious, barely there and indisputably present” - Pitchfork. Recorded at Godspeed You! Black Emperor’s analogue recording studio in Montreal, Hotel2Tango, the album sees Davachi’s Keyboards supplemented by Camille Hesketh’s soprano vocals, Jessica Holmes on cello and Jessica Mosson violin.\u003c\/p\u003e\n\u003cp\u003eThe work of Sarah Davachi is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, temperament and intonation. Influenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance. Late Music is pleased to offer a triad of official vinyl reissues for Davachi’s seminal albums originally released between 2015 and 2018. The records included are \u003cem\u003eBarons Court \u003c\/em\u003e(2015), \u003cem\u003eAll My Circles Run \u003c\/em\u003e(2017), and \u003cem\u003eLet Night Come On Bells End The Day\u003c\/em\u003e (2018).\u003cbr\u003e \u003cbr\u003eSarah Davachi is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation. Her work is entrancing and physical, often leading to states of \"where am I, and what is happening?\".\u003cbr\u003e \u003cbr\u003eHer compositions span chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation.\u003c\/p\u003e","brand":"Late Music","offers":[{"title":"LP - Black","offer_id":51733293957451,"sku":"R6413-6342","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/HQfFIPaQ.jpg?v=1745843160"},{"product_id":"let-night-come-on-bells-end-the-day","title":"Let Night Come On Bells End The Day","description":"\u003cp\u003eDavachi’s fifth album, originally released in 2018. Number 6 in The Wire magazine Top 50 releases of that year. Comprising a collection of hours for the evening with mellotron, electric organ, piano, and synthesizer. O beautiful was the werewolf in his evil forest. Electric green and red tears.\u003c\/p\u003e\n\u003cp\u003eThe work of Sarah Davachi is concerned with the close intricacies of intimate aural space, utilizing extended durations and simple harmonic structures that emphasize subtle variations in texture, overtone complexity, psychoacoustic phenomena, temperament and intonation. Influenced by minimalist tenets, baroque chordal suspensions, and experimental production practices, her sound creates an experience that blurs the lines between consonance and dissonance. Late Music is pleased to offer a triad of official vinyl reissues for Davachi’s seminal albums originally released between 2015 and 2018. 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