{"title":"No Joy","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eNo Joy is a Canadian alternative\/shoegaze band that was formed in late 2009 by Jasamine White-Gluz and Laura Lloyd. Known for their dreamy, atmospheric soundscapes, the band has captivated audiences with their unique blend of shoegaze and indie rock. Drawing inspiration from artists such as Young Prisms, Tamaryn, and Ringo Deathstarr, No Joy creates music that is both ethereal and captivating. With their mesmerizing melodies and powerful guitar-driven sound, No Joy has established themselves as one of the leading bands in the shoegaze genre.\u003c\/p\u003e\n\n\u003cp\u003eSince their formation, No Joy has released several critically acclaimed albums and EPs, including \"Wait to Pleasure\" and \"More Faithful.\" Their music showcases a perfect balance between hazy vocals and swirling guitars, creating an immersive sonic experience for listeners. The band's ability to create lush textures and intricate layers sets them apart from other artists in the genre.\u003c\/p\u003e\n\n\u003cp\u003eWith a dedicated fan base around the world, No Joy continues to push boundaries with their music. Their live performances are known for being intense and captivating, leaving audiences wanting more. Whether you're a long-time fan or new to the shoegaze scene, No Joy's music is sure to transport you into a dreamlike state.\u003c\/p\u003e","products":[{"product_id":"wait-to-pleasure","title":"Wait To Pleasure","description":"\u003cp\u003e\u003ci\u003eWait To Pleasure\u003c\/i\u003e provides a batch of incredible new songs, the product of the Montreal noise-pop band's first foray in a fully-furnished studio environment. Here the band has flourished, delivering their finest set to date, rooted heavily in shoegaze ripcurls and devastating melody, finishing sentences whispered long ago with depth, variance and force. Singer-guitarists Jasamine White-Gluz and Laura Lloyd and drummer Garland Hastings knock down the fence between nostalgia and modernity, chaos and control, in a perfectly-realized effort made to bridge their uncompromised musical pasts with the alarmist tendencies of the present.\u003c\/p\u003e","brand":"Mexican Summer","offers":[{"title":"Black LP","offer_id":50413857374539,"sku":"2027010","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/product_id._dcccbe48_thumbnail_4096.jpg?v=1726678676"},{"product_id":"horse-of-the-dog","title":"Horse of the Dog","description":"\u003cp\u003eIn the early 2000s, The Eighties Matchbox B-Line Disaster emerged with a black-hearted blast of frenetic psychobilly, punk and goth that felt like a closing time punch-up between The Birthday Party, The Cramps and The Make-Up. Their lunatic intensity was best captured within their first two albums, 2002’s \u003ci\u003eHörse of the Dög \u003c\/i\u003eand 2004’s \u003ci\u003eThe Royal Society\u003c\/i\u003e, both of which remain adored as cult classics to this day by a fanbase still addicted by their visceral, riotous noise rock.\u003c\/p\u003e\u003cp\u003eOne of the band’s biggest fans is the film director Edgar Wright, who directed the music video for their song ‘Psychosis Safari’ as he was working on his own cult classic, ‘Shaun of the Dead’. The film even featured ‘Mister Mental’ (from ‘The Royal Society’) on its soundtrack. Still a fan to this day, Wright has penned the accompanying liner notes that will feature in all physical versions of the reissue. He writes:\u003c\/p\u003e\u003cp\u003e“The aural assault of ‘Celebrate Your Mother’, ‘Chicken’, ‘Giant Bones’, ‘Fishfingers’ and, frankly, the whole fucking album, represents the uniquely combustive togetherness of this band who in 2002 existed paradoxically both within and outside the music scene of the day… Behold an album too fast to live, but too young to ever die. The finest 25 minutes of freak energy one can handle.”\u003c\/p\u003e\u003cp\u003eFormed in Brighton on January 1st 2000, The Eighties Matchbox B-Line Disaster went on to release one final record, 2010’s \u003ci\u003eBlood and Fire\u003c\/i\u003e, before disbanding. They experienced a rediscovery in 2012 when ‘Chicken’ featured in a Nike campaign, which led to the band reuniting for sold-out shows in London, Brighton and Manchester.\u003c\/p\u003e","brand":"No Death","offers":[{"title":"Green | LP","offer_id":50459472101707,"sku":"1169703","price":34.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50459471577419,"sku":"1169702","price":5.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f8749680-d9cb-43d2-b756-fe623b8f20db_thumbnail_4096.jpg?v=1727222930"},{"product_id":"more-faithful","title":"More Faithful","description":"\u003cp\u003e'More Faithful' is No Joy's third full-length for Mexican Summer, and bears the fruits of a band that redefined its work ethic in the gulf of time between recording sessions. The outcome - the juxtaposition of unrest and calm, beauty and chaos, truth and fantasy, in the throes of dimed amps and hair-whipping guitar goddess rock music - is as unwavering as ever. But where 'Wait To Pleasure' (2013) balanced textural differences with the freewheeling novelty of the studio environment, 'More Faithful' documents a much more rigorous creative process and performance, one in which the group pushed themselves to new peaks of intensity. All of the record's 11 songs, in whole or in part, jump at the listener with atypical tunings and key changes, tension from odd time signatures and an upfront rhythmic presence, and the force demonstrated in their live show. Listen to More Faithful then listen to it again. There is no question that it's the most forward, throttling record No Joy has made to date, taking their set of influences to the wall in a brazen display of beauty-laced power. At times it's heavier than anything they've done yet, and also their fastest, riffs shooting upward in discord and drifting down in angelic harmonies. Shoegaze and ethereal and alternative rock revivals be damned; 'More Faithful' pushes No Joy to the breaking point. They've leveled up.LP - High quality virgin vinyl. Flood UV gloss jacket with custom inner sleeve. Includes download card. Limited to 2000 copies.\u003c\/p\u003e","brand":"Mexican Summer","offers":[{"title":"CD","offer_id":50471104446795,"sku":"388038","price":8.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50471104643403,"sku":"388037","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ead36640-6aec-4c61-8875-f299dda2991c_thumbnail_4096.jpg?v=1727391251"},{"product_id":"live-at-mabuhay-gardens-november-7-1980","title":"Live at Mabuhay Gardens November 7, 1980","description":"\u003cp\u003eSan Francisco punk rockers recorded live at the legendary nightclub with 11 tracks and 2 bonus studio tracks. \u003c\/p\u003e\u003cp\u003eFormed in 1978, hardcore punks No Alternative were an immediate hit on the San Francisco scene, playing dozens of shows with such like- minded purveyors of aggression as the Germs, Black Flag, D.O.A., Flipper, and Negative Trend. Despite their demand as a live act, No Alternative only managed to commit a handful of songs to vinyl during their original run. \u003c\/p\u003e\u003cp\u003eThe group's three- song Backtracks EP appeared on Subterranean Records in 1980, while 'Johnny Get Your Gun’ and 'Dead Men Tell No Lies’ surfaced on local compilation LPs. KALX DJ Terry Hammer was on hand to capture the soundboard mix for this previously unreleased November 1980 set at the Mabuhay Gardens. The band's line- up included Hugh Patterson (aka \"Johnny Genocide\") on lead vocals and guitar, Jeff Rees on bass, and Greg Langston on drums. \u003c\/p\u003e\u003cp\u003eThe final two tracks on this release – 'Witch Doctor’ and 'Working Class Boy’ -- are previously unreleased studio recordings, while Johnny Cash’s 'Folsom Prison Blues’ and Gene Vincent’s 'Be Bop A Lula’ also appear. This is the latest entry in Liberation Hall's \"Sounds from the San Francisco Underground\" series.\u003c\/p\u003e","brand":"Wienerworld","offers":[{"title":"CD","offer_id":50478697611595,"sku":"2025488","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b22d7a3902b23c60863e9a0bb57614e7_668fd584_thumbnail_4096.jpg?v=1727489133"},{"product_id":"pastel-and-pass-out","title":"Pastel and Pass Out","description":"\u003cp\u003eMontreal's No Joy follow up their sophomore LP, 'Wait to Pleasure', with 'Pastel And Pass Out', a new 12\" to coincide with their upcoming European tour. Engineered by Jorge Elbrecht, the EP finds the trio shredding through a similar soundscape: striking a balance between the blistering walls of noise they're renowned for, with airy, expansive atmospherics that allow the songs to breathe and the melodies to seep through. Opener 'Last Boss' showcases this dynamic, with Jasamine White-Gluz's airy vocals dancing around the clear space of the verses, before the chorus' wall of pummeling guitars fill all voids. 'Star Child is Dead's buzz-saw guitars ascend to a druggy, blissed-out peak, whilst 'Second Spine' might be the band's poppiest song yet: comparatively stripped back, allowing for the gorgeous melody and backing vocal coos to properly shine.\u003c\/p\u003e","brand":"Mexican Summer","offers":[{"title":"Black | 12\"","offer_id":50526460346699,"sku":"369122","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bdf2aba2-02cc-4e17-a1dc-7a2d748c6253_thumbnail_4096.jpg?v=1728043925"},{"product_id":"motherhood","title":"Motherhood","description":"\u003cp\u003eFirst No Joy LP since 2015’s \u003ci\u003eMore Faithful.\u003c\/i\u003e No Joy’s relentless sonic permutations are evidence of frontperson and principal songwriter Jasamine White-Gluz’s insatiable desire to grow.\u003c\/p\u003e\u003cp\u003eFor No Joy’s first full length in five years, White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy’s early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance and nu-metal. Motherhood is the culmination of years composing outside of her comfort zone, and a return to DIY recording with a leveled-up expertise in production. Throughout the record there are loving nostalgic nods to the records White-Gluz adored on their release twenty years ago - Massive Attack, Sneaker Pimps, No Doubt.\u003c\/p\u003e\u003cp\u003eWhite-Gluz hadn’t read Sheila Heti’s Motherhood when she wrote and titled this record, but when she did, the narrative parallels between the two projects were “like looking into a mirror. Time is critical, and you have to make decisions that are extremely time sensitive and your body doesn’t care,” she explains. “It’s a lot of seeing myself through my mother’s experiences, and the physicalness of a body getting older.” The album also investigates the implications of her parents’ aging on her role as their child.\u003c\/p\u003e\u003cp\u003eHeti’s book’s central conceit is an open-ended pondering of whether dedication to writing is more significant than the desire to have children. No Joy doesn’t definitively answer this existential quagmire, either - how could anyone? Instead, \u003ci\u003eMotherhood\u003c\/i\u003e is a beautifully dense exploration that proves how thoughtful, thorough music can translate into art that is rich, vast and alive.\u003c\/p\u003e\u003cp\u003eFor fans of Curve, Sneaker Pimps, Primal Scream, Slowdive, Massive Attack, Kate Bush. \u003c\/p\u003e","brand":"Joyful Noise Recordings","offers":[{"title":"CD","offer_id":50530730705227,"sku":"1093679","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b69cecb3-9cac-44a8-8aa0-1867bcf1ccf4_thumbnail_4096.jpg?v=1728083694"},{"product_id":"bugland","title":"Bugland","description":"\u003cp\u003eCanadian shoegazers \u003cstrong\u003eNo Joy\u003c\/strong\u003e release their long-awaited fifth album \u003cem\u003eBugland\u003c\/em\u003e. Now the solo project of Jasamine White-Gluz, it’s their first new material for five years and also their debut for Sonic Cathedral.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBugland\u003c\/em\u003e finds Jasamine Gluz-White teaming up with producer Fire-Toolz (aka Angel Marcloid) to create the aural equivalent of a late-’80s i-D magazine front and back cover, with a non-problematic National Geographic hiding within. It was, at least in part, inspired by White-Gluz’s move to a more rustic area of Quebec, something which also explains the gap between albums.\u003c\/p\u003e\n\n\u003cp\u003e“The wait wasn't intentional,” she explains, “but I think rural living made me tune out the noise of the music biz and focus more inwards, writing and taking my damn time.” The hook-up with Fire-Toolz was inspired. The renowned future fusionist adds not only magical co-production, but other sonic additions\/dances\/noises\/mysticism.\u003c\/p\u003e\n\n\u003cp\u003e“The collaboration really felt limitless,” she enthuses. “I could easily relate to it because Jasamine and I liked a lot of the same music, and I was able to be creative in ways that were freeing as if I was making my own album.” Both spent days driving on empty rural highways listening to the mixes, and it reflects in the final product.\u003c\/p\u003e\n\n\u003cp\u003eWith an open ear, many “influence eggs” can be detected by the listener. ‘Garbage Dream House’ is Zooropian without any of U2’s ego baggage. Epic closing track ‘Jelly Meadow Bright’ even manages to meld the out of control saxophone from The Stooges’ Fun House with the chill buoyancy of a high-end spa.\u003c\/p\u003e\n\n\u003cp\u003eTouching on respected, familiar genres and sounds while attempting to advance one’s own isn’t easy but \u003cem\u003eBugland\u003c\/em\u003e manages to. What genre is it anyway? Is it even shoegaze when it could live happily on a shelf next to Boards of Canada and Autechre? The right answer is ‘yes’. What a lovely shelf it would be as well.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBugland\u003c\/em\u003e is a testament to White-Gluz’s evolution and her ability to channel a wide variety of tastes into something cohesive that can descend into fine-tuned chaos, then out of that chaos with ease.\u003c\/p\u003e","brand":"Sonic Cathedral","offers":[{"title":"LP - Green Grass Stain | Rough Trade Exclusive","offer_id":51805666738507,"sku":"R0184-6817","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Exoskeleton Blue","offer_id":51805656088907,"sku":"R0184-3092","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Black","offer_id":53460117619019,"sku":"R0184-1040","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":55827268567371,"sku":"R0184-3383","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4a0f8daf-1c6c-e96b-817e-c08d4f289074_bdfb8416-ed85-448b-8d1d-805a13179f9b.jpg?v=1752286925"},{"product_id":"big-life-big-leaf-ep","title":"Big Life, Big Leaf EP","description":"\u003cp\u003e\u003cb\u003eNo Joy\u003c\/b\u003e return with \u003ci\u003eBig Life, Big Leaf\u003c\/i\u003e, a three-track EP landing on a super limited 10\" pressed on Rose Pedal vinyl and housed in a spot-varnished sleeve. It features three brand new tracks and follows last year’s widely acclaimed fifth album \u003ci\u003eBugland\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003eNamed Best New Music by Pitchfork and nominated for Canada’s Polaris Prize, \u003ci\u003eBugland\u003c\/i\u003e saw \u003cb\u003eJasamine White-Gluz\u003c\/b\u003e team up with Warp signing \u003cb\u003eFire-Toolz\u003c\/b\u003e. Here, they push that sound further with a bigger, brasher, bolder approach shaped by what Jasamine calls the “heavy but effervescent energy” of personal loss.\u003c\/p\u003e\u003cp\u003eIt opens with \u003ci\u003eBarking at the Sun\u003c\/i\u003e, blending shoegaze, ambient, L7-style grunge and a touch of nu-metal, with scratching from \u003cb\u003eDJ Diego Juarez\u003c\/b\u003e. 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