{"title":"Poison City Records","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePoison City Records is a record label, distribution company, and skateboard\/record store based in Melbourne, Australia. With a strong presence in the local music scene, Poison City Records has been providing a platform for emerging artists to showcase their talent since [year]. Their diverse catalogue includes genres such as punk rock, indie pop, and alternative rock.\u003c\/p\u003e\n\n\u003cp\u003eAs a record label, Poison City Records takes pride in nurturing artists and helping them reach their full potential. They offer support with recording, production, marketing, and promotion to ensure that each release receives the attention it deserves. Their dedication to quality music has earned them a reputation as one of the leading independent labels in Australia.\u003c\/p\u003e\n\n\u003cp\u003eIn addition to their role as a record label, Poison City Records also operates as a distribution company. They work closely with other independent labels and artists to distribute their music across various platforms including physical copies and digital downloads. This allows them to reach a wider audience and create opportunities for musicians outside of the mainstream industry.\u003c\/p\u003e","products":[{"product_id":"whats-wrong-with-me","title":"Whats Wrong With Me","description":"\u003cp\u003eRough Trade Shops tip for the future. It's full of intensity and big hooks. It'll hit you with a sledgehammer. It's like hearing Amyl and the Sniffers for the first time and instantly falling in love. \u003ci\u003eWhat’s Wrong With Me\u003c\/i\u003e is the debut long player from Greece based, Australian born powerhouse siblings Frenzee. From the raging opener ‘100°’ to the harmonic death of ‘What's Wrong With Me’, the collective synapses of the siblings are firing. The weight is immense. Apollonia paces in the sonic cell between the wall of Adonis’ guitar and the battery of Nikos' rhythmical onslaught. It’s synchronicity and devoid of artifice. Just big raw power. No, not power. Something more honed and refined and terrifying. Pressure. So much pressure. The maximum pressure any one person can put on a string, a snare, a room, a community or a system. Welcome to the pressure age.  Indeed, Frenzee may be a collective bonded by blood, but there is much more to this outfit. They play with a singular energy that nods to the intensity of the Cretan traditions they’ve devoured throughout their life, but also builds upon the other space of childhood influences, like AC\/DC, Hard Ons and The Angels infused with a heavy dose of Bikini Kill, Motorhead, Hole, The Prodigy and Rage Against the Machine. It’s raw and fierce, yet seeped in tradition, discipline and skillset shared through generations of the Xylouris family.\u003c\/p\u003e","brand":"Poison City Records","offers":[{"title":"LP - Purple \/ Rough Trade Exclusive","offer_id":50490638238027,"sku":"2217727","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Screenshot_2024-08-20_at_08.14.50_6429b26d_thumbnail_4096.png?v=1727668992"},{"product_id":"expired-candy","title":"Expired Candy","description":"\u003cp\u003eYour new favourite Australian underground gems, Body Type are back with their hotly anticipated second album Expired Candy via Poison City Records.  Body Type assert there's no time like the present and reveal \u003ci\u003eExpired Candy\u003c\/i\u003e is filled with hope, love, and danger, dancing with delicious uncertainty. In pursuit of joy they dreamed up songs about mothers, sisters, dogs, nans; family tantrums, forward motion, falling in love, platonic or romantic, with someone or self. \u003c\/p\u003e\u003cp\u003e Following recent national tours supporting Fontaines D.C and the Pixies, the first peek of \u003ci\u003eExpired Candy\u003c\/i\u003e arrived with ‘Miss The World’. Born out of their time during COVID, 'Miss the World' is a pummelling lament, concerned with citizens’ unquestioning compliance and the ascent of tyrants, told through pre-teen anarchists, bichon frises, and a drum beat based on a Gwen Stefani song. Acting less as a commentary on the pandemic but rather the realisations, both personal and collective that occurred during that time.   ‘Miss The World’ is the first taste of new music from the band since the release of their independently released, Australian Music Prize-nominated debut album \u003ci\u003eEverything Is Dangerous But Nothing’s Surprising.\u003c\/i\u003e Featuring tracks like 'Buoyancy' ‘The Charm’ and 'Sex and Rage', the 11-track record is a sharp, and invigorating listen packed with gentle contemplation and righteous fury. \u003cbr\u003e\u003c\/p\u003e","brand":"Poison City Records","offers":[{"title":"LP","offer_id":50490741752139,"sku":"2013613","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/PCR192_BodyType_ExpiredCandy_1500_a15c5281_thumbnail_4096.jpg?v=1727672551"},{"product_id":"everything-is-dangerous-but-nothings-surprising","title":"Everything Is Dangerous But Nothings Surprising","description":"\u003cp\u003e\u003ci\u003eEverything Is Dangerous But Nothing's Surprising\u003c\/i\u003e is the blistering debut studio album from Australia’s Body Type. Recorded and mastered by Jonathan Boulet, the 11 new tracks sound joyfully anarchic, bursting with life and autonomy. It’s an album about yanking back control, embracing abandon and purging despair, told through the grizzly margins of wiry garage-pop and post-punk. Since first forming in 2016, Body Type have shared acclaimed releases, 'EP1' and 'EP2' to global fever and critical acclaim from DIY, NME, Dork, The Line Of Best Fit, The FADER, Stereogum, KEXP, Apple Music’s Matt Wilkinson, BBC Radio 1’s Jack Stephens, triple j’s Declan Byrne and many more. In between support stages with Fontaines D.C., Big Thief, Cate Le Bon, POND, Unknown Mortal Orchestra, Frankie Cosmos, Rolling Blackouts Coast Fever and more, the group have also performed across SXSW, The Great Escape, and headline tours in the US and UK, including a recorded session at the BBC's Maida Vale studios.\u003c\/p\u003e","brand":"Poison City Records","offers":[{"title":"Violet | LP","offer_id":50496475660619,"sku":"1144734","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/abd3e3f8-46d2-410b-9f02-81a3324665c3_thumbnail_4096.jpg?v=1727721282"},{"product_id":"out-of-focus","title":"Out Of Focus","description":"\u003cp\u003e\u003ci\u003eOut Of Focus\u003c\/i\u003e is the new album from from Australian expansive-psych-rock trio Grinding Eyes via Poison City Records. Led by the pulsing new single ‘We Move Slowly', \u003ci\u003eOut Of Focus \u003c\/i\u003eis the latest sonic journey into the imagination of Grinding Eyes; a long drive through waves of droning guitars, lush melodic hooks and driving kraut inspired repetition. The eight new tracks were recorded by Paul Maybury to analog tape in Melbourne and mixed by Evan Foster (Iggy Pop, Mudhoney, Boss Martians), expanding on sonic territory previously explored by the band on the 2021 album \u003ci\u003eTaste The Monochrome\u003c\/i\u003e. Forming in 2016 and named after a 1960s Spanish B-grade horror film, Grinding Eyes have always played the long game, carefully constructing sonically dense and dynamically shifting albums while clocking up the miles touring internationally, earning them coveted supports with indie royalty Dinosaur Jr, The Jesus Mary Chain, King Gizzard, Boris, Swervedriver, Mudhoney and more.\u003c\/p\u003e","brand":"Poison City Records","offers":[{"title":"Green LP","offer_id":50933616673099,"sku":"2235306","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/PCR206_GrindingEyes_OutOfFocus_43002d35_thumbnail_4096.jpg?v=1733354265"},{"product_id":"turning-yr-back-on-the-dolphin","title":"Turning Yr Back On The Dolphin","description":"\u003cdiv\u003ePalm Springs is the outsider folk identity of Erica Dunn and an evolving cast of essential collaborators. Born out of a compulsion to write sparse, intimate verse and named for her nervous affliction -sweaty hands - Palm Springs has been a cornerstone of Dunn’s songwriting that sits in a seperate interior back room from her other creative outputs (Tropical F*ck Storm, MOD CON, Fiancée, Harmony et al.)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eTurning Yr Back On The Dolphin\u003c\/em\u003e pulls together a tangle of threads that represent seven years of reflection and rumination; an Alice-through-the-looking-glass journey which catalogues existential crisis under the arch of Hadrian (Infinity 69), nihilism vs. wonderment (No Contest), the torture and reward of unshackling from a toxic relationship (Your Ashes, My Tree) and the weight of wading through the waters of modernity as we know it (Lay Your Eric Burden Down). The titular track sees Dunn enlist the piano for the first time to document an aching and introspective stream of consciousness poem which dances along the knife edge crux of this record- the beauty and the pain of existence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRecorded to tape machine over three days by Michael Beach in March 2025, the analogue approach continues the underscoring principles of this project; to capture the fleeting moments of the songs without much deliberation or affect, wonky notes, chair creaks and street noise all on show. Bare bones nylon string guitar\/vocal arrangements are accompanied this time by some new sonic partners flute, cello and harmonium which lean deeply into inspirational folk predecessors while continuing to chisel into Palm Springs bedrock; distinctive dark humour, melodic daydreaming and lyrical imagery which may resurface in your mind in the murky space before dawn.\u003c\/div\u003e","brand":"Poison City Records","offers":[{"title":"LP - Pond Green","offer_id":53508819976523,"sku":"R8118-1623","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/2000x2000bb_c20dd676-fcfe-49a0-acee-a55295232bfc.jpg?v=1759275232"},{"product_id":"beanpole","title":"Beanpole","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cem\u003eBeanpole\u003c\/em\u003e is the debut album from Naarm's Georgia Knight. Written largely on autoharp and filledwith shadowed, cinematic soundscapes, Beanpole weaves dark-pop moods with trip-hop pulsesand sweeping synth layers, signalling a striking sonic departure from the artist’s folk origins. ‘Mingle’ is the second single from Beanpole, following lead single ‘Desire’.It also marks Georgia’s first release since her 2023 Hell on Bent Street EP, which saw her perform at Rising, Dark Mofo and Camp A Low Hum, as well as supports for Blonde Redhead, Mogwai, Angie McMahon and Maple Glider.\u003c\/span\u003e\u003c\/p\u003e","brand":"Poison City Records","offers":[{"title":"LP - Bathwater Green","offer_id":53508820730187,"sku":"R7634-3946","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a2098825793_16.jpg?v=1759275441"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_5caa1694_thumbnail_4096_29308a1c-42d1-40ab-b115-e38b503151e4.jpg?v=1727668971","url":"https:\/\/shop.roughtrade.com\/de\/collections\/poison-city-records.oembed","provider":"Rough Trade","version":"1.0","type":"link"}