{"title":"Rush","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRush was a Canadian heavy progressive rock trio that formed in 1968 in Toronto, Canada. They disbanded in 2018 after Neil Peart announced his retirement due to health reasons. In January 2018, Alex Lifeson confirmed in an interview that Rush's career had come to an end. Tragically, on January 7, 2020, Neil Ellwood Peart passed away at the age of 67 after battling glioblastoma for three years.\u003c\/p\u003e","products":[{"product_id":"rush-unisex-t-shirt-moving-pictures-moving-pictures-short-sleeves","title":"Rush Unisex T-Shirt: Moving Pictures  Moving Pictures Short Sleeves","description":"\u003cp\u003eOfficially licenced Rush merchandise from Rock Off.\u003c\/p\u003e","brand":"Rock Off Retail Limited","offers":[{"title":"Large","offer_id":50395473215819,"sku":"2144446","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Small","offer_id":50395473641803,"sku":"2144451","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"X-Large","offer_id":50395473707339,"sku":"2144453","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"XX-Large","offer_id":50395473772875,"sku":"2144457","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Medium","offer_id":50395473314123,"sku":"2144448","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_094fd1d4_thumbnail_4096.jpg?v=1726464658"},{"product_id":"moving-pictures-40th-anniversary-deluxe","title":"Moving Pictures (40th Anniversary) Deluxe","description":"\u003cp\u003eNew, expanded editions of the band’s groundbreaking 1981 release, \u003ci\u003eMoving Pictures\u003c\/i\u003e, embodying its well-deserved classic album status. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eMoving Pictures\u003c\/i\u003e, Rush’s eighth studio album, was originally released on February 12, 1981, and its adventurous yet accessible music catapulted the forward-thinking Canadian band to even newer heights as it began navigating the demands of a new decade. The album’s seven songs expertly blended Rush’s intrinsic prowess for channeling its progressive roots into radio-friendly arrangements, a template the band had mastered to a T all throughout its previous album, 1980’s deservedly lauded \u003ci\u003ePermanent Waves\u003c\/i\u003e. \u003ci\u003eMoving Pictures \u003c\/i\u003ewas also the second of many Rush recording sessions at Le Studio in Morin-Heights, Quebec, which was ultimately nicknamed the trio’s own personal Abbey Road recording studio.\u003c\/p\u003e\u003cp\u003eSuper Deluxe\u003cbr\u003eCelebrating 40 years of Moving Pictures with a Super Deluxe boxset fully loaded for fans! The 2015 album remaster is on CD 1 for the first time. CDs 2 and 3 feature the complete, unreleased Toronto concert from 3\/25\/81. All audio is also showcased on five 180-gram LPs cut 1\/2-speed DMM. Blu-ray Audio disc presents a first-ever Dolby Atmos and new 5.1 surround album mix including the brand-new video for “YYZ” and 3 music videos. Extras include a book, model car, drumsticks, posters, and so much more!\u003c\/p\u003e\u003cp\u003e3CD\u003c\/p\u003e\u003cp\u003eCelebrating 40 years of Moving Pictures with the 3CD Deluxe Edition! The 2015 remaster is on CD 1 for the first time. CDs 2 and 3 feature the complete, unreleased Toronto concert from March 25, 1981. Extras include a booklet with new Hugh Syme illustrations and liner notes by Kim Thayil, Les Claypool, Taylor Hawkins, Bill Kelliher and Neil Sanderson.\u003c\/p\u003e\u003cp\u003e5LP\u003cbr\u003eCelebrating 40 years of Moving Pictures with the 5LP Deluxe Edition! All vinyl has been cut half-speed Direct-To-Metal Mastering for the first time ever and pressed on 180-gram audiophile vinyl. LP 1 features the original album, while LPs 2-5 feature the complete, unreleased Toronto concert from March 25, 1981. Extras include a booklet with new Hugh Syme illustrations and liner notes by Kim Thayil, Les Claypool, Taylor Hawkins, Bill Kelliher and Neil Sanderson.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Black | LP | x5.","offer_id":50408455078219,"sku":"1147198","price":269.99,"currency_code":"GBP","in_stock":false},{"title":"Black | LP | x5","offer_id":50408459010379,"sku":"1147196","price":99.99,"currency_code":"GBP","in_stock":false},{"title":"Black LP","offer_id":50408459338059,"sku":"2198768","price":57.99,"currency_code":"GBP","in_stock":false},{"title":"CD | x3","offer_id":50408457437515,"sku":"1147195","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ea268ffb-ca40-41b2-b699-e42b06c108e7_thumbnail_4096.jpg?v=1726604473"},{"product_id":"hemispheres-40th-anniversary","title":"Hemispheres - 40th Anniversary","description":"\u003cp\u003eA new, expanded edition of the band’s groundbreaking 1978 release, \u003cem\u003eHemispheres\u003c\/em\u003e, by \u003cstrong\u003eRush\u003c\/strong\u003e, their sixth studio album, was originally released in October 1978. It built upon the adventurous sonic template the band established on its acclaimed 1977 effort, \u003cem\u003eA Farewell To Kings\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe album’s first track, \"\u003cem\u003eCygnus X-1 Book II: Hemispheres\u003c\/em\u003e,\" encompassed the entirety of Side 1 on the original release and was the logical, heady continuation of the epic album-ending Kings track, Cygnus X-1. Side 2 commenced with the hard-driving commentary on English culture \"\u003cem\u003eCircumstances\u003c\/em\u003e,\" followed by the socially aware and environmentally conscious FM radio hit \"\u003cem\u003eThe Trees\u003c\/em\u003e,\" and concluded with the instrumental tour de force and longtime concert favorite, \"\u003cem\u003eLa Villa Strangiato\u003c\/em\u003e.\"\u003c\/p\u003e\n\n\u003cp\u003eThe deluxe three 180 Gram Vinyl Edition features the same audio content as the two-CD edition (including the masterful June 1979 Pinkpop Festival performance in the Netherlands) housed in a slipcase with double-gatefold packaging. It also includes a 24-page booklet with unreleased photos and Syme’s new artwork, as well as the 5,700-word version of Bowman’s liner notes.\u003c\/p\u003e\n\n\u003cp\u003eGatefold 1 features the original album with Syme’s 40th-anniversary artwork, while Gatefold 2 contains the Pinkpop Festival and Arizona bonus content. A 5x5-inch digital download card sticker of Syme’s new 40th-anniversary art is also included.\u003c\/p\u003e\n\n\u003cp\u003eThe double CD in Digipak includes the newly remastered \u003cem\u003eHemispheres\u003c\/em\u003e album, the Pinkpop Festival performance and \u003cem\u003e2112\u003c\/em\u003e from Arizona, a 28-page booklet with unreleased photos and new artwork by Syme, and an edited, 5,700-word version of Bowman’s essay.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"CD | x2","offer_id":50444176982347,"sku":"1048995","price":17.99,"currency_code":"GBP","in_stock":true},{"title":"LP | x3","offer_id":50444178161995,"sku":"1048991","price":94.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/a9405905-24b4-471e-a8d7-1735d888733a_thumbnail_4096.jpg?v=1727025728"},{"product_id":"time-machine-2011-live-in-cleveland","title":"Time Machine 2011 - Live in Cleveland","description":"\u003cp\u003eIt was during 2010 that iconic Canadian prog Rock band Rush , took time away from recording a new album to embark upon their Time Machine Tour. During that tour, the Rock and Roll Hall of Famer’s recorded their April 15, 2011 performance in Cleveland. It was a fitting tribute to the city, which was the first to play Rush’s music on the radio. That epic concert was released on CD in 2011, but the full show has never come out on vinyl, until now. Time Machine 2011 - Live in Cleveland is now available as a four-LP set.\u003c\/p\u003e\u003cp\u003eThe Time Machine Tour was a fan favourite thanks in part to the tour’s incredible set list, which encompassed songs from the group’s entire career. Another reason is that Geddy Lee, Alex Lifeson and Neil Peart did something during these shows that they’d never done before, which was to play their quadruple-platinum album \u003ci\u003eMoving Pictures\u003c\/i\u003e (1981) in its entirety. Clevland covers a lot of musical ground over 26 tracks. Rush’s early days are represented by songs like \u003ci\u003eWorking Man\u003c\/i\u003e from the trio’s 1974 self-titled debut. \u003c\/p\u003e","brand":"No Label","offers":[{"title":"Black | LP | x4","offer_id":50461538255179,"sku":"1062438","price":84.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5da12f32-9881-4b56-baaf-fec26475dd60_thumbnail_4096.jpg?v=1727249549"},{"product_id":"moving-pictures-1","title":"Moving Pictures","description":"\u003cp\u003eWith Moving Pictures Rush's complex songwriting and musical virtuosity reached new heights. it's that rarest of creatures, a highly listenable progressive-rock album; even the all-instrumental 'yyz' is of interest to listeners besides musicians. the highlight of the album is 'limelight'; like many progressive-rock bands, rush writes songs about the experience of being on-stage. the result is impressive, with almost orchestral arrangements that never overwhelm the actual music. 'tom sawyer,' another classic, is on this album, as well as the science-fiction-meets-road-movie 'red barchetta,' the epic 'the camera eye,' the cautionary 'witch hunt,' and 'vital signs,' which takes advantage of the budding digital sound technology available at the time the album was recorded. this is probably rush's best album; it's definitely their most accessible.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"LP - Black","offer_id":50491028898123,"sku":"304535","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/ffd5b71a-302b-41b3-b755-85bdf519698b_thumbnail_4096.jpg?v=1727680721"},{"product_id":"signals-40th-anniversary","title":"Signals (40th Anniversary)","description":"\u003cp\u003e40th anniversary of the ninth studio album by Rush. Sprawling, dense, and timeless, \u003ci\u003eSignals\u003c\/i\u003e remains an absolute Rush classic. One of the most interesting and unusual albums that they ever recorded. Controversial upon release with its radical change in sound and direction, it is strong on synthesizer focus, yet nonetheless it features some of Alex Lifeson's very best guitar work.\u003c\/p\u003e\u003cp\u003eLP+ The Signals Super Deluxe celebrates 40 years with a brand-new Hugh Syme cover and the 2015 remaster on CD for the first time. The album vinyl was cut for the first time at half-speed via DMM \u0026amp; pressed on 180g black vinyl for optimal vinyl quality with new Hugh Syme art in a premium tip-on jacket. A Blu-ray Audio disc features brand-new immersive Dolby Atmos \u0026amp; 5.1 surround mixes by Richard Chycki, the 2015 48kHz 24-bit stereo remaster, new animated visualizers for each song and 2 bonus music videos for “Subdivisions” and “Countdown”. Bonus items include a 40-page hardcover book with new song illustrations and unreleased photos from the Signals Tour, four 7-inches with new art, three lenticulars that transition from the original black and white band headshots into the original album “Digital Man” color headshots, four Signals Tour band lithos, Hugh’s original album cover sketch litho \u0026amp; a double-sided 24-inch by 24-inch poster featuring Hugh’s new art on one side and an outtake photo from the original album cover shoot on the other side.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Clear LP","offer_id":50506240065867,"sku":"2016385","price":33.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50506240819531,"sku":"2016386","price":259.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/SDE_Box_Cover_8dfc2167_thumbnail_4096.jpg?v=1727820657"},{"product_id":"permanent-waves","title":"Permanent Waves","description":"\u003cp\u003eone of rush's finest moments, second only to 'moving pictures'. this album includes two classic songs, 'the spirit of radio' (which has one of the most recognizable guitar riffs in all of rock) and 'freewill.' there's also the epic-feeling 'jacob's ladder,' as well as 'entre nous,' a sort of intellectual love song. the introspective 'different strings' and the anthemic 'natural science' (which clocks in at over nine minutes) close the album. though there are only six songs on 'permanent waves', it's enough; the material is rich enough that more of it would be like overdosing on chocolate.\u003c\/p\u003e","brand":"No Label","offers":[{"title":"CD","offer_id":50532847649099,"sku":"304528","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/21c3feb8-08e5-4160-8fb5-22a252f884d5_thumbnail_4096.jpg?v=1728129639"},{"product_id":"live-1974-and-1980","title":"Live 1974 and 1980","description":"\u003cp\u003eHere we have two radio broadcast recordings from the Canadian power trio Rush\u003c\/p\u003e","brand":"Homespun","offers":[{"title":"CD","offer_id":50840390697291,"sku":"2228393","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/test_22b7584d_thumbnail_4096.jpg?v=1731651696"},{"product_id":"roll-the-bones-2","title":"Roll The Bones","description":"\u003cp\u003e\u003cstrong\u003eRush's\u003c\/strong\u003e \u003cem\u003eRoll the Bones\u003c\/em\u003e is their fourteenth studio album, released on September 3, 1991, on Anthem Records.\u003c\/p\u003e\n\n\u003cp\u003eThe band started working on this album after a short creative break following the tour for their previous release, \u003cem\u003ePresto\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThis album combines the best elements of all of \u003cstrong\u003eRush's\u003c\/strong\u003e eras. It features the synthesizers from their 80s era, the harder-rocking arrangements and complexities from the 70s era, and even gives a glimpse of the sound they would explore in the 90s.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Black LP","offer_id":50868069859659,"sku":"2233616","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Roll_the_Bones_Remastered_50d2bf8f_thumbnail_4096.jpg?v=1732122888"},{"product_id":"presto","title":"Presto","description":"\u003cp\u003e\u003ci\u003ePresto\u003c\/i\u003e is Rush’s thirteenth studio album and their first with Atlantic Records. The goldcertified record reached No. 16 on the Billboard, marking a more guitar-centric sound for the band. \u003ci\u003ePresto\u003c\/i\u003e features lots of classic Rush (the fancy drum-bass interplay of “Show Don’t Tell,” the triumphant guitar solo on “The Pass”).\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Black LP","offer_id":50868070711627,"sku":"2233615","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Presto_Remastered_7e16a4ac_thumbnail_4096.jpg?v=1732122909"},{"product_id":"test-for-echo-2","title":"Test For Echo","description":"\u003cp\u003eRush released their sixteenth album, \u003ci\u003eTest for Echo\u003c\/i\u003e, in 1996, reaching No. 5 on the Billboard chart and the title track taking the No. 1 spot on the Mainstream Rock Track chart.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Black LP","offer_id":50868112720203,"sku":"2233623","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Test_for_Echo_2f02fb1a_thumbnail_4096.jpg?v=1732123894"},{"product_id":"counterparts-2","title":"Counterparts","description":"\u003cp\u003eCounterparts followed with continued success, landing at No. 2 on the Billboard 200 - one of the band’s highest-charting albums. The record was certified platinum and received a 1994 Grammy® Award nomination for Best Rock Instrumental Performance for their track “Leave That Thing Alone.\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Black LPx2","offer_id":50868116422987,"sku":"2233622","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/Counterparts_Remastered_d61d1f06_thumbnail_4096.jpg?v=1732123914"},{"product_id":"rush-50","title":"Rush 50","description":"\u003cp\u003eRock icons Rush celebrate their 50-year milestone as Geddy Lee, Alex Lifeson and Neil Peart officially solidified the Holy Trinity in July of 1974. Bringing the world masterful Progressive Rock musicianship, brilliant recordings, and iconic lyrics and storytelling as well as rock radio masterpieces – we present the first-ever, complete career-spanning Rush anthology featuring 50 tracks with 7 unreleased offered on 4 CDs and 7 LPs. Igniting the collection is the first-ever official CD and LP reissue of the band’s very first singles “Not Fade Away” and “You Can’t Fight It” which fans have been begging to be reissued for decades. Filling out the anthology are selections from every studio, live and deluxe reissue album the band have officially released. The golden jubilee gems will be 8 rarities: Vault Editions of “Working Man” and “The Trees” both showcasing alternate guitar solos with the former only being available as a digital single and the latter never officially released beyond the instrument-based video games. Next up are 5 unreleased live songs all from 1974 including two with original drummer John Rutsey with non-album songs like “Bad Boy” and “Garden Road.” Closing out the celebration is the incendiary final performance with Neil Peart in Los Angeles on August 1, 2015 of “What You’re Doing \/ Working Man \/ Garden Road.”\u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eDELUXE 7-LP EDITION\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 1 – SIDE 1\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Not Fade Away^^', 'You Can’t Fight It^^', 'Working Man (Vault Edition)^^', 'Need Some Love (Live)^^', 'Before And After (Live)^^']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 1 – SIDE 2\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Bad Boy (Live)*', 'Garden Road (Live)*', 'Anthem (Live)*', 'Fly By Night', 'Bastille Day']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 2 – SIDE 3\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['2112: Overture \/ The Temples Of Syrinx', 'By-Tor \u0026amp; The Snow Dog (Live)', 'Something For Nothing (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 2 – SIDE 4\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Closer To The Heart', 'Xanadu (Live)', 'Drum Solo (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 3 – SIDE 5\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['The Trees (Vault Edition)*', 'La Villa Strangiato (Live)', 'In The Mood (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 3 – SIDE 6\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['The Spirit Of Radio', 'Natural Science (Live)', 'A Passage To Bangkok (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 4 – SIDE 7\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Tom Sawyer', 'Limelight (Live)', 'Vital Signs (Live)', 'YYZ (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 4 – SIDE 8\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Subdivisions', 'Red Sector A', 'Witch Hunt (Live)', 'New World Man (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 5 – SIDE 9\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['The Big Money', 'Time Stand Still', 'Distant Early Warning (Live)', 'Superconductor']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 5 – SIDE 10\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Dreamline', 'Stick It Out', 'Test For Echo', 'The Rhythm Method (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 6 – SIDE 11\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['One Little Victory (Remixed)', 'Cygnus X-1 (Live)', 'The Seeker', 'Between The Wheels (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 6 – SIDE 12\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['The Main Monkey Business', 'Workin’ Them Angels (Live)', 'Freewill (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 7 – SIDE 13\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Red Barchetta (Live)', 'Headlong Flight', 'Manhattan Project (Live)']\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLP 7 – SIDE 14\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Jacob’s Ladder (Live)', 'What You’re Doing \/ Working Man \/ Garden Road (Live)*']\u003c\/p\u003e\u003cp\u003eDELUXE 4-CD EDITION\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCD 1\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e['Not Fade Away^', 'You Can’t Fight It^', 'Working Man (Vault Edition)^', 'Need Some Love (Live)*', 'Before And After (Live)*', 'Bad Boy (Live)*', 'Garden Road (Live)*', 'Anthem (Live)*', 'Fly By Night', 'Bastille Day', '2112: Overture \/ The Temples Of Syrinx', 'By-Tor \u0026amp; 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Included is the only known live recording of \"\u003cem\u003eBefore and After\u003c\/em\u003e\" and the earliest ever known live recording of their cover version of \"\u003cem\u003eBad Boy\u003c\/em\u003e\", described by legendary music journalist Stephen Thomas Erlewine as a \"genuine rock \u0026amp; roll classic\".\u003c\/p\u003e\n\n\u003cp\u003eThis broadcast also included the only known recordings of non-album \u003cstrong\u003eRush\u003c\/strong\u003e tracks, \"\u003cem\u003eI've Been Runnin'\u003c\/em\u003e\" and \"\u003cem\u003eThe Loser\u003c\/em\u003e\".\u003c\/p\u003e","brand":"FM","offers":[{"title":"CD","offer_id":52304672555339,"sku":"R2253-2051","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/5056083215126.jpg?v=1750262036"},{"product_id":"clockwork-angels","title":"Clockwork Angels","description":"\u003cp\u003eThe nineteenth and final studio album from Rush, originally released in 2012. 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The RIAA has certified Rush for having the third-highest number of consecutive gold and platinum studio albums by a rock band.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVapour Trails \u003c\/em\u003eis Rush’s 17th studio album, released after the band’s longest hiatus of five years ending in 2002. After personal tragedies in the late 1990s, Neil Peart considered himself retired from music. During a 5-year convalescence, traveling America on his motorcycle, Peart was eventually drawn back to his need to create, leading to the creation of \u003cem\u003eVapour Trails.\u003c\/em\u003e In an interview for Jam! In 2001, Geddy Lee emphasized that this album was for “the psychological health and welfare of all the people who have gone through a difficult time.” \u003cem\u003eVapour Trails\u003c\/em\u003e served as a testament to Rush's commitment to connecting with fans and propelled the band back onto the charts, reaching No. 3 in Canada and No. 6 in the U.S. - despite being born out of difficult circumstances.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFeedback\u003c\/em\u003e is Rush’s celebration of the band’s success and the 30th anniversary of their debut album Rush (1974). Returning to their roots of 60s garage rock, the album includes covers of influential songs from the band’s early days, including Buffalo Springfield’s “Mr. Soul,” The Who’s “The Seeker,” Cream's “Crossroads,” with additional covers of works from the Yardbirds, Love, and Blue Cheer. The cover record landed at No. 5 and No. 19 on the Billboard Canadian and U.S. charts.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSnakes and Arrows\u003c\/em\u003e continues Rush’s progressive rock legacy. Acting as their first slew of original material since \u003cem\u003eVapour Trails,\u003c\/em\u003e Peart emphasized, “[w]ithout a doubt, this is the best experience I’ve had making an album, ever.” Snakes and Arrows peaked at No. 3 in both Canada and the U.S., gained a Grammy nomination for Best Rock Instrumental Performance, and was named one of Classic Rock Magazine’s Ten Essential Progressive Rock Albums of the decade.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClockwork Angels\u003c\/em\u003e is the 20th and final studio album from Rush. Chronicling the story of a young man’s quest in an apocalyptic steampunk world, the concept album was later novelized by science fiction writer Kevin J. Anderson. 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The eight songs comprising Grace Under Pressure build from where September 1982’s \u003cem\u003eSignals\u003c\/em\u003e left off by fully embracing the tech and temper of the times while still remaining true to the band’s knack for blending progressive roots with radio-welcome song arrangements. Grace Under Pressure was co-produced by Rush with Peter Henderson and engineered by Paul Northfield with assistance from Frank Opolko and Robert Di Giola. It was the fourth in a series of Rush recording sessions ultimately held at Le Studio in Morin-Heights, Quebec. Rush’s instinctive recording process at Le Studio had been DNA-infused during sessions held there for the aforementioned Signals, in addition to February 1981’s \u003cem\u003eMoving Pictures\u003c\/em\u003e and January 1980’s \u003cem\u003ePermanent Waves\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5LP Description:\u003c\/p\u003e\n\u003cp\u003eGUP box features 5LPs and Blu-ray. LP1 features the 1984 stereo mix newly remastered. LP2 plays Terry Brown’s brand-new stereo mix of the album. Grace Under Pressure Tour: Live in Toronto 1984 album is on LPs 3, 4 and 5 plus the concert video on Blu-ray. Blu-ray also includes the GUP studio album newly mixed in Atmos and 5.1, Terry Brown’s new album mix, and 4 music videos. Geddy Lee pens the liner notes and Hugh Syme’s brilliant new illustrations are shown in the book. Great bonus collectibles included.\u003c\/p\u003e\n\u003cp\u003e4CD Description:\u003c\/p\u003e\n\u003cp\u003eGUP box features 4CDs and Blu-ray. CD1 features the 1984 stereo mix newly remastered. CD2 plays Terry Brown’s brand-new stereo mix of the album. Grace Under Pressure Tour: Live in Toronto 1984 album is on CDs 3 and 4 plus the concert video on Blu-ray. Blu-ray also includes the GUP studio album newly mixed in Atmos and 5.1, Terry Brown’s new album mix, and 4 music videos. 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Fronted by Geddy Lee’s piercing vocals and powered by Alex Lifeson’s gritty guitar work and John Rutsey’s hard-hitting drums, the album leans more toward early hard rock than the progressive style the band would soon define. 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Making good use of rare down time and favorable studio circumstances, the Canadian trio advances the incorporation of electronic instrumentation into its work and expands its vocabulary on a landmark renowned for adventurousness, musicianship, songwriting, and sonics. \u003cbr\u003e\u003cbr\u003eMastered at Mobile Fidelity Sound Lab's California studio from tape contained in boxes that show both \"master\" and \"safety copy\" on their labels, pressed at Fidelity Record Pressing, and strictly limited to 5,000 numbered copies, MoFi's UltraDisc One-Step 180g 45RPM 2LP box set presents the group’s platinum-certified 1977 effort in definitive sound. Housed in a deluxe slipcase containing a foil-stamped jacket for each LP, the premium packaging helps illuminate every aspect of the band’s fifth studio record. That extends to Hugh Syme’s striking cover art, a wasteland scene that telescopes the chilling themes of the title track and involves a demolition site, industrial smoke stack, hideous clown king, and Harbourcastle Hilton in downtown Toronto. \u003cbr\u003e\u003cbr\u003eBenefitting from superb groove definition, an ultra-low noise floor, and dead-quiet surfaces, this collectible reissue captures the music with palpable presence and solidity. The wider grooves of the 45RPM pressing also lend to improved tracking and high-frequency preservation. Such advantages have immeasurable value on \u003cem\u003eA Farewell to Kings\u003c\/em\u003e given how the album was recorded and the astoundingly detailed production. Simply consider what Rush captured amid the grounds of Rockfield Studios, located in the Welsh countryside. \u003cbr\u003e\u003cbr\u003eThe knocking, for example, at the entrance of \"Xanadu\" stems from the band recording outdoors in the studio's courtyard, with the sonic properties of the gravel paths and reflections bouncing off buildings preserved. The crisp guitar at the beginning of the title track was also recorded as Alex Lifeson strolled around outside. Chirping birds, witness to Rush’s experimentation, make an appearance on both tracks.  \u003cbr\u003e\u003cbr\u003eThroughout, \u003cem\u003eA Farewell to Kings\u003c\/em\u003e teems with nuances that enhance its atmospherics and arrangements. The band later discussed the large role colors, textures, and tones play in songs — and how they contributed to feelings of excitement and freedom that fueled Rush’s ambitions. Those in turn spurred the group to capitalize on possibilities to try different instrumentation, develop unusual time signatures, and construct extremely complex passages. Be it the bass pedals that gave Lifeson license to add a second guitar on “Xanadu” or the open spaces that invited Geddy Lee to adopt the Minimoog, Rockfield’s unique rooms and native surroundings were the ideal places to lay it all down. \u003cbr\u003e\u003cbr\u003eYou can now hear the results like never before on an album Lee believes holds up as well as any in the Rush catalog. Start with the contributions of drummer Neil Peart. His arsenal on A Farewell to Kings expands to include orchestra bells, tubular bells, temple blocks, wind chimes, a bell tree, glockenspiel, and more. Not to be outdone in terms of their tools, Lee augments his setup with a 12-string guitar and now-signature double-necked models. Lifeson, too, incorporates 12-string guitars of the acoustic and electric variety (including double-necked beasts) as well as a classical guitar and a bass-pedal synth of his own. \u003cbr\u003e\u003cbr\u003eAll the gear is put in service of songs that veer from short to long, quiet to loud, acoustic to electric, and nearly everything in between. Having bought themselves an indispensable hiatus from a non-stop album-tour-album-tour cycle with the release of the live All the World’s a Stage, Lee, Lifeson, and Peart learned their way around more instruments and honed prior skills with virtuosic intensity. They traveled to a studio outside their Toronto homebase for the first time, embraced the pastoral isolation at Rockfield, and mixed A Farewell to Kings in two weeks at Advision in London. \u003cbr\u003e\u003cbr\u003eIncredibly, the album took just three weeks to record. In just over a month, Rush created a breathtaking work that decidedly sees the trio evolving into a group with no immediate peer. The public came to that conclusion shortly after the release of A Farewell to Kings. But engineer Pat Moran already knew it when at Rockfield he watched Rush nail “Xanadu” in one single take. Loosely based on Coleridge’s “Kubla Khan” as well as Citizen Kane, the fantasy opus contains one of the most famous back-and-forth interplay exchanges in Rush’s oeuvre. \u003cbr\u003e\u003cbr\u003e“Closer to the Heart,” the only song Rush brought to Rockfield in complete form, attained just as much recognition, cracking the Top 40 in Britain and becoming a concert staple for decades. Co-written by Peter Talbot, the concise melodic anthem stands out for representing solutions and hope on a record on which a majority of narratives confront pressing problems. Its nearest cousin on A Farewell to Kings, “Cinderella Man,” draws from the 1936 film Mr. Deeds Goes to Town and pits the principled actions of a moral human against a corrupt society. \u003cbr\u003e\u003cbr\u003eAs if anticipating the future, Rush even provides \u003cem\u003eA Farewell to Kings\u003c\/em\u003e with a cliffhanger that would resolve on its next LP, Hemispheres. A sci-fi saga in which a curious protagonist voyages to the inner depths of a black hole and pays the ultimate price, the four-part “Cygnus X-1” is sound and fury, Rush barreling headlong into mystery and searching for something more. The journey had only just begun.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"2LP - Black","offer_id":57791985680715,"sku":"R9366-4886","price":199.99,"currency_code":"GBP","in_stock":true},{"title":"CD - SACD","offer_id":57791985713483,"sku":"R9366-5239","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/44b7a1f2-d0fc-4e20-cf54-642f21110f06.jpg?v=1783504644"},{"product_id":"rush-1","title":"Rush","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRush’s eponymous debut remains unique for being the only entry in the trio’s extensive catalog that doesn’t feature its renowned drummer and lyricist, Neil Peart. That distinction informs the foundational content and independent-minded story of Rush — whose straightforward performances and no-frills songwriting fascinate more than five decades after its original release in March 1974.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set presents the Canadian group’s self-titled effort in definitive audiophile sound and at 45RPM speed for the first time. Benefitting from superb groove definition, an ultra-low noise floor, and dead-quiet surfaces, this collectible version captures what went down at two Toronto studios with engaging presence, tonal precision, and enhanced dynamics. The wider grooves of the 45RPM pressing also contribute to improved tracking and high-frequency preservation. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat means the reaches of Geddy Lee’s signature high-pitched vocals can be experienced close to the manner the band desired when the members originally walked into Eastern Sound Studios in 1973 for its first session with producer Dave Stock. Though those initial recordings suffered from disappointments ranging from thinness, lightness, and out-of-phase problems, Rush — knowing they had to be corrected given the high stakes tied to first impressions — reconvened with engineer Terry Brown at Toronto Sound later that fall. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe drastic improvements Brown made can be heard like never before. His crucial overdubs, as well as Rush’s laying down of three new songs, put everything back on track. The fullness, body, and extension of the instruments — at this stage, limited to guitars, bass, and basic drums — emerge with newfound clarity and perspective. Afforded revealing separation, soundstaging, and imaging, the music comes across with a scale and size true to the asteroid-burst-like cover art and group’s “Energized Rock” motto. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFar from wishful thinking, Rush’s slogan developed out of its reputation as a formidable live act that helped build its chemistry across the better part of five years at high-school dances, bars, small arenas, and most any place that would host a rock ‘n’ roll group yearning to do more than cover songs. Such ambition led Rush to the studio to release an LP without label support. Created in tandem with its management team, the band’s Moon Records imprint pressed 3,500 copies of Rush largely for sale in its native Canada. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough the album gained traction, particularly amid the group’s home base of Ontario, an add by Cleveland radio station WMMS served as the fortuitous circumstance that ultimately put Rush on mainstream radars. Drawn to the song’s blue-collar lyrics and aspirational themes, DJ Donna Halper put “Working Man” in rotation after getting a copy of the record from an A\u0026amp;M Records executive who befriended the band. She then attended to the phones as listeners called up asking about Rush’s identity and where they could get a copy of the LP. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShortly after Rush blew up in Cleveland, Mercury Records stepped in to reissue the album and distribute it internationally. The spirit of radio — along with the satisfying combination of direct arrangements, blues-spiked hard rock, Lee’s trademark vocals, and Alex Lifeson’s strong guitar riffs and crisp leads — sent Rush on its way. One more dramatic twist of fate conspired to transform the band into what we know it today. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite his solid playing on deep cuts such as “In the Mood,” “Need Some Love,” and the complex acoustic-to-electric suite “Before and After” that hints at directions the band would soon pursue, drummer John Rutsey would bow out in late July 1974 — just before the Mercury version of the gold-certified Rush landed. Owing to a combination of health issues and incompatibilities with Lee and Lifeson’s musical interests, his departure paved the way for Peart, whose audition so impressed his mates that he was hired that night. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLee, Lifeson, and Peart would change the course of music and cultural history. 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Recorded only four months after Mercury picked up the band’s eponymous debut for international distribution and distinguished by the piercing yellow eyes of the owl on its illustrated cover art, the 1975 album hints at the ambitious pursuits, emotional contrasts, heady complexities, and involved storytelling that soon became trademarks of the Canadian trio. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSourced from the original analogue master tapes, pressed at Fidelity Record Pressing,  housed in a Stoughton gatefold jacket, and featuring a bonus photo print, Mobile Fidelity’s numbered-edition 180g 45RPM 2LP set presents the group’s platinum-certified sophomore effort in definitive sound and in 45RPM speed for the first time. Benefitting from superb groove definition, an ultra-low noise floor, and dead-quiet surfaces, this collectible reissue captures the music’s rhythmic acumen, pacing, and architecture with palpable grip and solidity. The wider grooves of the 45RPM pressing also lend to improved tracking and high-frequency preservation. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll the better for an album that Rush found satisfying to make with the same person (Terry Brown) and at the very studio (Toronto Sound) the group turned to rescue its debut from a host of production shortcomings. The kinship between Brown and the band is evident in how coherent everything sounds and feels. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWitness the instrumental detail, body, size, and separation — conveyed here with exceptional realism and presence. Soundstaging dimensionality, imaging accuracy, and frequency extension also benefit from Mobile Fidelity's sonic restoration. Rush fanatics can appreciate details such as Lee’s bass’ de-tuned E-string sent through a Fuzz-Tone pedal and repeated through an Echoplex on “By-Tor and the Snow Dog” like never before. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking within tight deadline frameworks, Rush seized the momentum it gained after “Working Man” lit up radio airwaves and Peart joined the ensemble weeks before it went back out on the road after a short break in August 1974. While touring non-stop and through North American cities big and small through the end of November, the collective established a chemistry that transferred to Fly By Night. And in Peart, the band not only found a virtuosic drummer but a storyteller whose literary wordsmithing matched its musical aspirations.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe newcomer had a hand in penning six of the eight songs on \u003cem\u003eFly by Night\u003c\/em\u003e. They include the beloved title track based on his experience as a teenager of flying to England on his first trip away from home as well as the J.R.R. Tolkien-influenced “Rivendell,” a mellow ballad notable for the lack of percussion and Lee’s turn on classical acoustic guitar. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWritten by all three members, the folk-rock tune “Making Memories” transpired after Rush took a wrong turn on the way to a gig on that all-important fall ‘74 trek. The prophetic opening couplet epitomizes the lasting bonds and all-for-one, one-for-all spirit that the group would harness en route to changing music history: “There's a time for feeling as good as we can\/The time is now, and there's no stopping us.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCome hell or high water, Peart and company wouldn’t be halted. Two of Peart’s most revered narratives — coupled with Lee and Lifeson’s striking arrangements — demonstrate why. Based on the novel of the same name by Ayn Rand, “Anthem” surges with assertiveness and self-empowerment. The band locks into the riffs it played with Peart during his original audition; his desire to suss them out told Lee and Lifeson they had their man.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOffering a peek into the insider humor that would follow Rush throughout its career, the four-part suite “By-Tor and the Snow Dog” boasts sophisticated progressions and fantasy themes that set it apart from anything on the band’s debut. The multi-structured sci-fi excursion didn’t escape the attention of a few suits at Mercury, who expressed alarm at the trio’s evolution from a straightahead hard-rock band. Little did they know. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith \u003cem\u003eFly by Night,\u003c\/em\u003e Rush starts a new chapter, doing the best it can. And then some.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"2LP - Black","offer_id":57792082182475,"sku":"R1966-0741","price":94.99,"currency_code":"GBP","in_stock":true},{"title":"SACD","offer_id":57792082215243,"sku":"R1966-1741","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/62a36d57-5fc1-b407-43aa-78cdb9266d64.jpg?v=1783506028"},{"product_id":"the-spirit-of-radio-greatest-hits-1974-1987","title":"The Spirit Of Radio: Greatest Hits 1974-1987","description":"\u003cp\u003e16 of \u003cstrong\u003eRush\u003c\/strong\u003e's greatest recordings come together here, tracing an iconic run from 1974 to 1987. 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