{"title":"Memphis Industries","description":"\u003cp\u003eMemphis Industries, founded by the White brothers in 1998, is a UK indie institution known for its eclectic, artist-driven roster. Home to acts like The Go! Team, Field Music, and BC Camplight, the label blends pop invention with DIY ethos. Its legacy lies in championing idiosyncratic voices that consistently push the boundaries of indie and alt-pop.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"thunder-lightning-strike-20th-anniversary","title":"Thunder, Lightning, Strike (20th Anniversary)","description":"\u003cp\u003e20 years of The Go! Team’s \u003ci\u003eThunder Lightning Strike\u003c\/i\u003e, 20 years of lasers through tracing paper, orange tone oscillations, cable access hangover, music made through sunburnt circuits, a K-tel dream sequence, a haunted vision mixer, station wagon-core, straight to video, VHS in distress, something in the fog, fluff on the needle, chromakey constellations, a hovercraft on the fret board, maxing the minute maid, faxing a car alarm, a Morse code pep talk, etch-a-sketch jackknife, a daily Haley’s comet, light sound colour motion, a holiday from yourself.\u003c\/p\u003e\u003cp\u003eThis final reissue is a celebration of a record that sounded out of time in 2004, dripping in future nostalgia, and which twenty years on still sounds as unique and uncategorisable as it did when it arrived.\u003c\/p\u003e\u003cp\u003eRT LP - Comes with an exclusive 7”, featuring new versions of Hold Yr Terror Close by The Pastels and The Orielles and a recreation of the original CD-R demo version of the album which stands up as a document of band leader Ian Parton’s unique method of working. \u003c\/p\u003e\u003cp\u003eLP - Comes with a recreation of the original CD-R demo version of the album that stands up as a document of band leader Ian Parton’s unique method of working. \u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCD - The double disc CD also comes with the recreation of the original CD-R demo version. \u003c\/p\u003e\u003cp\u003eLP Tracklisting\u003c\/p\u003e\u003cp\u003e1. Panther Dash \u003c\/p\u003e\u003cp\u003e2. Ladyflash \u003c\/p\u003e\u003cp\u003e3. Feelgood by Numbers \u003c\/p\u003e\u003cp\u003e4. The Power is On \u003c\/p\u003e\u003cp\u003e5. Get It Together \u003c\/p\u003e\u003cp\u003e6. We Just Won't Be Defeated \u003c\/p\u003e\u003cp\u003e7. Junior Kickstart \u003c\/p\u003e\u003cp\u003e8. Air Raid GTR \u003c\/p\u003e\u003cp\u003e9. Bottle Rocket \u003c\/p\u003e\u003cp\u003e10. Friendship Update\u003c\/p\u003e\u003cp\u003e11. Hold Yr Terror Close \u003c\/p\u003e\u003cp\u003e12. Huddle Formation \u003c\/p\u003e\u003cp\u003e13. Everyone's a V.I.P. 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It's absolutely wonderful and demands repeat listens. Recorded mostly from 2020 - 2021 in Ryan Olson’s Minneapolis studio with lyrics written and recorded by Channy Leaneagh in her room, \u003ci\u003eMadness\u003c\/i\u003e is an experimental expansion of the 4 piece family band of Chris Bierden (bass), Drew Christopherson and Ben Ivascu ( drums) to include the anthropomorphic production tool “ AllOvers(c) ”, designed by Olson and fellow producer and sound - artist Seth Rosetter. This latest release continues within the collaborative enclave in which Polica resides and includes co - production by Dustin Zahn (“Alive” and “Away”), Alex Ridha and Alex Nutter (“Violence” ).\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"Yellow | LP","offer_id":50382158725451,"sku":"1150642","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Black | LP","offer_id":50382157873483,"sku":"1150641","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"Blue | LP","offer_id":50382158266699,"sku":"1150644","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50382159053131,"sku":"1150643","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/42edfcd7-976d-4281-9c7a-c05f57e512ce_thumbnail_4096.jpg?v=1726243759"},{"product_id":"45","title":"45","description":"\u003cp\u003eSchool of Language is David Brewis, who also makes music with his brother Peter as Field Music. This is the third School of Language album, following on from \u003ci\u003eSea From Shore\u003c\/i\u003e in 2008 and \u003ci\u003eOld Fears\u003c\/i\u003e in 2014.\u003c\/p\u003e\u003cp\u003eThis is an album about Donald Trump - his dubious rise in politics, his capricious behaviour while in office and the motley cast of characters he has surrounded himself with. It’s not exactly a protest record, though it is shot through with anger. It’s definitely not a joke, though some of it is darkly funny. It is a tragedy and it is a farce. The songs are sung from different points of view, almost as if it’s a Donald Trump funk musical. One advisor sells Trump on the idea of a border wall. Another one feels he can’t quit because of the chaos that might follow. Rex Tillerson fumes at his plummeting status. Psychiatrists fret about the President’s mental stability. Hillary Clinton laments her loss. Trump himself brags and equivocates in his own unique, blustering style.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e45\u003c\/i\u003e was written and recorded in a little less than two months during gaps in the schedule at Field Music’s studio in Sunderland. It was inspired by Bob Woodward’s book \u003ci\u003eFear\u003c\/i\u003e, articles in the Washington Post, The New Yorker and The New York Times and by Nate Silver’s FiveThirtyEight. It was also inspired by James Brown, Sly and the Family Stone, The Meters, Otis Redding and Free.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"Orange | LP","offer_id":50383904473419,"sku":"1065807","price":18.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP","offer_id":50383904932171,"sku":"1065806","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50383904112971,"sku":"1065811","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50383904604491,"sku":"1065803","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dc8e2aaf-bfff-4b4a-bb30-a0f3e33c4d2c_thumbnail_4096.jpg?v=1726277870"},{"product_id":"memphis-electronic-memphis-electronic","title":"Memphis + Electronic = Memphis Electronic","description":"\u003cp\u003eDum Dum Boys, XYZ and NON! guitar player second solo album, a home-recorded double LP extravaganza of fuzzy rockers, lo fi diskopunk dancefloor anthems, weird glam, heartbreaking ballads and psych pop! 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For the first time since the Mercury-nominated \u003cem\u003ePlumb\u003c\/em\u003e ten years earlier, Peter and David had no plan for what, if anything, would come next.\u003c\/p\u003e\n\n\u003cp\u003eHowever, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope. Solo projects followed with 2023 seeing the arrival of David’s quietly-jazzy \u003cem\u003eSoft Struggles\u003c\/em\u003e, the playful electronica of Peter’s \u003cem\u003eBlowdry Colossus\u003c\/em\u003e alongside a limited-issue brass collaboration LP \u003cem\u003eBinding Time\u003c\/em\u003e and the vault-raiding \u003cem\u003eJohn Monroe\u003c\/em\u003e EP, made with original Field Music keyboard player Andrew Moore.\u003c\/p\u003e\n\n\u003cp\u003eIt was these albums that provided fresh impetus for what was to become the new Field Music record. Whilst Peter amassed the instrumental compositions which became \u003cem\u003eBlowdry Colossus\u003c\/em\u003e, he was also tinkering with a batch of songs which would form the basis of \u003cem\u003eLimits of Language\u003c\/em\u003e, songs which mixed synthesised textures with off-the-cuff flickers of guitar and layers of disorientating found-sound percussion.\u003c\/p\u003e\n\n\u003cp\u003eThese fleshed-out demos included \"The Waitress of St Louis\", an ode to the now-closed Sunderland café 'Louis', which featured on the cover of their 2007 album \u003cem\u003eTones of Town\u003c\/em\u003e, and to the Maggiore family who ran this cherished institution. David’s songs came from a different angle but leant into the same sonic palette and shared the same sense of a past becoming granulated. Album opener, \"Six Weeks, Nine Wells\" pits the hazy ecstasies of school summer holidays against the fear and foreboding of a child peeking through into an adult world.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLimits of Language\u003c\/em\u003e sees Field Music continue with their astonishing, bloody-minded run of releases. 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It's a statement which seems particularly fitting to their latest album, \u003ci\u003eFlat White Moon\u003c\/i\u003e released via Memphis Industries.\u003c\/p\u003e\u003cp\u003eSporadic sessions for the album began in late 2019 at the pair's studio in Sunderland, slotted between rehearsals and touring. The initial recordings pushed a looser performance aspect to the fore, inspired by some of their very first musical loves; Free, Fleetwood Mac, Led Zeppelin and The Beatles; old tapes and LPs pilfered from their parents' shelves. But a balance between performance and construction has always been an essential part of Field Music.\u003c\/p\u003e\u003cp\u003eBy March 2020, recording had already begun for most of the album's tracks and, with touring for Making A New World winding down, Peter and David were ready to plough on and finish the record.\u003c\/p\u003e\u003cp\u003eThe playfulness that’s evident in much of \u003ci\u003eFlat White Moon's\u003c\/i\u003e music became a way to offset the darkness and the sadness of many of the lyrics. Much of the album is plainly about loss and grief, and also about the guilt and isolation which comes with that.\u003c\/p\u003e\u003cp\u003eThose personal upheavals are apparent on songs like Out of the Frame, where the loss of a loved one is felt more deeply because they can't be found in photographs and compounded by the suspicion that you caused their absence, or on When You Last Heard From a Linda, which details the confusion of being unable to penetrate a best friend's loneliness in the darkest of circumstances.\u003c\/p\u003e\u003cp\u003eSome songs are more impressionistic. Orion From The Streets combines Studio Ghibli, a documentary about Cary Grant and an excess of wine to become a hallucinogenic treatise on memory and guilt.. Others, such as Not When You're In Love, are more descriptive. Here, the narrator guides us through slide- projected scenes, questioning the ideas and semantics of 'love' as well the reliability of his own memory.\u003c\/p\u003e\u003cp\u003eFor the most part, the album has fewer explicitly political themes than previous records, though there is No Pressure, about a political class who feel no obligation to take responsibility if they can finagle a narrative instead. And there's I'm The One Who Wants To Be With You which skirts its way around toxic masculinity through teenage renditions of soft-rock balladry.\u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eFlat White Moon\u003c\/i\u003e Field Music take on the challenge of representing negative emotions in a way that doesn't dilute or obscure them but which can still uplift. 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Organic, eclectic, delicate, smart; these are all words that could be used to describe this album, which effortlessly resists singer-songwriter cliches, feeling as honest and modern a take on the troubadour tradition as we've heard all year.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"LP","offer_id":50409959817547,"sku":"362694","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50409959948619,"sku":"362693","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c35f977f-809a-4114-9963-f8f43eaa03c9_thumbnail_4096.jpg?v=1726633546"},{"product_id":"restless-spheres","title":"Restless Spheres","description":"\u003cp\u003eBlue States releases his long awaited fifth album 'Restless Spheres' via Memphis Industries. It's been nine years since we last heard from Blue States, the moniker for the musical outlet of Andrew Dragazis. 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The result is a fruitful marriage of song craft and arrangement, brimming with a cinematic charm and lyrical wit that signify a new chapter full of new life for an artist who knows her mind, her heart and voice well enough to trust them in uncharted territory.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eOrder of Romance\u003c\/i\u003e then is a complete work that demands close attention, an active listen, a filagree that’s apparent lightness of touch belies a serious intent. Themes of empathy and friendship, intertwine with a clear eyed and moralistic poetry on subjects such as gun control, religious and political cults, and climate change.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eOrder of Romance\u003c\/i\u003e is perhaps ultimately an exploration of the endless balance act of being a ‘Human Being’, an approach and examination of some of the biggest theme and issues of our time through the doorway of the personal, a way finding meaning and some kind of faith in a world where so much is disconnected and discordant. \u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"Black | LP","offer_id":50410558882123,"sku":"1157386","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Red | LP","offer_id":50410559078731,"sku":"1157387","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50410558751051,"sku":"1157384","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9b5aff4f-7cb0-46f6-b3e0-a9e6b9035b06_thumbnail_4096.jpg?v=1726644474"},{"product_id":"saltwater-1","title":"Saltwater","description":"\u003cp\u003eThe Absentee frontman with the Johnny Cash vocals and an ear for sardonic prose goes it alone on this venture... well, almost alone. 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Elephant Shell' is the sound of these four early-20-somethings, now seasoned by hundreds of shows from tiny clubs to the festival throngs at coachella and glastonbury, delivering on every bit of promise in their rapid-fire barrage of material to date. the opening one-two of 'centennial' and 'in a cave' barely evaporates before 'graves' and 'juno' pack innumerable hooks and 'what-does-that-remind-me-of' glimmers into meager 2-minute-and-change frameworks, while first single 'tessellate' and 'sixties remake' encapsulate everything great about the manic tpc live experience: soaring guitar signatures and keyboard figures, driving backbeats and irresistible singalongs abound. elsewhere, 'the harrowing adventures of...' and the down-tempo standout 'listen to the math' find our young protagonists ably adapting their energy into more subdued structures before the rousing coda of 'the baskervilles' brings the record to an all-too-early halt. on memphis industries.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410658660683,"sku":"299530","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/37cc704d-cf40-4f4c-9c73-4e0b2bf8a3f2_thumbnail_4096.jpg?v=1726647262"},{"product_id":"the-week-that-was","title":"The Week That Was","description":"\u003cp\u003eThe main figure behind the Week That Was is former Field Music member Peter Brewis. With help from a wide range of musicians including David Brewis and Andrew Moore (making the album a mini-Field Music reunion of sorts), the self-titled debut is a lush and lovely slice of modern pop. The group's sound is no great departure from that of Field Music; it's just as arty, angular, and unfailingly melodic throughout. The main difference is that it's more arranged and complex thanks to the variety of players and instruments. Peter Brewis also seems to have more affinity for prog rock when he's in charge -- check the interlocking marimbas on \"It's All Gone Quiet\" or the majestic horn\/piano arrangements on \"Yesterday's Paper.\" It's less the prog rock of Yes than it is the new wave prog of XTC (though \"Scratch the Surface\" sounds uncannily like post-Gabriel Genesis). The art never gets too over-indulgent and it never gets in the way of the songs. Which would be hard to do anyway because the melodies are so strong and the hooks are so large. Songs like the bouncy \"The Airport Line\" and the thunderous and jumpy album opener \"Learn to Learn\" are as good as anything Field Music ever did. They are filled with brains and musical prowess but also lots of emotion and soul, possibly more than Field Music as a group felt comfortable showing in their songs. A prime example can be found in the naked sentiment and sweeping strings of \"Come Home.\" You can probably chalk that up to having one person running the show and can be glad that Brewis has a steady hand on the helm; never letting that pesky emotion thing get out of control. When Field Music packed it in, fans were left with the melancholy feeling that comes with losing a great band before they had a chance to fully blossom. Now with the Week That Was and David Brewis' School of Language project, there are two excellent bands where there used to be just one.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410663870795,"sku":"303926","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/d5bf5af5-b16d-4cc1-99ca-3ce277272e67_thumbnail_4096.jpg?v=1726647398"},{"product_id":"pale-fire","title":"Pale Fire","description":"\u003cp\u003eSwedish songwriter Sarah Assbring, otherwise known as El Perro Del Mar releases her fourth album 'Pale Fire' via Memphis Industries. The follow-up to her 2009 album 'Love is Not Pop' is a massive leap foward with it's organic warm sound. Parts are minimal, parts balearic and parts sparkling house pop but they are all joined together with Sarah's seductive voice and a multi-layered production. if you love lyyke li or cat power you should try this.\u003cbr\u003e\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410688610635,"sku":"355781","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a5f3ece8-e7d0-4417-aeaa-234a5081ab1a_thumbnail_4096.jpg?v=1726647980"},{"product_id":"out-of-touch-in-the-wild-1","title":"Out Of Touch In The Wild","description":"\u003cp\u003eThree albums into their career, Manchester's Dutch Uncles, a group who pitched their tents firmly in pop's leftfield with their eponymous first album before releasing Memphis Industries debut 'Cadenza' in 2011, have made another huge step forward with their latest album 'Out of Touch in the Wild'. There's been no great reinvention, just great progress: this is a refined version of Dutch Uncles doing what they do best: making labyrinthine pop of escher-like complexity and crystal clarity. unlike previous outings, 'Out of Touch in the Wild' was written and conceived as a full 'studio' album, allowing for greater creative freedom, more sophisticated arrangements and a much larger sonic palette, seeing them utilise strings, piano, analogue synths and tuned percussion more so than guitars. the band's underlying influences remain but this time around see's kate bush, igor stravinsky, japan, prince and neu! all intriguingly thrown into the mix. lyrically the album is based loosely around themes of addiction and friendship. 'out of touch in the wild' is the sound of the dutch uncles hitting their stride confidently, striking out on their own in fascinating new directions and it lays down an early, compelling gauntlet for 2013.\u003cbr\u003e\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410692673867,"sku":"357561","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0e417535-40ab-4220-84e8-8b3042a77cf5_thumbnail_4096.jpg?v=1726648006"},{"product_id":"buffalo-1","title":"Buffalo","description":"\u003cp\u003eThe drowsy\/easy psych-drone-pop amble of \"Eventually\" starts the Phoenix Foundation's 2010 full-length album on an agreeably understated pace, as good a way to set a tone as a full-on blast might be. The main guitar line, a little Feelies and a little post-punk epic art, mixed with a bit of classic rock imagery thanks to the lyrics, finds a kind of happy blend that the band has worked to make its own. The similar sense of gentle fusion and picking among the ruins of the past crops up throughout Buffalo -- the polite Velvets\/pub rock chug of \"Flock of Hearts\" shaped by some sweet chimes and a bit of distant Mellotron\/vocal chorusing along with a very glammy guitar break. Songs like \"Skeleton\" find a more direct hook\/lyric approach, while the sweet uptempo pep of \"Orange \u0026amp; Mango\" shades into a swirling series of guitar loop breaks and shuddering keyboard surge. \"Wonton\" captures another sense of understated ease, almost breezy in feeling and sound. Samuel Flynn Scott's vocals often come across as nondescript but aim to be familiar rather than remarkable, suiting the sense of easy immediacy here -- the appeal of being what you expect. \u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410743136587,"sku":"335373","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8df6df46-0f7d-4fae-853f-6cc99ea8773d_thumbnail_4096.jpg?v=1726648466"},{"product_id":"interstellar-2","title":"Interstellar.","description":"\u003cp\u003eFrankie Rose (ex Crystal Stilts, Dum Dum Girls and Vivian Girls) is back with her second album 'Interstellar'. It forgoes the 60's sounds prevalent on her debut in favour of a deeply engaging, 70's indebted pop record, one with experimental leanings harking back to Arthur Russell, Angelo Badalamenti's 'twin peaks' score, and leavened by innate melodic instincts akin to new order.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410774659403,"sku":"346875","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/81097e27-7297-4510-bc33-4a62e68d8c14_thumbnail_4096.jpg?v=1726648886"},{"product_id":"plumb-2","title":"Plumb","description":"\u003cp\u003efield music's fourth full-length, 'plumb', was recorded throughout 2011 at the band's new studio on the banks of the river wear in sunderland. largely abandoning the 'classic' songwriting conventions embraced on 2010's 'measure', peter and david brewis remodel the modular, fragmented style of their first two albums, only now it's shot through with the surreal abstractions of 20th-century film music from bernstein to willy wonka and the off-beam funk and pristine synth-rock developed on the brothers' school of language and the week that was albums. 'plumb' digs into the age-old dichotomy between what is reflective or nostalgic and the disorienting immediacy of the outside world. songs such as labyrinthine opener 'start the day right,' the chugging, minimalist 'just like everyone else' and the a cappella 'how many more times?' recall those early-morning \/ late-night moments where dreaming, memory and the present seem fused together. elsewhere, 'who'll pay the bills?,' 'is this the picture?' and especially 'choosing sides' mine a caustic seam of ambivalence toward whatever passes for aspiration and sincerity in our hyper-mediated and mock-hysterical times. whether the angle is personal or political, throughout the record there are allusions to the expectations and obligations we all amass. can we live up to the expectations we had for ourselves when youth and naivety were on our side? can we be the people we'd like to be for the sake of our loved ones? when we feel so powerless, what's worth fighting for and what's worth fighting against?rough trade east in-store - field music - thursday 29th march, 7pmmercury prize nomination 2012\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410776002891,"sku":"346881","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/49e939e2-db53-44a1-8800-05aacfe6806d_thumbnail_4096.jpg?v=1726648907"},{"product_id":"field-music-measure","title":"Field Music (Measure)","description":"\u003cp\u003eField Music (Measure) is the third full-length studio album by indie rock band Field Music. 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The first disc primarily contains more traditionally-structured songs, including both of the album's singles (\"Them That Do Nothing\" and \"Let's Write A Book\"), whilst the second disc is dominated by more experimental tracks including found-sound pieces (\"See You Later\" and \"Louis\").\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD | x2","offer_id":50410776789323,"sku":"321129","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2af37332-e9d9-4a46-9f0c-38070205f09a_thumbnail_4096.jpg?v=1726648926"},{"product_id":"champ","title":"Champ","description":"\u003cp\u003eSecond album proper from the Ontario quartet finds them recapturing the magic of their early work while replacing some of their quirks with tunes. Standouts include the epic slow burn of album opener 'Favorite Food' to the irresistible shuffle of 'End of a Spark' to first single 'Wait Up (Boots of Danger)' - whose hypnotic refrains made it onto 'Champ' just under the wire. While fans are sure to be pleased by 'Champ's familiar live staples and other tracks in the signature Tokyo Police Club vein that the Los Angeles times likened to \"being in love for the first time, in musical form...that kind of rush,\" the album's more experimental and adventurous tracks shine just as brightly. the fruits of 'champ's hard labour combined with intriguing hints at that band's future musical excursions make tracks like 'gone' and 'not sick' essential listening.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50410787963211,"sku":"328193","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a248bdba-f453-420f-a3d4-dba47d550eef_thumbnail_4096.jpg?v=1726649116"},{"product_id":"proof-of-youth-1","title":"Proof Of Youth","description":"\u003cp\u003eThe Go! Team burst onto the indie scene like the proverbial breath of fresh air. Their music, built on samples of schoolyard chants and TV theme rockers, made most everything else sound gray and a little timid in comparison. Thunder, Lightning, Strike, their debut album, was a brilliant record and Proof of Youth can't help but suffer when stacked up against it. Indeed, it might take a fews spins before you can shake the feeling that you're listening to outtakes from Thunder, Lightning, Strike, but once you do, the album reveals itself to be another, though slightly lesser, stroke of greatness. Rather than relying heavily on samples this time out, bandleader Ian Parton goes with a live band approach with samples blended in. It results in a slightly more organic sound, but one that's still recognizably the Go! Team. The drums pound, the horns blare, the guitars wail and clatter, the vocals shout to be heard; it's a whirling fun house of music. \u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50411017142603,"sku":"289902","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/01410b81-41ce-4f05-85b2-363b34b9b7d7_thumbnail_4096.jpg?v=1726651592"},{"product_id":"a-lesson-in-crime-1","title":"A Lesson In Crime","description":"\u003cp\u003e8 track uk version on memphis industries. f you were to throw bowie, joy division, the arcade fire, and two llamas into a blender, you would have one hell of a mess. tokyo police club is here to help you clean up! raucous and delicious with a lyrical sound resonating in thurston moore and the same musical concoction bands like sonic youth, built to spill and pavement reeled in many moons ago. the boys are adorable, with an interesting new sound to offer. they've taken all the good bits from indie rock in the past decade and then put their individual spin on things. winston churchill, that master of the verbal thrust and parry, described tokyo police club thus: \"like a swift kick in the pants followed be a raucous dance party.\" touche, mr. churchill, touche.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50411017830731,"sku":"278279","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/fd6c795d-5c18-4062-a836-47623fe14a06_thumbnail_4096.jpg?v=1726651600"},{"product_id":"tones-of-town","title":"Tones of Town","description":"\u003cp\u003eTen year anniversary of Field Music’s hugely acclaimed second album. Long since deleted on vinyl. Field Music have created a masterpiece. They have pulled off the hardest trick in the book: making intricate and cerebral music sound poppy and accessible. By keeping songs short and packed with unexpected surprises, \u003ci\u003eTones of Town \u003c\/i\u003emanages to delight well beyond its modest half-hour length. A provincial \u003ci\u003eOK Computer\u003c\/i\u003e, it has grand ambitions tempered by homely charm.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50411120460107,"sku":"1025566","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bbd03aac-e38a-4fcc-85d4-a92fce7cd035_thumbnail_4096.jpg?v=1726652564"},{"product_id":"field-music","title":"Field Music","description":"\u003cp\u003eField Music are a trio of northern lads who work a rich seam of melodic and angular guitar with indie pop arrangements on their excellent self-titled debut record. For those who enjoy easy comparisions, here are a few: XTC at their most pop, the Beach Boys fed through a post-punk strainer, the New Pornographers with a dimmer switch. Formed by original Futureheads drummer Peter Brewis (and joined by brother David and Andrew Moore), the group shares some of the herky-jerky, harmony-rich feel of the Futureheads but exhibits a much calmer and more melancholy and diverse approach. The 12 tracks feature loads of vocal harmonies, inventive arrangements (harmonicas, glockenspiels, saxophones, falsettos galore), and soaring choruses the likes of which put them ahead of their old mates and at the forefront of this year's model of the British Invasion. Indeed, when Field Music are working at their peak, as on the quietly desperate \"Got to Get the Nerve,\" \"Like When You Meet Someone Else,\" the cello-sporting pop gem \"Shorter Shorter,\" and the autumnal \"It's Not the Only Way to Feel Happy,\" they display a feel for dynamics and an unfailingly catchy style of songcraft that their counterparts can't come near. That is enough to make Field Music one of the bands to watch in the mid-2000s, and to make their album one you have to hear if you are dedicated to smart, inventive, and exciting guitar pop.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"CD","offer_id":50411121836363,"sku":"1025569","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2f973b06-5034-4fc1-ade9-15ce6b498a5a_thumbnail_4096.jpg?v=1726652586"},{"product_id":"thunder-lightning-strike","title":"Thunder, Lightning, Strike","description":"\u003cp\u003eThe first and solo practitioners of cheerleader punk. The Go! Team's\u003ci\u003e Thunder, Lightning, Strike\u003c\/i\u003e is an explosion of colour and energy that evokes images of high school sports meets, inner-city summer days and the liberty of youth.\u003c\/p\u003e\u003cp\u003eThe six-piece’s maximalist sound, with its two drums, choral chants, air-raid siren guitars, record-scratching and strong overriding melodies made the album impossible to ignore upon release in 2004. Recorded in the basement of Ian Parton’s parent’s house, the album maintains its scratchy, DIY aesthetic despite its vastly ambitious scale.\u003c\/p\u003e\u003cp\u003eGarage rock, old-school hip-hop, double dutch chanting, carnival marching and Vince Guaraldo's\u003cb\u003e \u003c\/b\u003epianos can all be heard on the album, that never stops whipping up a storm. 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Team return with their new album \u003ci\u003eGet Up Sequences Part One\u003c\/i\u003e via Memphis Industries featuring the singles “Cookie Scene”, “World Remember Me Now” and “Pow”. On \u003ci\u003eGet Up Sequences Part One\u003c\/i\u003e, Ian, Ninja, Nia, Simone, Sam and Adam have created a musical world distinctly of their own making. A place where routine is outlawed and perfection is the enemy. Where Ennio Morricone meets the Monkees armed with flutes, glockenspiels, steel drums and a badass analogue attitude. We’re talking widescreen, four-track, channel hopping sounds that are instantly recognisable.\u003c\/p\u003e\u003cp\u003eIn The Go! Team's world, old’s cool, the future's bright and melody is the star. Just check the second cut “Cookie Scene” with a bouncing flute and junk shop percussion it introduces guest rapper Indigo Yaj who delivers an old school vocal that continues this sonic trip. “Pow” channels Curtis Mayfield and enter stage centre, the inimitable Ninja in full flow and you don’t stop, you wont stop to this flute driven free for all.\u003c\/p\u003e\u003cp\u003eBy way of demonstrating The Go! Team’s old’s cool manifesto, comes the 'needle-in-the-red' “I Love You Better” a defiant message to an ex love, spelling out exactly how he’s fucked up – and then there’s those steel drums.Following that comes the soda fountain soul courtesy of “A Bee Without Its’ Sting”, a groovy protest song that makes its point with a tambourine – hey only The Go! Team.\u003c\/p\u003e\u003cp\u003eThe musical wagon train then takes you into the wide screen, wind swept western that is Tame The Great Plainsheading off into a polyrhythmic panorama that’s full of hope. Slappin’ you back to reality comes “World Remember Me Now”, a timely reminder that when you’re lost in the routine of life, you can always count on The Go! 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The new release, which finds the group recruiting Lee Smith (The Cribs, Pulled Apart By Horses) on mixing duties, arrives just under a year after their debut LP, \u003ci\u003e3D Routine\u003c\/i\u003e, capping off what has been an obviously tumultuous, but remarkably prolific year for the band. With any prospect of live shows decimated, the group, led by songwriter, Dan Hyndman, has found the time to release two EPs (\u003ci\u003eGreat Artisanal Formats\u003c\/i\u003e and \u003ci\u003eYellow Sticker Hour\u003c\/i\u003e) and now a duo of full-length albums.\u003c\/p\u003e\u003cp\u003eMush resent their own sonic idiosyncrasy. It’s a sound that blurs the lines of abstract surrealism, existentialism and social commentary; utilising guitars as tools in 2020 to stave off malaise whilst simultaneously commenting on the nation’s ability to fall into such dire straits. It’s a sensory overload of wiry tones that zig- zag between punk, prog and sardonic-funk with a relentless ability to reflect society’s faults and apathy in a unique and acerbic manner.\u003c\/p\u003e\u003cp\u003eWhereas the band’s debut was very much a product of its time, something part-inspired by the political atmosphere of mid-2019 and a genuine moment of optimism when the prospect of a socialist government in the UK was on the cards, this new record uses tongue-in-cheek cynicism as a coping mechanism for the environment that we now find ourselves in. 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Like so many people disconnected from their communities and struggling through the lockdowns, Rachael Dadd turned inwards, seeking escape through music and connection through songwriting, and her hope is that when people listen to ‘Kaleidoscope' “they will feel held and find space to breathe, grieve and celebrate.”“This album is a lot more honest and personal than ‘Flux'” she shares, “but I feel the songs are universal as they are largely rooted in truth and love. If I had to pick a favourite album it would be this one because of the magical rekindling of human connection when me and my band got back in a room together again. 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On \u003ci\u003ePrize\u003c\/i\u003e, her fifth long-player, on Memphis Industries, Rozi’s unique, heart-felt approach continues to prevail and, with the help of collaborators including Jamie Whitby Coles, Gerard Black, Amaury Ranger, Alabaster De Plume, Cole Pulice, Danalogue (of Comet is Coming) and Kate Stables (of This is the Kit), the album marks her as one of our most innovative and engaging songwriters.\u003c\/p\u003e","brand":"Memphis Industries","offers":[{"title":"Black | LP","offer_id":50426294763851,"sku":"1167056","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Clear | LP","offer_id":50426297549131,"sku":"2003336","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50426295648587,"sku":"1167055","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/dc4b9b7c-7718-4699-b4a6-0122cefe0e1a_thumbnail_4096.jpg?v=1726806802"},{"product_id":"down-tools","title":"Down Tools","description":"\u003cp\u003eLeeds art-rock group Mush return with album \u003ci\u003eDown Tools\u003c\/i\u003e via Memphis Industries. The new record marks the prolific band’s third album in as many years, following hype-building early singles ‘Alternative Facts’ and ‘Gig Economy’, 2020’s debut LP \u003ci\u003e3D Routine\u003c\/i\u003e and 2021's acclaimed Lines Redacted, which pushed their sound further.\u003c\/p\u003e\u003cp\u003eOn \u003ci\u003eDown Tools\u003c\/i\u003e, this voice grows again into a more brilliantly singular sound. It sees Mush getting loose, moving away from the defined moods and textures of \u003ci\u003eLines Redacted\u003c\/i\u003e with a musical openness, straddling genres while avoiding pastiche. Hyndman says of the lyrics on ‘Down Tools’ that \u003ci\u003e“there was a conscious decision to retreat further from an observational approach”\u003c\/i\u003e with vocals being ad-libbed lending the record a more abstract feel. Hyndman continues: \u003ci\u003e“this album is less dark than the previous one. The Armageddon obsession has eased, or at least the symptoms have become milder due to saturation. Musically there’s a lot more chill on the record – there’s a few more mellow tracks out there and the most astute listener may even be able to decipher some of the words, fingers crossed.”\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eWhile grief and work balance form themes on the record, Hyndman’s approach is largely made up of abstract, disconnected streams of consciousness and lines liberally taken from books, paintings, films and beyond. On \u003ci\u003eHuman Resources\u003c\/i\u003e, Hyndman dramatically retells a battle he had with an HR department at a job in a David and Goliath style. The song ‘Group Of Death’, a phrase chillingly familiar to any football fan, is emblematic of the turn towards softer, more considered sounds. Hyndman says: \u003ci\u003e“In my warped imagination it just sounds like a Paul McCartney song, but it won’t to others. 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Beautiful, subtle and stark, her fifth album, the follow up to 2017’s highly acclaimed \u003ci\u003eMemories Are Now\u003c\/i\u003e, is her best yet.\u003c\/p\u003e\u003cp\u003eDespite being a long-term resident of Manchester, Hoop, has until now, returned to her native California to record. This timeround however, “it was” according to Hoop “time to step out of my comfort zone, my safe place”, venturing south to Bristol to team up with producer John Parish (PJ Harvey, Aldous Harding,This is the Kit). Parish’s minimal and purist approach helpedclarify Hoop in her ideas and subtly yet effectively realigning her sound. 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