{"title":"Mais um Discos","description":"\u003cp\u003e\u003cstrong\u003eMais Um Discos\u003c\/strong\u003e is a London-based independent label founded in 2010, known for contemporary Brazilian music. 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Working alongside producer Leo Martinelli (Tremor), an artist who has ingeniously connected Latin American folk and modern electronica, Círculo Radiante reveals a new chapter to Montenegro's writing capabilities and vocal mastery, yet never betrays her innate connection to land, place, and people.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Black LP","offer_id":50394579927371,"sku":"2054984","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_63a9cff6_thumbnail_4096.jpg?v=1726443423"},{"product_id":"rebujo-3","title":"Rebujo","description":"\u003cp\u003eOnete is a songwriter fully alive to her world' NPR\n'A powerful and emotional voice, writing bravely personal lyrics' The Guardian\n'Queen of the Amazon' Dona Onete returns with her third album Rebujo which brims with joyous carimbós and high energy bangues as well as a cumbia, brega and samba.\nA cult figure turned crossover success in Brazil and an ambassador for Amazonian culture, the music Onete sings is a unique mix of rhythms from native Brazilians, African slaves and the Caribbean - epitomised in the joyous carimbós that are her trademark.\nFormerly a history teacher, folklore researcher, union representative, culture secretary and children's author - \"I never thought I would be a singer\" she claims - Onete recorded her debut album at 73. She is now one of Brazil's most in-demand artists with a packed schedule throughout Brazil and an increasing global profile that has seen her perform at Roskilde, Womad, Chicago World Music Festival and beyond.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"LP.","offer_id":50395849654603,"sku":"2165161","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50395849851211,"sku":"2165167","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50395850375499,"sku":"2165168","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_3c81da47_thumbnail_4096.jpg?v=1726474107"},{"product_id":"at-the-drolma-wesel-ling-monastery","title":"At The Drolma Wesel-Ling Monastery","description":"\u003cp\u003eBeijing-based artist\/producer Howie Lee interprets Tibetan Buddhist chants on his new album 'At The Drolma Wesel-Ling Monastery', the follow up to 2021's critically acclaimed 'Birdy Island'.\nRecorded over two weeks at Drolma Wesel-Ling Monastery in the mountains of north-eastern Tibet, Beijing-based multi-disciplinary artist\/producer, Howie Lee combines Tibetan Vajrayana Buddhist singing with Kode9-channeling bass\/footwork science, glitched-out hyper-rhythms and sampled Chinese-Tibetan instrumentation for his latest album on Mais Um.\nInvited to contribute and interpret chant recordings from the sound archive of monastery founder and master, Tuga Rinpoche's self-built recording studio, Howie Lee connects parallels in electronic music, deep meditation and devotional chanting to present eight reconstructed, IDM-warpedVajrayanamantras, journaling the beginnings of his journey into buddhism, and to continue Lee's career-long threading of ancient, cross-generational practice, modern Chinese history and experimental club-futurism.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Black LP","offer_id":50409565978955,"sku":"2185071","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5ed43e33_thumbnail_4096.jpg?v=1728387975"},{"product_id":"live-at-cafe-oto-3","title":"Live At Cafe Oto","description":"\u003cp\u003eLive recording of the final show of SANAM's debut European 2023 tour at London's home for experiemntal music, Cafe Oto.\n\nBeirut's SANAM burst on the scene in 2023 with their debut album Aykathani Malakon, chosen by The Guardian as one of their 5-star albums from 2023: \"Aykathani Malakon thoroughly embodies their originating influences, whipping up kosmische, post-punk, psych rock, free jazz and Levantine folklore into an alchemical tour de force delivered with a defiant, DIY disposition\".\n\nUnder difficult conditions, the band took to the road for a European tour in November 2023 with the final show at Café Oto. From their incendiary European debut earlier that month at LeGuessWho then rapturous, sold out shows in Switzerland, Belgium, Germany and the UK, spirits for the Cafe Oto gig were high and it was destined to be a tour highlight. 'Live at Café Oto' captures the intensity of the shows, a ritual where improvised rock, free jazz and noise underscored an exorcism of traditional Egyptian song and Arabic poetry.\n\nDrummer Pascal Semerdjian adds: \"On this tour, I felt the album evolve from being a set of improvised tracks captured spontaneously, into ripe solid songs. Playing these shows back-to-back, our chemistry kept growing, we got closer, and our live sets, at least to me, were an embodiment of this evolution. In a way, this was the real birth of the band\"\n\nVocalist Sandy Chamoun: \"We started the tour with a great push at LeGuessWho, and we kept this energy throughout the whole tour. Every gig felt like I was playing the songs for the first time, providing a new and fresh experience for me. We finished the tour with an emotionally intense gig at Cafe Oto, a dream venue. The audience was incredible, as if we had known each other for a long time and the energy was intense and intimate at the same time; it felt like we were in a small circle of fire together, both us and the audience.\"\n\n\"There was definitely magic in the air for our show at cafe oto - an iconic, humble and warm venue and the last show of the tour – it felt like everything was in the right place. It was my favourite show by far, specially that we were also comfortably able to talk about Palestine, the atrocity we have to live with and can't ignore.\" Pascal Semerdjian\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Tape","offer_id":50413353795915,"sku":"2192993","price":14.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50413355598155,"sku":"2193003","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_eee01395_thumbnail_4096.jpg?v=1726673024"},{"product_id":"god-created-everything","title":"God Created Everything","description":"\u003cp\u003ePulsing electro-Fra Fra and DIY afro-gospel combine on \u003ci\u003eGod Created Everything\u003c\/i\u003e, the debut album by Ghanaian singer Linda Ayupuka on Mais Um.\u003cbr\u003e\u003cbr\u003eReminiscent of recent releases by Otim Alpha (Nyege Nyege) and Ata Kak, \u003ci\u003eGod Created Everything\u003c\/i\u003e captures the rawness and immediacy of early-career recordings from the likes of Oumou Sangaré and Rokia Traoré, and heralds a new West African vocal talent – Linda Ayupuka.\u003cbr\u003e\u003cbr\u003eProduced by Francis Ayamga, (King Ayisoba, This Is FraFra Power!), at his locally renowned Top Link Studio in Bongo, Northern Ghana, \u003ci\u003eGod Created Everything\u003c\/i\u003e features eight highly charged exchanges of polyrhythmic dancefloor beats where Linda and Francis channel traditional Gurenɛ-language, Frafra ceremonial music with rapid fire tempos and hypnotic drum loops, referencing an international palette of dance styles from Malian DJ-led Balani Show street sound, electro-acholi to modern dancehall \/ RnB. \u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Orange | LP","offer_id":50421289484619,"sku":"1153551","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP","offer_id":50421285650763,"sku":"1153550","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8b44037e-1f6b-4e0b-97e4-4660f50b3353_thumbnail_4096.jpg?v=1726756708"},{"product_id":"hiddo-dhawr","title":"Hiddo Dhawr","description":"\u003cp\u003eUK DJ \u0026amp; Radio support:Craig Charles, Gideon Coe, Lauren Laverne, Deb Grant, Huey Morgan, Huw Stephens, Amy Lame, Chris Hawkins(BBC Radio 6 Music), Ex Friendly(Radio Alhara),Rita Ray \u0026amp; Max Reinhart, DJ Kobayashi (Soho Radio),Steve Barker(On the Wire),Debbie Golt(Resonance FM),EHFM, Celtic Music Radio, Poppyland Radio\nBBC Jools Holland confirmed TV appearance (film 13th May, TX Sat 15th June) \nBBC Radio 6 Music Playlist (2 x weeks B list, 1 x C list )\n BBC Radio 6 Music Craig Charles interview (Broadcast 1st April)\nBBC Radio 6 Musiclive session with Craig Charles (15th May)here\nBBC Radio 3live session for Music Planethere\nBBC World Service Session and ITW - here\nBBC Africa(Africa Daily) Session and ITW -here\nThe Telegraph feature confirmed here\n MOJO Rising feature published\n MOJO album review confirmed\n MOJO Playlist - Sharaf included here\n Far Out Mag album review here\n Songlines feature confirmed\n Songlines Top of the World here\n Songlines album review May 2024 (#197), on sale April 5. \n\n\nSahra Halgan, Somaliland's iconic singer, freedom fighter, and cultural activist, returns with third album Hiddo Dhawr, a culmination of enduring friendship and global exploration\nSeamlessly blending age-old Somali traditions with abrasive guitar riffs, sun-drenched percussion, and vintage keys, the album offers a fresh take on the music of Somaliland, the independent but not internationally recognizedd state in the Horn of Africa\nInside a large, tent-like structure in downtown Hargeisa, Somaliland's tranquil capital city, the atmHiddo Dhawr, Somaliland's first music venue. Halganoured head scarfs, revealing elaborate hairdos and impeccable eyebrows, as they rise to their feet and start to dance. On the stage at the far end of the room a drummer and oud player up the tempo, while the singers pass the microphone to one another. The atmosphere is electric, and as the evening progresses, the joy in the room is palpable.\nThis is Hiddo Dhawr, Somaliland's first music venue. \"I started it because I wanted to bring back our culture, so that people can be proud of it,\" says Sahra Halgan, cultural activist, musician, and founder of this lively Hargeisa cultural hub, which opened in 2013.\nHiddo Dhawr, which translates to \"promote culture\", is also the name of Halgan's new album, an electrifying blend of Somali melodies, distorted guitar riffs, thumping West African percussion, and Halgan's unique, warbling vocals. Halgan chose this name for the album to honour the women of Somaliland.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Black LP","offer_id":50421746434379,"sku":"2223109","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50421745975627,"sku":"2223098","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_52868e85_thumbnail_4096.jpg?v=1726760132"},{"product_id":"they-kept-our-photographs-2","title":"They Kept Our Photographs","description":"\u003cp\u003eThey Kept Our Photographs covers a lot of ground. Lyrically, singer-songwriter Julia Sabra delivers her most vivid and visceral work yet. Musically, producer\/multi-instrumentalist Fadi Tabbal adds excursions into hyperpop and electronica to the duo's industrial-drone-ambient palette. The pair's enduring friendship translates into a rare kind of synergy, recalling collaborations such as Virginia Astley and Ryuichi Sakamoto's, Broadcast's Trish Keenan and James Cargill's, or Angelo Baladamenti and Julee Cruise's work on Twin Peaks.\n\nBeyond the sonic parallels, Snakeskin's world shares with Twin Peaks an unsettling eerie quality. Angelic celestial beauty enclosing darkness and rot. It's a world where \"fairies shimmer\" and \"church bells make no sound\"; \"cats breed and die\" and \"fireworks fall to the sea\". It's ethereal and otherworldly, yet deeply grounded in the reality of the duo's life in Beirut. A reality perhaps best illustrated by \"Waiting\", in which Sabra borrows Etel Adnan's text \"To Be In A Time Of War\". Tabbal's synths tick like clocks and ring like bells as Sabra monotones enumerations of mundane acts of life during wartime - the automatisms pile up, the words interlace, everything blurs.\nSabra's own words skew more poetic but are still granular and precise, full of visceral and intimate detail: \"Hollow-eyed, blind in the sun \/ My teeth sink into my jaw \/ My cheeks burn into my tongue\/ My fingers dance around the gun\".Tabbal's production is positively alive, from the glassy ambience of \"In My Life\" to the snarling warped drums of \"Sunburst\". There are surprising pop moments too, like \"Homecoming\", its auto-tune and highlife-like percussion recalling the experimental pop stylings of Caroline Polachek.\n\nSnakeskin's self-titled debut (2022) had come on the heels of the Beirut port explosion. The city and its people were changed forever. Sabra and Tabbal took a scalpel to its heart and dragged out its content, transmuting the death, the grief, the violence into a stunning piece of music.TKOP carries on that work at a similarly distressing time, as it was written in parallel to the genocide in Gaza and the violence enacted against South Lebanon. And yet the album is lyrically bookended by love songs. In \"In My Life\", Sabra repeats \"I will love\", over and over again. In \"Anyway\", she makes good on that promise: \"I fell for you \/ fell in way too deep\". The title's \"photographs\" read like the archives of a post-apocalyptic world, records of what we've left behind. And what is left but love?\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"LP","offer_id":50421935997259,"sku":"2223100","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_aa1ca792_thumbnail_4096.jpg?v=1726761544"},{"product_id":"feitico-caboclo-2","title":"Feitico Caboclo","description":"\u003cp\u003e\"The grande dame of Amazonian song\" SONGLINES MAGAZINE\n\n\"Remarkable… an engagingly commanding and feisty singer\" THE GUARDIAN\n\n\"One of the best releases of 2014\" CERYS MATTHEWS, BBC6 MUSIC\n\nWith her joyous stage persona and intoxicating blend of Amazonian, Afro-Brazilian and Caribbean rhythms, Dona Onete is one of 'world music's most entertaining recent success stories. Described by her manager as 'Grace Jones trapped in the body of Cesaria Evora', Onete's songs talk about the delights of seducing men, herbs that make your body 'shake' and her encounters with legends of the Amazon.\n\nOnete sings carimbó, an indigenous rhythm and dance from Pará, the state of Belém, influenced by both African and European traditions, and which forms the basis of the more famous lambada and other Caribbean rhythms. She recorded Feitiço Caboclo aged 73, and an international release from Mais Um Discos in 2014 saw critics fall immediately for this sassy, saucy and sexy septuagenarian - influential French magazine Les Inrocks made the album one of their top 5 'world' releases that year and rapturously received festival performances at Womad UK, Paris's Cabaret Sauvage, Portugal's FMM Sines followed in 2015.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"LP","offer_id":50432141295947,"sku":"2165149","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50432142082379,"sku":"2165156","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_e8807305_thumbnail_4096.jpg?v=1726864259"},{"product_id":"tour-of-japan","title":"Tour of Japan","description":"\u003cp\u003eMinyo Crusaders return with theiir highly anticipated sophomore album \u003cem\u003eTour of Japan.\u003c\/em\u003e On this new album which has been mixed by Mario from Frente Cumbiero, Minyo have finessed their winning formula of adapting ancient Japanese folk somgs to global rhythms with influences this time from Ethiopia, boogaloo, salsa, West Africa and jazz. \u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Black 12\"","offer_id":50442068656459,"sku":"2209651","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Black LP","offer_id":50442068263243,"sku":"2209641","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_a70764c0_thumbnail_4096.jpg?v=1726991435"},{"product_id":"minyo-cumbiero-from-tokyo-to-bogota","title":"Minyo Cumbiero (From Tokyo to Bogota)","description":"\u003cp\u003eTokyo-based ten-piece and wild Japanese folk-song fusionists, Minyo Crusaders join forces with Colombian cumbia radicals Frente Cumbiero on the history-making Minyo Cumbiero, the first ever Japanese-Colombian collaborative release, and one that fuses ancient Japanese folk songs with heavyweight Colombian styles. Recorded across two days in Bogota in August 2019 Minyo Cumbiero includes versions of an ancient Japanese rap tune, modern cumbia standard and 1980s’ Chinese computer game theme-song and captures a thrilling exchange between two radical and triumphant groups. Japan and Colombia may be cultural opposites on different sides of the world, yet the countries are bursting at the seams musically and on this EP both groups stridently drive their respective music cultures and histories in exciting new directions with powerhouse horn sections, rippling dub basslines and rampant Afro-Latin polyrhythms creating carnival grooves, released here via London-based label, Mais Um.\u003c\/p\u003e\u003cp\u003eFor an uncompromisingly contemporary and inventive take on traditional Colombian cumbia, look no further than Frente Cumbiero. Headed by Colombian songwriter and producer Mario Galeano Toro (also a founding member of Ondatrópica and Los Pirañas), the Bogota-based crew have spearheaded Colombia’s thriving new-look cumbia movement for well over a decade, fusing cumbia rhythms and bass weight electronics with releases featuring collaborations with the legendary London-based dub producer, Mad Professor and US-based Kronos Quartet.\u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Green | 12\"","offer_id":50453664203083,"sku":"1130953","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ae63602e-e486-42ec-990b-263e9227f7e8_thumbnail_4096.jpg?v=1727175259"},{"product_id":"the-importance-of-being-espetacular","title":"The Importance of Being Espetacular","description":"\u003cp\u003eSão Paulo-based carnival collective and brass band who combine retro horns with cumbia, baile funk, jazz and more and feature Brazilian vocals legends such as Lucas Santtana, Tulipa amd Jucara Marcal \u003c\/p\u003e\u003cp\u003eTheir debut worldwide release is a compilation of their signature songs and 2 new exclusives inc. a cover of Michael Jackson’s \"Don't Stop 'Til You Get Enough”.\u003c\/p\u003e\u003cp\u003eLed by Thiago França - best known as a founding member of Afro-punk explorers Metá Metá - he is one of São Paulo’s most in-demand horn players with credits on albums by Criolo, Elza Soares, Céu and Lucas Santtana \u003c\/p\u003e\u003cp\u003eFormed in 2013, A Espetacular Charanga do França are São Paulo’s most hyped carnival group regularly drawing crowds of up to 15,000 people - in 2020 the group performed at carnival with 60 brass players and 30 percussionists! \u003c\/p\u003e","brand":"Mais um Discos","offers":[{"title":"Blue | LP","offer_id":50457866436939,"sku":"1130832","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1e5a93d3-f6fa-4c56-b654-b892a97b116e_thumbnail_4096.jpg?v=1727208677"},{"product_id":"sramba","title":"sramba.","description":"\u003cp\u003e\u003cstrong\u003eTom Zé\u003c\/strong\u003e and \u003cstrong\u003eFaust\u003c\/strong\u003e collide in \u003cem\u003eDomenico Lancellotti's\u003c\/em\u003e \"machine samba\". \u003cem\u003eDomenico Lancellotti's SRAMBA\u003c\/em\u003e reaches back to the roots of samba whilst completely revamping its blueprint, indoctrinating guitar and percussion-led rhythms with analogue synthesisers, courtesy of album producer \u003cstrong\u003eRicardo Dias Gomes\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe majority of \u003cem\u003eSRAMBA\u003c\/em\u003e was recorded over two months in The Cave - Domenico's home studio in Lisbon, the city both Brazilian ex-pats reside in, where the arrival of a couple of Russian-designed synths purchased by Ricardo influenced the direction of their initial experimentation: \"Ricardo had these instruments, modular machines\" remembers Domenico, \"and I had my guitar, some percussion instruments. On the first day we started making sounds and recording them, and songs started to appear, sambas started to appear.\"\u003c\/p\u003e\n\n\u003cp\u003eThe son of a renowned samba songwriter, at home Domenico would watch his father play and compose. At parties, the adults would hand his father a tamborim (a small tambourine) and ask him to play along. \"I grew up inside samba, it's my roots\", he says. \"For me, everything is samba, I bring it into whatever style of music I am making\". Domenico and Ricardo instantly saw how the synthesisers were not at odds with the sambas they were playing, instead they had a similar sound to its typical percussion instruments (ganza, repinique, surdo, tarol).\u003c\/p\u003e\n\n\u003cp\u003eWhat's more, they saw a connection with roots samba, the samba that existed before bossa nova and samba jazz came along. This was rhythmic samba, with grooves that could go on ad infinitum. \"It's samba de clave, geometrically structured\" says Domenico. \"It's ostinato samba\", adds Ricardo. \"Diga\" is a great example of what their proposal is capable of, as what begins as a glitchy machine whirring into action soon turns into a glorious samba in which the gurgles and scratchy beats coming from the analogue equipment only add to the arrangement.\u003c\/p\u003e\n\n\u003cp\u003eLikewise, on \"Tá Brabo\" it's an aching melody from one of the synths that gives the guitar rhythm its needed counterpoint, and shows how the duo's greatest accomplishment is not in invention alone, but in creating a great samba album. It's an album that can go from the opening track \"Ere\" with its reverberant bass thud, mantra-like vocals and staccato rhythms to the string-accompanied \"Nada Sera de Outra Maneira\", a swooning samba that pays tribute to the Brazilian ensemble Tamba Trio, who along with Tom Zé's \u003cem\u003eEstudando O Samba\u003c\/em\u003e, Domenico names as the biggest influence on their treatment of samba.\u003c\/p\u003e\n\n\u003cp\u003eOther important reference points are made clear on \"Um Abraço No Faust\". One of three instrumentals on the album its title riffs off a JoãoGilberto song, \"Um Abraço no Bonfá\", but whereas JoãoGilberto was giving a hug (um abraço) to bossa nova guitarist Luiz Bonfá, Domenico and Ricardo are giving theirs to the German avant-gardists Faust. \"Quem Samba\", with its horn section and dramatic melody give a whiff of Domenico's Italian ancestry, while \"Descomunal\" is devoid of rhythm whatsoever, guest vocalist Tori singing over a bed of electronic drums, cello and swirling synths, that highlights the duo's unwillingness to stick to a particular formula.\u003c\/p\u003e\n\n\u003cp\u003eBoth \u003cstrong\u003eDomenico Lancellotti\u003c\/strong\u003e and \u003cstrong\u003eRicardo Dias Gomes\u003c\/strong\u003e are revered names within Brazilian music over the past 20 years. As a member of the +2's, with Moreno Veloso and Kassin, Domenico released a trio of albums on Luaka Bop in the early 00s that pioneered a new Rio samba sound with elements of funk and psychedelia. With Veloso and Kassin he would later form Orquestra Imperial, a big band intent on reviving ballroom (gafieira) samba, and that has worked with guest vocalists such as Seu Jorge, Elza Soares and Ed Motta. \u003cem\u003eSRAMBA\u003c\/em\u003e is his fourth solo album.\u003c\/p\u003e\n\n\u003cp\u003eMulti-instrumentalist \u003cstrong\u003eRicardo Dias Gomes\u003c\/strong\u003e first came to notice as a member of \u003cstrong\u003eCaetano Veloso's\u003c\/strong\u003e band Cê which helped reinvigorate Caetano's career with a sound influenced by British new wave. 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Featuring Tom Zé and manguebeat pioneer, Gilmar Bola 8, Lucas Santtana’s \u003ci\u003e3 Sessions In A Greenhouse\u003c\/i\u003e fused psyched-out samba and baile funk with original Black Ark-style studio distortion and spiritual dub dread, laying the foundations for his seminal Sem Nostalgia LP five years later, and in the process, establishing Santtana as an elemental force of Brazil’s current new wave.\u003c\/p\u003e\u003cp\u003eComprising four originals and four Santtana\/Seleçao Natural dubs (plus a CD bonus track), \u003ci\u003e3 Sessions In A Greenhouse\u003c\/i\u003e was and is a sound clash unlike any to have come before. Produced by Santtana and Recife’s dubsetter himself, Buguinha Dub, each session was approached as an opportunity not to just record each instrument but to create an environment in which the studio becomes the centrepiece. 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