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This popular sequel features 80 more Mod, Soul, and Freakbeat Nuggets across 3CDs set in a clamshell box.\u003c\/p\u003e\n\n\u003cp\u003eA wild mix of rock, soul, uptempo blues, mod, and ska gathering together club favorites from \u003cstrong\u003eLaurel Aitken\u003c\/strong\u003e, \u003cstrong\u003eJohn Lee Hooker\u003c\/strong\u003e, \u003cstrong\u003eThe Artwoods\u003c\/strong\u003e, \u003cstrong\u003eThe Spencer Davis Group\u003c\/strong\u003e, \u003cstrong\u003eJohn’s Children\u003c\/strong\u003e, \u003cstrong\u003eArthur Brown\u003c\/strong\u003e, \u003cstrong\u003eThe Mood Mosaic\u003c\/strong\u003e, \u003cstrong\u003eGene Latter\u003c\/strong\u003e, \u003cstrong\u003eThe Alan Bown\u003c\/strong\u003e, and a whole lot more.\u003c\/p\u003e\n\n\u003cp\u003eIncluding a host of lesser-known dancefloor fillers from the ‘60s, when it was all about the rhythm, with plenty of offbeat gems to ensure the momentum never lets up.\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x3","offer_id":50382823948619,"sku":"1144568","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/19590df3-3778-4fd0-9652-2df0347bd0a3_thumbnail_4096.jpg?v=1726260075"},{"product_id":"one-way-glass-dancefloor-prog-brit-jazz-and-funky-folk-1968-1975","title":"One Way Glass: Dancefloor Prog, Brit Jazz and Funky Folk 1968-1975","description":"\u003cp\u003eUnique 3CD set taking a fresh look at British music from the late ‘60s through to the mid- ‘70s, with an eye on overlooked dancefloor-friendly finds. Focused on the rhythmic backbone of Progressive Rock outfits who – every so often – would emulate their jazz heroes and record funky sides tucked away on albums or B-sides.\u003c\/p\u003e\n\n\u003cp\u003eMany of these tracks (\u003cstrong\u003eJonesy\u003c\/strong\u003e, \u003cstrong\u003eHardin And York\u003c\/strong\u003e) have been known to collectors of Funky Breaks for years. Also boasting some excellent funky Folk tracks which lighten the load – tracks by \u003cem\u003eAlan James Eastwood\u003c\/em\u003e, \u003cem\u003eBridget St John\u003c\/em\u003e, \u003cem\u003eDana Gillespie\u003c\/em\u003e, \u003cem\u003eJoan Armatrading\u003c\/em\u003e, and \u003cem\u003eMelanie\u003c\/em\u003e, for example. Recommended for anyone who loves Acid Jazz, Funk Rock, early ‘70s Fusion or the groovy end of late 60s Psychedelia!\u003c\/p\u003e\n\n\u003cp\u003eWith more typical Funk Rock selections come from \u003cstrong\u003eHanson\u003c\/strong\u003e (featuring future \u003cstrong\u003eBob Marley And The Wailers\u003c\/strong\u003e’ mainstay \u003cstrong\u003eJunior Murvin\u003c\/strong\u003e on guitar) and \u003cstrong\u003eCurtis Knight Zeus\u003c\/strong\u003e (fronted by \u003cstrong\u003eJimi Hendrix\u003c\/strong\u003e’s old bandmate and featuring future \u003cstrong\u003eMotorhead\u003c\/strong\u003e guitarist \u003cstrong\u003eFast Eddie Clarke\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eMaybe it all started – in terms of Breaks and Hip Hop culture, at least – with \u003cstrong\u003eDJ Kool Herc\u003c\/strong\u003e, who would spin key segments from old Rock records to create the Funky Break. Ever since, fans of funky music have been crate digging to find any tunes which have that infectious shuffle, regardless of their musical heritage or background.\u003c\/p\u003e\n\n\u003cp\u003eIn some ways, \u003cem\u003eOne Way Glass\u003c\/em\u003e is the next chapter in the musical story told on previous RPM box sets, \u003cem\u003eLooking Back\u003c\/em\u003e, \u003cem\u003eKeep Lookin’\u003c\/em\u003e, and \u003cem\u003eNight Comes Down\u003c\/em\u003e, which documented British artists who made music inspired by black America, aimed squarely at the clubs. Now, instead of borrowing from R\u0026amp;B and Soul, the Prog-era bands took a leaf from American Jazz and Funk artists.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC ONE:\u003c\/strong\u003e\u003cbr\u003e\n1. \"ONE WAY GLASS\" – Trifle\u003cbr\u003e\n2. \"ELEGY\" – Colosseum\u003cbr\u003e\n3. \"MAN FROM AFGHANISTAN\" – Curtiss Maldoon\u003cbr\u003e\n4. \"3D MONA LISA\" – Paul Brett Sage\u003cbr\u003e\n5. \"HOME IS WHERE I BELONG\" – Quicksand\u003cbr\u003e\n6. \"SOMETHIN’ YOU GOT\" – Second Hand\u003cbr\u003e\n7. \"GET ONE TOGETHER\" – Paladin\u003cbr\u003e\n8. \"COLD WALL OF STONE\" – Fat Mattress\u003cbr\u003e\n9. \"LIBEL\" – Hard Stuff\u003cbr\u003e\n10. \"SANCTUARY\" – Gravy Train\u003cbr\u003e\n11. \"CITY OF DARKNESS\" – The Web\u003cbr\u003e\n12. \"OUT OF NOWHERE\" – Patrick Campbell-Lyons\u003cbr\u003e\n13. \"THE BITCH\" – Gasoline Band\u003cbr\u003e\n14. \"I SAW AN ANGEL\" – Pentangle\u003cbr\u003e\n15. \"RICOCHET\" – Jonesy\u003cbr\u003e\n16. \"REVOLUTION’S DEATH MAN\" – Edwards Hand\u003cbr\u003e\n17. \"MACUMBE\" – Bond \u0026amp; Brown\u003cbr\u003e\n18. \"HENRY\" – CMU\u003cbr\u003e\n19. \"SUNBURNT VIRGIN TROUSERS\" – Knocker Jungle\u003cbr\u003e\n20. \"CUBANO CHANT\" – Climax Chicago Blues Band\u003cbr\u003e\n21. \"SHE’S MY SISTER\" – Open Road\u003cbr\u003e\n22. \"THE LORD DOESN’T WANT YOU\" – Crazy World Of Arthur Brown\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDISC TWO:\u003c\/strong\u003e\u003cbr\u003e\n1. \"I’VE GOT MY MOJO WORKING\" – Melanie\u003cbr\u003e\n2. \"EYEBALLS\" – Blue Mink\u003cbr\u003e\n3. \"CELEBRATION\" – Chillum\u003cbr\u003e\n4. \"CONFUSIONS ABOUT A GOLDFISH\" – John Kongos\u003cbr\u003e\n5. \"SKIN VALLEY SERENADE\" – Skin Alley\u003cbr\u003e\n6. \"LITTLE MESSAGE\" – Jody Grind\u003cbr\u003e\n7. \"WEREN’T BORN A MAN\" – Dana Gillespie\u003cbr\u003e\n8. \"DRINKING MY WINE\" – Hardin \u0026amp; York\u003cbr\u003e\n9. \"SHE’S MINE, SHE’S YOURS\" – Juicy Lucy\u003cbr\u003e\n10. \"AVEZ-VOUS KASKELAINEN?\" – Burnin Red Ivanhoe\u003cbr\u003e\n11. \"MESSAGE TO MANKIND\" – Demon Fuzz\u003cbr\u003e\n12. \"CLOSER TO THE TRUTH\" – Alan James Eastwood\u003cbr\u003e\n13. \"WAKE UP MY CHILDREN\" – Siren\u003cbr\u003e\n14. \"THE DEVIL MADE ME DO IT\" – Curtis Knight Zeus\u003cbr\u003e\n15. \"HILARY DICKSON\" – Atlantic Bridge\u003cbr\u003e\n16. \"SLY WILLY\" – Blue Beard\u003cbr\u003e\n17. \"MEAN OLD MAN\" – Joan Armatrading\u003cbr\u003e\n18. \"FUNKY\" – Spencer Davis Group\u003cbr\u003e\n19. \"IN THE BEGINNING\" – The Foundations\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDISC THREE:\u003c\/strong\u003e\u003cbr\u003e\n1. \"HE’S GONNA STEP ON YOU AGAIN\" – John Kongos\u003cbr\u003e\n2. \"BAD TIMES\" – Paladin\u003cbr\u003e\n3. \"INSTANT WHIP\" – The Tremeloes\u003cbr\u003e\n4. \"THE ROCK\" – Atomic Rooster\u003cbr\u003e\n5. \"MARGARITA\" – Fat Mattress\u003cbr\u003e\n6. \"GESOLREUT (Live)\" – Soft Machine\u003cbr\u003e\n7. \"SOME KIND OF BEAUTIFUL\" – Bridget St. John\u003cbr\u003e\n8. \"HOUSE ON THE HILL\" – Audience\u003cbr\u003e\n9. \"INDIAN ROPE MAN\" – Noir\u003cbr\u003e\n10. \"SO MANY PEOPLE\" – Skin Alley\u003cbr\u003e\n11. \"ALIBI ANNIE\" – Trifle\u003cbr\u003e\n12. \"I’M A THIEF\" – Juicy Lucy\u003cbr\u003e\n13. \"TRAVELLING LIKE A GYPSY\" – Hanson\u003cbr\u003e\n14. \"LOOKING FOR THE RED LABEL\" – Fair Weather\u003cbr\u003e\n15. \"I’M A MAN\" – The Web\u003cbr\u003e\n16. \"PIGS FOOT\" – Pesky Gee\u003cbr\u003e\n17. \"ONE WAY GLASS\" – John Schroeder Orchestra\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x3.","offer_id":50383969943883,"sku":"1141696","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/015f1559-0b67-4d85-9db2-735fb754ea42_thumbnail_4096.jpg?v=1726280987"},{"product_id":"did-you-give-the-world-some-love-today-baby-deluxe","title":"Did You Give the World Some Love Today Baby - Deluxe","description":"\u003cp\u003e\u003cem\u003eDid You Give The World Some Love Today, Baby\u003c\/em\u003e, issued only in Sweden in 1970, was belatedly recognized as a classic. Acclaim has been widespread. The Sunday Times said album track \"You Never Come Closer\" was: \"Hendrix backing Bjork\". The track was then sampled by Madlib, since when more tracks became sought after by hip hop fans. It was also compiled on EMI's 'The Best Smooth Jazz...Ever' album.\u003c\/p\u003e\n\n\u003cp\u003eIn its listing of 'Forty Essential Funk Albums', www.blaxploitation.com placed \u003cem\u003eDid You Give The World Some Love Today, Baby\u003c\/em\u003e alongside James Brown, Manu Dibango, Earth Wind and Fire, and The Meters. She was a pioneer, a female bass player and singer in otherwise all-male bands.\u003c\/p\u003e\n\n\u003cp\u003eThis definitive, expanded edition tells the full story for the first time and includes all the singles Doris released in the run-up to the album's release, solo and as a member of the bands Plums and Dandys. This is a first-time reissue on CD for these singles recordings outside of Sweden.\u003c\/p\u003e","brand":"Rpm","offers":[{"title":"CD | x2.","offer_id":50402397651275,"sku":"360267","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/28c2c0bc-482c-4d55-83f1-6493d389e8a2_thumbnail_4096.jpg?v=1726544228"},{"product_id":"right-back-where-we-started-from-female-pop-and-soul-in-seventies-britain","title":"Right Back Where We Started From - Female Pop and Soul In Seventies Britain","description":"\u003cp\u003eBack in 1975, Maxine Nightingale became an overnight sensation in the UK when her latest single, \u003ci\u003eRight Back Where We Started From,\u003c\/i\u003e stormed into the Top 10. Thereafter, the track’s catchy appeal spread like wildfire across the globe, topping the charts in Canada and the US and was a massive hit in most other countries. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eRight Back Where We Started From\u003c\/i\u003e reflected a style of UK pop\/soul, inspired by the Northern Soul scene in the North of England and revival of that classic 60s Motown sound. This 3-CD collection, the last to be released on legendary reissue label RPM, takes that classic hit as the catalyst to document a decade’s worth of British pop and soul from female singers. • Picking up where RPM’s 60s Girls collection from 2017, \u003ci\u003eAm I Dreaming?\u003c\/i\u003e, left off, this 77-track collection spans the entire decade of the 1970s, with a mix of classics and obscurities, household names and total unknowns, chart hits and bona fide collectables. \u003c\/p\u003e\u003cp\u003eFamous\/hit artists include Dusty Springfield, Tina Charles, Petula Clark, Linda Lewis, Madeline Bell, Helen Shapiro, Eartha Kitt, Dana Gillespie, Yvonne Elliman, a young Hazel Dean, Jackie Trent (as Jackie and The Majestics), Lesley Duncan, Katie Kissoon, Billie Davis and Twinkle. Also included are visiting American soul singers Doris Troy and Doris Duke, as well as The Avengers actress Linda Thorson. Some tracks, such as Disc 3 opener \u003ci\u003eFever,\u003c\/i\u003e a cover of the Peggy Lee classic by Margie Miller, are now £100+ rarities in collector’s circles. Also included are numerous tracks new to CD on independent labels such as Chapter One, Route and Santa Ponsa. Deluxe 48 page booklet with fully detailed biographical notes about each artist from noted “female pop” expert Ian Chapman and design from Michael Robson.\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x3","offer_id":50447583904075,"sku":"1100492","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/9903eff8-c1fd-452d-8658-2d5ad645bf02_thumbnail_4096.jpg?v=1727079837"},{"product_id":"concrete-and-clay-the-complete-recordings-1964-1969","title":"Concrete and Clay - The Complete Recordings 1964-1969","description":"\u003cp\u003eBest known for their huge international hit single from 1965, ‘Concrete And Clay’, Unit 4 + 2 were a part of the British Beat explosion, with a strong emphasis on vocal harmony. 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Many very collectable, such as the garage sound of The Barbarians, the early Neil Diamond as Neil and Jack, Northern and early Soul classics including those from Pat Hervey, Roger Pace, Linda Cumbo, Pat Jarvis, Sonny Stiles, The Kampells, Millie Foster, Curtis Knight. 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Grunge was out Glam was in. 70's charity shop tops, jeans went skinny, fringes floppy and sportswear vintage donned. Soundtracks, TV themes, Moog grooves, Punk, Indie, Hi Nrg, Glam and New Wave hit the decks. Different aspects of 20th Century musical culture collided to create something new. \u003ci\u003eSuper Sonics\u003c\/i\u003e is a slice of ‘single’ heaven from across the range of musical styles which sprouted. Such styles were referred to as the New Wave Of New Wave, The Scene That Celebrates Itself and more until Brit Pop was coined to cover it all. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eSuper Sonics\u003c\/i\u003e includes representations from other key scene clubs such as Blow Up (the label from which is still going today) and Fantasy Ashtray whose nightly host was Davina McCall. Other scene alumni include radio presenter Lauren Laverne - famously emerging from Kenickie; Louis Elliott from Rialto who founded the Port Elliott festival; Ella Guru of the Voodoo Queens - a leading artist of the Stuckist art movement; We Are Pleb (whose track here is previously unreleased) begat TV sensation Dennis Pennis by way of singer Paul Kaye and Paul Jones guitarist with Linoleum and later Elastica who now guides today’s artists as A\u0026amp;R at Rough Trade Records. \u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eSuper Sonics\u003c\/i\u003e Martin Green has compiled a compelling listening experience. And it’s very Brit: Dave Devant is the 90s Alan Klein (the 60s Londoner whose LP “Well At Least It’s British” inspired Damon Albarn’s “Modern Life is Rubbish”); other songs dwell on London Girls, the virtues of Pimlico and a Penthouse in Belgravia; and Earl Brutus request Take me to your Harvester..\u003c\/p\u003e\u003cp\u003eTrack Listing\u003c\/p\u003e\u003cp\u003eDisc One\u003c\/p\u003e\u003cp\u003eAFRODISIAC - Powder\u003c\/p\u003e\u003cp\u003eMARQUIS - Linoleum\u003c\/p\u003e\u003cp\u003eROUGH LOVER – Posh\u003c\/p\u003e\u003cp\u003eSAD - Mantaray\u003c\/p\u003e\u003cp\u003eREVOLVE - Pimlico\u003c\/p\u003e\u003cp\u003eSO SMALL – Showgirls\u003c\/p\u003e\u003cp\u003eCOME OUT 2NITE – Kenickie\u003c\/p\u003e\u003cp\u003eWE DON’T CARE – Shampoo\u003c\/p\u003e\u003cp\u003eCHARLOTTE’S PARTY – Peepshow\u003c\/p\u003e\u003cp\u003eGOLDMINE - Spearmint\u003c\/p\u003e\u003cp\u003eINELEGANTLY WASTED IN PAPA'S PENTHOUSE PAD IN BELGRAVIA - The Weekenders\u003c\/p\u003e\u003cp\u003eDON'T TURN THIS LOVE INTO SORROW – World Of Leather \u003c\/p\u003e\u003cp\u003eNOSEBLEED - Chest\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCHANGE ME - Jocasta\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eENTERTAINMENT - Speedway\u003cbr\u003e\u003c\/p\u003e\u003cp\u003ePLASTIC ASHTRAY - Urusei Yatsura\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eMONICA WEBSTER - Delgados\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHER JAZZ – Huggy Bear\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTROPHY GIRLFRIEND – Heavenly \u003c\/p\u003e\u003cp\u003eSUPERMODEL-SUPERFICIAL – Voodoo Queens\u003c\/p\u003e\u003cp\u003eDISC TWO\u003c\/p\u003e\u003cp\u003eLONDON GIRLS - Duffy\u003c\/p\u003e\u003cp\u003eSOMETIMES THE KIDS ARE NOT ALRIGHT – The High Fidelity\u003c\/p\u003e\u003cp\u003eINEVITABLE FAST ACCESS - Add N To X\u003c\/p\u003e\u003cp\u003ePIT STOP – VA6\u003c\/p\u003e\u003cp\u003eMOOD MUSIC – We Are Pleb *\u003c\/p\u003e\u003cp\u003eSTRIP POLKA - Velocette\u003c\/p\u003e\u003cp\u003ePIMLICO - David Devant And His Spirit Wife\u003c\/p\u003e\u003cp\u003eCONKER FIGHT IN WENDY'S HOUSE – Sexton Ming And Steady\u003c\/p\u003e\u003cp\u003eCHRYSALIS - Pram\u003c\/p\u003e\u003cp\u003eVDT - Scala\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eON ME NOT IN ME – Earl Brutus\u003c\/p\u003e\u003cp\u003e12.DAYDRE@MER (STUDENT UNION MIX) - Menswe@R * 13.EDIT LIFE FORM – Sound 5\u003c\/p\u003e\u003cp\u003eCURL UP - Sweetie\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eKEROLEEN - Bis\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCRAWL (RAW MIX) - Elizabeth Bunny *\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDO YOU ALWAYS DRESS LIKE THAT IN FRONT OF OTHER PEOPLES GIRLFRIENDS – Mambo Taxi \u003c\/p\u003e\u003cp\u003eSTEAL STEAL STEAL - Minxus\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eJUDY GARLAND LIFE - Gretschen Hofner \u003c\/p\u003e\u003cp\u003eUNDERDOGS - Rialto\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x2","offer_id":50448684613963,"sku":"1093363","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1ca405f0-8656-44ed-b4e0-1bd444bdc2bc_thumbnail_4096.jpg?v=1727095127"},{"product_id":"if-im-a-fool-for-loving-you-the-complete-1960s-recordings","title":"If I’m A Fool For Loving You - The Complete 1960s Recordings","description":"\u003cp\u003ePianist and Keyboard player Bobby Wood is steeped in Memphis Music. 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Both were included on Stafford's eponymous LP, a release in 1974 on MGM Records, along with another hit 'My Girl Bill' (US number 12 in 1974).  He can play a mean guitar but it's the catchy tunes and witty lyrics he writes that win the day. 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Now it is time for RPM’s concluding word on the subject of its own series with this 3CD box set. 80 tracks, none duplicated from the Dream Babes series, many tracks fresh to CD, five tracks previously unreleased. Compiled with much learned, many archive tapes unearthed, and recordings dug from crates since the series last volume. The booklet contains an important essay on the whole scene’s history from one who was there at the start in the early 1980s. Ian Chapman gives chapter and verse on how the scene developed and the stages it took to reach where we are today. Spanning the full spectrum of the scene, known for its gratifying diversity, the box set offers slick originals and intriguing covers, from early girls to late girls, beat girls, folk girls, hippy girls and mod girls. Here, you’ll also find the brash teeners, the raw belters, the wistful balladeers, the brassy pub singers, the breathy harmonisers and the bluesy shouters. 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Disc 3 goes beyond the GM years and rounds up unreleased songs recorded with her second husband arranger \/ producer Tony Cox during the early 1980s, her final mainstream single in 1982 an acerbic delivery of Dylan’s \u003cem\u003eMasters Of War\u003c\/em\u003e, and the 1979 ‘live aid’ style charity single cover of \u003cstrong\u003eLesley’s\u003c\/strong\u003e song \u003cem\u003eSing Children Sing\u003c\/em\u003e with Pete Townshend, Madeline Bell, Kate Bush, Joe and Vicki Brown, Billy Nicholls and Phil Lynott.\u003c\/p\u003e\n\n\u003cp\u003eA major 20 page essay details \u003cstrong\u003eLesley’s\u003c\/strong\u003e whole career and importantly offers fascinating contextual material with input from Jimmy Horowitz, Linda Lewis, Madeline Bell, Tony Hazzard, Kiki Dee, Jeff Dexter and Tony Cox.\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x3","offer_id":50483845103947,"sku":"1066346","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/e8b5aa8e-a1d6-4aaa-816f-365e7ae8d99a_thumbnail_4096.jpg?v=1727574326"},{"product_id":"down-in-the-bottom-the-country-rock-sessions-1966-1968","title":"Down In The Bottom - The Country Rock Sessions 1966 - 1968","description":"\u003cp\u003eWith the current widespread rise in popularity of Americana music as a genre, now seems a good time to reappraise and re-establish one of the first true Country Rock albums - the 1968 Everly Brothers album \u003cem\u003eRoots\u003c\/em\u003e. This box set presents the build-up story to this landmark album.\u003c\/p\u003e\n\n\u003cp\u003eWith an Americana music pedigree born of their Appalachia roots, \u003cstrong\u003eThe Everly Brothers\u003c\/strong\u003e ably crossed over from the pop charts to the country music charts during their hit-making heyday. During the mid sixties, however, they suffered a lean spell for commercial success all the while trying to update their sound. RPM focuses on the following period from November 1966 – November 1968 when the Everlys recorded mostly in Los Angeles rather than Nashville with the duo searching for a musical direction. 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Same month in 1967 Warner released albums by The Beau Brummels, Electric Prunes, Jimi Hendrix in the US. On the album are songs by The Buckinghams, Patrick Campbell Lyons, Procul Harum. The bonus tracks include a fresh new mix of the 1967 session track \"My Elusive Dreams\" taken from a new 4 track tape transfer, \"You’re Just What I Was Looking For Today\" unissued until 1980 again backed by The Wrecking Crew. It concludes with a portent of what was to come with the first sessions from 1968 and the introduction of producer Lenny Waronker, fresh from Reprise. With him comes songs by Ron Elliott from The Beau Brummels, whose album had been produced by Waronker.\u003c\/p\u003e\n\n\u003cp\u003eDisc 3 presents the \u003cem\u003eRoots\u003c\/em\u003e album, pieced together from the LA sessions at studios like Goldstar, conducted by Lenny Waronker during April-September 1968, again with the Wrecking Crew aided by Van Dyke Parks and James Burton. 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The deluxe clamshell package includes a weighty booklet full of illustrations, with a 12,000-word sleeve-note comprising a detailed summary of all 87 tracks on offer.\u003c\/p\u003e","brand":"Rpm","offers":[{"title":"CD | x3","offer_id":50485138522443,"sku":"1009052","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/00162f8a-6c48-4b48-9679-c6a9268a4317_thumbnail_4096.jpg?v=1727595700"},{"product_id":"little-does-she-know-the-complete-recordings","title":"Little Does She Know - The Complete Recordings","description":"\u003cp\u003eKursaal Flyers were an integral element of the ‘Thames Delta’ music scene emerging from the late 60s clubs into the bright lights of the 1970s pop world. Alongside contemporaries, and in some cases old schoolmates, in bands such as Dr Feelgood and Eddie and The Hot Rods, the Kursaal Flyers (named after a Southend amusement park carnival float) were a regular fixture on the Pub Rock and College circuit of 70s Britain.\u003c\/p\u003e\u003cp\u003eTheir sound was more diverse than their R\u0026amp;B contemporaries. Being influenced by American Country Rock, the band included banjo and pedal steel guitar as fixtures in their musical oeuvre. They toured Europe with The Flying Burrito Brothers. The Kursaals were also notable for a wry observational sense of humour which the band’s songwriters, Will Birch and Graeme Douglas, regularly injected into the material. Complemented by the chameleon-like vocal styles employed by front man Paul Shuttleworth.\u003c\/p\u003e\u003cp\u003eDisc One contains the two complete albums made for Jonathan King’s UK Records label in 1975, \u003ci\u003eChocs Away \u003c\/i\u003eand \u003ci\u003eThe Great Artiste\u003c\/i\u003e. Presented in a gatefold wallet to show the original artwork for both of the original LPs, these are the greatly enhanced remixed versions from 1991.\u003c\/p\u003e\u003cp\u003eDisc Two has their first CBS album from 1976, \u003ci\u003eGolden Mile\u003c\/i\u003e, produced by Mike Batt, including both versions of their hit single \u003ci\u003eLittle Does She Know\u003c\/i\u003e, the single edit, and the ‘kitchen sink’ LP version which come on like the 1812 Overture involving as they do the London Symphony Orchestra. Plus the non LP A+B-sides, and an unreleased track The Questionnaire.\u003c\/p\u003e\u003cp\u003eDisc 3 has their live album recorded at The Marquee, \u003ci\u003eFive Live Kursaals\u003c\/i\u003e released by CBS in 1977. As live albums tend to do, these recordings highlight how the band truly were on stage, a highly energetic rock band with a raw sound belying their country roots. A particular image in the booklet gives further rise to their mood depicting the moment Paul would smash up TV sets on stage with an axe (in an homage to The Move). Plus three tracks which were unreleased at the time, from recording sessions with Muff Winwood aimed at a second CBS studio LP which was never finalised.\u003c\/p\u003e\u003cp\u003eDisc 4 is their third studio LP, \u003ci\u003eA Former Tour De Force Is Forced To Tour\u003c\/i\u003e recorded in 1988 and exhibits a very strong country rock groove, which would not be out of place if released to today’s Americana market. The bonus tracks include a four song 1975 countryfied radio session, and a 1975 live recording in Southend of Route 66 which is interestingly somewhere between Bobby Troup’s nightclub jazz original and Chuck Berry’s RnB version.\u003c\/p\u003e\u003cp\u003eThis is the first time the complete recordings have been compiled together, all digitally remastered. Packaged in individual wallets, with a 24 page booklet that includes an essay on the band’s history written by music writer and band member Will Birch. Photos and memorabilia are from the archives of Will Birch and fellow band member Richie Bull.\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD | x4","offer_id":50488511201611,"sku":"1091707","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/8971e063-e7bc-4828-aaa1-fd4417083f7c_thumbnail_4096.jpg?v=1727629985"},{"product_id":"sugar-and-beyond-anthology","title":"Sugar And Beyond Anthology","description":"\u003cp\u003eSugar And Beyond Anthology\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CD","offer_id":50488837275979,"sku":"1006461","price":13.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"the-flying-lizards-fourth-wall","title":"The Flying Lizards \/ Fourth Wall","description":"\u003cp\u003eThis reissue pulls together the two lps plus all of the non lp singles tracks from the peak period 1978 - 1981. Re-mastered at Abbey Road studios from the original tapes. A welcome reissue of the two key Flying Lizards albums, innovative pop electronica from the early 1980's founded in 1978 by avant-garde composer and producer David Cunningham as an experimental pop band, the Flying Lizards rode the crest of the new wave peaking with the international hit single 'Money'. Cunningham assembled a fluid line up of musician cohorts to help bring his visions to life. For the first album players included sound stylists in their own right David Toop and Steve Beresford, with vocals from Vivien Goldman. This also included the first two singles made by Cunningham, 'Summertime Blues' and 'Money' with monotone vocals by his art school colleague Deborah Evans, recorded before the album. On the second album Cunningham was even more experimental and brought in contributions from Michael Nyman and Robert Fripp, plus vocals by Patti Palladin. Less successful commercially but more highly rated critically at the time. The music Cunningham created follows after Kraftwerk and Tangerine Dream, helping pave the way for the employment of electronica in later uk pop music with the likes of Stereolab, St Etienne and Portishead.\u003c\/p\u003e","brand":"RPM","offers":[{"title":"CDx2","offer_id":50507555602763,"sku":"332690","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/FLYING-LIZARDS-2CD_9ef26e00_thumbnail_4096.jpg?v=1727852544"}],"url":"https:\/\/shop.roughtrade.com\/de\/collections\/rpm.oembed","provider":"Rough Trade","version":"1.0","type":"link"}