{"title":"Slip","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSlip N Slide is a legendary music label that emerged in London during the early 90s. It quickly became a trendsetter in the US House music scene, alongside other influential labels like Strictly Rhythm and Nervous Records. Known for taking chances on talented young producers, Slip N Slide has released some of the best tracks and remixes from now iconic DJs and producers such as *X-Press 2*, *Deep Dish*, *Masters At Work*, *Kings Of Tomorrow*, *King Britt*, *Josh Wink*, *Peace Division*, *Joey Negro* and the mighty *Blaze*. \u003c\/p\u003e\n\n\u003cp\u003eWhat sets Slip N Slide apart is its refusal to be confined to one sound. The label constantly seeks out the most exciting new music, never afraid to take risks. Over the years, Slip N Slide has introduced rising stars like Solid Groove (Switch), Robbie Rivera, Ian Carey, Antoine Clamaran, Djaimin, Amira and many others who have gone on to achieve great success.\u003c\/p\u003e\n\n\u003cp\u003eIn recent years, Slip N Slide has embraced big changes in the music industry by inviting both legendary producers and hot new talent to collaborate. This open-minded approach has resulted in an impressive roster of artists including Tiger Stripes, DJ Delicious, John Dahlback, DJ Yellow, Liquid People, Hipp-E, Mr.V and many more. With a passion for house music that knows no bounds, Slip N Slide is ready to face\u003c\/p\u003e","products":[{"product_id":"ample-profanity","title":"Ample Profanity","description":"\u003cp\u003eFirst proper collab between important lynchpins of the UK avant-classical nexus: Oliver Coates and Laurie Tompkins. No wave primitivism clashes quieter cello sensitivities and possessed vox. RIYL Jandek, Mica Levi, Oliver Coates, Yeah You. Shits are not given by Laurie Tompkins and Oliver Coates on Ample Profanity; a let-it-all-out session of deviant, punkish avant-classical composition hallucinated and expectorated by two prodigious talents. An ideally off-centre and brazenly wigged-out follow-up to aces from Chaines, Yeah You and Ashley Paul already released in 2018 by Slip - the label Laurie runs with friends between London and Newcastle. Laurie supposes and composes on keys, tapes and samples, and Oliver does his part on cello and FX. They both sing, if your definition stretches that far. What we can agree on, though, is that Ample Profanity is a steaming pile of madness quite unlike anything else in circulation right now. Still feral from his cultishly acclaimed Heat, War, Sweat, Law album, Laurie is matched by a usually more collected Coates, who, while often hardly distinguishable from the maelstrom, certainly doesn’t impede the lunacy, and seems to encourage it, grasping the opportunity to freak out properly adjunct to his solo work and collabs with Mica Levi. Kicking off with Sniffin’ Samgh, a possessed study in primal vocals and lurching, yelpy strings, the session turns variously thru quieter, asymmetric ideas in Peejayargh to cough up its spicy noise guts in RP Beal, before they settle into a call-and-response of quizzical sighs and plucks on Lime Rugis, and set about hacking up a wickedly dissonant tussle between no wave guitars, intercepted phone calls and edge-of-sanity blasts into the void with Charterhouse, Vinci. It’s maybe not what you might expect from a former winner of the Royal Philharmonic Society’s Young Artist Award 2011, and a graduate of the RNCM, or maybe it is. Either way, Ample Profanity is beautiful, funny and f*cked up in equally satisfying measures. \u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F449104278\u0026amp;show_artwork=true\u0026amp;color=f2667e\u0026amp;buying=false\u0026amp;theme_color=232323\u0026amp;font=Helvetica+Neue\u0026amp;show_user=false\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Slip","offers":[{"title":"LP","offer_id":50480359571787,"sku":"1040395","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/08d462fc-109a-40f1-b6b3-3486b8e5932a_thumbnail_4096.jpg?v=1727519124"},{"product_id":"prisons-for-profit","title":"Prisons For Profit","description":"\u003cp\u003eCherry Red coloured 7\" vinyl in printed sleeve with 2-sided fold-out A4 insert. \u003ci\u003ePrisons For Profit\u003c\/i\u003e is the neighbour release of the full-length \u003ci\u003eIt's All True\u003c\/i\u003e, a bite-sized preview of New York ensemble Object Collection's opera-in-suspension based on the live archives of iconic underground band Fugazi. Grounded upon the Live Archive series of the Washington DC outfit, composer Travis Just and writer \/ director Kara Feely's work uses only the incidental music, text and sounds, none of Fugazi's actual songs, to build a disorienting wall of voices, instruments and raw polemic. Collected here are two tracks exclusive to this EP: \u003ci\u003ePrisons For Profit\u003c\/i\u003e and \u003ci\u003eMale Lame-Asses\u003c\/i\u003e, alongside the LP cut What's \u003ci\u003eThe Problem\u003c\/i\u003e. Limited edition cherry red 7” vinyl with artwork featuring Henrik Beck's beautiful photography of the original stage production, and a 2-sided printed insert. Mastered and cut by by Josh Bonati. Object Collection was founded in 2004 by writer \/ director Kara Feely and composer \/ musician Travis Just. Based in Brooklyn, the group operates within the intersecting practices of performance, experimental music and theater. They are concerned with simultaneity, complexity, and radicality, combining dense layers of text, notation, objects and processes. They work to give audiences unconventional viewing experiences through our merging of theatricality and pedestrian activity. Their works upset habitual notions of time, pace, progression and virtuosity. They value accumulation above cohesion.\u003c\/p\u003e","brand":"Slip","offers":[{"title":"7\"","offer_id":50496085000523,"sku":"1014817","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/1dd2a4a5-1210-47a7-b3d7-71a77a5ca314_thumbnail_4096.jpg?v=1727716899"},{"product_id":"it-s-all-true","title":"It's All True","description":"\u003cp\u003e\u003ci\u003eIt's All True\u003c\/i\u003e is an opera-in-suspension from New York ensemble Object Collection based on the complete live archives of iconic underground band Fugazi. Grounded upon the Live Archive series of the Washington DC outfit, composer Travis Just and writer \/ director Kara Feely's work uses only the incidental music, text and sounds, none of Fugazi's actual songs. An obsessive leap into 1500 hours of gig detritus spanning shows from 1987 to 2002, and encompassing random feedback, aimless drum noodling, pre-show activist speeches, audience hecklers, and the police breaking up gigs. All of this material is the foundation of an ear-body-and-mind-flossing 100 minutes for 4 voices \/ performers, 4 electric guitars\/basses and 2 percussionists. \u003ci\u003eIt's All True\u003c\/i\u003e is overloaded, maddening, mundane, properly funny, and a radical incitement to action. Half of this delectably bruising megalith is collected here for the first time and on the accompanying \u003ci\u003ePrisons For Profit\u003c\/i\u003e EP, which together form Object Collection's debut outings on Slip. The label itself came to a lot of people’s attention last year with the release of Mica Levi and Oliver Coates stunning Remain Calm collaboration, a track from which was recently picked by the New York Times in it’s article 25 Songs \u003ci\u003eThat Tell Us Where Music Is Going\u003c\/i\u003e. \u003ci\u003eIt’s All True\u003c\/i\u003e was commissioned by and premiered at 2016’s Borealis Festival in Bergen, Norway. The album is available on 12” vinyl and CD with artwork featuring Henrik Beck's beautiful photography of the original stage production. Vinyl comes with a foldout doublesided A2 newspaper print featuring both performance text and liner notes, replicated in the CD edition as a 20 page booklet. Mastered and cut by by Josh Bonati.\u003c\/p\u003e\u003cp\u003eCD - Standard jewel case with 20 page full colour booklet.\u003c\/p\u003e\u003cp\u003eLP - Single vinyl LP in standard 3mm spine, double-sided fold-out A2 insert and download card.\u003c\/p\u003e","brand":"Slip","offers":[{"title":"CD","offer_id":50497647116619,"sku":"1014818","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50497647771979,"sku":"1014819","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/files\/58447312-6a90-4f19-9cbc-73991eebb16a_thumbnail_4096.jpg?v=1727729492"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0867\/1120\/6219\/collections\/test_9fc55cac_thumbnail_4096_12f2b5e2-5921-4f87-8777-138e8716f876.jpg?v=1727519104","url":"https:\/\/shop.roughtrade.com\/de\/collections\/slip.oembed","provider":"Rough Trade","version":"1.0","type":"link"}