{"title":"Pi Recordings","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePi Recordings is a New York-based record label that is committed to showcasing groundbreaking music from artists who possess distinctive and influential styles. With a focus on innovation, Pi Recordings consistently releases captivating albums that push the boundaries of traditional genres.\u003c\/p\u003e\n\n\u003cp\u003eSince its establishment, Pi Recordings has become renowned for its dedication to promoting *unique* and *defining* voices in the music industry. The label's roster includes an array of talented musicians who continuously challenge conventions and create thought-provoking compositions.\u003c\/p\u003e\n\n\u003cp\u003eBy providing a platform for these visionary artists, Pi Recordings enables listeners to discover extraordinary musical experiences that transcend conventional boundaries. Whether you're a jazz enthusiast or simply someone seeking out fresh sounds, Pi Recordings offers an extensive catalog of albums that will captivate and inspire you.\u003c\/p\u003e","products":[{"product_id":"live-at-the-village-vanguard-vol-2","title":"Live At The Village Vanguard Vol. 2","description":"\u003cp\u003e\u003ci\u003eLive At The Village Vanguard Vol. 2\u003c\/i\u003e (Mdw Ntr) finds alto saxophonist and MacArthur fellow Steve Coleman returning to that legendary New York venue with his flagship band Five Elements in two sets that fully capture the group's incendiary live experience.\u003c\/p\u003e\u003cp\u003ePushed by Coleman to perform as spontaneously as possible, the result is frenetic improvisation that is constantly teetering on edge, yet somehow still retaining form and structure, an effect that is only possible due to the intuition and near-telepathic level of communication that the ensemble has honed through hundreds of sets played together over the decades.\u003c\/p\u003e\u003cp\u003eThe sets feature a combination of old Coleman standards and new works that reflect his recent practice of composing whereby the forms are derived spontaneously while he visualises various motions and shapes. For this recording, the compositions were inspired by the shapes and symbolism of the Mdw Ntr, a transliteration of the Kemetic writing system, usually called hieroglyphics.\u003c\/p\u003e\u003cp\u003eFeatured prominently is the masterful spoken word artist Kokayi, who brings a freewheeling, rhythmically-acute, almost tent revival aesthetic to the proceedings and whose appearance is most likely the first time that a rapper has performed at the venerable club. Inspired by the Vanguard's magical vibe, the band is absolutely on fire, with sets that are intense, raw, and playful, and, as always, propelled by a powerful groove that is the hallmark of Coleman's music.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD | x2.","offer_id":50387896926539,"sku":"1135464","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/96199fba-71cd-4d14-955e-547a97261a29_thumbnail_4096.jpg?v=1726338105"},{"product_id":"levs","title":"Levs","description":"\u003cp\u003eBassist \u003cstrong\u003eKim Cassis\u003c\/strong\u003e is among a vanguard group of Brooklyn-based improvisors who are creating works at the leading-edge of rhythmic acuity.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50389980512587,"sku":"2208441","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_67a2e0d2_thumbnail_4096.jpg?v=1726377643"},{"product_id":"ex-machina-4","title":"Ex Machina","description":"\u003cp\u003eEx Machina is a collaboration between saxophonist\/composer Steve Lehman, whom the New York Times has called \"a state-of-the-art musical thinker,\"and Orchestre National de Jazz (ONJ) that goes far beyond anything attempted before by a jazz big band.\u003c\/p\u003e\u003cp\u003e Featuring compositions by Lehman and Frederic Maurin, ONJ's artistic director, the work incorporates elements of French spectral harmony into its compositional framework while also integrating live, interactive electronics developed atIRCAM (Institut de Coordination Acoustique Musique) in which abstract electronic sounds react to soloist improvisations in real-time. The new work is inspired by Lehman's Octet, whose groundbreaking work were the first to utilize spectral harmony's complex sonorities within a jazz context. Their critically- lauded releases Mise en Abime (Pi 2014) and Travail, Transformation and Flow (Pi 2009) were voted the #1 album of the year in the NPR Jazz Critics Poll and the #1 jazz album of the year in The New York Times, respectively. \u003c\/p\u003e\u003cp\u003eThe album's name evokes spectral composer Gerard Grisey's iconic \"Tempus Ex Machina\" as well as Lehman and Maurin's inspired fusion of electronic sounds with traditional instrumentation. While at many points the computer becomes an improvisation partner for the musicians, it's still the crack soloists of the ONJ along with Lehman and his long- running musical partners Jonathan Finlayson (trumpet) and Chris Dingman (vibraphone) who carry the day. With its otherworldly sonorities, elaborate orchestration, and complex rhythmic propulsion, Ex Machina is a meticulously crafted work that continues to position Lehman at the leading edge of jazz.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50405055496523,"sku":"2051483","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/0808713009927_d5be5798_thumbnail_4096.webp?v=1726573383"},{"product_id":"find-letter-x","title":"Find Letter X","description":"\u003cp\u003eFind Letter X is the eponymously-named release from the long-running Brooklyn-based band led by drummer\/composer Kate Gentile featuring saxophonist Jeremy Viner, pianist Matt Mitchell, and bassist Kim Cass\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50408984248651,"sku":"2144998","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_b98ca7ae_thumbnail_4096.jpg?v=1726609258"},{"product_id":"continuing","title":"Continuing","description":"\u003cp\u003eContinuing is drummer Tyshawn Sorey's highly-anticipated follow-up to \u003ci\u003eMesmerism\u003c\/i\u003e and \u003ci\u003eThe Off-Off Broadway Guide to Synergism\u003c\/i\u003e, his two critically-acclaimed 2022 releases that feature this avowed avant-gardist's surprising forays into classic, swinging jazz. Those two prior releases were voted #4 and #5 best albums of the year, respectively, in the annual Francis Davis Jazz Poll of over 150 jazz critics. In two 4 1\/2 Star reviews, Downbeat called Mesmerism \"wonderfully simple, yet breathtakingly deep\" and Off- Off Broadway (featuring saxophonist Greg Osby) \"music robust enough to have you believe the energy generated by the group is its own discrete force.\"While the new release features the same musicians as on Mesmerism - Sorey on drums, pianist Aaron Diehl and bassist Matt Brewer - the result could not be more different. While the frst release is mostly comprised of neat jewel cases, Continuing is sprawling, with its four long tracks given room to breathe deeply, allowing the musicians to explore crevices and possibilities while keeping the emphasis on melody, groove, swing, and the blues. The languorous pace taken on the standard \"Angel Eyes\" requires a rare intensity of concentration from the trio, but they dig deeply into the feeling of all of the songs, including compositions by Wayne Shorter and Ahmad Jamal, who both coincidentally passed away recently, and Harold Mabern, a mentor to Sorey. The performances are masterful and unforced, played with an honesty and spontaneity that get at the music's emotional core.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50411518787915,"sku":"2026970","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/bdcdf8be5bb8e9eb500f6f66d7edbb08_ae0b7f1a_thumbnail_4096.webp?v=1726659485"},{"product_id":"unknown-rivers","title":"Unknown Rivers","description":"\u003cp\u003eAn omnipresent and galvanizing force on the music scene, \u003cstrong\u003eStewart\u003c\/strong\u003e is a leader or co-leader of such bands as Irreversible Entanglements - whose \u003cem\u003eProtect Your Light\u003c\/em\u003e DownBeat called \"\u003cem\u003ea fascinating work of art whose existence is exactly what it's supposed to be, perfectly in place on the great curve of the universe\u003c\/em\u003e\" - along with his Exposure Quintet, Blacks' Myths, Heart of the Ghost, and Remembrance Quintet.\u003c\/p\u003e\n\n\u003cp\u003eAlso named by DownBeat as one of \"\u003cem\u003eTwenty-Five Performers Who Could Shape Jazz for Decades\u003c\/em\u003e,\" he is also among the most in-demand collaborators, having performed with the likes of David Murray, Archie Shepp, Wadada Leo Smith, Nicole Mitchell, Moor Mother, Jaimie Branch, Nate Wooley, William Hooker, Ken Vandermark, Marshall Allen, Gary Bartz, Billy Hart, Shabaka, Hamid Drake, Douglas Ewart, and countless others.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"Black LP","offer_id":50415716532555,"sku":"2195410","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50415716434251,"sku":"2195397","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_a6fd89e4_thumbnail_4096.jpg?v=1726692153"},{"product_id":"selebeyone","title":"Selebeyone","description":"\u003cp\u003eThe NY saxophonist and composer Steve Lehman's music has always drawn from disparate sources in distinctive ways, but with 'Slbyone', he takes an unexpected turn: drawing, from modern jazz, Senegalese rap, live electronics, and underground hip-hop, to create a unique form of urban experimentalism\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"Black LP","offer_id":50442145923403,"sku":"2203267","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_5db72cd4_thumbnail_4096.jpg?v=1726993165"},{"product_id":"natural-selection","title":"Natural Selection","description":"\u003cp\u003e\u003ci\u003eNatural Selection\u003c\/i\u003e is the highly-anticipated follow-up to drummer\/composer Dan Weiss's 2018 release \u003ci\u003eStarebaby\u003c\/i\u003e, an unconventional compounding of doom metal, electronic music, and improvisation into a dark and mystic brew.\u003c\/p\u003e\u003cp\u003eThe recording of \u003ci\u003eNatural Selection\u003c\/i\u003e came fast at the end of a run of performances for the band, which helped further cement the group's unique sound. It's staggering to contemplate the wide-ranging ability of these musicians: from bone-crunching power to pensive reflection; exacting hits to improvised texture; faith to the compositions and manic improvisation, all played with imagination and conviction.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50473283322187,"sku":"1101389","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/89dc0809-f932-4b3b-8520-2158e015c6ee_thumbnail_4096.jpg?v=1727428070"},{"product_id":"zero-grasses-ritual-for-the-losses","title":"Zero Grasses: Ritual for the Losses","description":"\u003cp\u003e\u003ci\u003eZero Grasses: Ritual for the Losses\u003c\/i\u003e, by sui generis vocalist, composer and multi-instrumentalist Jen Shyu, is a collection of songs devoted to the marginalized voices of women around the world, and a profound elegy to personal loss. \u003c\/p\u003e\u003cp\u003eThe album is dedicated to her father, who passed away in 2019. It was Shyu's discovery of her old diaries while cleaning out his closet that transformed \u003ci\u003eZero Grasses\u003c\/i\u003e into a coming-of-age story about her ambitions and personal reflections on the racism and sexism that she has faced throughout her life. The past year has also made her reflect on the ongoing racism in US society - she dedicates a song to the memory of Breonna Taylor - and life in the time of COVID. On \u003ci\u003eLiving's a Gift\u003c\/i\u003e, Shyu sings all the vocal parts to her first composition for choir, set to heartbreakingly wise words of middle schoolers affected by the pandemic. \u003cbr\u003e \u003cbr\u003eThe music on \u003ci\u003eZero Grasses\u003c\/i\u003e spans the full range from ancient to modern, referencing traditional Javanese music, Japanese \"katari\" (or speaking the song) that is sung with the biwa, East Timorese chant from Ataúro island, all derived from her 15-plus years of immersive fieldwork on languages and traditional musics of her own ancestry and other cultures. Her work is unique in its combination of languages and musical forms from these traditions, contemporary composition, jazz, improvised music, and dream-like narrative. It's an innovative architecture of sound that could never be heard anywhere else.\u003c\/p\u003e","brand":"Pi Recordings","offers":[{"title":"CD","offer_id":50474952196427,"sku":"1117695","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6d52b0ff-bb4a-48dd-a425-176bb0874e22_thumbnail_4096.jpg?v=1727440502"},{"product_id":"facets","title":"Facets","description":"\u003cp\u003e\u003ci\u003eFacets\u003c\/i\u003e is saxophonist\/composer Hafez Modirzadeh's latest radical entreaty against the cultural hegemony of the Western notion of equal temperament and his argument that musicians should be free to explore a variety of tonal possibilities, even on piano.\u003c\/p\u003e\u003cp\u003eHis 2012 release 'Post-Chromodal Out!' was the first documentation of this concept, where the piano was tuned to a variety of temperaments. Performed with pianist Vijay Iyer, The New York Times called that album \"Dauntless There's heady discipline at work here, along with the stirrings of a hard-fought individualism.\" With his new release, Modirzadeh has distilled the idea to a single re-tuning, which is performed in duets with three towering musicians in contemporary improvised music: Kris Davis, Tyshawn Sorey and Craig Taborn, each interrogating the piano's new possibilities with imagination and ingenuity. \u003c\/p\u003e\u003cp\u003eModirzadeh himself utilises alternate fingerings and embouchure adjustments on his instrument to achieve intervals between major and minor, and the pieces sway with an elasticity reminiscent of Persian poetic meter. 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Added together, its four members - Liberty Ellman on guitar, Christopher Hoffman on cello, Jose Davila on tuba, and Elliot Humberto Kavee on drums, along with the leader on alto sax and flutes - have been playing with him for a total of over 75 years.\u003c\/p\u003e\n\n\u003cp\u003eThese are the musicians of his inner-circle, who have dedicated countless hours to mastering the maestro's inimitable music - or at least to the extent that mastery can be achieved in music that is constantly changing and being pushed to the teetering edge.\u003c\/p\u003e\n\n\u003cp\u003eThe compositions on the album are described by Threadgill as sonatas or concerti: \"\u003cem\u003eCome and Go\u003c\/em\u003e\" for saxophone and cello; \"\u003cem\u003ePoof\u003c\/em\u003e\" for saxophone and guitar; \"\u003cem\u003eBeneath the Bottom\u003c\/em\u003e\" for trombone; \"\u003cem\u003eHappenstance\u003c\/em\u003e\" for flute and drums; and \"\u003cem\u003eNow and Then\u003c\/em\u003e\" for tuba and guitar.\u003c\/p\u003e\n\n\u003cp\u003eBy this point, the group's reliance on the serial intervallic system that was the basis of the group's unique sound is more felt than prescribed or, as Threadgill describes it, \"stripped down to the bones,\" relying on the musicians to fill in the rest of the corpus.\u003c\/p\u003e\n\n\u003cp\u003eAll the other hallmarks of this music are here: unpredictable forms, percolating rhythms, the interwoven melodic strains; there's really nothing else remotely like it. 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Despite the small nuggets of musical information, their approach is still jazz-oriented: the musicians first play, and then improvise on the tunes. The one-bar compositions can be looped, connected, made into vamps, transposed, inverted, alternated, played together to create other-worldly counterpoint, basically in infinite permutations. Ultimately, Mitchell and Gentile's intention behind 'Snark Horse' is to make a highly improvisational and expansive environment using compressed versions of the kinds of material they use in their longer pieces. The compositions help foster a unique, highly imaginative universe for the musicians to show off their individual takes on this truly idiosyncratic music. \u003c\/p\u003e\u003cp\u003eTheir energy is captured in over 270 minutes of music, interwoven with 60 additional minutes of electronic material composed and performed by Mitchell in response to the group recordings. 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Written for a 12-piece ensemble - made up of an unusual instrumental combination of three saxophones, violin, viola, two cellos, tuba, percussion, piano and two bassoons - The New York Times described the performance as possessing \"a galvanic sense of swing,\" and \"in lock-step with his every surprise rhythmic feint -- producing an obliquely danceable, straightforwardly joyous Threadgillian energy.\" Downbeat called Threadgill \"probably the most important composer\/improviser around at the moment\" in its review of his prior release, \u003ci\u003e\u003cstrong\u003ePoof\u003c\/strong\u003e\u003c\/i\u003e (Pi 2021). That album featured \u003cstrong\u003eZooid\u003c\/strong\u003e, his main working band for more than two decades and his workshop for developing his unique concept of using prescribed intervallic patterns in composition and group improvisation. That method - which helped the group win the 2016 Pulitzer Prize for music for its release \u003ci\u003e\u003cstrong\u003eIn for a Penny, In for a Pound\u003c\/strong\u003e\u003c\/i\u003e - continues to be used in all of Threadgill's new music, including \"Of Valence.\" Regular members of prior Threadgill ensembles - Jose Davila on tuba, Christopher Hoffman on cello, David Virelles on piano, Craig Weinrib on drums - also take part, helping to bring that inimitable Threadgill sound to the proceedings. The ensemble is further made up of younger acolytes and musicians whose practice straddles that interstice between composed and improvised music. All of the hallmarks of Threadgill's music are here: unpredictable forms, unusual instrumental combinations creating surprising timbres, percolating rhythms, interwoven melodic strains, and masterful interlacing of composition with improvisation. The recording was taken from the second of two performances respectively entitled \"One\" and \"The Other One.\" Threadgill was driven to create this new large work based on his observations of the exodus of people from New York City during the Covid pandemic. In particular, he was struck by the left-behind detritus that littered the sidewalks of his East Village neighborhood and what this reveals about human transience, rampant consumerism, and a disposable society. It encompasses video, projected paintings and photographs, electronics, a pre-recorded choir made up of his own voices, and even Threadgill singing while accompanying himself at the piano. In between all of these elements he recited prose that expressed his own wry and often humorous observations on the effect of technology and its effect on human behavior. The performances were a clear extension to the AACM impulse to break boundaries and be artists in a holistic way, not just in musical expression, a central tenet shared by so many of that organization's titans. \"Of Valence\" is dedicated to the percussionist and polymath Milford Graves, who passed away in 2021. The piece was inspired by Graves' dedicated study of the human heart beat and its application to music. This can be heard in particular in Movement II, where the string trio of Sarah Caswell on violin, Stephanie Griffin on viola and Mariel Roberts on cello, play their parts while listening to a playback of their own heartbeats as recorded previously by a cardiologist. Their individual pulses dictate the tempo at which they play, further highlighting their snaking, contrapuntal weave. Graves's influence can further be observed in the use of transducers hooked up to drummer Weinrib's cymbals, the signal from which are then electronically altered, lending them an other-worldly timbral sheen. Even at the age of 79, 2023 promises to be another banner year for Threadgill. His long-awaited memoir, \u003ci\u003e\u003cstrong\u003eEasily Slip Into Another World\u003c\/strong\u003e\u003c\/i\u003e, will be published by \u003cstrong\u003eAlfred A. Knopf\u003c\/strong\u003e together with the release of \u003ci\u003eThe Other One\u003c\/i\u003e. The book was written in collaboration with \u003cstrong\u003eBrent Hayes Edwards\u003c\/strong\u003e, Professor of English and Comparative Literature at Columbia University, where he is also affiliated with the Center for Jazz Studies. His prior books include \u003ci\u003eEpistrophies: Jazz and the Literary Imagination\u003c\/i\u003e (Harvard University Press, 2017), which won the 2018 ASCAP Foundation Virgil Thomson Award for Outstanding Music Criticism as well as the 2019 Truman Capote Award for Literary Criticism in Memory of Newton Arvin. 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The New Yorker calls Sorey \"among the most formidable denizens of [that] in-between zone,\" while The Wall Street Journal has called him \"a composer of radical and seemingly boundless ideas.\" \u003c\/p\u003e\u003cp\u003eFeaturing Cory Smythe on piano and Chris Tordini on bass, the trio's first release, 'Alloy' (Pi 2014), was described as \"shadowy and elegant\" by The New York Times. His 2015 release, 'The Inner Spectrum of Variables', which also features the same group joined by a string trio, was called \"devastatingly gorgeous\" by The Chicago Reader and \"a genuine masterwork\" by Stereogum. The new work utilizes a wide array of percussion, along with judicious use of electronics to explore a wider textural soundscape. 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