{"title":"Rocket Girl","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRocket Girl is a UK music label that was founded by Vinita Joshi in 1997. With over two decades of experience, Rocket Girl has established itself as a prominent player in the music industry. The label prides itself on its diverse roster of talented artists and performers.\u003c\/p\u003e\n\n\u003cp\u003eSince its inception, Rocket Girl has been dedicated to promoting innovative and boundary-pushing music across various genres. The label's commitment to artistic freedom and creativity has earned it a reputation for releasing groundbreaking albums that push the boundaries of conventional music.\u003c\/p\u003e\n\n\u003cp\u003eWith an impressive catalog of releases, Rocket Girl continues to discover and nurture emerging talent while also working with established artists who share their vision. 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Kane - comprising the ‘Up Home’ EP from 1988 that signified the band’s dawning realisation of their own powers and possibilities, their legendary debut LP \u003ci\u003esixty nine\u003c\/i\u003e (1988) and its kaleidoscopic, prophetic double-LP follow up i (1989). In founder-member Rudy Tambala’s new remastering, the music on these pivotal transmissions from the birth of dream pop, have been reinvigorated and re-infused with a new power, a new depth and intimacy, a new height and immensity. Vivid, timeless and yet always timely whenever they’re recalled, these records still force any listener to realise that despite the habits of retrospective myth-making and the safe neutering effects of ‘genre’, thirty years have in no way dimmed how resistant and dissident to critical habits of categorisation A.R. Kane always were. \u003c\/p\u003e\u003cp\u003eNever quite ‘avant-pop’ or ‘shoegaze’ or ‘post-rock’ or any of those sobriquets designed to file and categorise, \u003ci\u003eA.R. Kive\u003c\/i\u003e is a reminder that those genres had to be coined, had to be invented precisely to contain the astonishing sound of A.R. Kane, because previous formulations couldn’t come close to their sui generis sound and  suggestiveness. This is music that pointed towards futures which a whole generation of artists and sonic explorers would map out. Now beautifully repackaged, remastered and fleshed out with extensive sleeve notes and accompanying materials, \u003ci\u003eA.R. Kive\u003c\/i\u003e reveals that 35 years on it’s still a struggle to defuse the revolutionary and inspirational possibility of A.R. Kane’s music.\u003c\/p\u003e\u003cp\u003eThis beautifully crafted box includes digitally remastered vinyl editions of the Up Home EP,  and the \u003ci\u003eSixty Nine\u003c\/i\u003e and \"i\" LPs. These remasters have taken the music to another level; more detailed, bigger, brighter and deeper.  Also includes newly commissioned mini A.R. 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A postcard with digital download code (The Up Home EP with three remixes exclusive to A.R.Kive, W.O.G.S remix by Slowdive, Baby Milk Snatcher remix by Tim Reaper, and a Baby Milk Snatcher remix by Louis Tambala).\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"Black LP.","offer_id":50394094240075,"sku":"2052748","price":129.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/RGIRL133_Pack_d20f9b75_thumbnail_4096.jpg?v=1726432243"},{"product_id":"we-are-urusei-yatsura","title":"We Are Urusei Yatsura","description":"\u003cp\u003eRemastered reissue of \u003ci\u003eWe Are Urusei Yatsura\u003c\/i\u003e (originally released in 1996), with bonus vinyl of\nunreleased demos and B-sides. \n\u003c\/p\u003e\u003cp\u003eBack in 1996, after several increasingly well-received 7’s, the band travelled to Leamington Spa to record\ntheir debut album with John Rivers, producer of Swell Maps and Glasgow scene godparents, The Pastels.\nThe resulting album won the group legions of new fans and gained them their first Independent #1 chart\nplacing, alongside peers Ash and Super Furry Animals.\n\u003c\/p\u003e\u003cp\u003e“These were fertile years in Glasgow, a scene with no name, no single sound, where the magic thread tying\neveryone together was words and works so personal, they couldn’t be mistaken for anyone else’s. ‘We Are\nUrusei Yatsura’ is a cascade of ‘why not?’ thinking. The way ‘Phasers on Stun’ spirals into ‘Sola Kola’; the\nsunburned 23-second improv at the end of ‘Pachinko’; the slack-echoing strings of the outro to ‘Road Song’\nsprayed with the shrapnel of toy electronics. Pure pop magic, Ren \u0026amp; Stimpy on upstairs, ray-guns, Ian’s\nhomemade walkie-talkie speaker, a beatbox, all sealed with a “Talking Tina” doll’s emphatic endorsement: “I\nlove it”” – Nick Soulsby\n\u003c\/p\u003e\u003cp\u003eThe vinyl-only double LP set comprises the original 1996 album recorded by John Rivers, accompanied with\nan extra disk of unreleased demos, rare singles and B-sides which have not been available since the 90’s. It\ndocuments the time leading up to the release of the LP and the singles that came from it, capturing the\ndevelopment, lost pop moments and essential experiments from the eccentric and joyful Glasgow band. The\ncover has been completely remixed using archive\nphotos and artwork from the time, with new interviews and extensive notes. 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But then again, this is the kind of thing that can happen when your past includes studying under minimalist pioneer La Monte Young, making records with Alan Sparhawk of Low, collaborating with Stephin Merritt, and touring Europe with Lydia Lunch. For the recording of 'Black Halo' DeRosa returned to Brooklyn to work with his musicians and long time collaborator and producer Charles Newman (The Magnetic Fields, Soko, Gospel Music). The two returned to Los Angeles for further tracking and vocals, and to work with multi-instrumentalist Brad Gordon (The Weepies, Dan Wilson) on the orchestral arrangements (Brad also co-wrote \"Blood Moon\" with DeRosa). The record features vocal contributions from the exquisite Carina Round (Early Winters \/ Puscifer), as well as the DeRosa \/ Round co-written duet 'Dancing In A Dream.' Finally, a most notable collaboration comes in the shape of 'When Daddy Took The Treehouse Down,' which DeRosa co-wrote with the inimitable Stephin Merritt (The Magnetic Fields).\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50478988525899,"sku":"388384","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1e957073-da59-4965-aba3-e12d7d56526c_thumbnail_4096.jpg?v=1727497157"},{"product_id":"origins-6","title":"Origins","description":"\u003cp\u003eGod is an Astronaut's seventh full-length album, 'Origins', is their first as a five-piece and cements their place as one of the world's most intense, musically - and visually-inventive post rock bands. Renowned for their searing live shows in which the music is married with provocative projected imagery, God is an Astronaut consider each of their albums to be a sonic 'photograph or snapshot of who we are in that moment of time' and 'Origins' is perhaps their most saturated, striking snapshot to date. Comprising a dozen tracks, 'Origins' fluctuates from controlled ferment ('Calistoga') to plaintive, piano-led reverie ('Autumn Song') to rhapsodic, unapologetically melodic fever ('Signal Rays') while never losing its focus. Experimenting with 'a multitude of stompboxes', the newly bolstered line-up gives the songs an added richness, apparent on 'Origins' perhaps most obviously on the first single, 'Spiral Code' which has already received numerous radio plays on specialist radio.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"LP","offer_id":50478990033227,"sku":"366458","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1d19fb5b-b4ba-4018-a30b-fe3636439f2b_thumbnail_4096.jpg?v=1727497194"},{"product_id":"in-debt","title":"In Debt","description":"\u003cp\u003eOriginally released in 1992 by Che Records, Disco Inferno’s debut album I\u003ci\u003en Debt \u003c\/i\u003eis to be made available as a double limited edition vinyl LP and single CD package including one previously unreleased track and with new artwork and sleeve notes by 90’s music zeitgeist legend Neil Kulkarni. Whilst it's now almost second nature for a band to incorporate digital technology into their armoury, you'd struggle to find anyone who went anything like as far as Disco Inferno. In 1992, they took the quantum leap from their modest beginnings to totally rewire themselves and become the most radical, forward-thinking guitar band on the planet, with a revolutionary sample-based approach that was simply years ahead of the curve. Whilst numerous acts were making use of the sampler and MIDI technology, no other band integrated it so thoroughly into the process. DI didn't simply tack on a dance beat or spice things up with the addition of a few novel sonics or quirky quotations. The technology was hard-wired into the very heart of their music. Veering between the deeply challenging and the downright catchy, they continually attempted to push themselves forwards, resulting in two unrivalled albums and a dazzling collection of EPs that consistently redefined the boundaries. \u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50478990524747,"sku":"1008523","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/62a7fa7a-0802-4330-ac08-564b0c716ba0_thumbnail_4096.jpg?v=1727497214"},{"product_id":"stem","title":"Stem","description":"\u003cp\u003eRumored to be one of the most intriguing collaborations of 2018, Rocketgirl presents Pieter Nooten’s 4th solo album \u003ci\u003eStem \u003c\/i\u003eas Nooten teams up with legendary producer \/ mixer \/ sound-artist Stephen W Tayler (Kate Bush, Underworld) at Peter Gabriel’s Real World Studios. \u003ci\u003eStem\u003c\/i\u003e is probably Nooten’s finest work since collaborating with Michael Brook 30 years ago, producing the timeless cult classic \u003ci\u003eSleeps With The Fishes\u003c\/i\u003e. Setting the tone in his 2012 double CD \u003ci\u003eHaven\u003c\/i\u003e, Nooten further explores the boundaries between the neoclassical and ambient genre, delivering an album of heartwrenching, profound melodic compositions that invites you to listen to \u003ci\u003eStem\u003c\/i\u003e over and over again. \u003c\/p\u003e\u003cp\u003eCD - 60 Minutes long (The CD includes a bonus track).\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eLP - The 180 Gram vinyl has been specially edited by Stephen and Pieter and comes with a postcard and a download code of the full version.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"LP","offer_id":50506988945739,"sku":"1031674","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":50506989142347,"sku":"1031669","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/60818ea5-eede-47bc-a045-61000d708726_thumbnail_4096.jpg?v=1727835656"},{"product_id":"o-little-stars","title":"O Little Stars","description":"\u003cp\u003eBest known for their critically acclaimed instrumental group State River Widening, messrs Phelan and Sheppard are involved in numerous musical projects, but this guise is undoubtedly our favourite. These recordings are drawn from a loose body of work recorded at intervals between 1996 and 2001. Like the fluid, melodic phrases of, say, Susumu Yokota (who has recently remixed one of David Sheppard's other projects, Ellis Island Sound), their first full-length release, \u003ci\u003eO Little Stars\u003c\/i\u003e, reflects intimate moods and scenes that flow together with a dreamy, early-dawn sunrise feel. \u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50525898899787,"sku":"308018","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e3eb1d78-018e-4de1-b07f-813d1dd2be51_thumbnail_4096.jpg?v=1728037425"},{"product_id":"you-are-my-urusei-yatsura-bbc-radio-sessions","title":"You Are My Urusei Yatsura - BBC Radio Sessions","description":"\u003cp\u003eSo it's coming up for the 20th anniversary of the 'We Are Urusei Yatsura' album, so what better time to look back at the broken Woolworths guitars, damaged eardrums and bleeding knuckles of Glasgow's lo-fi, Tokyo dreaming geek rock quartet? You could say it all began at the Glasgow Sound City event, when legendary BBC DJ John Peel came along to check out Urusei Yatsura at the 13th Note at the invitation of future Franz Ferdinand front-man Alex Kapranos. Liking the chaos that he saw, Peel invited the band to record a session for his show, asking live on air while guitarist and singer Graham Kemp was visiting the studio to talk about his 'Kitten Frenzy' fanzine the next day. \"Peel arranged for us to record the session in Glasgow\" says Kemp, \"We didn't have any amps or any money to get to London.\" Producer Stewart Cruickshank told the band that it was the first Peel Session recorded outside of Maida Vale since the Undertones. So no pressure there then.This began a long association with John Peel and the BBC, which saw the band record 5 Peel Sessions, 3 Evening Sessions for Steve Lamacq, play live to air for Mark Radcliffe, and appear regularly on Radio Scotland for John Cavanagh and Mark Percival. Digging through old C-90's that had been partly taped over with that week's charts, the band have pieced together a compilation of the best tunes for you, the discerning 90's indie rock aficionado. The challenge of recording and mixing four songs in a single day brought out the best in the band, and suited their impulsive, DIY rock n' roll spirit. The album features 11 songs, including session versions of 6 singles, choice album tracks and live favourites from the only band who have been threatened by both the Yakuza and the Mafia (the latter incident generating the hilarious headline \"Nerds Threatened With Death\" in the Sun \"newspaper\"). The band have decided to call this hand-picked selection of the highlights of an eight year \"career\"; 'You Are My Urusei Yatsura, BBC Radio Sessions'. CD - Limited edition Digipak CD.LP - Limited to 300 Copies on Neon Pink Vinyl.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50526417060171,"sku":"404481","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/355a988b-af08-455a-88d3-88056aaa16a2_thumbnail_4096.jpg?v=1728043167"},{"product_id":"someone-there","title":"Someone There","description":"\u003cp\u003e\u003ci\u003eSomeone There\u003c\/i\u003e is Pieter Nooten’s sixth solo-album with London based indie label Rocket Girl.\n\u003c\/p\u003e\u003cp\u003eAfter leaving 4AD-signed 80’s new wave act Clan Of Xymox in 1990, Nooten has never looked back, refining\nhis skill in crafting heart-wrenchingly gorgeous nu-ambient, neo-classical instrumentals, using nothing more\nthan a lap top and sample libraries. His work received critical acclaim throughout the musical world without\nNooten ever compromising his well-defined, particular specialism: weaving extended instrumental pieces\nthat embody strong emotional pathos and refined delicacy at the same time.\n\u003c\/p\u003e\u003cp\u003eOne of his most acclaimed pieces of work was the album he released with Michael Brook \u003ci\u003eSleeps With\nFishes\u003c\/i\u003e; perhaps one of 4AD’s most underrated records in the classic 4AD oeuvre.\n\u003c\/p\u003e\u003cp\u003ePieter Nooten composed, mixed and mastered \u003ci\u003eSomeone There\u003c\/i\u003e in his minimalist home studio in\nAmsterdam.\n\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50529769750859,"sku":"2009251","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/RGIRL132_a5290b5e_thumbnail_4096.jpg?v=1728066239"},{"product_id":"slow-dawns-for-lost","title":"Slow Dawns For Lost","description":"\u003cp\u003eBell Gardens combines the musical visions of Kenneth James Gibson (formerly of Furry Things, now recording as [a]pendics.shuffle, dubLoner and Eight Frozen Modules) and Brian McBride (one half of Stars of the Lid) and began releasing music in 2010, beginning with an EP, 'Hangups Need Company' on Failed Better \/ Burger Records. Their debut album 'Full Sundown Assembly' (Southern \/ Burger Records) appeared in 2012 and, now signed to Rocket Girl in the UK, the band release their second, 'Slow Dawns for Lost Conclusions'. Bell Gardens' origins began arguably as more of an experiment than the duo's current 'experimental' projects - McBride's drone- and string-laden ambient symphonies, and Gibson's ventures in dub and minimalist techno - as they sought to manifest their mutual reverence for folk, psychedelia and chamber pop in a traditional band structure without cannibalising any particular past genre. Bell Gardens' sound is less reliant on effects and studio trickery than the pairs' independent guises, laying bare as it does vocals and live instruments with emotional sincerity, and presenting songs imbued with an almost pastoral or gospel simplicity and timelessness. 'Slow Dawns for Lost Conclusions' was again recorded mostly at home studios, but additionally the band made use of a friend's desert cabin in Wonder Valley, California, and it seems this willingness to retreat from the city has lent an expansiveness to the tracks, in particular the spacious, ceremonial 'Silent Prayer' (written in a snowbound mountain cabin in Idyllwild, C.A.) and the crepuscular 'She's Stuck in an Endless Loop of Her Decline' (mapped out under the stars in the desert). While the addition of strings (contributed by Lauren Chipman of The Rentals and The Section Quartet) and trumpet (Stewart Cole of Edward Sharpe and The Magnetic Zeros) provides a double rainbow of tonal textures throughout, the nine tracks of Slow Dawns for Lost Conclusions are united by an understated elegance belying the newly expanded, communal effort in the studio: each instrument earns its place, nothing is overwrought or conspicuous. Moreover, it is McBride and Gibson's artistry in building stirring soundscapes from the barest of materials in their other guises that lends such assurance and sophistication to these arrangements. The band is a result of the complimentary cross-pollination of Gibson and McBride's musical tastes - borne from a late-night conversation between the two that grew wings - and it is the universality of the sentiments and their restrained, reflective approach to writing and recording that allows the music to simultaneously straddle the past and the present. The music avoids pastiche, its pedal steel, sleigh bells and harmonies giving a nod to the ghosts of musical genres past, but never overriding or distracting from the emotional content of the sum of its parts. The album ends with the glorious 'Take Us Away' - one of the first demos Gibson gave McBride when he was on tour with Stars of the Lid - neatly bringing their work to date full circle and exemplifying the band's mindfulness of their own serendipitous beginnings: the dawning of an auspicious, unique musical force.LP - With Download.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50531084665163,"sku":"381127","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50531084796235,"sku":"381128","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/f98f9fc7-c0d0-430e-ad61-e311309a0e25_thumbnail_4096.jpg?v=1728093321"},{"product_id":"modular-living","title":"Modular Living","description":"\u003cp\u003eFollowing the quick fire sell out and widespread acclaim of the bands' second LP 'Heavy Electrics' in 2012, Eat Lights Becomes Lights release their third full length via The Great Pop supplement and Rocket Girl, just in time for Summer. Building on the bands' trademark multi layered motorik groove, 'Modular Living' adds a more organic, electronic approach in places. Where once, listening to Eat Lights Becomes Lights might have focused perhaps on the adored kraut groove of Neu! \/ La Dusseldorf etc, 'Modular Living' seems to add the key ingredients of slow burning Popol Vuh and Cluster-esque pieces into the mix. Eternally building and evolving resulting in a far better balanced listen than the previous full lengths, arguably. The LP appears as a clear | white | clear striped coloured wax LP on The Great Pop Supplement and on CD via the good folk at Rocket Girl.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":50848205603147,"sku":"364578","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a7f5d1b8-5527-4a71-83b2-79fae437e142_thumbnail_4096.jpg?v=1731788213"},{"product_id":"dirty-d","title":"Dirty D","description":"\u003cp\u003eComprising a sixteen-strong army of collaborators, Fuxa's tenth full-length album, 'Dirty D', is at once a sonic celebration of creativity, and a rapturous denunciation of some of the demons of modern society. Following on swiftly from 2012's 'Electric Sound of Summer' (itself released after a ten year hiatus), 'Dirty D' is a characteristically euphoric record - a largely electronic set which shifts from solarised hysteria ('Sun is Shining') to crepuscular elegance ('Razzamatazz') over the course of its dozen tracks. The dirty 'D' of the title could refer to a number of disquieting facets of today's society - the dominance of Disney, the illusion of democracy, dereliction - and, in contrast to Disney's sickly saccharine supremacy over our children's imaginations, Randall Nieman and his collaborators offer us an animated aural narrative which, in its playfulness and gracefulness, allows for multiple readings on the anxious social issues of our days. Dirty D's cast of characters (which includes pedal steel hero BJ Cole, Ann Shenton of Add N to (X), and Judy Dyble of Fairport Convention) have been cherry-picked by Nieman to ensure a diversity that never feels disjointed: a genuine sonic democracy. While 'Electric Sound of Summer' pivoted around a number of cover versions, 'Dirty D' comprises mostly original tracks. The opener, 'The Blue Barracuda', sees Nieman join circuit boards with Suki Ewers of Mazzy Star, Oliver Kersbergen of Sleepyard and Gaute Storsve of Ignore, conjuring a delicate, aquatic backdrop to accommodate Judy Dyble's vocals. The track acts almost as an aural departure lounge before the soaring lift-off of 'Reverse' which, with its sister track 'Forward', combines Nieman's synths and BJ Cole's lap steel guitar to produce a pair of astonishing Country and Galactic 'space waltzes'.\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"CD","offer_id":51173177950539,"sku":"365899","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/c89b23db-218f-4ccf-913f-6ac732e4c651_thumbnail_4096.jpg?v=1738088692"},{"product_id":"fold-in-time-wns1-remixed-mi","title":"Fold-In Time – WNS1 Remixed","description":"\u003cp\u003eFollowing the reissue of their acclaimed debut album in July - Rocket Girl Records is proud to announce the second transmission in the triptych of releases from Welsh sonic alchemists, White Noise Sound (WNS): an exultant, transmutational remix album celebrating the band’s admired self-titled inaugural LP featuring Pete Kember\/Sonic Boom, Cian Ciaran (Super Furry Animals), Phil Kieran (techno producer\/DJ), Sean Johnson (Hardway Bros) and Timothy J Fairplay (Andrew Weatherall’s Scrutton Street Circle).\u003c\/p\u003e","brand":"Rocket Girl","offers":[{"title":"LP - Neon Orange","offer_id":53327329362251,"sku":"R4858-9476","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/RGIRL144.jpg?v=1757155570"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_48001dfb_thumbnail_4096_db41704e-c218-47f7-9005-f4de82539ab3.jpg?v=1726431948","url":"https:\/\/shop.roughtrade.com\/de\/collections\/rocket-girl.oembed","provider":"Rough Trade","version":"1.0","type":"link"}