{"title":"Peacefrog","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePeacefrog is a UK independent label that was started in 1991 by Pete Hutchison and Paul Ballard. They have been releasing various styles of electronic music since their inception. The label was named after the track Peace Frog by The Doors, which can be found on their album Morrison Hotel.\u003c\/p\u003e\n\n\u003cp\u003eIn 1996, Paul Ballard decided to leave Peacefrog Records, leaving Pete Hutchison as the sole owner and operator of the label. Despite this change, Peacefrog continued to thrive and release groundbreaking electronic music.\u003c\/p\u003e\n\n\u003cp\u003eWith over three decades of experience in the industry, Peacefrog has established itself as a respected authority in the world of electronic music. Their diverse roster includes talented artists from different genres within the electronic music spectrum.\u003c\/p\u003e","products":[{"product_id":"silence-in-the-secret-garden","title":"Silence In The Secret Garden","description":"\u003cp\u003e\u003cem\u003eSilence In The Secret Garden\u003c\/em\u003e is an intensely personal and spiritual journey into the heart and soul of black music.\u003c\/p\u003e\n\n\u003cp\u003eFrom the reckless dark minimalism of the title track \"\u003cem\u003eSilence In The Secret Garden\u003c\/em\u003e\" to the irresistible funk of \"\u003cem\u003eYesterday’s Party\u003c\/em\u003e\", this classic album has continued to surprise and inspire in the 14 years since its initial release.\u003c\/p\u003e","brand":"Peacefrog","offers":[{"title":"2LP - Clear","offer_id":50388917879115,"sku":"1102074","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"2LP - Black","offer_id":50388916666699,"sku":"1031999","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"2LP - Smokey","offer_id":52078316388683,"sku":"R8408-7047","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8434c0aa-177b-4982-a0bf-875cbda01383_thumbnail_4096.jpg?v=1726351407"},{"product_id":"ritual-union","title":"Ritual Union","description":"\u003cp\u003e2011 was a stellar year for Little Dragon, and it seems the torch paper of wider acceptance has truly been lit. Collaborations with Gorillaz and David Sitek, celebrity fans in Big Boi and ?uestlove, and a burgeoning broadsheet love-in: three is definitely proving to be the magic number as the Sweden-based four-piece ready their third LP. With no shortage of charm, the band should ease their way into many an audience's affections.From the opening chimes of title-track, 'Ritual Union' is an effortless exercise in economics. Nothing is wasted nor added needlessly for effect, and it's an album that revels in clean, crisp production. Driven by skittering percussion and an impressive BPM heartbeat, this set could feel cold and mechanical; but even with an electronic influence stamped throughout, there's a sense of craft and warmth, largely owing to Little Dragon's enduring attention to detail and members' session musician past. It's these lovingly constructed backdrops that give 'Shuffle a Dream' mass pop appeal; 'Crystalfilm' its seductive, honeyed melodies; and 'Summertearz' its offbeat, tribal lilt. Then there's Yukimi Nagano's husky-yet-girlish vocal, a constant highlight in its own right, weaving amidst shape-shifting passages of minimal funk, dreamy pop and electro soul, adding a pleasantly saccharine topping to an already satisfying LP. But perhaps what's most satisfying is that, much like Little Dragon's slow-burning career, 'Ritual Union' is so wonderfully unassuming. There's no signature statements; no desperation to blow you away in the opening few tracks before settling into an album of mediocrity and mundane fillers. Instead, it serves up numbers like the sumptuous pleading of Please Turn; the TVOTR-do-dubstep of 'Precious'; and the sparse experimentation of 'Brush the Heat', a cut that would have Jamie XX purring. And it's this uncompromising consistency, masked by the band's playful imagination and born from an unerring commitment to their art, which makes 'Ritual Union' so rewarding. This band's gradual edging over the precipice of mainstream acceptance has been richly deserved; now, everyone should hear this dragon roar.\u003c\/p\u003e","brand":"Peacefrog","offers":[{"title":"LP","offer_id":50417142432075,"sku":"340139","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50417142464843,"sku":"340138","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2b96e85e-95c3-4a3f-a52e-d48dd746d888_thumbnail_4096.jpg?v=1726718626"},{"product_id":"feel-the-music","title":"Feel the Music","description":"\u003cp\u003eBorn and raised in the birthplace of House Music, Paul Johnson has released a vast amount of music for some of the most consistently underground dance labels before hooking up with Peacefrog. 12\" releases on the likes of Cajual \/ Relief and Dance Mania led to his debut album release Bump Talkin in 1995. His remix work for Stacy Kidd, Joey Beltram, Green Velvet, Armando, CC Penniston, Ron Trent, K-Alexi, and Steve Poindexter amongst many others have made their way into all the big DJ’s boxes, many of which remain there to this day. Paul's breakthrough moment arrived in 1999 with his International hit Get Down which is still heard in clubs and on the radio to this day. Paul Johnsons second Peacefrog album originally released in 1996 is a 90’s house music masterpiece. Containing some of the classiest house to hail from the Windy City. 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Growing up as a teenager in East London, break-dancing and writing graffiti with B12’s Mike Golding, Steve Pickton’s musical education moved along a familiar path, from hip-hop to Electro and onto Techno. Schooling himself in music theory and purchasing a sampler Pickton set about making his own music. Releasing on a whose who of seminal UK electronic labels including A.R.T., Likemind, Otherworld and B12 under various pseudonyms Pickton’s UK take on lush Detroit melodies fused techno, funk, hip-hop, dub, blues and jazz into a dense concoction all of his own making. \u003ci\u003eFromtheoldtothenew\u003c\/i\u003e saw Pickton slip off his earlier techno shackles and head for uncharted electronic waters. The echo chamber dramatics of Gun and wayward lurch of Ale House Blues were a long way from Detroit, while few tracks have demonstrated the sheer breadth of electronica more dramatically than Utopia Planetia. 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During 'Never Never', notable for its synth restraint in a pop landscape of Calvin Harris and Lady GaGa electro bombast, 'Nagano' jerks her words out in intriguing fashion; she sings the way Mike Skinner raps, teasing the sentences out syllable by syllable. On the minimal, shuffling 'Thunder Love' (which sounds as spookily comforting as finding your way out of a forest at dusk) Nagano reminds listeners of her vocal similarity to Cocteau Twins siren Liz Fraser. Both possess heartbreaking croons, even if their lyrics are often unintelligible. Musically, Prince and fellow Swedish iconoclasts The Knife remain key influences. 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