{"title":"Saddest Factory Records","description":null,"products":[{"product_id":"my-misery-will-bury-you","title":"My Misery Will Bury You","description":"\u003cp\u003eTo celebrate the one-year anniversary of Madison, Dahl has teamed up with former Sloppy Jane bass player, Phoebe Bridgers, for a limited-edition 7\" featuring two versions of Madison's focus track, \"Wilt.\" With the original track on Side A and Bridgers' stripped-back version on Side B, this anniversary release captures the essence of Madison in collaboration with one of its earliest members. \u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Black | 7\"","offer_id":50384389472587,"sku":"1169888","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/b772ff33-85b9-41ac-8c17-3a752dacff4a_thumbnail_4096.jpg?v=1726297827"},{"product_id":"silk-chiffon","title":"Silk Chiffon","description":"\u003cp\u003eMuna is magic. After releasing their now viral, life affirming, queer\nanthem “Silk Chiffon,” featuring the band’s new label head Phoebe\nBridgers, the band took 2022 by storm. Muna, the band’s self-\ntitled third album, is a feat of an album — the forceful, deliberate,\ndimensional output of a band who has nothing to prove to anyone\nexcept themselves. Muna was included on best of 2022 year end lists\nincluding Billboard, Los Angeles Times, Rolling Stone, Stereogum,\nTime Magazine, and many more. The band was also named\nConsequence’s Band of the Year. Muna is comprised of Katie Gavin\n(she\/they), Naomi McPherson (they\/them), and Josette Maskin\n(she\/they). \u003c\/p\u003e\u003cp\u003ePhoebe Bridgers’s verse on Silk Chiffon has been featured \/ performed live by Bowen Yang, Lorde, Lucy Dacus, boygenius, Nova Twins, Bimini and others.The flip is a version of \"“Silk Chiffon\" recorded at Electric Lady Studios. \u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"7\"","offer_id":50424349294923,"sku":"2047626","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/sad018.MUNA.silk_7dd940eb_thumbnail_4096.jpg?v=1726777551"},{"product_id":"what-a-relief","title":"What A Relief","description":"\u003cp\u003eAlbums of the Year 2024 - Number 84\u003c\/p\u003e\u003cp\u003eKatie Gavin’s debut \u003ci\u003eWhat A Relief\u003c\/i\u003e taps into the unguarded self-possession and homespun pop sensibility of singers like Alanis Morissette, Fiona Apple and Ani DiFranco, and uses their tenacity as a north star for Gavin’s own trek towards self-discovery.  “This record spans a lot of my life – it’s about having a really deep desire for connection, but also encountering all the obstacles that stood in my way to be able to achieve that, patterns of isolation or even boredom with the real work of love” they say. \u003c\/p\u003e\u003cp\u003eWritten over the course of seven years, What A Relief comprises a set of songs that Gavin always loved but which “had something in them” that she and her bandmates felt didn’t quite fit within the universe they were trying to cultivate with MUNA. Many of them were written on acoustic guitar, and are rooted in “a style of music that’s very much in my blood, and natural for me,” as typified by the Women and Songs CDs that Gavin loves, which compiled music by artists like Tracy Chapman, Tori Amos and Sarah McLachlan. \u003c\/p\u003e\u003cp\u003eThat openness of spirit is the overwhelming character of \u003ci\u003eWhat A Relief\u003c\/i\u003e, an album that’s refreshing in its willingness to accept people as they come, even as it remains in dogged pursuit of a life that’s kinder, wiser and more loving. Gavin’s explorations of desire and intimacy feel time-worn and necessary – songs that might teach a generation if not how to live, exactly, then at least how to look within oneself for guidance about how to move forward.\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Green LP.","offer_id":50445824917835,"sku":"2212239","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50445824262475,"sku":"2212237","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Green LP","offer_id":50445824524619,"sku":"2212238","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50445823836491,"sku":"2212236","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/sad011.katie.gavin.3000_4049ef38_thumbnail_4096.jpg?v=1727046907"},{"product_id":"nervous-at-night","title":"Nervous At Night","description":"\u003cp\u003eBorn into a musical family, as a child Charlie Hickey would obsessively watch videos of his parents on tour in their old band Uma, learning all the lyrics that he loved but didn’t understand. This introduction to music sowed a seed, and Hickey was soon writing songs of his own, playing on the guitars that lay around him and singing about the little details of his school days. He continued throughout his teen years, his songs becoming an outlet for the growing anxieties that Hickey now understands to be Obsessive Compulsive Disorder.\u003c\/p\u003e\u003cp\u003eThis journey has led to \u003ci\u003eNervous At Night\u003c\/i\u003e, Hickey’s debut album which releases via Phoebe Bridgers’ Saddest Factory Records. Where 2021’s \u003ci\u003eCount The Stairs\u003c\/i\u003e EP was an attempt to capture the rawness of his performance, \u003ci\u003eNervous At Night\u003c\/i\u003e comes alive within its production, Hickey and producer Marshall Vore leaning into their perfectionist tendencies to find the best version of each track. “He’s always interested in how you can push things further but also reigns them in when necessary,” Hickey says. “I think that’s the true hallmark of a good producer.”\u003c\/p\u003e\u003cp\u003eHickey calls it a pop record but admits that sonically it moves in many directions, an amalgamation of his love for the folk singers of yesteryear and more contemporary peers, from Taylor Swift and The 1975 to the Californian songwriter and producer Blake Mills. This shifting of styles – from the album’s quiet heavy-hearted ballads to its more gleaming, hook- led tracks - mirrors its overarching theme: life’s graceless passage between teenage years and adulthood.\u003c\/p\u003e\u003cp\u003eAnd so we have ‘Planet With Water’, a plaintive love song that bristles with nostalgia, Hickey singing of phone calls after school, of hearing a neighbor’s TV through the wall. Elsewhere ‘Mid Air’ holds a similar weight, Hickey singing of “spinning in mid-air, waiting for somewhere to land, or some face to show up” as the song flourishes around his voice, delicately accompanied by guest turns from fellow LA musicians Harrison Whitford, Christian Lee Hutson and Mason Stoops.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNervous At Night \u003c\/i\u003ecomes alive in its juxtapositions, chronicling the constant push and pull of life, both its stagnancy and motion. Chiefly though, this is an album about connection, how even through those struggles we rely on the people around us to keep moving forwards. “I’d like to write songs that are for everyone, that let people into my inner world while also hopefully making people feel less alone on their own. I hope that these songs can be there for somebody the way my favorite songs have been for me.”\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Yellow | LP","offer_id":50459016888651,"sku":"1148223","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50459016233291,"sku":"1148222","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50459016495435,"sku":"1148221","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/4798e180-e736-4a5d-8593-8906b3730329_thumbnail_4096.jpg?v=1727216394"},{"product_id":"super-monster","title":"Super Monster","description":"\u003cp\u003e\u003ci\u003eSuper Monster \u003c\/i\u003eis the first release on Saddest Factory, the new imprint label from Phoebe Bridgers.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eThe debut release on Phoebe Bridgers’ Saddest Factory Records, Super Monster is a vertiginous but joyous coming-of-age reckoning with such young love. Claud sees relationships as games of endless wonder, intrigue, and second-guesses, a roller-coaster thrilling you even when it’s terrifying. If \u003ci\u003eGold\u003c\/i\u003e turns the tension and indecision of a bad match into an undeniable bit of lithe disco, \u003ci\u003eThat’s Mr. Bitch To You\u003c\/i\u003e uses a spurt of righteous indignation to fuse a little soul and emo into one breathless hook. Super Monster is like a compulsive compilation that Claud culled from a lifetime of musical enthusiasms—the arcing alt-rock of ’90s airwaves, the rapturous pop of ’00s chart-toppers, the diligent genre-hopping of modern online life. Claud emerges as the chameleonic mastermind of this mélange, channeling all of love’s emotions into songs so sharp they make even the hardest times feel fun. \u003c\/p\u003e\u003cp\u003ePerhaps you are in the throes of one of these romantic moments yourself right now, resentful of a frustrating paramour like Claud during \u003ci\u003ePepsi\u003c\/i\u003e or indulging in lust like \u003ci\u003eIn or In Between\u003c\/i\u003e. Or maybe these songs recall those wild days and tough situations. Incisive, instant, and addictive Super Monster works on either level - to remind us of love’s wild ups and downs or to help us deal with them in real time. In that way, Mom, these songs are about dating, well, everyone. \u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Green | LP","offer_id":50465613316427,"sku":"1109314","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":50465613021515,"sku":"1109313","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50465614758219,"sku":"1109312","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/6f72085f-3b20-4d19-b6a4-116fe4095853_thumbnail_4096.jpg?v=1727293711"},{"product_id":"count-the-stairs","title":"Count the Stairs","description":"\u003cp\u003eBorn in 1999, Charlie Hickey grew up in South Pasadena, just minutes from Downtown Los Angeles. Raised by two singer-songwriter parents, Charlie’s second language was music since day one. As early as grade school, he was making sense of the world through songwriting, and by middle school he was writing, recording and performing songs that attracted a community of collaborators and could silence a room.\u003c\/p\u003e\u003cp\u003eA turning point for Charlie came at around the age of thirteen, when he covered a song by then up-and-coming artist Phoebe Bridgers, who was still in high school herself. The two quickly became friends and collaborators, setting Charlie on an exciting new musical path. Years later, Bridgers introduced Charlie to songwriter, drummer, producer and her bandmate Marshall Vore, who noticed something special about Charlie. The two began writing and recording songs together, and soon Charlie dropped out of school to work on his music full-time.\u003c\/p\u003e\u003cp\u003eCharlie Hickey’s first proper single, out now, is “No Good At Lying.” The Marshall Vore- produced track introduces us to Charlie’s evocative storytelling and features Phoebe Bridgers on backing vocals. “I’m no good at lying \/ on my back or through my teeth \/ but I’m good at dreaming \/ I can do it in my sleep,” he sings over hushed guitars and a whimsical banjo, searching for truth as his unconscious mind runs wild and bleeds into reality. It’s a slow, quiet, and understated peek to the world of Charlie Hickey, who is barely of legal drinking age, but taps into such universal themes that showcase a wisdom beyond his years and exudes promise for what’s to come.\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Silver | 12\"","offer_id":50483251380555,"sku":"1129691","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50483250954571,"sku":"1129689","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/aa9a80a9-923b-42ef-ba89-9054e04e9a82_thumbnail_4096.jpg?v=1727563535"},{"product_id":"supermodels-2","title":"Supermodels","description":"\u003cp\u003eNo matter your age or station, \u003ci\u003eSupermodels\u003c\/i\u003e is the sort of record you can hear yourself in. Claud’s engrossing and poignant second album is a confident diary of the mercury of life and love in one’s early 20s, whether it’s the self-doubt that creeps through its tunes or the place of compromise they try to find. It’s an exacting map of the emotional and logistical vicissitudes they’d encountered in their early 20s. Fissures in romances and friendships, pressures of recording careers, the casualties of growing up: Each of these 13 songs is another articulated diary entry, threaded together with scant regard for genre and with the roller-coaster of feeling that gives each tune such specific gravity. These are familiar topics for Claud, covering some of the same terrain as 2021’s \u003ci\u003eSuper Monster\u003c\/i\u003e. But there is a newfound confidence to the ideas here, rendered in structures and hooks that do not equivocate as they move from frowning folk to boisterous pop to twisted piano curios. Where \u003ci\u003eSupermodels\u003c\/i\u003e was rendered mostly in their childhood bedroom, this was cut in a place of their own, with a team of confidants and collaborators building them into resplendent productions. \u003ci\u003eSupermodels\u003c\/i\u003e takes its name from “Screwdriver.” “You caught me looking at photographs of supermodels,” they sing, voice rising slowly over the elegiac line penned on that free and broken piano. “Trying not to cry when I look back at myself.” It’s a staggering moment, a reminder of the ways we’re all working to stop seeing ourselves as less than and not equal to, to beat back a dozen different insecurities that we try to store in the deepest recesses of our facade. But Claud doesn’t hide anything on \u003ci\u003eSupermodels\u003c\/i\u003e. They are kernels of despair, redemption, and, ultimately, insight, here to remind us we’re neither the first nor the last to face these blues and keep going.\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"Blue LP","offer_id":50485942190411,"sku":"2023679","price":32.99,"currency_code":"GBP","in_stock":true},{"title":"Tape","offer_id":50485941829963,"sku":"2023677","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50485941567819,"sku":"2023676","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50485942026571,"sku":"2023678","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/HUSm7TM_003de44f_thumbnail_4096.jpg?v=1727604945"},{"product_id":"muna","title":"Muna","description":"\u003cp\u003e\u003cstrong\u003eMuna\u003c\/strong\u003e is magic. What other band could have stamped the forsaken year of 2021 with spangles and pom-poms, could have made you sing (and maybe even believe) that \"\u003cem\u003eLife's so fun\u003c\/em\u003e, life's so fun,\" during what may well have been the most uneasy stretch of your life?\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMuna\u003c\/strong\u003e's instant-classic cult smash, \"\u003cem\u003eSilk Chiffon\u003c\/em\u003e,\" featuring the band's new label head \u003cstrong\u003ePhoebe Bridgers\u003c\/strong\u003e, hit the gray skies of the pandemic's year-and-a-half mark like a double rainbow.\u003c\/p\u003e\n\n\u003cp\u003eSince \u003cstrong\u003eMuna\u003c\/strong\u003e — lead singer\/songwriter \u003cstrong\u003eKatie Gavin\u003c\/strong\u003e, guitarist\/producer \u003cstrong\u003eNaomi McPherson\u003c\/strong\u003e, guitarist \u003cstrong\u003eJosette Maskin\u003c\/strong\u003e — began making music together in college, at USC, they'd always embraced pain as a bedrock of longing, a part of growing up, and an inherent factor of marginalized experience: the band's members belong to queer and minority communities, and play for these fellow-travelers above all.\u003c\/p\u003e\n\n\u003cp\u003eBut sometimes, for \u003cstrong\u003eMuna\u003c\/strong\u003e, after nearly a decade of friendship and a long stretch of pandemic-induced self-reckoning, the most radical note possible is that of bliss. \u003cem\u003eMuna\u003c\/em\u003e, the band's self-titled third album, is a landmark — the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves.\u003c\/p\u003e\n\n\u003cp\u003eThe synth on \"\u003cem\u003eWhat I Want\u003c\/em\u003e\" scintillates like a \u003cstrong\u003eRobyn\u003c\/strong\u003e dance-floor anthem; \"\u003cem\u003eAnything But Me\u003c\/em\u003e,\" galloping in 12\/8, gives off \u003cstrong\u003eShania Twain\u003c\/strong\u003e in eighties neon; \"\u003cem\u003eKind of Girl\u003c\/em\u003e,\" with its soaring, plaintive \u003cstrong\u003eThe Chicks\u003c\/strong\u003e chorus, begs to be sung at max volume with your best friends.\u003c\/p\u003e\n\n\u003cp\u003eIt's marked by a newfound creative assurance and technical ability, both in terms of \u003cstrong\u003eMcPherson\u003c\/strong\u003e and \u003cstrong\u003eMaskin\u003c\/strong\u003e's arrangements and production as well as \u003cstrong\u003eGavin\u003c\/strong\u003e's songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace.\u003c\/p\u003e\n\n\u003cp\u003eHere, more than ever, \u003cstrong\u003eMuna\u003c\/strong\u003e musters their unique powers to break through the existential muck and transport you, suddenly, into a room where everything is possible — a place where the disco ball's never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof, and self-consciousness only sharpens the swell of joy.\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"LP - Opaque White","offer_id":57375042863435,"sku":"R9770-9582","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"LP - Green","offer_id":50486229205323,"sku":"1148706","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"LP - Black","offer_id":50486229467467,"sku":"1148705","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50486229827915,"sku":"1148704","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/78b754ba-d05c-4e0b-9dae-c2f52b21acd7_thumbnail_4096.jpg?v=1727606956"},{"product_id":"madison","title":"Madison","description":"\u003cp\u003e“A big part of the project and why I did it,” says Sloppy Jane’s Haley Dahl of her Saddest Factory debut \u003ci\u003eMadison\u003c\/i\u003e, “Was because it felt similar to being a little kid and buying an outfit that was too big that I’d have to grow into. I really valued from the start that making\u003ci\u003e Madison\u003c\/i\u003e gave me someone I had to become.” The record, which Dahl first conceived of back in late 2017, is a grand gesture, a statement about big love, and about growing into yourself in the process.\u003c\/p\u003e\u003cp\u003eDahl and her 21 bandmates recorded all of \u003ci\u003eMadison\u003c\/i\u003e at the Lost World Caverns in West Virginia from 3pm to 8:30am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they’d enter through the back of a gift shop, down a long tunnel where they’d walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave. It’s the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. \u003ci\u003eMadison\u003c\/i\u003e is an astounding, glorious record of melodrama of the highest order\u003c\/p\u003e","brand":"Saddest Factory Records","offers":[{"title":"CD","offer_id":50500968055115,"sku":"1132420","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50500968481099,"sku":"1132422","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/7e34badd-3340-4ef9-9008-1adbba87454b_thumbnail_4096.jpg?v=1727780982"},{"product_id":"you-are-the-morning","title":"You Are The Morning","description":"\u003cp\u003eThe first UK signee on Saddest Factory Records, the album was produced by Julien Baker, Phoebe Bridgers and Lucy Dacus.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eYou Are The Morning\u003c\/i\u003e was formed amid personal upheaval in 2021. “I came out as trans to my nearest and dearest,” she says, “Some did not accept me, but some did.” Jasmine got divorced, and a difficult home life meant she was writing while experiencing homelessness and precarious housing, sleeping on friend’s couches and relying on community support. Despite the pain of some of its background, the record is an uplifting look at t4t love. Jasmine describes her first trans romance as the first time she experienced joy in a deep sense, because of her experience of living as a woman. First single ‘Skin on Skin’ explores the new joy of physical touch. Usually a quick writer, it’s a rare song that grew over time, during which a close connection with a friend began to form. “Sticking to the physical boundaries we wanted to have with each other became increasingly difficult. We were spending lots of time together, then falling in love. This song became a celebration of healing and physical catharsis found through unrepressed queer love.\u003c\/p\u003e\u003cp\u003eJasmine and her band travelled to L.A. to record at Sound City Studios. It was made across 12 days in a highly collaborative and emotional process, and because Jasmine sees her songs as fluid and ever-changing, the recordings carry that free and spontaneous spirit.jasmine.4.t is supported by an all-trans band, Phoenix Rousiamanis contributes piano and strings, with Eden O’Brien on drums and Emily Abbott on bass. With Jasmine’s voice and songwriting at the centre, the record incorporates a wider cast of voices. ‘Best Friend’s House’ features a chorus including her bandmates, Julien Baker, Phoebe Bridgers and Lucy Dacus (“the girls and the boys”), Saddest Factory Records label-mate Claud, Becca Mancari and E.R. Fightmaster. The song carries the communal spirit of the record’s creation. On the closing track, ‘Woman’, she is backed by the Trans Chorus of Los Angeles, a cross-generational group of trans singers who, like Jasmine, use their voice as a source of communal power. The song blossoms from solo performance to wider group catharsis. 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