{"title":"Psychic Hotline","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePsychic Hotline is an artist-run label based in Durham, North Carolina. It was founded by members of the renowned band Sylvan Esso, *a2332827* and *a2035688*, along with their longtime manager, *a8165394*. With a passion for music and a commitment to supporting emerging artists, Psychic Hotline has quickly become a prominent force in the music industry.\u003c\/p\u003e\n\n\u003cp\u003eAs an artist-run label, Psychic Hotline understands the unique needs and challenges faced by musicians. They provide a supportive and collaborative environment where artists can freely express themselves and explore their creative potential. By working closely with each artist, they ensure that every release reflects the artist's vision while also meeting the highest standards of quality.\u003c\/p\u003e\n\n\u003cp\u003eWith its strong connections to the vibrant music scene in Durham, Psychic Hotline has cultivated a diverse roster of talented artists across various genres. From indie rock to electronic pop, their lineup showcases the best of what North Carolina has to offer. Through strategic partnerships and innovative marketing strategies, Psychic Hotline strives to elevate its artists' careers and help them reach new audiences worldwide.\u003c\/p\u003e","products":[{"product_id":"yy-2","title":"Y'Y","description":"\u003cp\u003eWith his new album \u003ci\u003eY’Y \u003c\/i\u003e(pronounced “eey-eh, eey-eh”), Amaro Freitas steps into a new realm of musical creation. 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Nothing could be a greater compliment than this mistake on Caetano's part. “Praga” also has to do with MPB heroes of mine that I never imagined I'd see up close or have any relationship with or any connection with. I was asked to write these lyrics in partnership with the main man Erasmo Carlos for Alaíde Costa's album! Surreal. Like many people, I got acquainted with Alaíde listening to “Clube da Esquina,” her singing with Milton Nascimento. And the idea was to do a poisonous cabaret song samba. The curse of a woman who has dumped a drunk. I love it when Alaíde sings “BIBIDA” in her recording of the song—a total legend. I wanted to produce a kind of horror samba recording, because if it wasn't rock and roll, it wouldn't be much fun for me. I went over to Bielzinho's, and we recorded this chorus that explodes with the percussion and the choir of my friends Tulipa, Maria Beraldo, and Luiza Lian. This take of “Prudência” came from the unpretentiousness of recording two live sessions of the song with Fred Joseph with the cameras of the 70s’ program “Ensaio” (MPB Especial) by the great Fernando Faro. The video take ended up being so unexpected and raw that it unseated the studio version, and that's what you hear on the single. The idea behind the video is a sort of this temporal mindfuck; like found lost tapes of the MPB Especial from the early the 70s. Same microphones, same cameras, that zoom—time travel. Between Mil Coisas Invisíveis, the end of the cycle with O Terno, and starting the new album process, I decided to take advantage of the respite to release this rock and roll 45 of sambas, without thinking too much or over-producing the thing. “Prudence? 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They kept the working mixes and titles, as well as the bird songs and traffic sounds that drifted into the microphones. The result was 2019’s Bluebird, a little five-track wonder that made you feel like you were sitting in the room between them, smiling as they found their wordless rapport.??Two years later, Rosenau (Volcano Choir, Collections of Colonies of Bees) and Sanborn (Sylvan Esso, Made of Oak) got together again. They had fun during round two, but the sessions were neither as carefree as that first attempt nor more focused in a way that felt compelling and new. The pair shelved those pieces to try again when the time seemed right. Then there was a pandemic. There were tours. There were other records. There was life at large. By the time Rosenau ventured back to Betty’s (Sylvan Esso’s studio in the North Carolina woods) to try again, four years had flashed past.??Both Sanborn and Rosenau came prepared this time by, well, un-preparing. 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