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These sonic shifts are represented in music that sees Myrkur touch upon an array of influences - from undeniable metal as heard on the inimitable \"Valkyriernes Sang\", to darker sonic territories inspired by folk and haunting vocal passages on \"Like Humans''. Elsewhere, the brooding \"Mothlike\" showcases a new side of Myrkur's sensibilities, with touches of electronic underpinnings and lush synth orchestrations. \u003c\/p\u003e\u003cp\u003e Spine's title track proves to be one of the most moving songs of the year, as it transcends through moments of affable, delicate vocal, percussive, and string arrangements to a massive chorus that serves as a thesis statement for the rest of the album. 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Edgy Aphex Twin-style drill'n'bass drum breaks and stretched and squeezed electro blips feel strangely at home next to the psychotic time-signature changes and manic riffs, especially on the tracks \"Sick on Sunday,\" \"Dead as History,\" and \"When Acting as a Wave.\" Violins, pianos, and trumpets sit nicely in the mix, and the group's willingness to take chances leads to stunning artistic endeavours rather than stale attempts at crossing genres just for the sake of being clever. Original vocalist Dimitri Minakakis makes an appearance, as does Mastodon guitarist Brent Hinds, but the most notable inclusion is drummer Gil Sharone, who proves himself an expert at picking up the slack after the departure of founding member Chris Pennie to play in Coheed and Cambria. 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